‘Cherry Boom Boom’ Makes Triumphant Vegas Return


Bawdy skin-fest opens at HOOTERS August 15th…..

Thanks to my partner-in-crime at VegasFool.com, I just learned that the uproarious burlesque musical ‘Cherry Boom Boom’ is coming back to Vegas. Its original run at TROPICANA in 2016 was prematurely clipped at the cowboy boots after only a few short weeks. But that was due to plenty of behind-the-scenes drama at the long-troubled Tropicana Showroom and not the fault of the show itself. 

While it’s likely that the smaller showroom and stage at Hooters Hotel Casino will require an overhaul of the production, there’s no question in my mind that the heart of ‘Cherry Boom Boom’ will still beat hard, strong and bright red, So in anticipation of its second helping of sweetness, here’s my review as published during the initial Tropicana run. Get tickets for the Hooters relaunch by visiting Vegas Fool through this LINK. Prices start at only $37 plus taxes/fees. 

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WTF did I just see? I can’t really say for sure, but it was enjoyable to the max. Yes, a T & A girl-power topless revue getting a positive review from a male member of the LGBTQ community. Is that an impressive endorsement? I would have to say “yes.” And you’ll be saying “Oh, yes” if you make it to Tropicana to check out Cherry Boom Boom.

I’m going to be absolutely direct here – Cherry Boom Boom is effing crazy. It makes no real sense, despite offering some semblance of a love-story plot. Does it take place in a brothel? A Coyote Ugly-style roadhouse? Perhaps a surreal make-believe world where men barely exist and gorgeous women dance and get intimate together in various types of fetish gear and hard-rocking costumes? Honestly, I couldn’t tell you…not that it matters.

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The goal of a burlesque show, either traditional or in one of its many recent re-imaginings (like Absinthe), is to stimulate and entertain. The cast of Cherry Boom Boom does so in spades. It’s worth mentioning that the number of performers is surprisingly large for a production of this nature. But since Cherry has avoided the burlesque moniker in favor of “Rock ‘n Roll A Go-Go”, it’s clear that they’re intent on re-writing the rules for Vegas topless revues.

Tropicana‘s main showroom has a wide, deep stage, which CBB (let’s stick to that abbreviation for awhile) utilizes to the max. The lone two-level set is massive, adorned with chains, large video screens, parallel bars…and a stripper pole road sign. Production numbers fill every corner, zipping around to dizzying effect. It’s the antithesis of Jubilee‘s slow-strolling showgirls of Vegas past.

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High above the stage and to the left is a boudoir decorated in vivid pinks. An aerial acrobatic ring descends from the ceiling on occasion, and various props are wheeled out to accommodate specialty acts. They include a mechanical bull and a human-sized bird cage.

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Hosted by the androgynous “P*ssy Control” (perhaps named after the song by Prince, whose catalog gets a visit in the soundtrack), the central romance is basically a flimsy coat-hanger on which to hang libido-stimulating production numbers. It’s played out in a world of rock music, bullwhips, lingerie and cowboy boots.

A pair of small-town innocents (Rock of Ages, cough-cough) take jobs at “Cherry Boom Boom”, the brothel/nightclub/whatever of the title. Their first meeting and subsequent romance are mostly mimed wordlessly while naughty action swirls around them. Naturally, they’re drawn into this fantasy lifestyle and decide to explore their own desires. Eventually, they get back together and things wrap up in a finale reminiscent of Grease.

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If it wasn’t for the charm of the two principals and their amusing explorations of lust, the plotline could easily be eliminated, and CBB would still be a solid, satisfying production. The performers are some of the most physically attractive women on the Strip. There’s also a hard-bodied juggling aerial cowboy tossed in for girls (and gays).

Costuming is top-notch, the choreography is consistently impressive, and some sequences are downright breathtaking….especially one using wheeled mirror panels and another involving cafe chairs.

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Then there’s the soundtrack. Much like Rock of AgesCBB is a jukebox of hits, but this one crosses genres and spans decades of heart-pounding favorites. I had a hard time staying still in my seat. The songbook includes favorites from artists like AC/DC, Joan Jett, Led Zeppelin, Lenny Kravitz, Elvis Presley, Foo Fighters, Melissa Etheridge and Heart. Almost all are the original recordings, mixed and arranged for maximum impact. I noticed only one cover version (“Darling Nikki” by the omnisexual Prince).

Tropicana has had a rough go of it for the last few years, at least with their entertainment offerings. When the rare hit comes along, fate intervenes and things still go awry. Here’s hoping that Cherry Boom Boom is the one that breaks the Tropicana Showroom curse. It truly is a blast…and one that deserves to last.

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‘Cherry Boom Boom’ is scheduled to perform 11pm Thursday through Saturday at Hooters Hotel Casino starting August 15th. Tickets start at $37 plus taxes/fees and can be ordered here

Photos: Sam Novak, Diane L., Cherry Boom Boom

Blue Man Group – Fresh and Vibrant as Ever


Guest author Kristopher Kidd of discount ticketing site VegasFool.com grabs the reins for a review of the latest iteration of a long-running favorite…

If you’ve been visiting Las Vegas for any amount of time, there is no doubt that the colorful Blue Man Group have at least piqued your interest. Their Las Vegas journey began years ago at Luxor, followed by a move to Venetian, then Monte Carlo and now back again to Luxor.

Being one of the longest-running shows in the city is quite the accomplishment. Having seen the show before (and blown away), I was wondering if the Blue men had anything new up their sleeves. I was not disappointed.

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From the Blue Man-themed box office to the paper streamers before the show, we already knew we were about to experience something unique and fun. With so many new and re-imagined acts, it felt like I was seeing something familiar yet also somehow new.

The smoke drums are now one of my favorite parts of BMG. You’ll even be treated to the Big Drum, which is only found in the Las Vegas version of the show (Blue Man Group performs in New York, Chicago, Boston, Orlando, and Berlin as well).

Have no fear, many of your favorite Blue Man moments are still a part of the show. This includes catching marshmallows in their mouths from across the stage, the drum-bone, embarrassing late arrivals and the iconic paint drums.

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Yes, Blue Man is still loud, still hilarious, still in your face, and still the masters of sound using unconventional items for instruments. Who knew that three blue men with no ears could be such brilliant musicians?

On top of being a visual comedy concert, Blue Man also makes you think. They are better philosophers than they get credit for. Staying culturally relevant by exposing our obsession with smartphones gives the audience a chance to remind themselves to live in the moment.

The atrium-level theater at Luxor is one of the coziest you will find. With the show being so massive and the theater being so well laid out, you will literally feel the vibrations of the PVC pipe percussion.  If you’re brave enough to grab seats up front, parts of the show might land in your lap…in the form of paint and Twinkies.

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Don’t worry, ponchos are provided for those sitting in the appropriately named ‘poncho’ seats. Even sitting in the second half of the theater, you will still likely be within a few feet of a Blue Man at some point in the show. The interaction and audience involvement is all part of the fun.

Las Vegas shows sometimes struggle at simultaneously being entertaining for kids, teens, and adults. It’s hard for a show to appeal to all ages, but Blue Man Group is entertaining for everyone. It’s worth belaboring the point that it’s wildly entertaining even if your group consists of only adults.

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What’s so brilliant about BMG is their ability to entertain in many ways. It’s not just funny. It’s not just musical. It’s not just visual…it’s all of the above. You could even say it’s physically exhausting, not just for the performers, but for the audience.

Keeping up with so much activity at once is quite the accomplishment, so much so that you may be tempted to see the production again for anything you may have missed. From start to finish, the guys in blue will keep you entertained and engaged. The end of the show is as unexpected and hysterical as ever.

Blue Man Group is way too much fun!

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Blue Man Group performs nightly at 7 p.m. and 9:30 p.m. at Luxor Hotel Casino. Tickets can be purchased here. Deals for all other Las Vegas shows can be found by clicking here. The author of this article can be reached via email at KKidd@vegasfool.com

Photos: Blue Man Group, Kristopher Kidd