The Remarkable Double Life of CELESTIA’s Roman Mokrenko


Ukrainian aerialist’s gravity-defying career path will astound you…

Click HERE to read via BestOfVegas.com…

Sometimes the pressure of our daily routine makes us say “I just want to run away and join the circus”. But have you ever known someone who actually has? Well, meet a man who ditched his white-collar career for a chance at Sin City’s newest big tent spectacular.

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Roman Mokrenko is a 29-year-old Ukrainian from the port city of Odessa. Known as the “Pearl of the Black Sea”, Odessa boasts amazing architecture and a renowned Opera and Ballet Theater. The natural beauty of the Ukraine is as much a part of Roman as his love for physical arts. A longtime athlete, he studied acrobatics before pursuing a career in law. While attending the National University Odessa Law Academy, he simultaneously became a Junior Lieutenant in Military School. 

Being both a lawyer and a military officer didn’t extinguish Roman’s desire to accomplish something artistic:

One moment I just realized that this office life is not for me. I cannot live without a “scene”. Thank God I have a background in acrobatics and artistic gymnastics…I almost never stop training. There is too much energy in my head and body that I have to “splash” somewhere.

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If you’re going to make a splash, what better pool than the Las Vegas entertainment scene? There are countless productions here that incorporate aerialists, gymnasts, acrobats and contortionists. So when Roman discovered a casting call for the new circus-style show CELESTIA at The STRAT, he decided to take the plunge.

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I applied for the casting without much hope. Here you can see the best artists of the world. I thought it was impossible, but now I’m here! This is my favorite part of life in Las Vegas. I have seen almost every show.

Roman arrived in Las Vegas on Valentine’s Day 2018. You might say that this was the beginning of a love affair with Sin City’s desert. Although he misses life by the sea, the excitement of performing in Vegas has allowed Roman to reach new heights. He just had to learn how to deal with the scorching climate.

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Air conditioning saves us from extreme heat. But sometimes when I have practice in the afternoon it just helps to warm up and train without a shirt. On stage, the artist must look divine. Not for nothing that I train every day and stay on these diets. If you have something to show off, then why not?

He may joke about flaunting his chiseled abs, but Roman’s physique has landed him several modeling gigs…some of them a bit unusual.

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I was a sketch model several times in New York City when the show was being revised. People sit in circles, have drinks and make sketches while you’re almost naked. I’ve had several shoots with photographers…one was for a foot fetish site, haha!

That Ukrainian sense of humor comes through in Roman’s character work for CELESTIA, but it’s his physical abilities that stand out. He hopes that audiences will be inspired by his feats and channel that into their own fitness journey.

We’re on our phones all the time, but we can do it with some “profit”. Keeping in shape is much easier than going in and out of form. For ordinary people (not performers), 30 minutes a day will be enough. Just walk on a treadmill and watch a movie or play a game.  

When not entertaining crowds, Roman still finds himself in the company of fellow artists. After a massage and hearty breakfast at Omelet House, he heads to a very unique school:

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I like Nevada Rhythmic Academy. It’s a place where I can train, invent new acts, meet artists from other shows and try something new together. There is a real aura of the gym in which I grew up.

Mokrenko is considering buying a home here in Las Vegas, but there are a few dreams overseas yet to realize:

One day I’d like to be live on a stage with Ludovico Einaudi, Max Richter, Olafur Arnalds or Hans Zimmer. They are my favorites. And I want to perform with Nederlands Dans Theater. It will be an amazing mix between ballet and aerial performance…like dancing in the air!

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CELESTIA performs Wednesday through Sunday at 7 p.m. with additional 9 p.m. shows Friday through Sunday.

 

 

 

 

 

 

 

 

 

 

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Hot Guys of Vegas: Mathieu Bolillo


France’s man of mystery lets his body do the talking…

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There are performers and celebrities who could chat all day about themselves. Without them, we wouldn’t have gossip websites, grocery store tabloids and gab sessions with Ellen Degeneres. Mathieu Bolillo is different. Taking the lead from Olivia Newton-John, he prefers to just get physical.

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My first encounter with Mathieu was this past February on my birthday. It happened to coincide with his debut performance in a new brunch show. It’s hard to focus on your eggs when this fireplug of muscle walks onto the stage, strips off his shirt and commences with a dazzling routine that would have you swearing off croissants for the rest of your life.

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I had to do some digging to learn more about this rippling hunk of inspiration. There are precious few personal details about the athletic Frenchman on his website…but plenty of eye candy and physical feats to wow and impress. So I reached out to Mathieu directly and asked him to tell me more about himself.

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Naturally, the strong-and-silent hunk admitted that he preferred to keep his private life close to his bare chest….er, “vest”.

I have one sister and we were born in Bordeaux, France. I’m raised in France with Spanish, Arabic and international influences due to the origins of my parents and to my high level gymnastic background.

As an international artist, Mathieu has performed in his home country, Germany, Spain, throughout Asia on board the Golden Princess cruise ship….and of course, in Las Vegas. 

Bolillo spent six years with the cast of Cirque du Soleil’s KA at MGM Grand, defying gravity nightly in the long-running epic production. Returning to France in 2010, he contracted a very serious case of chicken pox that nearly claimed his life (adult cases are much more severe than the childhood variety). It took a year to recover and get back his strength and physique.

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In order to set himself apart in the competitive world of athletic entertainment, Bolillo created a new apparatus that he calls the Balance Wheel. His innovative design and self-taught act garnered him the 2016 U.S. Aerial Champion Award for “New and Innovative Apparatus”. It also launched the next phase of his career.

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A self-proclaimed “fitness freak”, Mathieu has an intense desire to push his body to the limit. That’s led to impressive stunt work in films. He’s also a go-to for innovative modeling shoots, special events and fitness workshops. Even in his down time, Bolillo can’t seem to rest…he includes soccer, crossfit and basketball as methods of “relaxation”.

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The new production I met Mathieu at sadly didn’t last, but that’s the reality of entertainment in Sin City. Looking ahead, the ambitious 39-year-old is hoping to lend his talents to new innovative productions. He’d also like to work more in front of the cameras. His expressive face, hot body and sultry voice are tailor-made to capture attention.

Just don’t ask him to talk about himself…

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You can follow Mathieu Bolillo by visiting his Instagram page

 

‘Aussie Heat’ Fires Up the Strip


The “other” Down-Under male revue is faster/hotter/better than you’d ever expect…

In the world of sexy productions, male revues get very little respect. Audiences unfamiliar with these productions may have had their perceptions tarnished by cheesy appearances on 90’s daytime talk shows. But today’s male revues are polished, contemporary and well-mounted stage productions. And they’re enjoyable by all adult audiences, not just breathless bachelorette parties.

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Naturally, their are noticeable differences in what they have to offer. Chippendales remains the gold standard with a cast of towering, beefy clean-cut hardbodies. Magic Mike Live wraps their slim young pretty-boys in a ribbon of female-empowerment with the unusual addition of a female host. Black Magic Live offers an African-American cast direct from Lifetime Television Network. Then there’s Thunder From Down Under, the long-running production at Excalibur packed with sweaty wild boys from “Oz”.

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If you’re wondering why Sin City would need another Australia-based male revue, then you haven’t seen Aussie Heat.  Two minutes into this daring production and you’ll know that it’s completely different from anything else in the city. You owe it to yourself and your friends to head over to V Theater inside Planet Hollywood Miracle Mile Shops and experience this stunning show right away.

While other male revues tend to recruit guys based on their looks/physique then teach them how to groove, the Aussie Heat hunks are established dancers and acrobats. Break dancing, flips, pop-lock moves and sensual grinds were already in their blood long before joining the troupe. It’s just so happens that their athletic bodies and handsome faces match their amazing abilities. It’s a surefire combination delivering thrills that can’t be topped anywhere. 

When not raising temperatures onstage, the Aussie Heat cast is actively involved in a number of charitable causes. The guys conduct dance classes and an annual fundraising show at Opportunity Village, a local organization dedicated to enriching the lives of disabled adults. They actively support the American Cancer Society via an ongoing “Real Men Wear Pink” fundraiser and participate at numerous events like AFAN‘s annual AIDS Walk and Black and White Parties.

Aussie Heat also carries the distinction of welcoming men to participate in their show. They promote equality for everyone and actively invite members of the LGBTQ community in their advertisements. They’re regulars at Pride events and have partnered with a variety of gay and gay-friendly organizations like QLife, a Vegas-based media firm now in its 41st year.

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Another thing that sets Aussie Heat apart from their comrades-in-bulging-arms is audience interaction. Billed as “The Most Hands-On Show In Vegas”, Aussie Heat is far from a “stand and model” production. Audience members vie for prizes via body-shot competitions and blindfolded lap dances inside the intimate showroom.

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Click HERE to continue reading…

 

 

Behind the Hidden Door of ‘Barbershop: Cuts and Cocktails’


Sin City’s newest speakeasy gets the Cosmopolitan treatment…

Las Vegas culture is a wonderful blend of innovation and rediscovery. Even when everything old is new again, those returning favorites get a Sin City twist. The speakeasy is one such legend experiencing a contemporary resurgence. Born out of Prohibition-law necessity, those secret drinking establishments of yore are popping up all over Vegas again. And this time, they’re just for the fun of it.

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Cosmopolitan Las Vegas has already struck gold several times over with hidden venues. Secret Pizza is no longer a secret. Beauty and Essex‘s pawn shop/restaurant/lounge is on many a must-do list and Ghost Donkey‘s hidden door at Block 16 Urban Food Hall has been discovered countless times. So why not a speakeasy tucked behind a functioning barber shop?

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The Barbershop: Cuts and Cocktails is indeed a fully-functioning salon for men. It offers a variety of services like precision haircuts, “clean-up” trims, beard/brow grooming, facials and old-fashioned straight razor shaves. The decor is awash in rich woods, black and white tile, antique cash registers and of course, barber poles. Gentlemen can relax with their favorite libation while being pampered by Master Barber Jose Sosa and a team of experts.

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While under a steaming towel, most patrons are unlikely to notice new arrivals looking for that secret door. Cocktail seekers are gathered together by a host then taken to an inconspicuous janitor’s door off to one side. Coded knocks reveal a pair of curious eyes from behind a peep-hole. The day’s password is given, gaining entry for your party to the wonders that await inside the main parlor.

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           Myself with Jason “Jroc” Craig (left) and photographer Noel Dahl…

Passing through this gateway, you may encounter Jason “Jroc” Craig, an ex-Marine whose imposing physical presence is as impressive as his list of successful nightspots. Jroc is one of the guiding forces behind The Barbershop, created with partner Ryan Labbe of 81/82 Group. Their new hideaway joins other recent hits like Apex Social Club at The Palms and Cosmo’s own CliQue Bar and Lounge.

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The 81/82 team, in conjunction with Clique Hospitality, conceived The Barbershop as a tribute to the Prohibition era…”when whiskey and liquor were king and word of mouth was gold”. Liquor was made however possible back then, so flavors and mixers were added to “soften the blow” of less-than-stellar spirits. That ingenuity from necessity yielded classic scotch, whisky, bourbon and rye cocktails we know and love today.

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The Barbershop’s extensive drink menu is just as stylish as the mixologists who create from it. Japanese, Canadian, American and Irish whiskeys share space with tequilas, mezcals, “Jesus Juice” and “Fancy Sh*t”. Draft and bottled beers join signature “Spiked Juices” and top-shelf hard liquors to satisfy every mood and craving.

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Click HERE to continue reading…

Photos: Sam Novak, The Barbershop

 

 

 

The SAHARA Is Back – But Is It Too Late?


The iconic hotel gets yet another chance after the SLS debacle…

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The Sahara Hotel was one of the first casino resorts I stayed at when the Vegas love affair began. This was back in 2005, just when the landmark property was about to plummet to its lowest depths. Once a legendary destination, Sahara had become a place of despair. That being said, it still had its purpose as a value destination for those on a budget.

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In 2007, Sam Nazarian and Stockbridge Real Estate Group purchased the Sahara…and quickly ran it into the ground. My final stay in the summer of 2009 was so awful that I vowed it would be my last. Exposed electrical wiring, broken lamps, cigarette burns in the carpeting and furniture, golf ball-sized hole in the shower stall, broken bed frame, filthy casino restrooms….well, you get the idea.

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Nazarian locked the Sahara’s doors on May 16th, 2011, taping up a handwritten sign as his final farewell. To those of us who knew what he’d done to the place, this served more as a threat than a beacon of hope:

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When the property’s liquidation sale was announced, I flew in from Oregon to attend. We bargain-hunters and nostalgia-seekers were escorted onto the property in controlled groups, required to listen to a presentation before being unleashed to go exploring. Our guide told us that the hotel would eventually be re-opening under the name “SLS”. The fellow next to me said “S.O.S.? What kind of name is that for a hotel?”. If he only knew how prescient his question was…

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SLS Las Vegas opened three years and three months later. I was one of the first guests to check in on opening day….and just about everything went awry. No elevators in the parking garage, malfunctioning elevators in the hotel towers, being assigned a room that was already occupied, problems with the TV and more. Of course, all of these things were growing pains and could be easily forgiven for a newly-opened establishment.

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What couldn’t be overlooked was that the concept of turning a rundown north-Strip relic into an expensive knockoff of a Los Angeles hit was a fool’s errand. Nazarian and team had entertained the idea that LA residents would come to Vegas to experience what they already had at home. They packed the SLS with not one but SEVEN Hollywood-based Fred Segal shops, taking up every retail outlet within the resort. Within a year, they were all gone.

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Some things vanished even quicker that the Segal stores. An excellent new second-floor buffet was shuttered after only three months. LA-based Griddle Cafe lasted an entire five months before pulling out. Foxtail Nightclub was quickly shut down and LIFE Nightclub was gutted/converted into The Foundation Room (allowing for Foxtail’s pool club to reopen at night).

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The musical chairs within the building were shuffled as frequently as the execs in the boardroom. SLS Las Vegas was, without a doubt, a resounding flop from every perspective. All because it tried to be something it wasn’t and deliver something the city never needed.

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What Sahara really needed was another chance to be the Sahara again. Refreshed, revitalized, reborn as “The New Sahara”, perhaps….but NOT re-branded into an expensive luxury destination built on a rickety old foundation. The little nods to Sahara’s past had been peppered into the SLS decor, but this was essentially lip service to people like me…those who continue to embrace Sin City’s past.

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But the Sahara’s soul had been ripped out along with the theme, camels and that unforgettable neon porte cochere. It was replaced by bare concrete and a nearly-colorless, white/grey/black palette with bare ceilings, exposed duct work and a bar that looked like a boardroom full of monkeys. An artistic representation of reality, perhaps?

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Last week’s announcement that current owners Meruelo Group would be restoring the Sahara name was met with great fanfare (Scott Roeben’s VitalVegas.com readers knew quite awhile ago that this was in the works). It’s the hottest topic on Vegas message boards, Facebook pages and blogs like mine right now, so there’s interest in the old property after all.

Mostly everyone seems to like what’s been happening at the old/new Sahara. Meruelo has re-acquired a tower that had been taken over by W Hotels. They’ve restored full in-house operations and are putting a reported $100 million or more into additional renovations, much of them to address the despised flaws in the SLS room redesigns. Even the Casbar Lounge is back in a modern incarnation!

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             Sahara owner Alex Meruelo and wife Liset and name-reveal gala…

The company’s founder Alex Meruelo had this to say last week about the property’s future:

The SAHARA played an important role in the evolution of the destination. And, we are now responsible for shaping a new narrative. We are writing the next chapter in the city’s evolution, for the love of Vegas.
We are committed to delivering an intimate, unexpected and memorable visit for our guests. We want people who stay with us to say, ‘My God what an experience!’ because experience leads to memories. And, that’s what we want to create, memories and experiences you won’t forget.
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                                               Casbar Lounge then…
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                           …and now…(photo by Scott Roeben, Vital Vegas)
You can watch a video of the announcement by clicking here. The press release went on to say:
Alex Meruelo’s debut comes at a time when there are few sole proprietors left along the Las Vegas Strip. As a life-long entrepreneur with a track record of business success, Meruelo expressed his commitment to continual improvement and investment in SAHARA Las Vegas ensuring the resort remains both timeless yet modern so that guests will want to return time and time again.

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So yes, there’s plenty to be excited about The Sahara’s return. All signs point towards things being done correctly this time. But is it too late to matter? That depends on the final product and where it fits into the 2019 market.

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    World Tower room at SLS. Super-boring, oddly arranged, claustrophobic…

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                               New color scheme on current Story Tower room…

I have no problem in admitting that, just because of the name, I’m much more inclined to book or recommend a hotel called “Sahara” than “SLS”. After all, there is a major road and several current businesses in the area that are named after it. Sahara IS Vegas…it evokes the desert, a rich history and promises of an experience that “SLS” (that nonsensical clump of letters) never could.

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Many of us have complained about the removal of themes from Strip resorts. Then we lost our cool when office-bland City Center bleached out any hope of their restoration in the future. So if Sahara dares to restore its past Moroccan motif, even just a little, we owe it to Meruelo Group to support their audacity and daring.

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It’s reassuring to know that the new owners have already done a great job of returning Reno’s Grand Sierra Resort to relevancy. They’ve wisely appealed to a variety of guests from the frugal to the elite, managing to modernize that hotel/casino while acknowledging its rich 41-year history. That’s exactly what The Sahara needed to do all along.

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There are plenty of reasons to give the new Sahara a try. Resorts World and The Strat are drawing much-needed attention to those few blocks of the Strip. Sahara has its own monorail station, tying with Westgate for the most accessible of any stop on the line. Vital Vegas broke the news that foodie-favorite Bazaar Meats will remain and get expanded. He also reported they’re gaining an established resident production (the nauseating-yet-inexplicably-popular Magic Mike Live) that is sure to draw traffic back into the resort.

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So let’s hope that Meruelo Group continues their current audacious path for The Sahara. They’ve been running reduced booking rates, “No Resort Fee” and “Half-off Resort Fee” specials since taking over, have maintained free parking, attracted a variety of hip comedians and made the casino layout more appealing.

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With the right mixture of value, service and dining/entertainment/gaming offerings, The Sahara could become a standout destination that the current Las Vegas is sorely lacking…a fun affordable Sin City resort worth returning to over and over.

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Sahara fans are invited to witness its rebirth and transformation via a newly-launched website. Follow the excitement and sign up for updates by clicking here

Photos: Sam Novak, Greg C., SLS/Sahara, Vital Vegas, KVVU-TV, Pinterest, The Publicity Lab, Denise Truscello

 

 

‘Potted Potter’ Casts a Laughing Spell on Vegas


Bally’s rapid-fire Hogwarts spoof is a silly, irreverent treat…

The quaint Windows Showroom at Bally’s Hotel Casino has been home to a number of successful productions, from The Bronx Wanderers to legendary Wayne Newton. Even 50 Shades: The Parody enjoyed a long, healthy run in the second-level space.

Now the quirky venue is hosting another laugh-filled movie spoof, this time without the riding crops and blindfolds. Experience a phantasmic adventure filled with magic wands, dark arts and fearsome dragons at ‘Potted Potter – The Unauthorized Harry Potter Experience’, a face-paced and humorous retelling of the wizarding-world saga.

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‘Potted Potter’ was created by Daniel Clarkson and Jefferson Turner, sharp-witted BBC actor/writers who clearly love the source material. They’re also the stars of the production, which has toured through the United States and the rest of the world. Clarkson and Turner themselves came here to launch the Vegas residency, acting out all the characters in the two-man comedy. They’ll be here only a short while before passing the torch to a new Sin City cast.

Nobody can skewer pop culture like the British (think Monty Python’s Flying Circus, Little Britain and the films of Simon Pegg). The students and faculty of JK Rowling’s beloved Hogwart’s School of Witchcraft and Wizardry prove to be perfect targets for this style of humor. Using just a few silly props and lots of audience participation, Daniel and Jefferson plunder and pillage the entire seven-book epic (and dozens of characters) in only seventy minutes.

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Children will have an especially good time at the all-ages ‘Potted Potter’. During a media event that this writer attended last week, an adorable five-year-old girl with amazing improvisational skills was welcomed onstage for a magic-wand battle. Her deadpan responses and gestures matched anything that the professional cast could dish out. It was truly a priceless moment, one of many sure to follow in the open-ended run.

Click here to continue reading….

Drag and Drop the Mic for ‘FAAABULOUS! The Show’


New production dares to break the cardinal rule of the genre….

There are those who say that Britney Spears’ residency at Planet Hollywood was essentially a large-scale drag show. Outrageous costumes. Sexy back-up dancers. A heavily made-up performer who mimed her way through songs while sashaying around the stage, lip-syncing to the lyrics. Check-check-check.

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Being a naysayer of Spears and her own wooden, detached performances, I’ve found it more entertaining to enjoy the talents of Britney impersonators. Becoming someone other than yourself….now that’s real talent. Vegas favorites like Derrick Barry (America’s Got Talent, DIVAS) and Katie Murdock (Blond Invasion, Legends In Concert) take that artistry even higher by physically embodying the star while having angelic singing voices of their own.

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The art of drag is at an all-time high in our culture, especially here in Sin City. Senor Frog’s Drag Brunch at Treasure Island continues to pack in the crowd. Stars-N-Stilettos has arrived to take them on and Hamburger Mary’s has shifted its focus from beef to duct tape. Ester Goldberg gave it a go at SLS and Frank Marino’s DIVAS has been circling from above, rumored for a comeback at Hooters Casino (oh, the jokes we could make with that one).

The one common element for all of these productions is that drag artists rarely do any actual singing. Lip-syncing is the norm for this type of entertainment, hence the references to Britney. But that’s about to change with the debut of FAAABULOUS! The Show. This limited-run production will be the only singing/dancing/comedy drag show in Las Vegas…and they hope it finds a permanent home.

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FAAABULOUS! The Show is a labor of love. It’s created by two heavy-hitters with lengthy show-biz pedigrees. Christopher Kenney is best known to audiences as “Edie“, hostess of ZUMANITY by Cirque du Soleil. Writer/performer Jamie Morris is currently starring in the eye-opening Puppetry of the Penis at Erotic Heritage Museum and created new material for ZUMANITY’s 2015 refresh.

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Together, this partnership of boundless talent has captured the essence of drag and infused it with the vocal and comedic skills of five artists, each possessing their own impressive accomplishments:

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              Bella T. Ross, Dusty Muffin, Junebug, San San and Vita Summers…

BELLA T. ROSS is the creation of Josh Ross, a Los Angeles native and a Debbie Allen Dance Academy graduate who has been performing professionally for 15 years. Some of his credits include The Disney Channel’s “Suite Life of Zack&Cody,” Donn Arden’s “Jubilee!,” Tokyo Disney’s “Mystic Rhythms,” “Chicago The Musical” aboard The Allure of the Sea, “Cats The Musical” at Tuacahn Center for the Arts, “The Grinch Live!” at Universal Studios Hollywood, and “A Las Vegas Christmas” at The Linq Las Vegas.
DUSTY MUFFIN is the creation of C. Lash who is music supervisor/director and arranger for FAAABULOUS. He also created arrangements and direction for BAZ – Star Crossed Love (Palazzo), Scorsese: An American Crime Requiem (The Wallis), Tarantino (The Wallis) and Love Actually: Live (The Wallis). He was also the resident musical director and guest faculty member for UNLV’s Theatre Department.
JUNEBUG is the creation of Brooks Braselman, a Leo who enjoys thunder storms and keeping secrets. After majoring in musical theater at Boston’s Emerson College Brooks moved back to his home town of New Orleans. It was here he first squeezed his enormous head under a wig as Chicklet in “Psycho Beach Party” (Big Easy Award nomination). Since then Brooks has played a gaggle of lovely “ladies” including Christina Crawford in “Mommie Queerest (LA Weekly Award nomination), Natalie Green in “The Facts of Life: The Lost Episode,” Clarice startling in “The Silence Of The Clams,” Agnes Gooch in “Auntie Mame”, Velma Cruther in “Shut Up Sweet Charlotte!” He can currently be seen as Brock Hutchinson, along side John Malkovich, in the film “Supercon”, currently streaming on Amazon Prime!
SANDRA SANTIGOLD (“San San”) is the creation of Justin Rodriguez, a native of Queens, N.Y. who has called Las Vegas home for over 25 years. Credits include the National Tour of “RENT” (Angel), emcee/host of “Island Heat” at the Treasure Island Resort and Casino, multiple roles in “Tony ‘n Tina’s Wedding” at Bally’s Las Vegas; and even survived the short lived “Spoofical: The Musical” at Planet Hollywood Resort and Casino. He is currently the front man for  “Extreme Live”, a brand new immersive music experience at the Linq Las Vegas.
VITA SUMMERS is the creation of Ashton Shawver who played the role of Suzanne Sugarbaker in “Re-Designing Women” in Dallas (world premier), San Diego, Ft. Lauderdale and off-Broadway in New York. As Vita, Ashton has won several titles in the drag world including Texas All-American Goddess at Large and Miss Fire Island her first summer performing at the popular LGBTQ enclave. Vita also performed alongside Katy Perry on Saturday Night Live. A native of Texas who now lives and works in Ft Lauderdale, Vita is excited to be making her Las Vegas stage debut!
“No lip-synching. No impersonations. The cast of “Faaabulous! The Show” – Vita Summers, Bella Ross, Sandra Santigold, Dusty Muffin and JuneBug – are true triple threats. They sing, they dance, and they are damn funny! Kenney and Morris want to take drag to the next level and they believe this is the show that Las Vegas needs right now”.
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FAABULOUS! The Show will make its debut at Ron Decar Events Center (1201 South Las Vegas Boulevard near The STRAT). Performance dates are June 26th, 28th and 29th at 7pm  with a matinee performance on June 30th at 5pm. Doors open 90 minutes prior to showtime for optional dinner.
Tickets are $29 (including taxes/fees) and can be ordered by clicking this link.