COVID-19 Aftermath – Shows Most Likely (and Least Likely) To Return


Taking a hard and painful look at the Vegas entertainment landscape as Sin City’s quarantine drags on…

As a devoted enthusiast of Sin City entertainment, it pains me to think of the hundreds of gifted performers currently out of work during the pandemic shutdown. Devoted to a volatile industry in which success is never guaranteed, many artists work multiple jobs and/or share living expenses just to get by. Combine this with a lack of adequate health care and spotty unemployment compensation, and it wouldn’t be surprising if many struggling entertainers decide to leave the city…or the industry altogether.

Sadly, there’s a likelihood that numerous residencies and production shows will decide to fold (or have their lifeline unceremoniously yanked) once the ramp-up begins. How this plays out is anyone’s guess, but I’ve been doing my own pondering on what changes lie ahead. Keep in mind that my conclusions aren’t in any way a reflection of quality…or lack thereof. Instead, I’ve considered factors such as pre-virus buzz, operation overhead (costs), post-virus marketability, name recognition, longevity, and brand loyalty.

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I might be completely wrong on these predictions or right on the money. Your guess is as good as mine. We won’t know until it actually happens, but here’s my list of shows that might weather the storm. And those that I believe will most certainly blow away.

Very Likely To Return –

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David Saxe Productions – the long and colorful list produced by David Saxe amounts to a well-oiled machine. His self-named theater inside Planet Hollywood’s Miracle Mile Shops and nearby V Theater churn out hits like Vegas! The Show, Zombie Burlesque, V – The Ultimate Variety Show and many more. Saxe is a master of efficiency and knows how to run and market his business. His children will survive just fine.

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ABSINTHESpiegelworld‘s naughty alternative to Cirque du Soleil is an instant hit that would have celebrated its ninth anniversary on April 1st. The bawdy burlesque ABSINTHE has spun off two successful companion productions and shows no sign of slowing down. Relatively low overhead (an outdoor tent, pre-recorded music, and simple props) should help it to last through a sluggish restart (if that’s how things play out, that is).

Other Spiegelworld titles OPIUM and ATOMIC SALOON SHOW might not have it so easy. Their out-of-the-way locations inside expensive Cosmopolitan and Venetian/Palazzo might prove to be a bigger challenge in the long run. Cosmo‘s costly parking fees make OPIUM an easy pass for locals, too. (Update 5/19/20 – Cosmopolitan has announced its intentions to discontinue parking fees)

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“O” at Bellagio – Despite a mountain of debt that Cirque du Soleil is carrying, it’s unlikely that they’ll allow their highest-profile Vegas production to fold. Since “O” is synonymous with the Bellagio image (just like its outdoor fountains and seasonal conservatory displays) it’s easy to envision the resort taking ownership of the show if it came down to that (Steve Wynn did that with Le Reve). “O” is still a very popular draw despite two decades and thousands of performances. Not my cup of tea, but for many tourists, it’s a must-see.

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CELESTIA – my insiders at CELESTIA assure me that the fledgling big-top production is on solid ground. STRAT Hotel Casino has a strong financial stake. which seems to be a common thread in the current make-or-break environment. Four-wallers (independent contractors) will suffer while casino-owned shows are likely to last. It all comes down to money.

Sex Tips For Straight Women from a Gay Man – This is an easy one to envision continuing. An extremely Vegas-y premise, an attractive local cast and very low overhead within an intimate theater setting. What’s not to love?

Solo and Lounge Acts – Our deeply-fractured economy is going to have a ripple effect on both consumers and the products they offer. Returning guests with limited discretionary income will most likely avoid the high-ticket attractions. That’s where one-man/woman shows come to the rescue.

With low overhead and a simple format, solo acts can offer solid entertainment and a retro vibe while passing the savings onto their audiences. Look for returning favorites like Mike Hammer, Murray Sawchuck, Carrot Top, Xavier Mortimer, Jen Kramer and maybe even the once-popular Gordie Brown to shine brighter in the spotlight. I anticipate that bloated, self-serving star vehicles like Criss Angel – Mindfreak Live and Mariah Carey‘s endless residencies will go down in flames, though. Darn.

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Expensive mega-residencies could also feel the same heat. Last year people were forking over a grand or more to StubHub for Lady Gaga tickets. Who has that kind of money now? Even though Paula Abdul‘s lip-syncing stomp-fest at the Flamingo couldn’t warrant a $49 price tag last fall, her short-lived residency now seems like a million years ago. Look for a glut of similar shows (like Derek Hough: No Limit), along with the resurgence of intimate lounge acts, to tide us over until the economy…and Vegas…rebounds.

Say Farewell –

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Blue Man Group (Update 6/30/20 The cast of Blue Man Group has been laid off by parent company Cirque du Soleil)

They’re old, tired, and as cliched as the fanny pack strapped around your cargo shorts. The trio of silent weirdos known as Blue Man Group is as annoying as those outdoor escalators that are constantly “under service”. Luxor‘s long-running production returned to the pyramid a few years ago, after more than a decade at Venetian and Monte Carlo. Now they’re in a much smaller venue and it’s easy to forget that they’re still around. Maybe COVID-19 will be the nudge that gets them to squeeze their final Twinkie.

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Human Nature (Update – permanent closure announced 6/10/20) –

It really upsets me to have this one on the list, but the Aussie quartet known as Human Nature appears to have been struggling for a while. I’ve been to the show a number of times in the past twelve months, and attendance has been anemic during each and every visit. Their live band has been downsized as a cost-cutting measure and the dancers were given a pink slip before that. They’ve also jettisoned the “Jukebox” format and returned to the Motown sound that put them in the U.S. limelight.

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Magic Mike Live (Update – Sahara opening postponed until 2021) –

                               We can wait even longer for this execrable slop to return….

The movie-inspired male revue received a scathing write-up from me upon its debut (deservedly so). Yet, the man-bashing mess, hosted by a shrill, leather-clad harpy who never shuts her f*cking mouth, somehow managed to become a hit. Still, the closure of Hard Rock Hotel sent the strippers dancers off into the sunset last year.

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Audiences were promised a spring relaunch at the newly-rebranded Sahara Hotel, yet an official debut date was never set and tickets have yet to go on sale. The 360-degree format requires a custom-built arena that Sahara didn’t have, so costly construction was required. Alas, an insider told me that the venue’s build-out was halted many weeks before the shutdown, suggesting that the bump-and-grind may actually be over. Today’s visit to the official website reveals that the word “spring” was removed, most likely due to the shutdown. Or are revised negotiations holding things back?

During the interim, MML has gone global with residencies in London, Berlin, Sydney, and Melbourne, so a pricey Vegas space is no longer a top priority for the franchise. Sahara Hotel has yet to prove itself as a hip destination, as demonstrated by the premature shuttering of similar-themed Blanc de Blanc. Combine that with the perpetual postponements of nearby Fontainebleau/The Drew and Resorts World, and things are looking pretty dead for Magic Mike Live.

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Cirque du Soleil 

Update 6/30/20 – Cirque du Soleil announced today that they have filed for bankruptcy protection and have eliminated 3,500 jobs…

I know what you’re thinking – “But you just said that “O” was safe?!?!?!?!”. True enough. But in our new reality, Vegas cannot sustain six (already down from eight) of what is basically the same show…especially at $150 and up for decent seats.

According to FinancialPost.com, Cirque owes more that $1.25 billion to creditors. MGM Resorts operates five of their six Vegas shows and is known to brutally slice away expenses wherever and whenever possible. So who gets their trapezes pulled? I’m looking at KA, The Beatles LOVE, and maybe Michael Jackson ONE.

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Hanging In The Balance/Probably Safe –

MYSTERE – the longest-running Vegas Cirque show follows its own set of rules since Treasure Island operates separately from MGM Resorts. MYSTERE is smaller in scale and has the lowest ticket prices. The others have massive sets, live musicians, huge casts and expensive automation that requires an entire team of technicians to operate and maintain. SO…..overhead…

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ZUMANITY – never a critical darling or fan favorite, but this one might not be in real jeopardy. It has many of the advantages that MYSTERE enjoys (smaller cast, intimate venue, lower ticket prices), and has already trimmed back its musicians and singers. But despite the adult-skewing format, ZUMANITY now pales in comparison to raunchy offerings from Spiegelworld. So once again, your guess is as good as mine.

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Le ReveWynn‘s signature production was never an out-and-out hit (some still believe it’s part of Cirque du Soleil fifteen years in), but it’s a critical darling and those who know it, love it. Le Reve is also owned by Wynn/Encore, which has deep pockets and an image to protect. When Steve Wynn’s own SHOWSTOPPERS was shuttered, massive shockwaves rippled through the entertainment community. That’s unlikely to happen again.

‘WOW: The Las Vegas Spectacular’ Celebrates Two Years on the Strip

WOW: The Vegas Spectacular – another budget-friendly production that hung in there despite the competition, WOW could in fact raise its profile and attendance numbers in the months ahead. Room rates at host hotel RIO start at a ridiculously-cheap $10 (plus resort fees/taxes) for the first half of May, so if the city actually opens, expect a pilgrimage to the aging off-Strip resort.

Sister production EXTRAVAGANZA missed its debut date at Bally’s last month and could possibly be in jeopardy. The cast of performers came from Israel and has yet to log a single hour in front of a paying audience. Housing the entire cast during quarantine is no doubt chipping away at the show’s reserves. Whether that could bring WOW down as well involves legalities that aren’t known to me. But from the outside looking in, it’s a pretty grim picture for EXTRAVAGANZA.

What are your thoughts, predictions and opinions? Feel free to add your comments or email me at Sam@VegasUnfiltered.blog.

‘Quarantine Fitness’ With Sin City Celebs


Vegas performers and influencers share their tips for staying healthy while at home….

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A strong body and clear mind both aid in warding off infection. They also help in reducing stress during these tenuous times, Nobody knows for certain how long the quarantine will last, but when restrictions are lifted, the stars of the Strip will need to be in top shape and ready for their first night back.

Vegas locals work hard to make your Vegas visit something worth treasuring. And just like you, they’re facing a lockdown that has not only put them out of work but confined their activities to the home. Spouses MaKenzie Fly (Sex Tips) and Colin Cahill (Atomic Saloon Show) have been working overtime to entertain everyone via their new page Mak and the Cheese. It’s packed with wit, skits and original songs to make you laugh. Here’s a sample:

Some have been sharing their tips to stay in peak physical condition, and you can join them in their quest for optimal health. Whether you’re limited to household objects and portable resistance bands or have a full gym set-up on your patio…get out there, use it and be safe.

                  Hunter Hobbs with a special message for Vegas Unfiltered readers…    

 

Muscle Up!

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The world-famous hardbodies of Chippendales male revue were some of the first on the scene with online fitness tips. Profile recipient Ryan Worley (CEO of BodyKink.com) caught the eye of TMZ for a pair of video tutorials that launched the Chippendales series. Using everyday objects like almond-milk jugs, pillows, and staircases, Worley demonstrates how to tighten your glutes and build upper-body strength.

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Aided by Justin Timberlake’s “SexyBack”, towering hardbody Pat Tanksi shows how he stays limber and flexible. His handsome canine companion “Geno” donned a trademark collar and bowtie to join his dad for a set of slinky moves.  You can expect more helpful videos from the men of Chippendales in the days ahead. Be sure to see the guys in person when Chippendales – The Las Vegas Show returns. The tentative opening date is April 18th, and popular guest host Vinny Guadagnino (Jersey Shores) rejoins the cast starting April 24th.

Le Reve – The Dream at Wynn boasts a cast of 60 gorgeous guys and girls. They’re a stunning collection of athletes that dive, flip, sail through the air and dance on water. Muscular lead performer Alexander Stabler is known for his graceful movements, strong legs and world-class gluteal development. Here he keeps “dat ass” firm by performing squats in a driveway, using his partner in place of a squat rack. There’s also a breakdown of Alexander’s cross-fit plan, with weight provided by stone-filled backpacks.

The erotic side of Cirque du Soleil comes to life in ZUMANITY at New York NY. Longtime cast member Wayne Skivington (read his Vegas Unfiltered profile HERE) stays in top condition year-round, whether at the theatre’s training room or in his own home. Here he works up a sweat in the back yard, pounding a sledgehammer onto some concrete.

Westgate‘s Soul of Motown features a five-member cast with lush vocals and nonstop dancing. During the production’s hiatus, vocalist Brandon Godfrey has been featuring his “Quarantine Fitness” regime on Facebook. Regular physical activity keeps his body as tight as the show’s gorgeous harmonies.

Jennifer Romas shares the Westgate Cabaret with Soul of Motown‘s cast. Her successful SEXXY has performed hundreds of shows in the gorgeous space. The production’s creator and star continues to rehearse and will be ready to excite audiences when the doors reopen.

“Men of Sapphire” offers a masculine take on the traditional stripper club bump-and-grind. Their billboards feature Roberto Alejandro Granados, an absurdly handsome accomplished dancer who’s been involved in large-scale productions like Jeff TimmonsMEN OF THE STRIP and Chippendales offshoot 53X.

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Here, Roberto demonstrates how to keep your abs tight, using the Dual Ab Roller, an easy to use piece of equipment that’s readily available at Amazon.com for under $12. Click HERE to order.

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Gunnar Walcavich is a real live “Ivan Drago”. Much like the mountain of muscle from Rocky IV and Creed II, Gunnar aka “The Big Gun” is a boxer of Russian descent. He’s also six feet four inch of power, energy and drive. But unlike the villainous character made famous by actor Dolph Lundgren, this resident of Henderson is kind, caring and funny!

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Now an NFPT-accredited personal trainer, Gunnar hosts online fitness sessions. However, he prefers the one-on-one approach, where he can focus on the “personal” aspects of personal training. He’ll even do personalized visits in your home. Once an overweight young man with a goal to go “from zero to hero”, he’s transformed his own body and can do the same for you.

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Here’s what Gunnar has to say about fitness in regards to the COVID-19 situation:

During the pandemic, I know money‘s been tight for people so I’ve been accommodating rates for everyone. They started out at $35 a session, but because of the pandemic I’ve been doing $20 a session. The sessions last anywhere from 30 to 45 minutes and create a very intense HIIT (high intensity interval training).

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Whether you’re just starting out or looking to up your game, personal training opens new doors to health, confidence and inner peace. To learn more or arrange an appointment, text Gunnar Walcavich at 608-622-5945 or send an email to walcavich.gunnar4@gmail.com.

All In The Family

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We’re always wishing to have more time with our families. Now that it’s here, you can make the most of the situation by having your loved ones join in on your workouts. Adam D. Tucker aka “Vegas McGraw” was recently featured in my Hot Guys of Vegas column. His spot-on impersonation of Tim McGraw draws in fans from around the country. But it’s Adam’s bulging arms and gleaming pecs that earned him a spot in the segment.

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Here, Adam uses his son Beau for added weight in a garage workout that’s as fun as it is effective.

 

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Parent/child routines are a great way to establish habits that will last a lifetime. Of course, heading out to the sidewalk for some biking (or a stroll with the wagon) are perfect photo opportunities, too. So enjoy the eye candy and take to the streets (or the yard) to burn off those unwanted calories. Just remember to observe social distancing guidelines to protect yourself and your neighbors.

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Musician Haini Wolfgramm is one of the founding members of The JETS, the phenomenal pop group from Tonga that swept the world. The JETS – The ’80s & ’90s Experience is an awesome concert event that you’ll want to enjoy over and over…once it returns to Planet Hollywood‘s V Theater, that is (read my full review HERE).

Haini is a fitness enthusiast who seemingly spends as much time at the gym as he does behind his guitar. Keeping those biceps pumped to the max has become a family experience, thanks to a backyard gym that’s getting everyone into shape and keeping them happy until the quarantine is lifted.

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Wayne Skivington gets a special mention in the “family” category, too.  Young son Rowan is quickly following in his father’s footsteps with an athletic prowess that would make teenagers and grown men envious. Follow the Skivington’s father/son workouts on Instagram by clicking HERE.

We are all in this together. Let’s use this time to disconnect from society but reconnect at home. I’m going to be posting some in-home workouts ideas to do with your children. Have fun, it will mean more to them than you might think.

– Wayne Skivington

When a city is overflowing with professional entertainers, it’s not surprising that those who cover the scene can hold their own, too. Greenspun Media publisher Jamal Parker and gorgeous wife Mackenzie Marshall Parker (The Doll Factory) show how the family gets loose with this splendid TikTok dance:

Alberto del Campo is a longtime Sin City resident who’s performed in huge acrobatic productions like Le Reve, KA and now The Beatles LOVE. His two boys Alex and Zach have inherited dad’s athleticism. They’re also members of the LOVE cast.

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Here, Alberto gathers his sons along with wife Genevieve for a fun roller-skate workout that they like to do poolside. You might find it to be a bit of a challenge, but for the energetic Del Campos, this is just another day. of fitness fun.

If you’re a newbie to roller blades or could use some help with brushing up on the basics, fear not. The magnetic and talented Del Campo boys have launched their own YouTube channel. Here’s one of their tutorials:

Dance As If Nobody’s Watching

Sure, the beach clubs are dried up for now and the nightspots have gone dark. But when ya gotta dance, ya gotta dance. Party people have been taking to their back yards, front yards, driveways, patios…and even the streets…in order to shake their groove thang.

Endia Abrante of ShowgirlArrivals.com is been streamlining her diet and using an E-Stim ab belt to keep things nice and tight for when the clubs reopen. Recently the entrepreneur/deejay/aerialist/duck rancher strapped on some rollerblades and donned a unicorn-themed onesie to blow off some steam.

Later came the glowsticks and a neon party costume to throw a solo virtual rave. Fortunately, her best friend Dusty Demetria was there to document the invitation-only affair. If you haven’t followed Endia’s outrageous Facebook page, you’re really missing out.

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Bad boy Kris Davis is one of those guys who does what he wants when he wants to do it, and the name of the game is “fun”. The beefy host at Golden Nugget‘s Troy Liquor Bar was bitten by the dance bug a long time ago.

A veteran of Vegas male revues, Davis continues to move and groove whenever the mood hits him. A crowded market, the heart of the casino floor, or even the top level of a parking garage…when this big boy wants to dance, feel free to join him. Otherwise, get the heck out of the way.

Relentlessly funny magician James Michael aka the Redneck Magician has been posting a series of videos from his parking lot. No doubt the neighbors enjoy watching his antics from behind the protective glass of their windows. And you can catch his roller-disco antics by visiting his Facebook page. Then check out his show when Redneck Comedy Magic returns to The STRAT.

Remote-Access Class Action

 

Sexy celebrities like THOR’s Chris Hemsworth have been sharing online tips and virtual classes to get your body into superhero condition. In the spirit of giving, most of them are free.

Hi there all, during this period of self isolation and uncertainty, I am offering six weeks of my health and fitness program @Centrfit for FREE! Go to centr.com and sign-up.
Centr was founded to make health and happiness accessible to all, and I hope that this will make that access even easier during the current global health crisis.
I think now more than ever is when we need to focus on what I believe to be the 3 key pillars to living healthier and happier- movement, nutrition, and mental fitness.

– Chris Hemsworth

Here in Sin City, we’ve got several heroic figures who are donating their time, sharing their talents and generously giving you the shirt off their backs.

Pole-fitness enthusiast Alberto Del Campo (see above) was also featured in my Hot Guys of Vegas column. Since the COVID-19 quarantine went into effect, he’s been offering free online pole fitness classes via his Instagram page. Click HERE to follow Alberto and get in on the action.

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Regular attendees to the annual Mr. Olympia Fitness Expo are sure to recognize entrepreneur Tim McComsey.  The registered dietician/trainer has been uploading Social Distancing workouts on his YouTube channel. He also offers virtual workouts through Zoom, Skype and FaceTime. Follow this link to visit Tim’s Facebook page and send him a personal message. Sign up for one of his TrymFIT programs, tell Tim that Vegas Unfiltered sent you and you’ll get extra supplements perks!

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Dancer/actor George Blick (Sex Tips, Aussie Heat) is a rhinestone cowboy of sorts. The big-city hunk has a little bit of country in him, as he’s an award-winning line dancer. George is gearing up to present a live line-dance class soon. Visit George’s Facebook page to keep posted on when the next one will take place.

You might remember this profile article I wrote on Teresa Van – Trainer to the Stars. Teresa is offering online training courses (for a fee) along with free videos that you call follow along at home. Click HERE to view Teresa’s online information and get started right away.

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                      Makenzie Fly and Colin Cahill are “Mak and the Cheese”…

Makenzie Fly is a respected performer and also a skilled instructor of yoga. Husband Colin Cahill filled me in on what they’re up to in the days ahead:

Kenzie’s teaching live yoga class Monday on Instagram (click here for her page), and probably Facebook too if we can figure out how to stream both simultaneously. When it comes to our exercise for this it’s been primarily bodyweight workouts in the living room, running stairs in our apartment, yoga, and lifting heavy foods from the fridge to our faces. I’ve got those resistance bands you posted about a while back shipping to us currently.

But honestly, it’s been a huge struggle to try to stay active. I’ve definitely been putting on the poundage this past week so we started hitting the workouts hard this week. Our new song “Quarantine 15” more accurately represents our fitness journey since the shutdown.

Makenzie also has a YouTube channel to help you get started in the world of yoga. Here’s the intro to her video series:

For all people curious about yoga! This channel is meant to be a no-excuses platform. Got 5 minutes? Let’s practice. It’s not meant to be perfect. Don’t think, just do. Anytime, any place!

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Until very recently, MaKenzie shared the Sex Tips stage with handsome “Hot Guys of Vegas” recipient Shyllon Melatti (read his Vegas Unfiltered profile right HERE). While the actor/singer/dancer/model prepares for a juicy new role (I’m sworn to secrecy) he and his partner have used the quarantine downtime to raise an adorable rescue kitten named “Merlot”.

And while being a pet parent can be physically exhausting at times, it takes more than a sprinkle of catnip to keep Shyllon’s stunning torso in check. You can find out how he does it by joining a live workout on Instagram. The session takes place Saturday 4/11 at 9am PST. The full-boy workout requires no equipment and is free. Click HERE to participate.

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Be sure to keep plenty of water and a towel handy, because “Master Melatti” knows how to make you sweat.

The stunning acrobatic couple of Mary Wolfe and Tyce Nielsen is professionally known as Duo Transcend. The America’s Got Talent favorites had just signed on to join CELESTIA at The STRAT when COVID-19 rolled into town, shutting down every show on the Strip.

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While waiting to finally live their dream of a Vegas gig, Duo Transcend has been hard at work on…working out. They’re teaching live classes via the ZOOM app and have posted 30-minute no-equipment workouts that you can access right here:

If you or any of your Vegas friends are offering online fitness tips or classes, send an email to Sam@VegasUnfiltered.blog and I’ll be sure to update this article with the information. Be smart, be safe, and be strong. 

 

 

 

Drag and Drop the Mic for ‘FAAABULOUS! The Show’


New production dares to break the cardinal rule of the genre….

There are those who say that Britney Spears’ residency at Planet Hollywood was essentially a large-scale drag show. Outrageous costumes. Sexy back-up dancers. A heavily made-up performer who mimed her way through songs while sashaying around the stage, lip-syncing to the lyrics. Check-check-check.

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Being a naysayer of Spears and her own wooden, detached performances, I’ve found it more entertaining to enjoy the talents of Britney impersonators. Becoming someone other than yourself….now that’s real talent. Vegas favorites like Derrick Barry (America’s Got Talent, DIVAS) and Katie Murdock (Blond Invasion, Legends In Concert) take that artistry even higher by physically embodying the star while having angelic singing voices of their own.

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The art of drag is at an all-time high in our culture, especially here in Sin City. Senor Frog’s Drag Brunch at Treasure Island continues to pack in the crowd. Stars-N-Stilettos has arrived to take them on and Hamburger Mary’s has shifted its focus from beef to duct tape. Ester Goldberg gave it a go at SLS and Frank Marino’s DIVAS has been circling from above, rumored for a comeback at Hooters Casino (oh, the jokes we could make with that one).

The one common element for all of these productions is that drag artists rarely do any actual singing. Lip-syncing is the norm for this type of entertainment, hence the references to Britney. But that’s about to change with the debut of FAAABULOUS! The Show. This limited-run production will be the only singing/dancing/comedy drag show in Las Vegas…and they hope it finds a permanent home.

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FAAABULOUS! The Show is a labor of love. It’s created by two heavy-hitters with lengthy show-biz pedigrees. Christopher Kenney is best known to audiences as “Edie“, hostess of ZUMANITY by Cirque du Soleil. Writer/performer Jamie Morris is currently starring in the eye-opening Puppetry of the Penis at Erotic Heritage Museum and created new material for ZUMANITY’s 2015 refresh.

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Together, this partnership of boundless talent has captured the essence of drag and infused it with the vocal and comedic skills of five artists, each possessing their own impressive accomplishments:

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              Bella T. Ross, Dusty Muffin, Junebug, San San and Vita Summers…

BELLA T. ROSS is the creation of Josh Ross, a Los Angeles native and a Debbie Allen Dance Academy graduate who has been performing professionally for 15 years. Some of his credits include The Disney Channel’s “Suite Life of Zack&Cody,” Donn Arden’s “Jubilee!,” Tokyo Disney’s “Mystic Rhythms,” “Chicago The Musical” aboard The Allure of the Sea, “Cats The Musical” at Tuacahn Center for the Arts, “The Grinch Live!” at Universal Studios Hollywood, and “A Las Vegas Christmas” at The Linq Las Vegas.
DUSTY MUFFIN is the creation of C. Lash who is music supervisor/director and arranger for FAAABULOUS. He also created arrangements and direction for BAZ – Star Crossed Love (Palazzo), Scorsese: An American Crime Requiem (The Wallis), Tarantino (The Wallis) and Love Actually: Live (The Wallis). He was also the resident musical director and guest faculty member for UNLV’s Theatre Department.
JUNEBUG is the creation of Brooks Braselman, a Leo who enjoys thunder storms and keeping secrets. After majoring in musical theater at Boston’s Emerson College Brooks moved back to his home town of New Orleans. It was here he first squeezed his enormous head under a wig as Chicklet in “Psycho Beach Party” (Big Easy Award nomination). Since then Brooks has played a gaggle of lovely “ladies” including Christina Crawford in “Mommie Queerest (LA Weekly Award nomination), Natalie Green in “The Facts of Life: The Lost Episode,” Clarice startling in “The Silence Of The Clams,” Agnes Gooch in “Auntie Mame”, Velma Cruther in “Shut Up Sweet Charlotte!” He can currently be seen as Brock Hutchinson, along side John Malkovich, in the film “Supercon”, currently streaming on Amazon Prime!
SANDRA SANTIGOLD (“San San”) is the creation of Justin Rodriguez, a native of Queens, N.Y. who has called Las Vegas home for over 25 years. Credits include the National Tour of “RENT” (Angel), emcee/host of “Island Heat” at the Treasure Island Resort and Casino, multiple roles in “Tony ‘n Tina’s Wedding” at Bally’s Las Vegas; and even survived the short lived “Spoofical: The Musical” at Planet Hollywood Resort and Casino. He is currently the front man for  “Extreme Live”, a brand new immersive music experience at the Linq Las Vegas.
VITA SUMMERS is the creation of Ashton Shawver who played the role of Suzanne Sugarbaker in “Re-Designing Women” in Dallas (world premier), San Diego, Ft. Lauderdale and off-Broadway in New York. As Vita, Ashton has won several titles in the drag world including Texas All-American Goddess at Large and Miss Fire Island her first summer performing at the popular LGBTQ enclave. Vita also performed alongside Katy Perry on Saturday Night Live. A native of Texas who now lives and works in Ft Lauderdale, Vita is excited to be making her Las Vegas stage debut!
“No lip-synching. No impersonations. The cast of “Faaabulous! The Show” – Vita Summers, Bella Ross, Sandra Santigold, Dusty Muffin and JuneBug – are true triple threats. They sing, they dance, and they are damn funny! Kenney and Morris want to take drag to the next level and they believe this is the show that Las Vegas needs right now”.
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FAABULOUS! The Show will make its debut at Ron Decar Events Center (1201 South Las Vegas Boulevard near The STRAT). Performance dates are June 26th, 28th and 29th at 7pm  with a matinee performance on June 30th at 5pm. Doors open 90 minutes prior to showtime for optional dinner.
Tickets are $29 (including taxes/fees) and can be ordered by clicking this link.

 

 

Wayne Skivington of NBC’s ‘The Titan Games’ Talks Fitness and Family


Cirque du Soleil performer and his young son inspire others through fitness…

UPDATE 7/2/20 – It’s been a week of incredible highs and lows for Wayne Skivington. After his thrilling appearance on NBC’s ‘The Titan Games’, Skivington learned that he was one of 3,500 Cirque du Soleil performers to be laid off during bankruptcy-protection proceedings.

Wayne uploaded a video thanking people for their support:

A lot of you have reached out and asked if I needed any help with the recent news of Cirque and stuff, and honestly, times have been hard. But I did create a business, and if you want to help me, help me by subscribing so I can help you.

A concept I created during the Covid-19 lockdown. With no access to gyms or training facilities a few of my friends, followers and fellow Cirque Du Soleil artists asked me to create workouts.

Taking into consideration a lack of space and zero equipment I created these HIIT bodyweight workouts which, vary daily and are fun to complete, they can be as challenging as you want them! My parents and my son complete them at their own level. I tell my classes use me as a pacesetter and on average I burn close to 1000+ calories each session.

In addition I consulted with my partner Ekaterina Bazarova and fellow Great Britain gymnast Jack Atherton and between us we created this amazing online fitness platform. Where we offer a variety of live fitness classes with extremely talented expert coaches in their respective areas of performance which can include chair ballet, martial arts and unique skills.

These classes are for all abilities and can be completed anywhere providing there is access to wifi. Come support us and get into shape. Yoga fitness and other skill classes from not your average coach. Interactive social before and after every class.

  • Free week trial for all classes easy to manage subscription

  • Subscribe to receive the weekly schedule

  • Live workouts everyday and recordings of every class

  • World class performance coaches

www.workoutwith.org

UPDATE 5/25/20 – Wayne is currently competing on the NBC show The Titan Games, Mondays on NBC. Click this link for more information.

Raising a child in any large city can be a challenge. You want to be a great role model, provide for your children yet still make their formative years memorable, fun and happy. Now imagine being a single father in “Sin City”…and you’re a performer working late nights in an adult-themed production. That’s the reality of ZUMANITY heartthrob Wayne Skivington.

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Skivington was born in a British Military Hospital in Germany. He began formal gymnastics instruction at the age of four and his natural talents were quickly recognized. When his family returned to Great Britain in 1994, Wayne performed in many exhibitions. While representing the nation at an international competition in Palm Springs, his troupe stopped in Las Vegas, visited Treasure Island’s Mystere….and Wayne’s love affair with Cirque du Soleil began.

Mesmerized by the renowned Alexis Brothers’ balancing act, Wayne sent his show reel to Cirque du Soleil along with an employment application. In 2008, as he was about to turn twenty-one, the handsome athlete was invited to join the Montreal-based entertainment company.Screenshot 2019-06-10 at 1.02.12 PM.png

To his surprise, Wayne was hired for their Las Vegas division and placed in Mystere, the very show that had inspired him to apply. Accepting the position required leaving his sports coaching/conditioning studies at University of Leeds, but it’s a decision that Wayne has never regretted.

After his stint at Mystere, Skivington became the coach for Criss Angel BeLIEve and joined the cast onstage as a fellow performer. Now thirty-one, he’s a fitness coach at Rebound Vigour during the day and ZUMANITY‘s sexy Scotsman at night. His sensual acrobatic routine raises temperatures ten times each week at New York NY Hotel Casino.

Fatherhood has taken Skivington’s personal life to greater heights than a trapeze. Six-year-old son Rowan shares Wayne’s blonde hair and gift for gymnastics and acrobatics. The two have become a worldwide sensation thanks to a series of father/son workout videos that Wayne shares on social media platforms.

                                      Photos: Marco Poker via IP FIT Facebook page…

Being a single parent with two jobs, I don’t have a great deal of spare time. So, my son is always with me. It was by sheer fluke that one day whilst videoing, like most parents do, I realized my son was copying me working out. He loves attempting to do what daddy does!

Wayne stresses that his time with Rowan isn’t what he considers to be a formal exercise regime. He saves that for personal training sessions, garage and gym workouts…and of course, rehearsals at the theater with show partner Katerina. When Rowan and his dad do their amazing feats, it’s just father-and-son fun.

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I think my videos have become popular because I am including my son in my active lifestyle, demonstrating the possibilities that lie with the greatest tool we own… our bodies! They can also see the trust my son has in me and the confidence I am building in him, all achieved through bonding during our playtime.

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There’s no question that raising a little one in a city-wide adult playground poses its own challenges. Wayne has the unique added complexity of being in a production meant for mature eyes only. But this son of a military officer grew up quickly on a worldwide stage. He’s gained a lifetime of practical experience that most parents would never have exposure to.

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Now Wayne is sharing his knowledge and perspectives by bringing fitness to families. He’s created a program called IP FIT FUN, which combines time-management principals with exercises that utilize your most valuable equipment – your own body.

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IP FIT FUN helps parents teach basic fundamentals of movement (to their children) through interaction and bonding. (They learn) to work out at home using body-weight exercises. Kids just soak up everything they see and realize anything is possible with a little dedication.

I want to encourage people to be a good role model, live a healthier lifestyle whilst having fun with the family, enriching relationships and memories that will last a lifetime.

As for the possibility of a father-son acrobatics act? Only time will tell if Rowan follows his dad’s footsteps into acrobatics and performance. But for now, he’s off to an amazing start. And his father will be there every step of the way.

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                “You are my motivation, my inspiration and my drive! I do it all for you”…

                                                                                           – Wayne Skivington

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Pics courtesy Wayne Skivington social media, individual photographers credited there…

Click HERE to read this article via BestOfVegas.com…

 

Hanging By A Thread – Sin City’s Huge Entertainment Dilemma


Fuerza Bruta’s shocking failure suggests a troubling future for large-scale productions….

Several years ago I penned a two-parter for Vegas Chatter entitled “Four Walls and a Dream”. In it I explored the difficulties involved in launching a new show in today’s corporation-run Vegas. Gone are the days when casinos supported their own entertainment. It’s up to productions themselves to “pay the rent” via an arrangement known as four-walling. And that quite simply is why most new shows are gone before you’ve ever even heard of them.

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That article was inspired by Jeff Civillico, a dynamic young entertainer whose star was already on the rise. His “Comedy In Action” afternoon show at Linq Hotel (then known somewhat absurdly as The Quad) was working hard to make a name for itself. Yet the resort where he rented showroom space had little interest in helping “Comedy In Action” to succeed.

Civillico was on the hook not only for the room and production costs, but also for supplying the advertising materials to display around the property. Yet Jeff had little control over where they’d be displayed….if at all. I’m not sure if he ever worked out his issues with parent company Caesars Entertainment, but Comedy in Action still performs once a week at Paris Hotel Casino.

I learned a lot about the current state of Vegas entertainment while researching that piece. There was plenty of response from performers, producers, directors and public relations people when it ran, too. But after the shocking announcement that Fuerza Bruta would be shuttering only four weeks into a six-month stint, I realized two valuable facts:

  1.  There is no magic formula to ensure that a show will be a hit.
  2.  The current state of Vegas entertainment is more volatile than ever before.

If you haven’t heard of Fuerza Bruta, then congratulations. I’ll pretend to make a check-mark in the air and we can continue on down the list. But first, allow me to say that less than one week ago in my rave review for Fuerza Bruta for BestOfVegas.com, I called it a “Sin City game changer”. I also inaccurately claimed that it was “poised to redefine entertainment on the Strip”. Oh, my… (click HERE to read the original review).

 

 

Just after I’d sent the piece off to the editor, I received an email from Fuerza Bruta’s public relations firm regarding the Vegas run.

FUERZA BRUTA will perform its final show at Excalibur Hotel & Casino on Sunday, April 7, 2019. The acclaimed production, which has been seen by more than six million spectators in more than 34 countries and 58 cities since its launch in 2003, will continue to impress audiences from around the world as it prepares to make the move from Las Vegas to MGM Cotai in Macau in June 2019.
Tickets for the remaining Las Vegas performances of FUERZA BRUTA are now on sale and available at any MGM Resorts International box office, online at Excalibur.com or by calling (702) 597-7600. Refunds for tickets purchased for shows at Excalibur after April 7 will be available at the point of purchase.

It took awhile for the shock of this announcement to subside. I could have been embarrassed that I’d been so far off in my predictions. Instead I was angry that the so-called “City of Entertainment” had chewed up and spit out yet another piece of great entertainment.

 

 

All but one of my friends who had seen the show were absolutely dazzled by the balls-to-the-walls audacity of it. During three separate viewings, I’d stood alongside (and chatted afterwards with) cast members from shows like Chippendales, Le Reve, Zumanity and Donny & Marie. They’d come as I had to see if the enthusiastic pre-opening buzz was deserved. And every one of them was delirious, if not downright envious, of the incredible visuals and creative sequences that Fuerza Bruta was able to pull off inside a tent erected on a parking lot.

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That positive word-of-mouth alone should have been enough to bolster tickets sales. If performers from some of the top shows in Vegas loved it, then it was a must-see, right? Not so fast. Depending on who you ask, it turns out that paid tickets for the show were averaging 50-80 sales per performance with the rest comped (freebies). But if all of those people love it, then they’ll recommend it to friends and attendance will build, right? Well, that would take time….which the powers that be weren’t about to grant.

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Fuerza Bruta was located just outside of Excalibur, which is owned by MGM Resorts. MGM runs nearly half of the major resorts on the Strip. So why weren’t they supplying the capital to help fund operations and allow for attendance of this remarkable show to grow? Four-walling, of course! If Fuerza Bruta failed, all Excalibur would have to do is pull down the advertisements and sweep away any remaining evidence of where the tent had been.

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Realizing that readers and friends who’d planned on seeing the show would never get that opportunity to do so made me angry. I took to social media to vent my frustrations. “What the Hell is wrong with Vegas? Nothing worthwhile stands a chance anymore!”

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Well, thank goodness for the reach of Facebook and Twitter, because my steam-valve post brought out lots of sensible responses from performers in and around the Strip. Mike Hammer of Mike Hammer Comedy Magic at Four Queens was the first to chime in:

You can blame it on this city all you want but they didn’t understand the fundamentals of running a show in this town. It comes down to poor marketing strategy. First of all the show has a name that is not memorable. I live here and can’t even pronounce the name. No way most people from the Midwest are even going to know what the show is. Also, it’s pretty hard to sell a show when you can’t even describe it. Everyone I know that has seen it, including has never described it in one sentence. They didn’t even leave enough time to build up a buzz.

Bad timing of when they opened too. Slower time of the year with March madness and spring break. Again, this a producers decision. They weren’t even selling 50 tickets so how can you blame it on this city?

Again, people that don’t get the VEGAS market. If they didn’t plan enough money to survive six months of marketing, they just were not ready. I wish the best of luck elsewhere where they know what they’re doing. I love VEGAS and it’s been a home to me for 16 years. I’ve seen shows come and go and most of the time it’s the producers or management fault.

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Enoch Augustus Scott, host of long-running hit Zombie Burlesque at Planet Hollywood’s V Theater also took exception to my finger-pointing at Vegas:

There are a million possible reasons besides fat Americans to account for this. Injury. Bad accounting. Or it could be the standing up. People stand and walk around Las Vegas all day along. Sometimes the only chance they get to sit is dinner or a show. Also the Las Vegas show demo skews older. Also people from all over the world come to Vegas. Cirque has been able to grow as big as they are by catering to and attracting an international market base. So you really can’t blame fat Americans on a show not running. Clearly the producers did not understand the landscape or have enough capital to go the 6 months. Happens all the time. Producers come here with a hope and dream and without a business plan or the necessary investment to run a show long enough for it to become a success. It is poor craftsman who blames his tools and even poorer performer who blames his audience. Literally.

While I agree on much of what Enoch says, he also had added “It was always meant to be a limited run. Calm down everybody.” Correct, but that limited run was for six months with the hope of an extension. Four weeks was clearly a failure with deeper implications.

 

See, that’s the problem with having so many choices in one city. Without brand recognition, a famous headliner or a simple-to-explain concept, your middle-American Vegas visitors just won’t make the time for it. Hence we’re inundated with magic shows, impersonators, topless revues and lots of “Circus Day Solay”.

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It’s interesting to note that Fuerza Bruta played in New York City from 2007 through 2016. That’s over 3,000 performances! But we’re talking about an entirely different demographic over there. Visitors to NYC book their tickets to Broadway hits months…and sometimes a year or more…in advance. They’re also a more sophisticated crowd that makes Broadway entertainment part of an elegant evening that includes fine dining while wearing tasteful and carefully-selected outfits.

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But in Las Vegas we’ve got 1) no backing from the host hotels, 2) no opportunity to build brand awareness….and 3) a group of visitors not exactly looking for high art to go along with their yard-long daiquiris.

I went poking around other social media outlets to see how people were reacting to the news of Fuerza Bruta’s sudden shuttering. Always-reliable VitalVegas.com had quickly published an article announcing the closure, and it was a comment from reader ExVegasLocal that caught my eye:

I was “this close” to buying tickets to see Fuerza Bruta for an upcoming trip. It looked like a really cool show, but I was on the fence because I wasn’t sure I wanted to be jostled in a crowd from one side of the room to the other for an hour. In the end, I decided not to bite.

No matter what Vegas thinks about itself, it’s not really that forward thinking/avant garde. Neither are its visitors. Hence the constant replication of one thing that works until it’s completely overdone. Another Cirque show/night club with one syllable name/shopping arcade in front of a hotel/pool party/CVS pharmacy anyone? Now that’s more like it.

Vin A., one of The Bronx Wanderers, had a humorous reaction to my post…one that was also deeply insightful:

Well THAT was obnoxiously fast 😢 i didn’t even get to see the freaking thing! Wtf? Need a low low overhead to survive out here. Why all the one man shows live on forever and a few small cast things barely squeak by. It’s tough as hell out here. You play here for the prestige, and you tour for the money that carries you through your losses out here. That’s the future.

Raja Rahman of the musical magic duo Jarrett and Raja added his own thoughts to the situation:

It’s never about the quality of the show. It’s the $$$ behind it. Ugh. The cycle continues. After our experience, I’m convinced this business model is crap. Any business needs time to ramp up.

“Our experience” no doubt refers to the troubles Jarrett and Raja encountered at various showrooms throughout the city. They’ve had to deal with four-wall scenarios and abrupt closures at downtown’s Plaza Hotel, Hooters Casino and Stratosphere. Even though these gentlemen are residents of Las Vegas, they often find it sensible and more lucrative just to take their talents on the road.

Actually, it’s a pretty common thing for Vegas shows to go on tours. And often they never return. A few years ago I shadowed a production as it searched for a suitable venue on the Strip. After months of meetings and hassles, they decided on a major casino with a troubled showroom history. Sadly, their production would just be another casualty in a long list at the historic south-Strip hotel.

An opening date was chosen, tickets were sold, sets were constructed and advertisements went up throughout the casino and outside. But after being frustrated by resistance and lack of support from the hotel’s regime, the producers abruptly decided to throw up their hands, walk out the door and take the show on the road without doing a Vegas residency.

It makes no sense. It’s like they don’t want you here. Why should I put up money and then fight with the people who I’m paying rent to? After all that, if I’m lucky I’ll sell two hundred tickets a night in Las Vegas. We could take this show to other places where entertainment like this isn’t available and sell out two THOUSAND seats a night. And those places roll out the red carpet for us.

And that’s exactly what he did. A show designed for the Vegas Strip had to leave the city in order to survive. And the showroom they walked away from still remains empty two years later.

It doesn’t have to be that way, but greed always puts short-term profit ahead of long-term goals. Let’s use BAZ as an example. That innovative musical was brought to Mandalay Bay from Los Angeles by none other than Cirque du Soleil. The launch occurred during an awkward time frame in which ownership and business models at Cirque were being radically altered. Cirque abandoned BAZ in no time and without their support it closed after only six weeks.

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      BAZ was the perfect blend of sass, class and contemporary pop culture…

That’s when the Sands Corporation stepped in. Recognizing the many benefits of having a fantastic and unusual show on their property, they forked over the money to retro-fit the Palazzo Theater and supported BAZ’s run for two years. BAZ was never going to be a huge hit, but it was a prestigious project that brought a great deal of class and pride to the Venetian/Palazzo family.

So on one side we’ve got performers stating from personal experience that the four-wall business model doesn’t work. And on the other we’ve got these huge corporations that just don’t care. Working within the confines of the current system, what can be done to help a show succeed?

Well, if there was an answer to that, then at least a few of the dozens of shows that died in 2017 and 2018 might still be around. And that theoretical answer still wouldn’t apply to an existing property like Fuerza Bruta. So should it have been the responsibility of the PR firm to suggest “Hey, your show isn’t going to work here without a bit of overhaul”? Unlikely….they’re a third-party agency being hired by the show to spread awareness and buzz….nothing more. And who tells their boss on the first day that people might not even want their product?

Besides, public relations firms work mostly within the industry, reaching out to people like yours truly and much larger outlets such as TV networks, magazines and newspapers. They can tailor an existing ad campaign to make it Vegas-centric, but a risky top-to-bottom re-do for one stop of a tour? Not gonna happen…and we’ve already decided that there’s no magic formula for success, so why even try to change what’s worked everywhere else on the planet?

Should the PR firm have at least suggested a name revision for the show? Again, that would have understandably been met with resistance from a product that’s already a worldwide brand. And yet, a temporary re-naming to “Fuerza Bruta – Brute Force” might have eliminated some confusion and put a few more arses in those non-existent seats. Even the wise folks at Wynn eventually decided after several years to officially change the name of  Le Reve to “Le Reve – The Dream”. Because, you know, French is hard!

So just how much is in a name? Maybe the folks at the Strat should be asking that question right about now. No doubt they are sweating, because their delayed-delayed-delayed tent show Celestia, which was supposed to open on January 30th, is suddenly looking at an even more troubled future.

Celestia, now set for a May 1st debut (even though tickets are still not up for sale), may have an edge over Fuerza Bruta simply because it’s a show created specifically for Vegas. But we can justifiably counteract that advantage with the simple fact that it’s way at the troubled north end of the Strip and not the heavily-traveled Excalibur/MGM Grand/Tropicana/New York NY intersection where F.B. failed.

Celestia can also boast having some Cirque du Soleil DNA in its genes….and a few years ago that might have mattered. But now it’s time to recognize something really scary: Cirque du Soleil is facing genuine trouble here in Las Vegas. I’ve been told by people behind the scenes that MGM Resorts is quietly preparing to shut down all of their Cirque shows by the end of 2020.

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                             It’s my blog, I’ll be dramatic if I want to be…

While that might sound like absurd conjecture, there is plenty of evidence to back this rumor up. For one, huge productions like KA, ZUMANITY and Beatles LOVE are now advertising on Groupon. Yes, Groupon…the place where you go to buy discount Botox treatments and personalized make-up bags.

 

 

In my Vegas Chatter days, Groupon was a clear indicator that a Vegas attraction was struggling badly and would soon be gone. If you don’t believe me try to visit Eli Roth’s GORETORIUM. That’s not always the case anymore, but with must-see shows like LOVE, it’s an embarrassing way to put butts in seats.

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Hundreds of empty seats during a Friday performance of Cirque’s “Beatles LOVE” 

I recently attended a Friday-night performance of LOVE and was shocked that the massive auditorium was perhaps 40 percent filled. Hundreds upon hundreds of empty seats. And that’s apparently been the case for most of the Cirque shows for awhile now.

Vital Vegas stated in May of last year that Cirque’s 2017 capacity had been running at around 50 percent. With the removal of free parking to Nevada residents and a continued drop in tourism, that number would look even bleaker in the first quarter of 2019.

MGM Resorts numbers bear out rumors Cirque shows running at 50-60% capacity in Vegas: 3.6 million Cirque tickets sold in 2017, 9,890/week avg. per show. At 10 shows per week, that’s 989 sold with avg. capacity of 1,700.

Vital Vegas was also one of the first to report that Cirque Vegas was undergoing huge layoffs behind the scenes as part of a massive cost-cutting measure:

As they say in show business, “Holy crap!” Cirque du Soleil has reportedly informed all their Las Vegas shows (excluding “Mystere”) all department heads (lighting, sound, wardrobe, etc.) will be let go Apr. 17.

7:19 PM – 23 Mar 2019

He followed that up with an even more troubling tweet:

Hearing at least one well-known Cirque variety act was spotted auditioning at another (non-Cirque) show in town, presumably due to safety concerns related to Cirque layoffs.

12:48 PM – 31 Mar 2019

So, department heads have been axed, individual shows are being consolidated under one umbrella and performers are supposedly jumping ship to save their own skins. Does that sound like Cirque du Soleil will be around much longer to you?

In November I visited the Vegas Cirque du Soleil headquarters for a profile on Kim Scott, their Senior Manager of Sourcing and Partnerships. In her twelve years with the company, Scott had spearheaded shows like KA, Beatles LOVE and Criss Angel Believe.

During the interview, Kim had proudly spoken about being “responsible for maintaining our position in the industry as a leader in live entertainment safety standards, and position(ing) Cirque du Soleil as an employer of choice.” Yet one week after the article was published, Ms. Scott notified me that she was leaving Cirque to start her own consulting firm. I was astonished…and a little concerned.

Scott had also mentioned at the time that Cirque was busy creating a new show for Luxor in the theater vacated by Criss Angel’s Mindfreak. Raise your hand if you’ve heard anything about that one….I certainly haven’t.

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          Wanna go gaga over Gaga? It’ll set you back about a grand….

If a major brand like Cirque is struggling, new shows can’t afford to open and dozens of existing productions have disappeared, what will the future of Las Vegas entertainment look like? I have three answers: pricey headliner residencies, sports teams and celebrity DJ’s.

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       This….person…was just hired by Palms Resort to the tune of $60 million…

I don’t think anyone’s unaware of the Golden Knights or the new Raiders stadium. And who isn’t buzzing about Lady Gaga‘s two new shows at Park MGM Theater? Katy Perry, Janet Jackson, Christina Aguilera, Aerosmith and more are settling in for extended gigs. Throw in Marshmello/Calvin Harris and their ilk for the club kids and that’ll probably cover nearly every major kind of entertainment in the city.

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           1.8 billion dollars is the projected cost of the new Raiders stadium…

Oh, those little one-man shows will probably survive. And the strippers most likely will never run out of poles to swing from. But for productions shows, you’ll just have to head Downtown to the Smith Center. That venue for the performing arts will continue to host nationwide touring productions for short-term runs. Las Vegas will just be another stop on the schedule…no longer unique.

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               “Closed. Refunds will be available at the point of purchase.”

Clips and photos by Sam Novak. Except for a few from…wherever….

 

 

 

 

 

BEHIND THE CURTAIN: KIM SCOTT OF CIRQUE DU SOLEIL

 


Excerpts from my article for Best Of Vegas…

There’s a memorable scene in 1977’s Annie Hall in which Woody Allen says “Those who can’t do…teach. And those who can’t teach…teach gym.” In the acrobatic world of Cirque du Soleil, that statement couldn’t be further from the truth.

Behind the curtain of every Cirque show is an army of skilled technicians and a highly trained supporting cast. Step further back to discover a collection of individuals who work as a team to make the magic possible.

One such person is Kim Scott, Senior Manager of Sourcing and Partnerships for Cirque du Soleil Resident Division. Working from an impressive headquarters in western Las Vegas, Kim serves many key roles.

“I am responsible for ensuring the continued sourcing of qualified technicians to support our upcoming creations and current productions. I am also responsible for maintaining our position in the industry as a leader in live entertainment safety standards, and position(ing) Cirque du Soleil as an employer of choice.”

Read the rest by clicking here