‘Piano Man’ at MOSAIC Theater Hits All The Right Notes


Tribute to Elton and Joel is way better than it has any right to be…

Tribute shows rarely get the respect that they deserve. It takes a massive amount of talent to physically transform into a well-known entertainer, then deliver spot-on performances in song and dance. Sometimes tribute shows are even better than the real thing…a joyous experience without the exorbitant prices, ego-fueled antics, or notorious late starts (I’m looking at you, Madonna). 

Celebrity impersonators have been a mainstay in Las Vegas for decades, and LEGENDS IN CONCERT is the longest-running show in the city. In 2019, I named V Theater‘s Gaga/Britney/Madonna tribute Blond Invasion as “the ultimate pop-diva experience” and “Biggest Surprise of the Year”.

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With all that’s happened this year, there’s no telling when concerts and superstar residencies will return. So imagine my joy, in this era of pandemic madness, in discovering a new show that delivers everything the biggest names can…except for a certificate of authenticity. That’s Kyle Martin’s PIANO MAN at Mosaic Theater on the Strip.

You might not be familiar with Mosaic Theater, but you should be. I’ll publish a dedicated column on this unique, COVID-conscious venue very soon. Mosaic has become a shining beacon for show-starved audiences. It currently offers three separate productions, including Queens of Rock and the sexy Aussie Heat, with more on the way.

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You might remember the short-lived PIANO MAN at Planet Hollywood‘s V THEATER. That version featured a quartet of singers that bopped and swayed through a lively medley of Elton John, Billy Joel, and Barry Manilow. Backed by a terrific seven-piece band, stars Brett Pruneau, Russel Francis, Savannah Smith and Sophia Monica winningly delivered the hits, but no actual piano. 

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Mosaic Theater‘s PIANO MAN takes quite a different approach. A grand onstage keyboard is the heart of this production, and star Kyle Martin delivers its soul. The former Californian cut his teeth on Disney stages and as Billy Joel in Broadway’s MOVIN’ OUT. He’s also covered the west coast with JOEL, his own tribute band.

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It’s to the show’s advantage that Martin isn’t necessarily familiar to Vegas audiences yet. He enters the stage in character, and his physical resemblance to the hitmaker is noteworthy. But it’s Martin’s remarkable keyboard skills that might fool you into thinking that you’re in the presence of stardom.

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Pounding out a rapid-fire “Angry Young Man”, Kyle launches on a high note followed by chart-toppers like “We Didn’t Start The Fire” and “Uptown Girl”. “Scenes from an Italian Restaurant” provides one of the few mellow moments…the Billy Joel parade rarely slows down.

After such a spot-on first set, I was skeptical that Martin could shift gears to the foppish whimsey of Elton John, but my concerns were unfounded. Donning a pair of flashy goggles and flashier shoulder pads, the beefy singer/songwriter brings the house down with “I’m Still Standing”, “Benny and the Jets” and “Tiny Dancer”.

Martin’s four-piece band is an excellent assemblage. Each member gets their turn in the spotlight. Percussionist Daniel Sia, bass player Steve Bonacci, saxophonist Jeff Teczon, and Liam Hemsworth lookalike Luke Randall on guitar are all flawless. Sexy dancers Sarah Le Clear-Domingo (see profile here) and Nadia Albulet dazzle in costumes created by legendary BAZ alumnus Blair Farrington, who also oversees visuals. The entire team appears to be having one hell of a good time. 

At just the right length, the 75-minute concert winds down with a segment that’s unusual for tribute shows. After two sets performing as the featured headliners, Martin addresses the audience as himself. A charismatic and humble “everyman”, he offers a little insight into his career and shares a few family photos. Then the whole thing comes together in an explosive finale.

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Nothing brings people together like live entertainment, and MOSAIC‘s new show is a labor of love that hits all the right notes. PIANO MAN will send you into the night with a smile on your face and a song or two in your heart.

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PIANO MAN performs Thursday through Monday at 8:30pm. Click here for tickets. MOSAIC THEATER is located at 3765 Las Vegas Blvd, just north of HARD ROCK LIVE and across from PARK MGM Hotel Casino.

Drag and Drop the Mic for ‘FAAABULOUS! The Show’


New production dares to break the cardinal rule of the genre….

There are those who say that Britney Spears’ residency at Planet Hollywood was essentially a large-scale drag show. Outrageous costumes. Sexy back-up dancers. A heavily made-up performer who mimed her way through songs while sashaying around the stage, lip-syncing to the lyrics. Check-check-check.

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Being a naysayer of Spears and her own wooden, detached performances, I’ve found it more entertaining to enjoy the talents of Britney impersonators. Becoming someone other than yourself….now that’s real talent. Vegas favorites like Derrick Barry (America’s Got Talent, DIVAS) and Katie Murdock (Blond Invasion, Legends In Concert) take that artistry even higher by physically embodying the star while having angelic singing voices of their own.

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The art of drag is at an all-time high in our culture, especially here in Sin City. Senor Frog’s Drag Brunch at Treasure Island continues to pack in the crowd. Stars-N-Stilettos has arrived to take them on and Hamburger Mary’s has shifted its focus from beef to duct tape. Ester Goldberg gave it a go at SLS and Frank Marino’s DIVAS has been circling from above, rumored for a comeback at Hooters Casino (oh, the jokes we could make with that one).

The one common element for all of these productions is that drag artists rarely do any actual singing. Lip-syncing is the norm for this type of entertainment, hence the references to Britney. But that’s about to change with the debut of FAAABULOUS! The Show. This limited-run production will be the only singing/dancing/comedy drag show in Las Vegas…and they hope it finds a permanent home.

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FAAABULOUS! The Show is a labor of love. It’s created by two heavy-hitters with lengthy show-biz pedigrees. Christopher Kenney is best known to audiences as “Edie“, hostess of ZUMANITY by Cirque du Soleil. Writer/performer Jamie Morris is currently starring in the eye-opening Puppetry of the Penis at Erotic Heritage Museum and created new material for ZUMANITY’s 2015 refresh.

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Together, this partnership of boundless talent has captured the essence of drag and infused it with the vocal and comedic skills of five artists, each possessing their own impressive accomplishments:

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              Bella T. Ross, Dusty Muffin, Junebug, San San and Vita Summers…

BELLA T. ROSS is the creation of Josh Ross, a Los Angeles native and a Debbie Allen Dance Academy graduate who has been performing professionally for 15 years. Some of his credits include The Disney Channel’s “Suite Life of Zack&Cody,” Donn Arden’s “Jubilee!,” Tokyo Disney’s “Mystic Rhythms,” “Chicago The Musical” aboard The Allure of the Sea, “Cats The Musical” at Tuacahn Center for the Arts, “The Grinch Live!” at Universal Studios Hollywood, and “A Las Vegas Christmas” at The Linq Las Vegas.
DUSTY MUFFIN is the creation of C. Lash who is music supervisor/director and arranger for FAAABULOUS. He also created arrangements and direction for BAZ – Star Crossed Love (Palazzo), Scorsese: An American Crime Requiem (The Wallis), Tarantino (The Wallis) and Love Actually: Live (The Wallis). He was also the resident musical director and guest faculty member for UNLV’s Theatre Department.
JUNEBUG is the creation of Brooks Braselman, a Leo who enjoys thunder storms and keeping secrets. After majoring in musical theater at Boston’s Emerson College Brooks moved back to his home town of New Orleans. It was here he first squeezed his enormous head under a wig as Chicklet in “Psycho Beach Party” (Big Easy Award nomination). Since then Brooks has played a gaggle of lovely “ladies” including Christina Crawford in “Mommie Queerest (LA Weekly Award nomination), Natalie Green in “The Facts of Life: The Lost Episode,” Clarice startling in “The Silence Of The Clams,” Agnes Gooch in “Auntie Mame”, Velma Cruther in “Shut Up Sweet Charlotte!” He can currently be seen as Brock Hutchinson, along side John Malkovich, in the film “Supercon”, currently streaming on Amazon Prime!
SANDRA SANTIGOLD (“San San”) is the creation of Justin Rodriguez, a native of Queens, N.Y. who has called Las Vegas home for over 25 years. Credits include the National Tour of “RENT” (Angel), emcee/host of “Island Heat” at the Treasure Island Resort and Casino, multiple roles in “Tony ‘n Tina’s Wedding” at Bally’s Las Vegas; and even survived the short lived “Spoofical: The Musical” at Planet Hollywood Resort and Casino. He is currently the front man for  “Extreme Live”, a brand new immersive music experience at the Linq Las Vegas.
VITA SUMMERS is the creation of Ashton Shawver who played the role of Suzanne Sugarbaker in “Re-Designing Women” in Dallas (world premier), San Diego, Ft. Lauderdale and off-Broadway in New York. As Vita, Ashton has won several titles in the drag world including Texas All-American Goddess at Large and Miss Fire Island her first summer performing at the popular LGBTQ enclave. Vita also performed alongside Katy Perry on Saturday Night Live. A native of Texas who now lives and works in Ft Lauderdale, Vita is excited to be making her Las Vegas stage debut!
“No lip-synching. No impersonations. The cast of “Faaabulous! The Show” – Vita Summers, Bella Ross, Sandra Santigold, Dusty Muffin and JuneBug – are true triple threats. They sing, they dance, and they are damn funny! Kenney and Morris want to take drag to the next level and they believe this is the show that Las Vegas needs right now”.
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FAABULOUS! The Show will make its debut at Ron Decar Events Center (1201 South Las Vegas Boulevard near The STRAT). Performance dates are June 26th, 28th and 29th at 7pm  with a matinee performance on June 30th at 5pm. Doors open 90 minutes prior to showtime for optional dinner.
Tickets are $29 (including taxes/fees) and can be ordered by clicking this link.