Drag and Drop the Mic for ‘FAAABULOUS! The Show’


New production dares to break the cardinal rule of the genre….

There are those who say that Britney Spears’ residency at Planet Hollywood was essentially a large-scale drag show. Outrageous costumes. Sexy back-up dancers. A heavily made-up performer who mimed her way through songs while sashaying around the stage, lip-syncing to the lyrics. Check-check-check.

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Being a naysayer of Spears and her own wooden, detached performances, I’ve found it more entertaining to enjoy the talents of Britney impersonators. Becoming someone other than yourself….now that’s real talent. Vegas favorites like Derrick Barry (America’s Got Talent, DIVAS) and Katie Murdock (Blond Invasion, Legends In Concert) take that artistry even higher by physically embodying the star while having angelic singing voices of their own.

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The art of drag is at an all-time high in our culture, especially here in Sin City. Senor Frog’s Drag Brunch at Treasure Island continues to pack in the crowd. Stars-N-Stilettos has arrived to take them on and Hamburger Mary’s has shifted its focus from beef to duct tape. Ester Goldberg gave it a go at SLS and Frank Marino’s DIVAS has been circling from above, rumored for a comeback at Hooters Casino (oh, the jokes we could make with that one).

The one common element for all of these productions is that drag artists rarely do any actual singing. Lip-syncing is the norm for this type of entertainment, hence the references to Britney. But that’s about to change with the debut of FAAABULOUS! The Show. This limited-run production will be the only singing/dancing/comedy drag show in Las Vegas…and they hope it finds a permanent home.

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FAAABULOUS! The Show is a labor of love. It’s created by two heavy-hitters with lengthy show-biz pedigrees. Christopher Kenney is best known to audiences as “Edie“, hostess of ZUMANITY by Cirque du Soleil. Writer/performer Jamie Morris is currently starring in the eye-opening Puppetry of the Penis at Erotic Heritage Museum and created new material for ZUMANITY’s 2015 refresh.

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Together, this partnership of boundless talent has captured the essence of drag and infused it with the vocal and comedic skills of five artists, each possessing their own impressive accomplishments:

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              Bella T. Ross, Dusty Muffin, Junebug, San San and Vita Summers…

BELLA T. ROSS is the creation of Josh Ross, a Los Angeles native and a Debbie Allen Dance Academy graduate who has been performing professionally for 15 years. Some of his credits include The Disney Channel’s “Suite Life of Zack&Cody,” Donn Arden’s “Jubilee!,” Tokyo Disney’s “Mystic Rhythms,” “Chicago The Musical” aboard The Allure of the Sea, “Cats The Musical” at Tuacahn Center for the Arts, “The Grinch Live!” at Universal Studios Hollywood, and “A Las Vegas Christmas” at The Linq Las Vegas.
DUSTY MUFFIN is the creation of C. Lash who is music supervisor/director and arranger for FAAABULOUS. He also created arrangements and direction for BAZ – Star Crossed Love (Palazzo), Scorsese: An American Crime Requiem (The Wallis), Tarantino (The Wallis) and Love Actually: Live (The Wallis). He was also the resident musical director and guest faculty member for UNLV’s Theatre Department.
JUNEBUG is the creation of Brooks Braselman, a Leo who enjoys thunder storms and keeping secrets. After majoring in musical theater at Boston’s Emerson College Brooks moved back to his home town of New Orleans. It was here he first squeezed his enormous head under a wig as Chicklet in “Psycho Beach Party” (Big Easy Award nomination). Since then Brooks has played a gaggle of lovely “ladies” including Christina Crawford in “Mommie Queerest (LA Weekly Award nomination), Natalie Green in “The Facts of Life: The Lost Episode,” Clarice startling in “The Silence Of The Clams,” Agnes Gooch in “Auntie Mame”, Velma Cruther in “Shut Up Sweet Charlotte!” He can currently be seen as Brock Hutchinson, along side John Malkovich, in the film “Supercon”, currently streaming on Amazon Prime!
SANDRA SANTIGOLD (“San San”) is the creation of Justin Rodriguez, a native of Queens, N.Y. who has called Las Vegas home for over 25 years. Credits include the National Tour of “RENT” (Angel), emcee/host of “Island Heat” at the Treasure Island Resort and Casino, multiple roles in “Tony ‘n Tina’s Wedding” at Bally’s Las Vegas; and even survived the short lived “Spoofical: The Musical” at Planet Hollywood Resort and Casino. He is currently the front man for  “Extreme Live”, a brand new immersive music experience at the Linq Las Vegas.
VITA SUMMERS is the creation of Ashton Shawver who played the role of Suzanne Sugarbaker in “Re-Designing Women” in Dallas (world premier), San Diego, Ft. Lauderdale and off-Broadway in New York. As Vita, Ashton has won several titles in the drag world including Texas All-American Goddess at Large and Miss Fire Island her first summer performing at the popular LGBTQ enclave. Vita also performed alongside Katy Perry on Saturday Night Live. A native of Texas who now lives and works in Ft Lauderdale, Vita is excited to be making her Las Vegas stage debut!
“No lip-synching. No impersonations. The cast of “Faaabulous! The Show” – Vita Summers, Bella Ross, Sandra Santigold, Dusty Muffin and JuneBug – are true triple threats. They sing, they dance, and they are damn funny! Kenney and Morris want to take drag to the next level and they believe this is the show that Las Vegas needs right now”.
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FAABULOUS! The Show will make its debut at Ron Decar Events Center (1201 South Las Vegas Boulevard near The STRAT). Performance dates are June 26th, 28th and 29th at 7pm  with a matinee performance on June 30th at 5pm. Doors open 90 minutes prior to showtime for optional dinner.
Tickets are $29 (including taxes/fees) and can be ordered by clicking this link.

 

 

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Talent Uprising: Brad Standley


Vegas guitarist/singer warms up your soul with “Antarctica”…

You may have never heard of Brad Standley…and that’s okay. Until now, this handsome singer-songwriter has maintained a relatively low profile. With one shoe in Las Vegas and another in New York City, Brad somehow manages to hop back and forth between the two cities. But lately he’s been working hard to make a name for himself everywhere. He wants to bring his personal style of music to your ears with the release of the new single “Antarctica”.

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If you were fortunate enough to experience BAZ: A Musical Mash-up at Venetian/Palazzo, you may have already seen and heard Brad on that wonderful stage. He’s also appeared in productions on Broadway (In Transit) and is touring the country with Waitress: The Musical. But no matter what venue he’s performing in or how large the city, this young man from a north California farming community will always have a chunk of small-town Americana in his soul. And that slice of down-home spirit comes through with his music.

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Visiting his YouTube channel, you’ll see that Brad enjoys making music right out there on the streets. I mean, he REALLY enjoys it. Hitting the sidewalks of various locations in a series he calls “Ditty in the City“, Brad and friends take pop music hits and re-imagines them with guitar and strong vocals. Here he joins fellow BAZ alumnus Danny McHugh for a fun acoustic version of Britney’s “Toxic”:

Brad’s current single “Antarctica” is one that’s near and dear to his heart. He originally recorded a performance video of the song more than five years ago. Last week it became a full-on concept video, showcasing Standley’s warm voice with soaring background vocals, stirring strings and sweeping horns. The song has just earned a place in Spotify‘s “Undiscovered & Brilliant” playlist.

Independent artists are the heart and soul of the music industry. For every megawatt star on the Strip and the Great White Way, there are dozens (perhaps hundreds) of struggling performers with equal and greater talent. They’re out there, waiting for you to discover, support and enjoy.

If you’d like to know more about Brad Standley, visit his website by clicking here.

Photos and video courtesy of Brad Standley

Blond Invasion – The Ultimate Pop-Diva Experience


New production gathers pop’s biggest female superstars for the dream concert that never was…

Superstar headliner residencies are the biggest draw on the Strip right now. We’ve got Mariah, Janet, Gwen and more with Christina on the way (Pink and Katy Perry are rumored to be eyeing gigs as well). Can you imagine how awesome it would be if Madonna, Lady Gaga and Britney Spears somehow teamed up for the megawatt show of a lifetime? Now you can stop dreaming, because Blond Invasion is here.

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Blond Invasion is the latest show to open at V Theater inside Planet Hollywood’s Miracle Mile Shops. A stunningly clever yet simple concept, Blond Invasion is a beautifully executed salute to the ladies who keep us dancing. Unlike other tribute shows you may have seen, Blond Invasion doesn’t have lip-syncing or a rotating roster of celebrity acts. It’s a live performance created especially for fans of Madonna/Britney/Gaga by people who adore them.

In the crazy world of entertainment, you never know if or when you’ll ever get the chance (or finances) to see your favorite headliner. Britney lovers were blind-sided last November when her upcoming Park MGM residency was abruptly cancelled. Things turned even more dire just this month when the troubled pop tart’s manager stated that she may never perform again.

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Britney’s devoted fan base will be thrilled when performer Katie Murdock blasts through the Planet Hollywood ceiling with uncanny live vocals and spot-on Britney moves. Flanked by an explosive male dance troupe, Katie opens with the fabulous “Circus”, followed by sensational interpretations of “Toxic”, “Womanizer” and of course, “Work B*tch”.

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At the grand opening celebration, guests literally gasped when Ms. Murdock strolled into the party…the likeness was absolutely breathtaking. I later learned that Katie has already wowed thousands through her portrayal of Spears in the record-setting Legends In Concert. With fourteen years of Britney experience and a lifetime of singing and performing, Murdock’s act alone is worth the price of admission. But she’s just one of three powerhouse performances that make Blond Invasion such a treat.

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The 90-minute production opens with Coty Alexander striking a pose to Madonna’s “Vogue”, followed by “Into The Groove”, “Papa Don’t Preach”, “Human Nature” and more. A multi-faceted artist who’s also a Legends in Concert alumnus, Alexander has thrilled with her interpretations of Gwen Stefani and Lady Gaga, too.

Speaking of Gaga, prepare to be floored when Philadelphia native Christina Shaw and the boys let loose with “Bad Romance”. Clad in a blue wig and glittery spandex, Christina shows off her own real keyboard skills at a lush red piano for a ballad-style rendition of “Poker Face”.  She and the boys celebrate diversity with “Born This Way”, bring the party directly to your seat for “Just Dance” and wrap up with a fabulous round of “Applause”.

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                Christina Shaw’s Lady Gaga raises the roof with “Applause”…

Along with their individual sets, Blond Invasion‘s three stars come together for something you’ll never see anywhere else…Madonna, Britney and Lady Gaga on one stage. Together they unleash a career-spanning medley that’s a concert event like no other.

 

Click here to continue reading…

 

 

 

 

 

 

 

 

 

 

2018 Events, Trends & Moments…Cosmic and Controversial


A lot has happened in the past 12 months. Today I look back on large-scale events…

GREATEST SIGHT IN THE SKY – Angels of the 2017 Massacre

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                      I witnessed it on Sahara Avenue near Palace Station…

This one is emotional and unforgettable. If you were there to witness it, you couldn’t have helped being shaken to the core. As friends and loved ones gathered to commemorate the victims of 2017’s mass shooting one year later, the sunset brought a phenomenon that was seen throughout the entire valley.

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                       Courtesy of Michal Furmanczyk, Absinthe acrobat…

While some were quick to explain it scientifically, many of us felt it was a sign from a greater power…or perhaps a message from another plane of existence. Whatever your take on the matter, there’s no denying that the sunset on 10/1/18 was one we’ll never forget.

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                                  Courtesy of performer Kim Lange…

ROLLING BACK THE PARKING FEES

So many people want to sling buckets of rotting fruit at the money-grubbers of MGM Resorts for instituting parking fees on the Strip. As usual, copycat CAESARS Entertainment followed, the same way they did with resort fees. But unlike those dreaded mandatory surcharges, many of their competitors have held off…or even rolled back…charging their guests to park.

To my recollection, Wynn/Encore was the first to rethink this strategy by offering validation to shoppers, show attendees and hotel guests. Cosmopolitan began including parking as part of their mandatory daily fees just this month. Of course, they had to spoil a bit of the satisfaction by RAISING the resort fee another four dollars per day.

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       Caesars couldn’t resist sticking it to their guests one final time in 2018…

Tropicana, Treasure Island, SLS, Stratosphere, Venetian, Palazzo and a few others still offer parking to everyone without cost. Then there’s the Caesars properties, who dropped a stinkbomb during New Year’s Eve weekend by introducing a flat-rate “surge price” of $20 per day. Keep on gouging, guys. You’ve learned nothing.

LADY GAGA IS THE NEW QUEEN OF THE STRIP

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It seemed really odd when MGM Resorts decided to spend $170 million to rip out their new-ish and gorgeous Aria Theater in favor of “more lucrative” convention space…and then spend millions more to expand/rebrand the adjacent Monte Carlo theater for…get this…more live entertainment. Mmmm kay….

The gamble seems to have paid off, though, as Park Theater just celebrated two years of hosting such high-profile acts as Cher, Ricky Martin, Queen/Adam Lambert and Stevie Wonder. Reports have surfaced that the unwelcome return of faux entertainer Britney Spears has suffered underwhelming ticket sales. But Lady Gaga’s ENIGMA residency came to the rescue by swooping in during the last few days of the year.

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Initial reviews have been stellar. Entertainment Weekly wrote “Enigma the show is a damn good time, and it’s admirable in its attempts to elevate a greatest-hits gathering into something striving for more, something that perhaps even galvanized an artist in the peak of her career to take a Vegas residency in the first place.”

A local media publisher, who shall remain unnamed, confided a different take with me: “Gaga was great. Everything else about the show was a disaster.”

There’s no question that Lady Gaga’s profile has risen substantially since she signed her Park Theater contract. She’s sure to get an Oscar nomination for A Star Is Born…and might actually win. Her credibility as a performer, humanitarian and cultural icon are unquestioned. So having her as a fixture on the Strip (for a planned two years) is a major coup for Park MGM. Britney who?

UPDATE: Mere minutes after I published this piece, it was announced that Britney had cancelled her Las Vegas residency, citing “family health concerns”. That’s PR-speak for “My sales suck and they want me out”. What a wonderful bit of news for lovers of genuine talent. Buh-bye, Brit Brit. Don’t let the door hit-hit.

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TOUGH YEAR FOR VEGAS RESORT EXECS

The past twelve months have seen a surprising upheaval in upper management at major hotel casinos. It all started with an ominous event as embattled former Caesars Entertanment CEO Gary Loveman was shown the door in January…from his replacement job with Aetna. Loveman had never previously worked for healthcare companies.

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His successor Mark Frissora, who assumed the position from Loveman in summer 2015, will be departing his role in the next month or so. According to the Las Vegas Review-Journal, Frissora was accused in a Securities and Exchange Commission filing by his former company, Hertz Global Holdings, of “inappropriate accounting decisions and the failure to disclose information to an effective review” three weeks after he took over at Caesars. Ouch!

Gary Loveman wasn’t the only former resort exec to have a bad year. Longtime MGM Resorts‘ Felix Rappaport was found dead in his home this summer. Current MGM CEO Jim Murren issued the following statement: “We are saddened by the news of the passing of our former colleague and friend, Felix Rappaport. Felix was a member of the MGM Resorts family for more than two decades and is remembered fondly by many. Our condolences and prayers go out to his family at this difficult time.”

Also at MGM, it was announced in October that Bobby Baldwin, Chief Customer Development Officer of their resorts and President/CEO of CityCenter on the Strip, will depart both positions soon…without explanation. The press announcement was extremely brief and offered no details, which stirred up plenty of rumors. Hmmm…

During that same month, they welcomed George Kliavkoff as the new President of Entertainment and Sports. He took over for legendary bushy-maned Richard Sturm who had held that position since 1993. Sturm shocked many when he announced his departure from MGM five weeks earlier. He was leaving to form his own entertainment consulting firm that would work exclusively with…MGM Resorts (insert facepalm here).

VitalVegas.com reported on a number of departures and managerial changes this summer at Westgate Hotel Casino. The most noteworthy that I personally can report on was the promotion of Cami Christensen into the position of President and General Manager. I happened to be there on the evening of the announcement and was honored to offer congratulations.

Christensen has been with the property for over seventeen years and assumed the responsibilities of former GM Geno Iafrate, who reportedly departed to help launch a new franchising concept for Westgate’s Superbook. Oddly, Iafrate’s LinkedIn account currently shows him as having left the property and looking for work.

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             Gordon Prouty and Cami Christensen raise the bar at Westgate…

I was also excited to meet Gordon Prouty while covering the annual Mr. Olympia Weekend this summer. Gordon had just accepted a position as Westgate’s Director of Public and Community Relations. This dapper gentleman has an extensive background in media and community relations throughout the country.

Here in Vegas, Gordon’s been involved in several organizations and Greenspun Media Group. And as the best-dressed man in all of Las Vegas, he served as inspiration for my article on STITCHED Men’s Haberdashery. Only good things can happen at Westgate with Gordon Prouty behind the PR wheel.

There’s nothing like a sex scandal to ruin a man’s legacy. Just ask Kevin Spacey….or in this case, Steve Wynn. The super-successful businessman, whom many credit with the mega-resorts of today, had one really tough year. Allegations of sexual misconduct forced the magnate to sell off his shares in Wynn Resorts this past March. Just before that he’d stepped down as CEO of his own company while denying the claims being made against him: “The idea that I ever assaulted any woman is preposterous.”

The founder of one of Las Vegas’ most luxurious resorts was also forced to depart the on-property villa he called home, as well as to forfeit his healthcare and severance pay. To add insult to injury, Wynn’s final pet project, the Paradise Park Lagoon, was scuttled. It would appear that Wynn West, an expansion on the opposite side of Las Vegas Boulevard, has also been put on ice.

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                                                     Photo via KSNV-TV

This is the third project to fall apart on the former New Frontier Hotel space. Perhaps it’s just as well. Somebody is apparently building Wynn West just a little farther down the street anyway. Unfortunately they’ve named it Resorts World, which doesn’t quite have the same ring. But it certainly looks familiar…

Tomorrow I’ll conclude my year-end wrap-up with the things that made Las Vegas 2018 a deeply personal affair.

Banner photo by Jim Gisclair of Serenity Helicopters

 

Vegas 2018 – Best of the Best, Worst of the Worst in Large-scale Production Shows

 


Wrapping up another event-filled year with fond memories and a little sass…

Can it really be that Santa is returning to his home base to put the elves back to work? Perhaps, but that Christmas hangover still lingers, ensuring that you didn’t dream your way through another holiday season in Vegas.

As you bring out the noisemakers and put champagne on ice for New Year’s Eve (check out my piece for tips on last-minute NYE planning), let’s look back at some of the noteworthy…and notorious…moments and madness from Las Vegas 2018. First up: the shows…

BEST NEW SHOW – Manilow: The Hits Come Home

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I’ll admit to being a bit worried when 75-year-old Barry Manilow missed his own big night at Westgate Las Vegas. The legendary singer was hospitalized on the morning of his kick-off weekend, which scuttled a massive media party and prompted singers Clint Holmes and Earl Turner to entertain the sold-out auditorium with their SOUNDTRACK show in his absence.

It turns out that my fears were unnecessary, as Manilow snapped back quickly, proving that he truly is the World’s Greatest Showman. Brimming with energy and love for his audience, Barry is everything you want in a Las Vegas event production. Check out my full review here and be sure to see Manilow: The Hits Come Home through June of 2019.

Runner-up: Soundtrack with Clint Holmes and Earl Turner, also at Westgate (now closed), OPIUM at Cosmopolitan (tie)

WORST NEW SHOW – Inferno: The Fire Spectacular 

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                                        “We need more GAS-O-LEEN!!!!!” 

There are certain entertainment venues in Sin City that seem to have a hex on them. Bad things happen, shows close way faster than they should and nothing seems to go right. Tropicana Showroom, Encore Theater at Wynn and Palazzo Theater have all gone through this period at one time or another (in Tropicana’s case, it’s as bad as ever). Now the curse seems to have landed at Paris Hotel Casino.

This was a bad year for Paris. Its troubled (and aging) Paris Theater chewed up and spit out Circus 1903 and Marilyn: The New Musical in just the first half of this year. Next came the cringe-worthy Inferno: The Fire Spectacular. Built around the supposed talents of peculiar and obscure magician Joe Labero, this upstart element-based production squandered every bit of potential in its premise and left you laughing for all the wrong reasons (“We need more gasoline. Lots and lots of GAS-O-LEEN!”). Read my full review here.

While Inferno could have been salvaged by jettisoning its star and focusing on the fire aspect (and The Fuel Girls), the show was abruptly yanked from the Paris schedule just six months in. Its cast was rudely told to hit the road during a break without the benefit of a farewell performance. Show business can be cruel.

It’s interesting to note that I Love The 90’s, the next production to enter this venue, went on an abrupt hiatus for most of December, just two months into its residency. UD Factory‘s CEO Seth Yudof assures me that there is no reason to be concerned. He swears that I Love The 90’s will return stronger than ever in January. Let’s hope his production is the one to break the Paris showroom curse. Entertainers in Sin City already have it tough enough.

Look for my review of I Love The 90’s when it returns in 2019.

MOST UNWELCOME RETURN – Mariah Carey/Britney Spears/Criss Angel (tie)

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                   A stripper, a robot and a douche bag walk into a bar…

The worst thing about Christmas is taking down the tree, packing up the lights and tossing away all that torn wrapping paper. I get that same sinking feeling every time I spot a billboard hyping the residencies of these three clowns.

Like a dried-up fruit cake that won’t go down the garbage disposer, the miserable triad of Carey, Spears and Angel continue to regurgitate up our collective pipes and spread noxious odors throughout the Vegas valley.

There’s an amazing amount of common ground among the self-proclaimed diva, robotic lip-syncer and goth faux-magician. Arrogance, fakery and distraction are the hallmarks of their supposed talents. Onstage gaffes, cancellations, accidents and savage reviews have plagued each of their productions. Yet minimally-talented blowhards continues to sell tickets and broker new residencies shortly after the last ones have been kicked into the desert.

The PR teams for each were touting their “returns” before the stench had even cleared from their previous rounds. Mariah’s somehow on her second stint at Caesars…three if you count last year’s Christmas gig. MGM Resorts wooed Britney from Planet Hollywood over to Park MGM Theater starting in February (why, exactly?). They’re probably regretting it now that advance ticket sales have been lukewarm at best.

Criss Angel’s partnership with Cirque du Soleil is finally over (they’re probably breathing a collective sigh of relief for surviving ten tumultuous and embarrassing years). He’s left Luxor biggest theater for a mezzanine-level auditorium at PHo, the same troubled theater that swallowed Frankie Moreno and Paul Zerdin just last year. Let’s hope it manages to choke down Mindfreak Live…and digest it once and for all.

Santa didn’t hand out coal this year…he gave away tickets to Mariah, Britney and Criss.

SADDEST CLOSURE – BAZ/David Goldrake’s IMAGINARIUM (tie)

It’s frustrating to see unique and talent-packed shows being overlooked for the likes of the notorious three mentioned above. And while they’re vastly different, both BAZ and IMAGINARIUM suffered similar fates.

Palazzo Hotel Casino deserves a lot of credit for backing BAZ, the daring musical mash-up built around a trio of familiar and tragic love stories. Defying simple descriptions and difficult to promote in any form of media, BAZ relied on word of mouth to put butts in seats. Those who saw it praised the innovative production and its amazing cast. In other words, it was doomed from day one.

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David Goldrake IMAGINARIUM had the unfortunate challenges of 1) coming in behind notorious child-porn illusionist Jan Rouven in the cursed Tropicana Showroom 2) sharing the same corner with high-profile magicians Criss Angel and David Copperfield, and 3) being better than Vegas audiences wanted…or deserved. The hard-working Goldrake made IMAGINARIUM far superior to anything either of his competitors currently offer. And he did it with sincerity, dignity, humility and a great deal of sexiness.

Runner-up: Soundtrack at Westgate Hotel Casino

BEST OVERALL PRODUCTION – Le Reve The Dream

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It’s nice to have my all-time show back on this list. Le Reve – The Dream had to take a backseat to BAZ for a few years. But now that the musical has closed down, nothing shines more brightly than Wynn’s signature spectacular.

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Not only is Le Reve back to the top of my list, but it’s fresher than ever. New costumes and make-up design, a fabulous re-imagined score and songs by original composer Benoit Jutras…and a revised story line all come together for an unforgettable experience. When it comes to sheer spectacle, nothing on the Strip beats Le Reve – The Dream. Read my full review here.

Be sure to check back for my next entry in 2018’s wrap-up. And best wishes for the New Year.

PEREZ HILTON -Breaking The Rules (and making some new ones) at Chippendales


The nation’s foremost social media “influencer” manages to make the outlandish seem easy in his guest-hosting stint…

I was one of many who were shocked when Chippendales announced notoriously-outspoken Perez Hilton as their next celebrity host. After all, the self-proclaimed “Queen Of All Media” was hardly forged from the same slabs of beef as previous guests like Tyson Beckford and Antonio Sabator Jr. So what gives?

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The answer is that the forces behind Chippendales version 2018 are ready to shake things up. With the absurdly awful Magic Mike Live biting into their sales and cutting-edge newcomers like Aussie Heat offering alternative takes on the male revue concept, it isn’t enough to just be the gold standard any more.

As I previously reported, Chippendales is one of several erotic male productions that have evolved in order to tap into the DINK demographic. What’s that, you ask? It’s the “Dual Income, No Kids” members of our society, which these days are widely represented by the gay community.

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With the passage of marriage equality, the need for gay-only entertainment options has largely melted away. LGBTQ tourists are now welcomed along with everyone else, so it’s common to see gay couples and groups attending male revues along with the ladies.

That’s why Perez Hilton fits so nicely into this hosting gig. Never one to shy away from controversy, the flamboyant Hilton is this generation’s Paul Lynde, Liberace or Siegfried & Roy. He’s way out there, yet approachable. Daring, yet somehow safe. A perfect mash-up of comedy, shock value and tongue-in-cheek humor to make your night on the town an only-in-Vegas experience.

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I sat down with Perez before the official opening of his debut last Friday. Decked out as a carnival barker in a spectacular Jeffrey DeBarathy-designed costume reminiscent of Britney Spears’ ensemble for The Circus tour, Hilton was surprisingly eloquent and soft-spoken.

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         The two of us at a performance of Spiegelworld’s OPIUM at Cosmopolitan…

When asked if he felt like a pioneer by being the first openly-gay host of a show that once prohibited men from attending, Perez seemed surprised:

Wait a minute….I’m gay? Who told you that? (laughter). Wow, I did not know that! So men weren’t allowed in the audience before…that’s interesting. But no, I can’t say that I feel anything like a pioneer. This is something that I’ve wanted to do for awhile and I’m glad we were able to make it happen!

“Now that you’ve been in rehearsals, gotten to meet all the guys and seen their inner workings (more laughter), were there any pre-conceived notions about Chippendales that were either confirmed or shattered?”

(sly grin) Hmmmm….there weren’t really any backstage shocks that I can think of. I know the show pretty well from coming so many times. And I’ve only been rehearsing since Monday so there hasn’t been a lot of opportunity to think about things like that when you’re focused on the work.

I will say that everyone here has been supportive of me and they’ve made it easy. It’s been so much fun and I’m eager to see how the audiences react. This is uncharted territory for me as much as them.

Perez Hilton Chippendales

With the pre-show party about to begin inside the adjacent Flirt Lounge, time was running short. So I was able to ask one last question – “What advice can you offer a small-time blogger like myself?”.

You need to know your audiences for every individual platform. The readers on Facebook are going to be a different group from those on Instagram. They want to experience different kinds of content, so you need to tailor each social media outlet to their expectations, not yours.

YouTube is the big one right now. You have to use video…and lots of it. People want to see for themselves what you’re up to. I have two YouTube channels and it’s a challenge to keep up with all of it, but you have to stay current and pump out new information all the time.

Perez Hilton Chippendales

                Ever-present mother Teresita enjoying Perez’s debut performance…

After fans (and the curious) had lined up and taken their seats inside Rio‘s custom Chippendales Theater, the countdown to showtime was interrupted by Perez himself. Appearing from behind the audience, the host stopped the show with a bit of impish playfulness before allowing the beefcake to be revealed.

Perez Hilton Chippendales

Throughout the evening, Hilton worked his way into the proceedings with his signature charm, playing emcee for a faux game show, busting in on performer Kyle Efthemes‘ “Purple Rain” shower sequence (yes, really) and holding an open forum for questions from the audience.

What could have been a train-wreck attempt at hipness from lesser media celebs (the flatliner response to Chester Lockhart and Scheana Shay’s short-lived stint at Sex Tips for Straight Women From a Gay Man comes to mind) turns out to be a brilliant move. And one that should bring in hordes of new fans to the long-running show.

Perez Hilton Chippendales

But don’t take my word for it. See the audacious Perez Hilton and his crowd-pleasing antics for yourself. Chippendales performs nightly at 8:30 p.m. with additional shows on Thursday, Friday and Saturday at 10:30 p.m.

Perez Hilton’s Chippendales residency runs Thursday/Sunday nights through Sept. 2nd, 2018. Tickets range from $64.95 to $165.09 + tax and fees (18+) and can be purchased by calling (702) 777-7776. VegasFool.com is currently running discount rates as low as $39 for select evenings.

Photos: Sammasseur, Perez Hilton via Facebook, Chippendales

 

 

 

 

 

 

2017 In Review Part 2 – The “Bye, Felicia” Award for Most Interminable Residency


The inaugural “Vegas Unfiltered Wrap-up” is upon us. Brace yourselves…

It was the best of times. It was the worst of times. Within the laughter, tears and tragedy were moments of amazement and joy. Whatever you sought, there was something for you to relish and moments to make you cringe. Nothing will let you forget 2017 – the Year in Las Vegas.

The “Bye, Felicia” Award for Most Interminable Residency – Mariah Carey/Britney Spears (tie)

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Mariah and Britney are a couple of very defiant fish. You throw them into the lake and they stubbornly hop back into your boat. And like a couple of dying carp, they stink up their respective venues with dead eyes and mouths that sporadically gulp for air.

In Carey’s case, she can’t even be bothered to walk or dance. Instead, she gets carried around like a sack of lumpy potatoes. Or perhaps a corpse, as this infamous moment from July suggests:

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Mimi’s outrageous ego must have taken a nasty blow when Caesars failed to extend her 2-year residency. That final evening at the Coliseum was so under-attended (despite deep discounting) that the so-called diva refused to perform “until the place filled up”.

How do I know? Because I was there, talking to staffers who were laughing about it as it happened. Still, she came back for five sappy Christmas shows during the slowest week of the year. Tickets started at only $59.00. Ouch!

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Britney Spears will flap her arms and sleepwalk her way through a final performance of Piece of Me at Planet Hollywood this New Year’s Eve. Thank goodness her hunky and talented singer/dancer Willie Gomez will be onstage to inject a much-needed spark.

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There’s talk that Britney will resurface at another property, much like legionnaire’s disease keeps attacking guests at Rio Las Vegas. Her resilient career is proof that wooden objects really do float.

Dishonorable Mention – Criss Angel’s Mindfreak Live (closing October 2018)