‘Celestia’ Comes to Earth By Way of the Vegas Strip


New astral-themed production opens at the STRAT…

Anticipation’s been as high as the massive tent erected on its behalf. An announced January premiere came and went, as did competing tent show Fuerza Bruta. But after many delays and hoopla galore, CELESTIA has finally come to Earth…and landed on the Las Vegas Strip.

62423925_334188943931021_351314469248303104_o

CELESTIA is the first large-scale entertainment offering under the STRAT’s new ownership and name. As the iconic hotel casino continues its evolution from Stratosphere into a decidedly more hip and relevant offering, CELESTIA has become an inadvertent keystone of their new image and business model. Naturally, a lot hinges on its success.

Last week’s official premiere was flashy and epic in scope. Celebrities like BMX pro Ricardo Laguna and entertainers from all over the city enjoyed signature cocktails and delicious bites at a pre-show reception. Then guests grabbed boxes of popcorn before heading into the main tent.

The cavernous performance space, which is beautifully landscaped on the exterior, looks even larger thanks to colorful motion projections of the cosmos. Stars twinkle in every direction and colorful astral bodies spin and glow. The stage is arranged proscenium-style, an unusual departure from the typical circus-in-the-round.

Screenshot 2019-06-12 at 5.40.28 AM

But CELESTIA is more than the traditional three-ring spectaculars of your childhood memories. As a live band pumps out the arresting opening number, a large international cast appears from all directions. Still more plunge downward from unseen platforms, filling the air and stage with wonder.

20190605_192328

A threadbare premise follows central character “Celestia”, a star who’s taken the physical form of a young woman. Hoping to learn about artistry and human emotions, Celestia journeys through our world accompanied by a pair of comical sidekicks. Of course, this story line is just an excuse to present a variety of colorful and jaw-dropping acts.

Screenshot 2019-06-12 at 5.34.04 AM.png

The fledgling production is beautifully mounted with snappy pacing, memorable costumes and a very attractive athletic cast. Contortionists, aerial artists, archers and knife-throwing wizards fill every square foot of the wide, neon-lit stage. Performers run through the aisles and leap onto platforms scattered throughout the audience, making for great photo-ops along the way (the show is flash-free picture-friendly).

Screenshot 2019-06-12 at 5.34.10 AM

Fans of The Greatest Showman will enjoy seeing Russian Bar athletes The Sandou Trio. America’s Got Talent finalists Sergey and Sascha bring their stunning head-to-head balancing act to Vegas crowds as well. A spectacular sequence on the Wheel of Death will have you alternately hiding your eyes and raising your voice with cheers. Mounted of a massive scale, this finale rivals anything Cirque du Soleil can offer.

Screenshot 2019-06-12 at 5.32.58 AM.png

Speaking of Cirque, you may wonder where CELESTIA fits into an already crowded entertainment landscape. Click here to continue reading… 

Photos: CELESTIA, Sam Novak

 

 

 

 

Advertisements

Hanging By A Thread – Sin City’s Huge Entertainment Dilemma


Fuerza Bruta’s shocking failure suggests a troubling future for large-scale productions….

Several years ago I penned a two-parter for Vegas Chatter entitled “Four Walls and a Dream”. In it I explored the difficulties involved in launching a new show in today’s corporation-run Vegas. Gone are the days when casinos supported their own entertainment. It’s up to productions themselves to “pay the rent” via an arrangement known as four-walling. And that quite simply is why most new shows are gone before you’ve ever even heard of them.

mo_jeffcivillico_featim_9212015

That article was inspired by Jeff Civillico, a dynamic young entertainer whose star was already on the rise. His “Comedy In Action” afternoon show at Linq Hotel (then known somewhat absurdly as The Quad) was working hard to make a name for itself. Yet the resort where he rented showroom space had little interest in helping “Comedy In Action” to succeed.

Civillico was on the hook not only for the room and production costs, but also for supplying the advertising materials to display around the property. Yet Jeff had little control over where they’d be displayed….if at all. I’m not sure if he ever worked out his issues with parent company Caesars Entertainment, but Comedy in Action still performs once a week at Paris Hotel Casino.

I learned a lot about the current state of Vegas entertainment while researching that piece. There was plenty of response from performers, producers, directors and public relations people when it ran, too. But after the shocking announcement that Fuerza Bruta would be shuttering only four weeks into a six-month stint, I realized two valuable facts:

  1.  There is no magic formula to ensure that a show will be a hit.
  2.  The current state of Vegas entertainment is more volatile than ever before.

If you haven’t heard of Fuerza Bruta, then congratulations. I’ll pretend to make a check-mark in the air and we can continue on down the list. But first, allow me to say that less than one week ago in my rave review for Fuerza Bruta for BestOfVegas.com, I called it a “Sin City game changer”. I also inaccurately claimed that it was “poised to redefine entertainment on the Strip”. Oh, my… (click HERE to read the original review).

 

 

Just after I’d sent the piece off to the editor, I received an email from Fuerza Bruta’s public relations firm regarding the Vegas run.

FUERZA BRUTA will perform its final show at Excalibur Hotel & Casino on Sunday, April 7, 2019. The acclaimed production, which has been seen by more than six million spectators in more than 34 countries and 58 cities since its launch in 2003, will continue to impress audiences from around the world as it prepares to make the move from Las Vegas to MGM Cotai in Macau in June 2019.
Tickets for the remaining Las Vegas performances of FUERZA BRUTA are now on sale and available at any MGM Resorts International box office, online at Excalibur.com or by calling (702) 597-7600. Refunds for tickets purchased for shows at Excalibur after April 7 will be available at the point of purchase.

It took awhile for the shock of this announcement to subside. I could have been embarrassed that I’d been so far off in my predictions. Instead I was angry that the so-called “City of Entertainment” had chewed up and spit out yet another piece of great entertainment.

 

 

All but one of my friends who had seen the show were absolutely dazzled by the balls-to-the-walls audacity of it. During three separate viewings, I’d stood alongside (and chatted afterwards with) cast members from shows like Chippendales, Le Reve, Zumanity and Donny & Marie. They’d come as I had to see if the enthusiastic pre-opening buzz was deserved. And every one of them was delirious, if not downright envious, of the incredible visuals and creative sequences that Fuerza Bruta was able to pull off inside a tent erected on a parking lot.

20190407_220502

That positive word-of-mouth alone should have been enough to bolster tickets sales. If performers from some of the top shows in Vegas loved it, then it was a must-see, right? Not so fast. Depending on who you ask, it turns out that paid tickets for the show were averaging 50-80 sales per performance with the rest comped (freebies). But if all of those people love it, then they’ll recommend it to friends and attendance will build, right? Well, that would take time….which the powers that be weren’t about to grant.

20190403_183348

Fuerza Bruta was located just outside of Excalibur, which is owned by MGM Resorts. MGM runs nearly half of the major resorts on the Strip. So why weren’t they supplying the capital to help fund operations and allow for attendance of this remarkable show to grow? Four-walling, of course! If Fuerza Bruta failed, all Excalibur would have to do is pull down the advertisements and sweep away any remaining evidence of where the tent had been.

20190403_192020

Realizing that readers and friends who’d planned on seeing the show would never get that opportunity to do so made me angry. I took to social media to vent my frustrations. “What the Hell is wrong with Vegas? Nothing worthwhile stands a chance anymore!”

20190403_194932

Well, thank goodness for the reach of Facebook and Twitter, because my steam-valve post brought out lots of sensible responses from performers in and around the Strip. Mike Hammer of Mike Hammer Comedy Magic at Four Queens was the first to chime in:

You can blame it on this city all you want but they didn’t understand the fundamentals of running a show in this town. It comes down to poor marketing strategy. First of all the show has a name that is not memorable. I live here and can’t even pronounce the name. No way most people from the Midwest are even going to know what the show is. Also, it’s pretty hard to sell a show when you can’t even describe it. Everyone I know that has seen it, including has never described it in one sentence. They didn’t even leave enough time to build up a buzz.

Bad timing of when they opened too. Slower time of the year with March madness and spring break. Again, this a producers decision. They weren’t even selling 50 tickets so how can you blame it on this city?

Again, people that don’t get the VEGAS market. If they didn’t plan enough money to survive six months of marketing, they just were not ready. I wish the best of luck elsewhere where they know what they’re doing. I love VEGAS and it’s been a home to me for 16 years. I’ve seen shows come and go and most of the time it’s the producers or management fault.

20190403_200113

Enoch Augustus Scott, host of long-running hit Zombie Burlesque at Planet Hollywood’s V Theater also took exception to my finger-pointing at Vegas:

There are a million possible reasons besides fat Americans to account for this. Injury. Bad accounting. Or it could be the standing up. People stand and walk around Las Vegas all day along. Sometimes the only chance they get to sit is dinner or a show. Also the Las Vegas show demo skews older. Also people from all over the world come to Vegas. Cirque has been able to grow as big as they are by catering to and attracting an international market base. So you really can’t blame fat Americans on a show not running. Clearly the producers did not understand the landscape or have enough capital to go the 6 months. Happens all the time. Producers come here with a hope and dream and without a business plan or the necessary investment to run a show long enough for it to become a success. It is poor craftsman who blames his tools and even poorer performer who blames his audience. Literally.

While I agree on much of what Enoch says, he also had added “It was always meant to be a limited run. Calm down everybody.” Correct, but that limited run was for six months with the hope of an extension. Four weeks was clearly a failure with deeper implications.

 

See, that’s the problem with having so many choices in one city. Without brand recognition, a famous headliner or a simple-to-explain concept, your middle-American Vegas visitors just won’t make the time for it. Hence we’re inundated with magic shows, impersonators, topless revues and lots of “Circus Day Solay”.

20190403_193316

It’s interesting to note that Fuerza Bruta played in New York City from 2007 through 2016. That’s over 3,000 performances! But we’re talking about an entirely different demographic over there. Visitors to NYC book their tickets to Broadway hits months…and sometimes a year or more…in advance. They’re also a more sophisticated crowd that makes Broadway entertainment part of an elegant evening that includes fine dining while wearing tasteful and carefully-selected outfits.

2y08t9

But in Las Vegas we’ve got 1) no backing from the host hotels, 2) no opportunity to build brand awareness….and 3) a group of visitors not exactly looking for high art to go along with their yard-long daiquiris.

I went poking around other social media outlets to see how people were reacting to the news of Fuerza Bruta’s sudden shuttering. Always-reliable VitalVegas.com had quickly published an article announcing the closure, and it was a comment from reader ExVegasLocal that caught my eye:

I was “this close” to buying tickets to see Fuerza Bruta for an upcoming trip. It looked like a really cool show, but I was on the fence because I wasn’t sure I wanted to be jostled in a crowd from one side of the room to the other for an hour. In the end, I decided not to bite.

No matter what Vegas thinks about itself, it’s not really that forward thinking/avant garde. Neither are its visitors. Hence the constant replication of one thing that works until it’s completely overdone. Another Cirque show/night club with one syllable name/shopping arcade in front of a hotel/pool party/CVS pharmacy anyone? Now that’s more like it.

Vin A., one of The Bronx Wanderers, had a humorous reaction to my post…one that was also deeply insightful:

Well THAT was obnoxiously fast 😢 i didn’t even get to see the freaking thing! Wtf? Need a low low overhead to survive out here. Why all the one man shows live on forever and a few small cast things barely squeak by. It’s tough as hell out here. You play here for the prestige, and you tour for the money that carries you through your losses out here. That’s the future.

Raja Rahman of the musical magic duo Jarrett and Raja added his own thoughts to the situation:

It’s never about the quality of the show. It’s the $$$ behind it. Ugh. The cycle continues. After our experience, I’m convinced this business model is crap. Any business needs time to ramp up.

“Our experience” no doubt refers to the troubles Jarrett and Raja encountered at various showrooms throughout the city. They’ve had to deal with four-wall scenarios and abrupt closures at downtown’s Plaza Hotel, Hooters Casino and Stratosphere. Even though these gentlemen are residents of Las Vegas, they often find it sensible and more lucrative just to take their talents on the road.

Actually, it’s a pretty common thing for Vegas shows to go on tours. And often they never return. A few years ago I shadowed a production as it searched for a suitable venue on the Strip. After months of meetings and hassles, they decided on a major casino with a troubled showroom history. Sadly, their production would just be another casualty in a long list at the historic south-Strip hotel.

An opening date was chosen, tickets were sold, sets were constructed and advertisements went up throughout the casino and outside. But after being frustrated by resistance and lack of support from the hotel’s regime, the producers abruptly decided to throw up their hands, walk out the door and take the show on the road without doing a Vegas residency.

It makes no sense. It’s like they don’t want you here. Why should I put up money and then fight with the people who I’m paying rent to? After all that, if I’m lucky I’ll sell two hundred tickets a night in Las Vegas. We could take this show to other places where entertainment like this isn’t available and sell out two THOUSAND seats a night. And those places roll out the red carpet for us.

And that’s exactly what he did. A show designed for the Vegas Strip had to leave the city in order to survive. And the showroom they walked away from still remains empty two years later.

It doesn’t have to be that way, but greed always puts short-term profit ahead of long-term goals. Let’s use BAZ as an example. That innovative musical was brought to Mandalay Bay from Los Angeles by none other than Cirque du Soleil. The launch occurred during an awkward time frame in which ownership and business models at Cirque were being radically altered. Cirque abandoned BAZ in no time and without their support it closed after only six weeks.

26166900_10215188837619979_3142459902754377671_n.jpg

      BAZ was the perfect blend of sass, class and contemporary pop culture…

That’s when the Sands Corporation stepped in. Recognizing the many benefits of having a fantastic and unusual show on their property, they forked over the money to retro-fit the Palazzo Theater and supported BAZ’s run for two years. BAZ was never going to be a huge hit, but it was a prestigious project that brought a great deal of class and pride to the Venetian/Palazzo family.

So on one side we’ve got performers stating from personal experience that the four-wall business model doesn’t work. And on the other we’ve got these huge corporations that just don’t care. Working within the confines of the current system, what can be done to help a show succeed?

Well, if there was an answer to that, then at least a few of the dozens of shows that died in 2017 and 2018 might still be around. And that theoretical answer still wouldn’t apply to an existing property like Fuerza Bruta. So should it have been the responsibility of the PR firm to suggest “Hey, your show isn’t going to work here without a bit of overhaul”? Unlikely….they’re a third-party agency being hired by the show to spread awareness and buzz….nothing more. And who tells their boss on the first day that people might not even want their product?

Besides, public relations firms work mostly within the industry, reaching out to people like yours truly and much larger outlets such as TV networks, magazines and newspapers. They can tailor an existing ad campaign to make it Vegas-centric, but a risky top-to-bottom re-do for one stop of a tour? Not gonna happen…and we’ve already decided that there’s no magic formula for success, so why even try to change what’s worked everywhere else on the planet?

Should the PR firm have at least suggested a name revision for the show? Again, that would have understandably been met with resistance from a product that’s already a worldwide brand. And yet, a temporary re-naming to “Fuerza Bruta – Brute Force” might have eliminated some confusion and put a few more arses in those non-existent seats. Even the wise folks at Wynn eventually decided after several years to officially change the name of  Le Reve to “Le Reve – The Dream”. Because, you know, French is hard!

So just how much is in a name? Maybe the folks at the Strat should be asking that question right about now. No doubt they are sweating, because their delayed-delayed-delayed tent show Celestia, which was supposed to open on January 30th, is suddenly looking at an even more troubled future.

Celestia, now set for a May 1st debut (even though tickets are still not up for sale), may have an edge over Fuerza Bruta simply because it’s a show created specifically for Vegas. But we can justifiably counteract that advantage with the simple fact that it’s way at the troubled north end of the Strip and not the heavily-traveled Excalibur/MGM Grand/Tropicana/New York NY intersection where F.B. failed.

Celestia can also boast having some Cirque du Soleil DNA in its genes….and a few years ago that might have mattered. But now it’s time to recognize something really scary: Cirque du Soleil is facing genuine trouble here in Las Vegas. I’ve been told by people behind the scenes that MGM Resorts is quietly preparing to shut down all of their Cirque shows by the end of 2020.

Screenshot 2019-04-08 at 5.09.56 AM

                             It’s my blog, I’ll be dramatic if I want to be…

While that might sound like absurd conjecture, there is plenty of evidence to back this rumor up. For one, huge productions like KA, ZUMANITY and Beatles LOVE are now advertising on Groupon. Yes, Groupon…the place where you go to buy discount Botox treatments and personalized make-up bags.

 

 

In my Vegas Chatter days, Groupon was a clear indicator that a Vegas attraction was struggling badly and would soon be gone. If you don’t believe me try to visit Eli Roth’s GORETORIUM. That’s not always the case anymore, but with must-see shows like LOVE, it’s an embarrassing way to put butts in seats.

IMAG2882

IMAG2884

Hundreds of empty seats during a Friday performance of Cirque’s “Beatles LOVE” 

I recently attended a Friday-night performance of LOVE and was shocked that the massive auditorium was perhaps 40 percent filled. Hundreds upon hundreds of empty seats. And that’s apparently been the case for most of the Cirque shows for awhile now.

Vital Vegas stated in May of last year that Cirque’s 2017 capacity had been running at around 50 percent. With the removal of free parking to Nevada residents and a continued drop in tourism, that number would look even bleaker in the first quarter of 2019.

MGM Resorts numbers bear out rumors Cirque shows running at 50-60% capacity in Vegas: 3.6 million Cirque tickets sold in 2017, 9,890/week avg. per show. At 10 shows per week, that’s 989 sold with avg. capacity of 1,700.

Vital Vegas was also one of the first to report that Cirque Vegas was undergoing huge layoffs behind the scenes as part of a massive cost-cutting measure:

As they say in show business, “Holy crap!” Cirque du Soleil has reportedly informed all their Las Vegas shows (excluding “Mystere”) all department heads (lighting, sound, wardrobe, etc.) will be let go Apr. 17.

7:19 PM – 23 Mar 2019

He followed that up with an even more troubling tweet:

Hearing at least one well-known Cirque variety act was spotted auditioning at another (non-Cirque) show in town, presumably due to safety concerns related to Cirque layoffs.

12:48 PM – 31 Mar 2019

So, department heads have been axed, individual shows are being consolidated under one umbrella and performers are supposedly jumping ship to save their own skins. Does that sound like Cirque du Soleil will be around much longer to you?

In November I visited the Vegas Cirque du Soleil headquarters for a profile on Kim Scott, their Senior Manager of Sourcing and Partnerships. In her twelve years with the company, Scott had spearheaded shows like KA, Beatles LOVE and Criss Angel Believe.

During the interview, Kim had proudly spoken about being “responsible for maintaining our position in the industry as a leader in live entertainment safety standards, and position(ing) Cirque du Soleil as an employer of choice.” Yet one week after the article was published, Ms. Scott notified me that she was leaving Cirque to start her own consulting firm. I was astonished…and a little concerned.

Scott had also mentioned at the time that Cirque was busy creating a new show for Luxor in the theater vacated by Criss Angel’s Mindfreak. Raise your hand if you’ve heard anything about that one….I certainly haven’t.

_105010978_f15ffb18-4a7e-49d7-9e93-7f3a289d12be.jpg

          Wanna go gaga over Gaga? It’ll set you back about a grand….

If a major brand like Cirque is struggling, new shows can’t afford to open and dozens of existing productions have disappeared, what will the future of Las Vegas entertainment look like? I have three answers: pricey headliner residencies, sports teams and celebrity DJ’s.

Marshmellow-2

       This….person…was just hired by Palms Resort to the tune of $60 million…

I don’t think anyone’s unaware of the Golden Knights or the new Raiders stadium. And who isn’t buzzing about Lady Gaga‘s two new shows at Park MGM Theater? Katy Perry, Janet Jackson, Christina Aguilera, Aerosmith and more are settling in for extended gigs. Throw in Marshmello/Calvin Harris and their ilk for the club kids and that’ll probably cover nearly every major kind of entertainment in the city.

55591758_10218918594581572_7227542528730333184_n

           1.8 billion dollars is the projected cost of the new Raiders stadium…

Oh, those little one-man shows will probably survive. And the strippers most likely will never run out of poles to swing from. But for productions shows, you’ll just have to head Downtown to the Smith Center. That venue for the performing arts will continue to host nationwide touring productions for short-term runs. Las Vegas will just be another stop on the schedule…no longer unique.

20190407_225152.jpg

               “Closed. Refunds will be available at the point of purchase.”

Clips and photos by Sam Novak. Except for a few from…wherever….

 

 

 

 

 

Fuerza Bruta Is a Sin City Game Changer



Spectacular production poised to redefine entertainment on the Strip….

Screenshot 2019-04-04 at 12.31.45 PM

Every decade or so, a show comes along that changes the face of Las Vegas entertainment. First Mystere brought Montreal’s Cirque du Soleil to the desert. Then Celine Dion’s record-breaking Coliseum residency paved the way for other top-tier headliners. The last truly innovative production we’ve seen is Absinthe, the bawdy acrobatic tribute to burlesque. That is until Fuerza Bruta arrived on the scene. And this high-energy production is one phantasmagorical thrill you won’t want to miss.

20190321_223422

Like Absinthe, Fuerza Bruta is located in a tent outside of a major casino (in this case, Excalibur). That’s about the only thing these two productions have in common. You’ll know you’re in for something unusual when you step inside the entrance and receive a short briefing by a staffer. He or she will explain that you’ll be required to stand during the entire performance and follow crew instructions to move as set pieces and cast members move through and around the performance space.

20190403_183348.jpg

Once inside, you’ll notice that the cavernous area is entirely black and dimly-lit, except for a neon sign displaying the show’s title. The anticipation will be palpable as you try to decide where to congregate and which direction to focus your attention. But don’t waste your time wondering, as you and the rest of the audience literally ARE the stage 360-degree, 3-dimensional.

IMAG3565 (1)

Once the lights go down and the cast appears, you’ll be swept away into the most immersive production the city has going. Wind, rain, sound effects, lasers, flying objects, moving sets, live musicians, singers and special effects on an epic scale combine to   envelope you in a way that Las Vegas has never seen.

20190403_194932

Well, that last statement isn’t entirely true. A previous incarnation, entitled De La Guarda, ran for about a year at Rio Hotel Casino. Somewhat ahead of its time back in 2001, the current version is exactly what Las Vegas needs. Not only does it avoid the “sameness” of most new roll-outs, Fuerza Bruta raises the bar for every show in the city.

Trying to describe Fuerza Bruta is a bit of a challenge. There’s no story line or discernible theme. What the Argentinian production does offer is an onslaught of imagery, mind-boggling segments and a daring assault on the senses. The music is fantastic, the cast is extremely attractive and the atmosphere evokes a secret rave.

Screenshot 2019-04-04 at 5.12.43 PM

How long has it been since you attended a show and your jaw literally dropped? That’s sure to happen when the audience is surrounded by a massive mylar wall that begins to rotate like a horizontal hamster wheel. Performers jog along this enormous silver road,  suspended at a right angle and reaching out to the audience below.

20190403_193340

If you’ve been fascinated by the aqua-stages at “O” and “Le Reve”, wait until you see what Fuerza Bruta does. A transparent swimming pool appears from high above, slides over the audience and descends until you can reach out and touch it. Cast members swim, flip and swoosh through water that’s lit from above, creating a swirling collage of colors and patterns.

20190403_192020

A favorite sequence involves a white-suited young man on a stroll that suddenly turns into a soaking windstorm. He encounters flying furniture, a spinning room and breakaway walls that sail through the air….all while never losing his rhythm to the techno beat. A truly avante-garde sequence that’ll have you cheering, dancing…and perhaps scratching your head.

20190403_191025

IMAG3565 (1)

Click HERE to continue reading.

 

 

 

 

Vegas 2018 – Best of the Best, Worst of the Worst in Large-scale Production Shows

 


Wrapping up another event-filled year with fond memories and a little sass…

Can it really be that Santa is returning to his home base to put the elves back to work? Perhaps, but that Christmas hangover still lingers, ensuring that you didn’t dream your way through another holiday season in Vegas.

As you bring out the noisemakers and put champagne on ice for New Year’s Eve (check out my piece for tips on last-minute NYE planning), let’s look back at some of the noteworthy…and notorious…moments and madness from Las Vegas 2018. First up: the shows…

BEST NEW SHOW – Manilow: The Hits Come Home

Manilow1

I’ll admit to being a bit worried when 75-year-old Barry Manilow missed his own big night at Westgate Las Vegas. The legendary singer was hospitalized on the morning of his kick-off weekend, which scuttled a massive media party and prompted singers Clint Holmes and Earl Turner to entertain the sold-out auditorium with their SOUNDTRACK show in his absence.

It turns out that my fears were unnecessary, as Manilow snapped back quickly, proving that he truly is the World’s Greatest Showman. Brimming with energy and love for his audience, Barry is everything you want in a Las Vegas event production. Check out my full review here and be sure to see Manilow: The Hits Come Home through June of 2019.

Runner-up: Soundtrack with Clint Holmes and Earl Turner, also at Westgate (now closed), OPIUM at Cosmopolitan (tie)

WORST NEW SHOW – Inferno: The Fire Spectacular 

Inferno5

                                        “We need more GAS-O-LEEN!!!!!” 

There are certain entertainment venues in Sin City that seem to have a hex on them. Bad things happen, shows close way faster than they should and nothing seems to go right. Tropicana Showroom, Encore Theater at Wynn and Palazzo Theater have all gone through this period at one time or another (in Tropicana’s case, it’s as bad as ever). Now the curse seems to have landed at Paris Hotel Casino.

This was a bad year for Paris. Its troubled (and aging) Paris Theater chewed up and spit out Circus 1903 and Marilyn: The New Musical in just the first half of this year. Next came the cringe-worthy Inferno: The Fire Spectacular. Built around the supposed talents of peculiar and obscure magician Joe Labero, this upstart element-based production squandered every bit of potential in its premise and left you laughing for all the wrong reasons (“We need more gasoline. Lots and lots of GAS-O-LEEN!”). Read my full review here.

While Inferno could have been salvaged by jettisoning its star and focusing on the fire aspect (and The Fuel Girls), the show was abruptly yanked from the Paris schedule just six months in. Its cast was rudely told to hit the road during a break without the benefit of a farewell performance. Show business can be cruel.

It’s interesting to note that I Love The 90’s, the next production to enter this venue, went on an abrupt hiatus for most of December, just two months into its residency. UD Factory‘s CEO Seth Yudof assures me that there is no reason to be concerned. He swears that I Love The 90’s will return stronger than ever in January. Let’s hope his production is the one to break the Paris showroom curse. Entertainers in Sin City already have it tough enough.

Look for my review of I Love The 90’s when it returns in 2019.

MOST UNWELCOME RETURN – Mariah Carey/Britney Spears/Criss Angel (tie)

Screenshot 2018-12-23 at 8.17.24 PM.png

                   A stripper, a robot and a douche bag walk into a bar…

The worst thing about Christmas is taking down the tree, packing up the lights and tossing away all that torn wrapping paper. I get that same sinking feeling every time I spot a billboard hyping the residencies of these three clowns.

Like a dried-up fruit cake that won’t go down the garbage disposer, the miserable triad of Carey, Spears and Angel continue to regurgitate up our collective pipes and spread noxious odors throughout the Vegas valley.

There’s an amazing amount of common ground among the self-proclaimed diva, robotic lip-syncer and goth faux-magician. Arrogance, fakery and distraction are the hallmarks of their supposed talents. Onstage gaffes, cancellations, accidents and savage reviews have plagued each of their productions. Yet minimally-talented blowhards continues to sell tickets and broker new residencies shortly after the last ones have been kicked into the desert.

The PR teams for each were touting their “returns” before the stench had even cleared from their previous rounds. Mariah’s somehow on her second stint at Caesars…three if you count last year’s Christmas gig. MGM Resorts wooed Britney from Planet Hollywood over to Park MGM Theater starting in February (why, exactly?). They’re probably regretting it now that advance ticket sales have been lukewarm at best.

Criss Angel’s partnership with Cirque du Soleil is finally over (they’re probably breathing a collective sigh of relief for surviving ten tumultuous and embarrassing years). He’s left Luxor biggest theater for a mezzanine-level auditorium at PHo, the same troubled theater that swallowed Frankie Moreno and Paul Zerdin just last year. Let’s hope it manages to choke down Mindfreak Live…and digest it once and for all.

Santa didn’t hand out coal this year…he gave away tickets to Mariah, Britney and Criss.

SADDEST CLOSURE – BAZ/David Goldrake’s IMAGINARIUM (tie)

It’s frustrating to see unique and talent-packed shows being overlooked for the likes of the notorious three mentioned above. And while they’re vastly different, both BAZ and IMAGINARIUM suffered similar fates.

Palazzo Hotel Casino deserves a lot of credit for backing BAZ, the daring musical mash-up built around a trio of familiar and tragic love stories. Defying simple descriptions and difficult to promote in any form of media, BAZ relied on word of mouth to put butts in seats. Those who saw it praised the innovative production and its amazing cast. In other words, it was doomed from day one.

David Goldrake IMAGINARIUM

David Goldrake IMAGINARIUM had the unfortunate challenges of 1) coming in behind notorious child-porn illusionist Jan Rouven in the cursed Tropicana Showroom 2) sharing the same corner with high-profile magicians Criss Angel and David Copperfield, and 3) being better than Vegas audiences wanted…or deserved. The hard-working Goldrake made IMAGINARIUM far superior to anything either of his competitors currently offer. And he did it with sincerity, dignity, humility and a great deal of sexiness.

Runner-up: Soundtrack at Westgate Hotel Casino

BEST OVERALL PRODUCTION – Le Reve The Dream

Le Reve

It’s nice to have my all-time show back on this list. Le Reve – The Dream had to take a backseat to BAZ for a few years. But now that the musical has closed down, nothing shines more brightly than Wynn’s signature spectacular.

Le Reve

Not only is Le Reve back to the top of my list, but it’s fresher than ever. New costumes and make-up design, a fabulous re-imagined score and songs by original composer Benoit Jutras…and a revised story line all come together for an unforgettable experience. When it comes to sheer spectacle, nothing on the Strip beats Le Reve – The Dream. Read my full review here.

Be sure to check back for my next entry in 2018’s wrap-up. And best wishes for the New Year.

Wynn’s LE REVE Makes New Waves With Major Revision


Detailing major updates to Wynn’s long-running signature production…

NOTE: This article previously appeared on another site in February 2017. There have been additional revisions to the show since then. I will be revisiting Le Reve very soon and will share those updates with you at a later time.

The aquatic show Le Reve – A Small Collection of Imperfect Dreams opened at Wynn Resort in May of 2005. It was an eerie tale told through acrobatics and a blend of water and aerial ballet. Sets were adorned with skulls and skeletons, while the ceiling was layered with actual casts of human bodies. The dream of an “everyman” protagonist caught both audiences and critics off-guard. It was surprisingly dark for a night out in Vegas and became a bit of a PR nightmare for the newly-opened resort.

Le Reve

Despite the fact that this writer was blown away (I saw it on my first Vegas trip), the production was quickly retooled. A lengthy process of reinvention took place over the next several years, much in keeping with the “fluid” nature of its setting. Le Reve was lightened and brightened, transformed from a sinister nightmare into a sweeping adventure filled with romance, dance….and lots of flowers.

The reinvention worked. Le Reve – The Dream (its second official name) became a must-see…and winner of Best Production Show for six consecutive years (Southern Nevada Hotel Concierge Association). Throughout its run, additional artistic and technological elements have been added to keep audiences returning. My personal tally is twenty-seven as of this writing (you can read all about my previous experiences by visiting an archived VegasChatter article here).

Le Reve

Perhaps it was a reflection of the times that a happy version of Le Reve soared while the economy was tanking. Failed projects continue to surround the Wynn/Encore property, reminders of a time when the future of Las Vegas growth suddenly seemed bleak. But for fans of Le Reve, all was sunny and bright.

Now that tourists are pouring back into Vegas in record numbers and money is flowing once more, the folks at Wynn Entertainment have once again retooled their namesake show (Wynn resort was originally to be called “Le Reve”). And surprise…the production has gone back to the beginning and restored a bit of the darkness.

Le ReveLe Reve

Why would an established show embrace an approach that didn’t work so well the first time around? Perhaps we can credit this to the current crop of Vegas enthusiasts. Younger crowds that make Sin City their go-to destination these days don’t generally attend this type of production. But they do indulge in imagination-based entertainment like gaming, martial artistry, sci-fi, and superheroes.

Le ReveLe Reve

Le Reve version 2017 has tapped into the burgeoning fantasy culture and brought heroes and villains to the center of Le Reve’s aqua-stage. A romantic triangle that forms the core of its storyline has been amped up, with characters and costumes having a new sense of familiarity to genre fans. Elements of AVATAR and Ridley Scott’s LEGEND, sword/sorcery visuals and graphic novel sensibilities have been woven into the plotline, along with a dashing prince-like hero (in a billowy romance-cover shirt) and a bald, muscular challenger in black leather pants.

Le ReveLe Reve

As you might expect, Le Reve is much less of a musical now. The live singing doesn’t kick in until the second third of the show. Most of the ballroom dancing has been jettisoned, along with three angels who served as comic relief. In their place are two impish sidekicks who serve a staff-wielding Dream Master. That ominous character sends the dreamer into her adventure and leads her from one experience to the next before returning her to our world.

Le ReveLe Reve

Certain acts remain relatively unchanged, like a wild sequence with giant fishing nets and another with three female acrobats inside of a sphere. Natural elements like rain, snow, and fire have been amped up. A new effect features globes made entirely of water that descend from an enormous domed ceiling….while flames swirl around inside of them. It’s hard to describe, but absolutely breathtaking.

Le ReveLe Reve

As you might expect, not all is perfect in the new Le Reve. The happy-ending finale is set to a horribly cheesy song that would be more at home in Disney’s Parade of Lights. The Piece Montee set, a multi-tiered fountain from which high-divers leap and spin, is now adorned with Day-Glo accents that resemble a child’s aquarium. In fact, the entire sequence feels like a deleted scene from The Little Mermaid or Finding Nemo.

Le ReveLe Reve

A source connected with the show told me (on condition of anonymity) that the current finale is a remnant from a different failed revision that Steve Wynn halted (Wynn has had a hands-on role since purchasing the rights from creator Franco Dragone in 2006 and provides a voice-over in the latest rollout).

Apparently, this jettisoned re-imagining was only performed twice for audiences before being packed up and tossed into the dead pool. For whatever reason, the “get-happy” conclusion from the discarded reworking remains. It could easily be excised until another one is created and the show would still feel complete.

The source went on to say that original composer Benoit Jutras has been working on a new score to balance the overall tone and that a lyricist will be adding songs back into the production soon. So Le Reve will continue to be fluid, at least in the weeks and months ahead.

Le Reve

As I stated in my review of the Beatles LOVE update, retooling a successful show can be a risky proposition. But like the artists of Cirque du Soleil, Wynn’s entertainment group has stayed true to the source material while making it feel brand new.

Le ReveLe Reve

Comparisons to Cirque du Soleil will most likely follow The Dream throughout its run, which in unfortunate. Le Reve – The Dream sets itself apart in ways too numerous to mention. Unlike Bellagio’s O, the show at Wynn manages to be both intimate and epic. It’s my personal favorite in the city.

Le Reve – The Dream is a spectacle on a massive scale. It’s incredible entertainment…and one hundred percent pure “Las Vegas.”

Le Reve – The Dream performs Friday through Tuesday at 7 pm and 9:30 pm. Tickets start at $115.00 plus taxes/fees and are available by clicking here. Our friend at VegasFool.com is running a special with Grandview seating for $99 plus taxes/fees (regular $145) by following this link.

Photos: Sam Novak

 

 

After The Fall – “Le Reve” Acrobat Ryan Lyons

Chronicling the pain, suffering and risks that Vegas acrobats endure to entertain you.


Last weekend, former Le Reve performer Yann Arnaud suffered a fatal fall while performing in Cirque du Soleil’s VOLTA in Tampa. Fellow Le Reve acrobat Ryan Lyons suffered a shockingly similar accident during a live performance at Wynn Las Vegas several years ago.

Since this article was published on another site in August of 2015, Lyons has gotten married and relocated to Australia. He now works, among other things, as an aerial choreographer for singer Pink. What follows is a reprint of how the article originally appeared.

10615419_10154622498595437_1179683074018612336_n

Ryan Lyons is a “generalist” in Le Reve – The Dream.  Five nights a week he flips, flies, dances and dives for thousands of people. He has done so ever since the show opened more than ten years ago. While he considers his experience at Wynn Las Vegas to be a dream come true, for a short while it became something much darker.

Le Reve

One evening during the finale, Lyons suffered a traumatic injury that echoes the one that occurred at MGM Grand/Cirque du Soleil’s KA. Performer Sarah Guyard-Guillot, who also fell during the final sequence, died as a result of her injuries.  That production was shut down for nearly weeks as safety protocols were re-examined. It reopened with a greatly altered finale (which has since been restored).

Ryan Lyons was much luckier than Guyard-Guillot.  After a hospital stay and physical rehabilitation, he returned to Le Reve for another five years.  Complications, pain, and the occasional surgery became a way of life, and he still deals with the physical and psychological aftermath of that accident.

download (1)

Now in his eleventh year with Le Reve, Lyons has reached the “What next?” phase of his career.  It’s a question that all performers must face when their bodies are maxed out but the soul still yearns to perform. As he ponders his options, Lyons has begun sharing his journey in a personal blog, which he calls “The Anchors Project”.  In it, he hopes to motivate, inspire creativity and ultimately help others to find what their personal anchors are.

Here are a few excerpts from “The Anchors Project”:

“The finale act comes around, and I jump onto my porters to set up my second trick of (the) act.  As they are launching me into the air, my left foot slips and everything just crumbles from there.  In mid-air, I only hope to have enough rotation that I don’t land head first upside down.  I end up landing back on the dry stage, taking all the force to my face and chest…and slide unconscious into the water.   

I wake up on a spinal board with several athletic trainers and rescue personnel around me.  I learn that I have shattered my nose, fractured some ribs and have multiple contusions to my lungs.”

download

You might think the life of a Vegas performer is all glitz and glam.  It’s not bad by any means. We get paid to do what we love, and it often doesn’t feel like a job.  What people don’t realize is how short-lived our career is (I certainly didn’t). They don’t see the ugly side of the job, fighting for contracts, pushing through each show with an ache here and an ache there.  

The “show must go on” mentality of the corporate setting, or the fear of losing your next contract.  We dance and flip around on stage, but we often struggle to “play the game” as we try to find a balance that will keep our passion alive. It is often truly the passion to perform that keeps us going.

Le Reve

Plagued by injuries, overuse of our bodies and sometimes not feeling valued for the risk we take with each performance, you are challenged to make decisions on what is important to you.

What is important to me now, as I reflect on this journey, is my health and well being. I often joke to my friends and say “I want to be able to walk when I’m 40!”. 

I’ve learned that even despite many setbacks, I was still able to live my dream.  That my strength and courage helped me move past my injuries and the obstacles that were placed in front of me.  That my tenacity to keep going, always gets me to where I want to go. I now find myself motivating others to share their passion and to reach beyond their wildest dreams.

Afan3a

You can read more about Ryan Lyons by visiting his website The Anchors Project.

Photos: Ryan Lyons, Sammasseur

Hot Guys of Vegas: Dads and Sons


Get acquainted with the men who make their children, pets and parents proud…

With spring…and Father’s Day…just around the corner, it’s time to salute the young men of Vegas who inspire their families with talent, good deeds…and fantastic physiques and looks.

 

Alberto del Campo – athlete/performer/pole instructor

 

Hot Guys Vegas Dads Sons

                                                         Alberto del Campo

Where you’ve seen him – Le Reve, KA, Las Vegas Pole Expo, The Beatles LOVE

Alberto del Campo (banner photo above) is one of those guys who seems to be unaffected by gravity.  With athletic grace, he soars through the air and water, climbs tall objects with ease and is completely comfortable hanging upside down.

Hot Guys Vegas Dads Sons

This handsome Spiderman/Aquaman hybrid from Barcelona is a real-life superhero to sons Alex (10) and Zack (8). Together the play, train, and have lots of fun outdoors. But when the sun goes down, Alberto joins his boys onstage at Mirage for The Beatles LOVE.

Hot Guys Vegas Dads Sons

Father and sons, along with beautiful wife Genevieve Garneau, love being a seriously-fit circus family. Genevieve, a native of Quebec, is currently a performer in Le Reve and has previously been an artist for Cirque.

Hot3

Alex is skilled at joining dad on the pole and young Zack is currently mastering aerial work on the straps. Both boys will no doubt continue to follow in their parents’ footsteps and be stars in their own right.

Hot Guys Vegas Dads Sons

                                Alberto’s final evening with the cast of KA…

As for Alberto, his busy schedule is enhanced by a number of ancillary projects. Along with competing, he holds workshops in pole dancing and pole fitness. He’s also been known to choreograph amazing aerial sequences for Cirque du Soleil’s annual “One Night For One Drop” charity events. And if you’re lucky enough, you’ve caught one of his rare comedy performances in the naughty vaudeville act Golden Shower.

Hot Guys Vegas Dads Sons

hot43

Del Campo may be a dad, but he doesn’t have the standard “dad bod” by any stretch of the imagination. This handsome father lives, breathes, works and teaches fitness…and it shows.

Hot Guys Vegas Dads Sons

If you’d like to learn more about Alberto or attend one of his workshops, contact him through Aerial Athletica at (702) 848-7894.

Noteworthy traits – stunning flexibility, ability to look hot from all angles…

 

Chris Hodgson – dancer/singer/actor/model

 

Hot Guys Vegas Dads Sons

                                                         Chris Hodgson

Where you’ve seen him – Jubilee!, Sex Tips For Straight Women, ad campaigns

New daddy Chris Hodgson has been steaming up the stages of Las Vegas ever since he arrived from West Yorkshire. This slim, towering 30-year-old has a voice that can melt ice and cheekbones that could cut diamonds.

Hot Guys Vegas Dads Sons

Chris is currently starring as the object of everyone’s desire in Paris Casino‘s Sex Tips For Straight Women from a Gay Man. He plays Stefan, a technician who becomes the unwitting prop in a scheme to loosen one woman’s sexual inhibitions. With a body like that, do you really think he fails?

Hot Guys Vegas Dads Sons

Hodgson studied his craft at U.K.’s Performers College of Corringham, Essex. He cut teeth in show business aboard the Holland America cruise line before settling down in the States. Since then he’s been working steadily in Strip productions like Jubilee! and 50 Shades: The Musical Parody, along with special events and fundraisers.

Hot Guys Vegas Dads Sons

The performers in Vegas make up a tightly-knit community. They cherish Chris and his willingness to donate his free time for a worthy cause (he’s an ardent supporter of the LGBTQ). He’s frequently out and about with the city’s other artists, sharing jokes, outrageous behavior…and even the occasional spontaneous pole dance.

Hot Guys Vegas Dads Sons

Last spring, Hodgson and wife Leah Sykes (herself an artist in Cirque‘s Zumanity) became parents to son Parker. Proud Chris is excited to be a new dad and relishes the time he gets to spend with his quickly-growing boy.

Hot14

With such great genetics from both sides of the family, Parker will surely become a hearthrob in no time at all. Until then, big daddy Chris will be the one in charge of accelerating pulses around Sin City.

Hot Guys Vegas Dads Sons

Noteworthy traits – gleeming pecs, swoon-worthy British accent

 

Cameron “Boom” Brown – dancer/athlete/mentor

 

Hot16

                                                      Cameron Brown

Where you’ve seen him – Chippendales, charity events

Any fan of 80’s movies will remember Flashdance. That pop-culture phenomenon told the unlikely story of a Pittsburgh steel worker who moonlighted as a sexy dancer. With a little bit of tinkering (and a gender reversal). that blockbuster could easily double as a biography for Cameron Brown.

Hot Guys Vegas Dads Sons

Cam is a Sharon, Pennsylvania native who put his substantial muscles to work in blue-collar gigs for JMC Steel Group and Wheatland Tube (a steel manufacturer). As a student growing up in Steeler country, the rugged young man was a popular football player and even received an offer to join the Pittsburgh Pirates. In other words, a local hero.

However, Cameron felt that there was something else calling to him “out there”. He wanted to see more of the world and expand his horizons (having grown up in the same area, I can testify that the culture in that region can be more than a little confining). He readied himself by studying marketing at West Virginia’s Marshall University, where the slogan is “Be Proud. Be a son or daughter of Marshall”.

Hot Guys Vegas Dads Sons

                 Cameron hopes to continue making his father and mother proud…

After graduating, Cam decided he was ready to market himself. Perhaps he caught a late-night showing of Flashdance…and maybe that’s where he got the inspiration to follow Jennifer Beals’ path to becoming a dancer. Before you could say “What A Feeling“, this small-town boy with big dreams was soon strutting his stuff in the world-famous Chippendales male revue.

Hot Guys Vegas Dads Sons

After becoming a hit onstage at Rio Las Vegas, Brown joined Chippendales for their world tour. His list of destinations included Berlin, Zwolle (Netherlands), Bolzano (Italy) and Korea. Seeing the world and being so far away from home added to his appreciation of his beloved family. The 26-year-old has one sister and several half-brothers/sisters. He’s especially close to his mother Deborah.

Hot Guys Vegas Dads Sons

Not a day goes by where I don’t think of my Mom. I’m so very thankful to have my Mom in my life. Anybody who knows me knows I’m a huge mama’s boy and I have zero shame in that. She’s my world.

Currently on a break from touring, Cam is back on the Las Vegas stage, performing with his Chippendales brothers in their custom theater. In his free time he coaches children at i9 Sports, a Vegas youth organization. He believes that working with children affords him a peek at what the future has in store.

Hot18

                           Cameron and his one of his youth soccer teams…

Working hard to make his friends and family proud will continue to be Cam’s primary goal. One day he sees himself building a strong foundation for a family of his own:

I’m not worried about Jordans, cars, jewelry, none of that. I’m focused on starting a career and building a home…so my future family can lay their heads down without any worries.

Hot Guys Vegas Dads Sons

Noteworthy traits – massive shoulders, over-sized heart

 

Tyler Froehlich – dancer/model/physique competitor

 

Hot Guys Vegas Dads Sons

                                                     Tyler Froehlich

Where you’ve seen himMen of the Strip, Chippendales, magazine covers

If there was an award for “Happiest Hunk of Sin City”, it would automatically go to Tyler Froehlich. This Cincinnati Ohio native, one of three brothers, moved to Las Vegas last spring and immediately brightened the city with his infectious grin.

hot23

Like Cameron Brown, Tyler Froehlich’s story is straight out of a movie. Having just returned from an Army stint in Iraq, the war vet was living in his parents’ basement and ready for a change…but never expected that his life would take a turn of this magnitude.

Hot Guys Vegas Dads Sons

                       Arriving in Las Vegas with MOTS owner Mike Foland…

Tyler was discovered via his Instagram account by Glenn Douglas Packard, the famed choreographer for last summer’s Men of the Strip. It must have been a bit of culture shock for the young man to go from small-town obscurity to a marquee on the famed Las Vegas Strip.

Hot Guys Vegas Dads Sons

                                         Photos from Tyler’s army days…

One thing that didn’t surprise Froehlich was the intense, dry climate of Las Vegas. During his four-year army stint, he spent 2011 in Iraq and 2103 in Afghanistan. His role there was as a Forward Observer, a military artillery spotter responsible for directing mortar fire on a target.

Hot Guys Vegas Dads Sons

Returning to the States, Froehlich maintained his heroic physique, hoping to develop a career in fitness modeling and physique competition. He competed in three shows and became nationally qualified for the NPC (you can see pics from his competition here). Then the call came to join Men of the Strip…and things haven’t slowed down since.

 

Hot Guys Vegas Dads Sons

Parents Carol and Randy have plenty to be proud of. They raised their son to have an infectious sense of adventure (and gave him a wild sense of humor), which might explain how he went from having no dance experience to sharing a stage with the likes of Jeff Timmons.

Hot Guys Vegas Dads Sons

I had the privilege of meeting Tyler’s mom and dad when they came out from Ohio to see his MOTS debut last July. They’re as warm and kind as Tyler, who has a special bond with brothers Bobby and Pete. The tattoo on his chest reads “Famiglia”, which of course means “family”.

hot42

Hot Guys Vegas Dads Sons

With MOTS on hiatus, the hard-bodied athlete began modeling for corporate events, providing entertainment at lavish parties and appearing in magazines. For the cover of QLife magazine‘s 2017 Halloween issue, Tyler’s sculpted physique provided a perfect canvas for artist Robin Slonina‘s exquisite body painting.

Hot Guys Vegas Dads Sons

As of this week, the former Army veteran can now be seen creating heat at Chippendales. The latest member of the world’s top male revue can’t be more excited to have a regular gig…and continues to relish the opportunities that Sin City has given him. He approaches each day with excitement, a wacky sense of humor and appreciation for his good fortune.

“Life isn’t about the destination…it’s about how you get there”. Tyler Froehlich

hot28

Noteworthy traits – wild mane of hair, military-grade abs

 

Ron Remke – actor/singer/dancer

Hot Guys Vegas Dads Sons

                                                     Ron Remke

Where you’ve seen him BAZ – A Musical Mash-up, Jubilee!

Our final Hot Guy for this edition is Ron Remke. Ron’s dashing, suave, multi-talented and has a gorgeous soul. He’s also a stellar father in every sense of the word…the only difference is that his children have paws.

Remke was born in Reading, Pennsylvania (yep, another PA native) and studied musical theater at Penn State University (my alma mater). After graduating, he lent his vocal gifts to the Indianapolis Symphony Orchestra and released a glorious collection called Broadway Classics in 2012 (available on iTunes by clicking here).

Hot Guys Vegas Dads Sons

As with so many bitten by the showbiz bug, Ron answered the call of Vegas and settled in with wife Alexandra (also a performer), whom he married the day after Christmas in 2014 (awww). The two purchased a house in Henderson the following September and have become the type of romantic couple that songs are written about.

Hot Guys Vegas Dads Sons

The handsome couple were fortunate enough to share the same stage together in Bally’s legendary production of Jubilee!. Alexandra was the epitome of a gorgeous showgirl…and Ron was the dapper song-and-dance man. Together they entertained thousands until the show took its final bows.

Hot Guys Vegas Dads Sons

When Palazzo announced the return of BAZ two years ago, Ron came aboard as a swing performer. That meant he had to know numerous roles inside and out, stepping into whatever was required. His stage presence and handsome looks make him the perfect Jay Gatsby…but he also gets to show his comedic flair during a vaudeville-style take on “Like A Virgin”.

Hot Guys Vegas Dads Sons

                                      All the ladies swoon over Ron…

Ron and Alexandra are active in animal rescue operations and have opened their home to many of the community’s needy pets. After adopting shelter animals Lilly, a 9-year-old poodle, and kitties Oscar and Olly, the Remkes now raise rescued kittens and act as foster parents for the adults.

Hot Guys Vegas Dads Sons

hot38

Ron tells me that at this point they’ve gotten 19 kittens off to a promising start, bringing them to a healthy weight of two and a half pounds. Then they’re able to be neutered before receiving permanent homes through NSPCA Saturday adoption events.

Hot Guys Vegas Dads Sons

It’s no simple feat to be both a heartthrob and a hero at the same time, but Ron Remke makes it look easy. He’s the ultimate ladies’ man, a total man’s man and a hero to the animals of the world. In other words, he’s the perfect guy.

Noteworthy traits – flawless teeth, slick dance moves, silky voice

Photos by Marco Mendez@lightandpole, Corey Fox Photography, QLife magazine, Sammasseur, Facebook