International Hit ‘Blanc de Blanc’ Pops a Cork at Sahara



Sexy new burlesque show forms the cornerstone of re-imagined resort…

The conversion of legendary Sahara Hotel Casino into SLS Las Vegas wasn’t the success that everyone had hoped for. Nor was it the north-Strip savior that many predicted. But five years of floundering later, Sahara is back with the original name, new owners and lots of improvements. And leading their entertainment line-up is the wonderful Blanc de Blanc.

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Blanc de Blanc is an international hit that evokes the spirit of the finest champagnes. It’s fizzy, titillating, euphoric and oh so sophisticated. Featuring a gorgeous cast of singers, dancers, acrobats and comedians, it’s 75 minutes of fast paced, adults-only fun. The Foundry has been transformed into a lush Parisian cabaret for this production, lending an air of intimacy that few shows of this nature can achieve.

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A two-level main stage is enhanced by three additional platforms, one of which becomes a balloon-filled hot tub as the show progresses. The action is all around you in the multi-level space which offers booths, cocktail tables, bar-side seats and…brace yourself…a Premium Champagne Hot Tub Experience. Yes, you can actually take a dip and sip bubbly with the cast (swimwear is required, so come prepared).

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The show itself is reminiscent of Vegas Nocturne, the fantastic three-chapter Spiegelworld extravaganza that helped launch Cosmopolitan’s Rose.Rabbit.Lie in 2014. Fans of that short-lived production, which was ironically once rumored to resurface here at SLS/Sahara, will recognize cast member Spencer Novich. The rubber-bodied funnyman, who performed a similar role as “Ripley” in Vegas Nocturne, brings his unique onstage talents to Blanc de Blanc and also serves as its comedy director.

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Blanc de Blanc is hosted by elegant, towering and muscular Monsieur Roméo. Clad in a tuxedo, holding his ever-present champagne flute and speaking in velvety French, the former Armani model, photographer and comedian greets guests at their seat before each performance. His sultry charisma sets the perfect tone for an evening of steamy Parisian thrills.

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Monsieur Roméo has worked in the past with entertainers like Lady Gaga, Beyonce and burlesque legend Dita Von Tesse. In a post-show conversation, Roméo told me that he’s been hosting Blanc through multiple tours of Australia, New Zealand and London before bringing it to the lights of Sin City.

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Show director Scott Maidment was also on hand for the evening’s performance. He watched from an upper level booth….

Click HERE to continue reading.

Photos: Sam Novak

 

 

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5 Reasons To Revisit ‘ABSINTHE’


Daring burlesque variety show continues to amaze in 9th year…

Sin City entertainment was noticeably rocked when Spiegelworld‘s ABSINTHE arrived on the Strip. Opening on April Fool’s Day 2011, the naughty show at Caesars Palace was an immediate hit that continues to sell out nightly. With fourteen performances per week, that’s a lot of shock value to spread around.

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If you haven’t seen ABSINTHE yet, it belongs at the top of your must-do list. And if it’s been awhile since you’ve visited host The Gazillionaire and potty-mouthed assistant Wanda Widdles, here are five reasons to return.

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Improved Seating Options – the classic old-world charm of ABSINTHE’s Spiegeltent is accentuated by oddball decorations and makeshift furnishings. While they’re charmingly authentic, the rustic wooden chairs of its original decor sometimes made for cramped seating. Now you can choose from a selection of Premium View Tables, VIP Cushioned Seats, Dinner Packages and even a new Green Fairy Bottle Service.                                                                                                                                             12439358_1028690277196134_5189735788685160169_n

Celebrity Spotting – Take in a performance of ABSINTHE and chances are good that you’ll be sitting near someone famous. Celine Dion, Usher, Justin Timberlake, Adam Lambert and Queen, David Guetta, Imagine Dragon’s Dan Reynolds, Reba McEntire, Steve Aoki, Coolio, Joey Lawrence, Ice-T, Bobby Flay, James Franco, Steven Tyler, Olivia Newton-John and more have taken a seat on The Gazillionaire’s throne.                                                                                                                                             21314639_1483496035048887_2082414211414431212_n

Garden Parties – ABSINTHE resides within a beer garden that offers games, picnic tables, and of course….lots of alcohol. Ticketed guests are encouraged to hang out before and after each performance, but on occasion the venue is opened to all adults for free-of-charge special events. Food trucks, drinks specials and DJ’s create a street-party vibe that carries on well into the next morning.                                              

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The Electric Oak – In celebration of the show’s eight anniversary, a spectacular Electric Oak was “planted” in Absinthe’s courtyard. A towering 35 feet of art with over 120,000 LED “leaves”, the Electric Oak is a swirl of color, light and beauty that will transport you into a euphoric                                                                            

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New Acts Galore – click HERE to continue reading….

Photos courtesy of Spiegelworld

‘Cherry Boom Boom’ Makes Triumphant Vegas Return


Bawdy skin-fest opens at HOOTERS August 15th…..

Thanks to my partner-in-crime at VegasFool.com, I just learned that the uproarious burlesque musical ‘Cherry Boom Boom’ is coming back to Vegas. Its original run at TROPICANA in 2016 was prematurely clipped at the cowboy boots after only a few short weeks. But that was due to plenty of behind-the-scenes drama at the long-troubled Tropicana Showroom and not the fault of the show itself. 

While it’s likely that the smaller showroom and stage at Hooters Hotel Casino will require an overhaul of the production, there’s no question in my mind that the heart of ‘Cherry Boom Boom’ will still beat hard, strong and bright red, So in anticipation of its second helping of sweetness, here’s my review as published during the initial Tropicana run. Get tickets for the Hooters relaunch by visiting Vegas Fool through this LINK. Prices start at only $37 plus taxes/fees. 

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WTF did I just see? I can’t really say for sure, but it was enjoyable to the max. Yes, a T & A girl-power topless revue getting a positive review from a male member of the LGBTQ community. Is that an impressive endorsement? I would have to say “yes.” And you’ll be saying “Oh, yes” if you make it to Tropicana to check out Cherry Boom Boom.

I’m going to be absolutely direct here – Cherry Boom Boom is effing crazy. It makes no real sense, despite offering some semblance of a love-story plot. Does it take place in a brothel? A Coyote Ugly-style roadhouse? Perhaps a surreal make-believe world where men barely exist and gorgeous women dance and get intimate together in various types of fetish gear and hard-rocking costumes? Honestly, I couldn’t tell you…not that it matters.

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The goal of a burlesque show, either traditional or in one of its many recent re-imaginings (like Absinthe), is to stimulate and entertain. The cast of Cherry Boom Boom does so in spades. It’s worth mentioning that the number of performers is surprisingly large for a production of this nature. But since Cherry has avoided the burlesque moniker in favor of “Rock ‘n Roll A Go-Go”, it’s clear that they’re intent on re-writing the rules for Vegas topless revues.

Tropicana‘s main showroom has a wide, deep stage, which CBB (let’s stick to that abbreviation for awhile) utilizes to the max. The lone two-level set is massive, adorned with chains, large video screens, parallel bars…and a stripper pole road sign. Production numbers fill every corner, zipping around to dizzying effect. It’s the antithesis of Jubilee‘s slow-strolling showgirls of Vegas past.

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High above the stage and to the left is a boudoir decorated in vivid pinks. An aerial acrobatic ring descends from the ceiling on occasion, and various props are wheeled out to accommodate specialty acts. They include a mechanical bull and a human-sized bird cage.

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Hosted by the androgynous “P*ssy Control” (perhaps named after the song by Prince, whose catalog gets a visit in the soundtrack), the central romance is basically a flimsy coat-hanger on which to hang libido-stimulating production numbers. It’s played out in a world of rock music, bullwhips, lingerie and cowboy boots.

A pair of small-town innocents (Rock of Ages, cough-cough) take jobs at “Cherry Boom Boom”, the brothel/nightclub/whatever of the title. Their first meeting and subsequent romance are mostly mimed wordlessly while naughty action swirls around them. Naturally, they’re drawn into this fantasy lifestyle and decide to explore their own desires. Eventually, they get back together and things wrap up in a finale reminiscent of Grease.

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If it wasn’t for the charm of the two principals and their amusing explorations of lust, the plotline could easily be eliminated, and CBB would still be a solid, satisfying production. The performers are some of the most physically attractive women on the Strip. There’s also a hard-bodied juggling aerial cowboy tossed in for girls (and gays).

Costuming is top-notch, the choreography is consistently impressive, and some sequences are downright breathtaking….especially one using wheeled mirror panels and another involving cafe chairs.

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Then there’s the soundtrack. Much like Rock of AgesCBB is a jukebox of hits, but this one crosses genres and spans decades of heart-pounding favorites. I had a hard time staying still in my seat. The songbook includes favorites from artists like AC/DC, Joan Jett, Led Zeppelin, Lenny Kravitz, Elvis Presley, Foo Fighters, Melissa Etheridge and Heart. Almost all are the original recordings, mixed and arranged for maximum impact. I noticed only one cover version (“Darling Nikki” by the omnisexual Prince).

Tropicana has had a rough go of it for the last few years, at least with their entertainment offerings. When the rare hit comes along, fate intervenes and things still go awry. Here’s hoping that Cherry Boom Boom is the one that breaks the Tropicana Showroom curse. It truly is a blast…and one that deserves to last.

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‘Cherry Boom Boom’ is scheduled to perform 11pm Thursday through Saturday at Hooters Hotel Casino starting August 15th. Tickets start at $37 plus taxes/fees and can be ordered here

Photos: Sam Novak, Diane L., Cherry Boom Boom

Hot Guys of Vegas: Mathieu Bolillo


France’s man of mystery lets his body do the talking…

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There are performers and celebrities who could chat all day about themselves. Without them, we wouldn’t have gossip websites, grocery store tabloids and gab sessions with Ellen Degeneres. Mathieu Bolillo is different. Taking the lead from Olivia Newton-John, he prefers to just get physical.

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My first encounter with Mathieu was this past February on my birthday. It happened to coincide with his debut performance in a new brunch show. It’s hard to focus on your eggs when this fireplug of muscle walks onto the stage, strips off his shirt and commences with a dazzling routine that would have you swearing off croissants for the rest of your life.

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I had to do some digging to learn more about this rippling hunk of inspiration. There are precious few personal details about the athletic Frenchman on his website…but plenty of eye candy and physical feats to wow and impress. So I reached out to Mathieu directly and asked him to tell me more about himself.

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Naturally, the strong-and-silent hunk admitted that he preferred to keep his private life close to his bare chest….er, “vest”.

I have one sister and we were born in Bordeaux, France. I’m raised in France with Spanish, Arabic and international influences due to the origins of my parents and to my high level gymnastic background.

As an international artist, Mathieu has performed in his home country, Germany, Spain, throughout Asia on board the Golden Princess cruise ship….and of course, in Las Vegas. 

Bolillo spent six years with the cast of Cirque du Soleil’s KA at MGM Grand, defying gravity nightly in the long-running epic production. Returning to France in 2010, he contracted a very serious case of chicken pox that nearly claimed his life (adult cases are much more severe than the childhood variety). It took a year to recover and get back his strength and physique.

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In order to set himself apart in the competitive world of athletic entertainment, Bolillo created a new apparatus that he calls the Balance Wheel. His innovative design and self-taught act garnered him the 2016 U.S. Aerial Champion Award for “New and Innovative Apparatus”. It also launched the next phase of his career.

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A self-proclaimed “fitness freak”, Mathieu has an intense desire to push his body to the limit. That’s led to impressive stunt work in films. He’s also a go-to for innovative modeling shoots, special events and fitness workshops. Even in his down time, Bolillo can’t seem to rest…he includes soccer, crossfit and basketball as methods of “relaxation”.

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The new production I met Mathieu at sadly didn’t last, but that’s the reality of entertainment in Sin City. Looking ahead, the ambitious 39-year-old is hoping to lend his talents to new innovative productions. He’d also like to work more in front of the cameras. His expressive face, hot body and sultry voice are tailor-made to capture attention.

Just don’t ask him to talk about himself…

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You can follow Mathieu Bolillo by visiting his Instagram page

 

Dance With The Devil at SATANGO


New musical comedy in the Arts District is one Hell of a great time…

Despite my promises to do otherwise, it’s been way too long since this writer has visited a community theater performance. My last was the outstanding KRAMPUS by Majestic Repertory Theater during the 2018/2019 holiday season. It’s a good thing that dancer/choreographer Alejandro Domingo reached out to me this week and invited me to his latest production. Otherwise I might have missed the brilliantly entertaining SATANGO at downtown’s adorable Cockroach Theatre Company.

I’ll admit a certain weakness to the prospect of seeing Alejandro back in action after the abrupt closure of BAZ in 2018. Despite having kept busy since then, the abs-tastic dancer has been keeping a relatively low profile here in Sin City. Now it’s clear as to why…Domingo has created the choreography and supplies a supporting role in one of the cleverest and most wonderfully naughty new musicals in ages.

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The premise of SATANGO is delightful and delicious. Toby Allen‘s “Old Scratch” is contemplating his eternity of loneliness (Welcome To My Neighborhood, I Was Once An Angel) while fearing that he may have lost his dance grooves. You see, it’s the eve of the All-Souls Ball, a once-in-a-millenium party. On that special night, the barrier between Heaven and Hell dissolves, giving souls the opportunity to lure each other to the opposite side. How? By using tango, the “Dance of Seduction”, of course. Will Lucifer’s dancing impress the other guests…and will he find an eternal companion?

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Fortunately for Satan, a lost innocent named Sofia (played by Savannah Smith) happens to pass through the gates to his fiery lair. She also just happens to be a dance instructor from Pahrump! Using his persuasive charms (“Everyone loves Luci!”, he boasts), Satan manages to strike a deal with Sofia to give him three tango lessons. She asks for one thing in return, which she’ll reveal after the party. What ensues is an amusing and steamy tug of war between the temptations of naughtiness and the rewards of being pure.

 

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Pop-culture references and topical humor fly as fast as the nimble feet in a wild assortment of comical and sexy dance numbers. Vegas locals will enjoy a shout-out to downtown pizza favorite Evel Pie and jabs at parking fees, the High Roller observation wheel and the ill-fated Fontainebleau tower. Supported by a solid five-piece band led by Music Director Keith Thompson, the cast belts out fifteen original songs (music by Stewart D’ Arrietta, book and lyrics by Justin Fleming) that keep the plot moving at just the right pace.

 

Toby Allen absolutely shines in the lead role. Despite his towering physical presence, Allen tends to be the lowest-profile member of Venetian’s long-running Human Nature Jukebox. In SATANGO, he unleashes a maelstrom of emotions and energy coupled with a scathing slice of wit. He’s clearly great at improv, too. An opening-weekend mishap with a prop was splendidly blended into the proceedings by Allen. As luck would have it, a second occurrence of the same gaffe occurred perfectly in sync with lyrics being sung at that moment. Clearly, the Devil had an angel on his shoulder last night.

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Speaking of angels, Savannah Smith (Vegas! The Show) is sheer nirvana as “Sofia”. Whether singing the praises of Pahrump from atop a ladder (My Favorite Place To Eat) or bringing the audience to its feet with her dazzling steps, the popular singer/actress/dancer is clearly having the time of her life.

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Alejandro Domingo, Kate Farrow and Socorro Jones round out the wonderful cast. They portray Satan’s minions along with a variety of other characters including Donald Trump, Kim Kardashian and even a lusty delivery boy. And yes, Domingo doffs his shirt once more to display the legendary abs that earned him a place on my list of the hottest guys in Vegas five years ago.

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Despite the tiny size of Cockroach Theatre Company, every inch of the venue is utilized in this production. Set design and costumes are spot-on, and director Wayne Harrison (ABSINTHE) achieves a polish that belies the indie nature of this production.

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SATANGO is one dance with the Devil that you won’t want to miss. You’ll forget your humble surroundings and be immediately drawn into this den of temptation. That’s the magic of live theater, and SATANGO pulls it off with aplomb.

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Cockroach Theatre Company is located at 1025 South First Street #110 in the Arts District. SATANGO performs Friday through Sunday at 8pm through June 23rd with matinee performances at 2pm on Saturday and Sunday. Tickets are $35 ($20 for public servants) and can be ordered here

 

 

 

 

Fuerza Bruta Is a Sin City Game Changer



Spectacular production poised to redefine entertainment on the Strip….

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Every decade or so, a show comes along that changes the face of Las Vegas entertainment. First Mystere brought Montreal’s Cirque du Soleil to the desert. Then Celine Dion’s record-breaking Coliseum residency paved the way for other top-tier headliners. The last truly innovative production we’ve seen is Absinthe, the bawdy acrobatic tribute to burlesque. That is until Fuerza Bruta arrived on the scene. And this high-energy production is one phantasmagorical thrill you won’t want to miss.

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Like Absinthe, Fuerza Bruta is located in a tent outside of a major casino (in this case, Excalibur). That’s about the only thing these two productions have in common. You’ll know you’re in for something unusual when you step inside the entrance and receive a short briefing by a staffer. He or she will explain that you’ll be required to stand during the entire performance and follow crew instructions to move as set pieces and cast members move through and around the performance space.

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Once inside, you’ll notice that the cavernous area is entirely black and dimly-lit, except for a neon sign displaying the show’s title. The anticipation will be palpable as you try to decide where to congregate and which direction to focus your attention. But don’t waste your time wondering, as you and the rest of the audience literally ARE the stage 360-degree, 3-dimensional.

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Once the lights go down and the cast appears, you’ll be swept away into the most immersive production the city has going. Wind, rain, sound effects, lasers, flying objects, moving sets, live musicians, singers and special effects on an epic scale combine to   envelope you in a way that Las Vegas has never seen.

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Well, that last statement isn’t entirely true. A previous incarnation, entitled De La Guarda, ran for about a year at Rio Hotel Casino. Somewhat ahead of its time back in 2001, the current version is exactly what Las Vegas needs. Not only does it avoid the “sameness” of most new roll-outs, Fuerza Bruta raises the bar for every show in the city.

Trying to describe Fuerza Bruta is a bit of a challenge. There’s no story line or discernible theme. What the Argentinian production does offer is an onslaught of imagery, mind-boggling segments and a daring assault on the senses. The music is fantastic, the cast is extremely attractive and the atmosphere evokes a secret rave.

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How long has it been since you attended a show and your jaw literally dropped? That’s sure to happen when the audience is surrounded by a massive mylar wall that begins to rotate like a horizontal hamster wheel. Performers jog along this enormous silver road,  suspended at a right angle and reaching out to the audience below.

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If you’ve been fascinated by the aqua-stages at “O” and “Le Reve”, wait until you see what Fuerza Bruta does. A transparent swimming pool appears from high above, slides over the audience and descends until you can reach out and touch it. Cast members swim, flip and swoosh through water that’s lit from above, creating a swirling collage of colors and patterns.

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A favorite sequence involves a white-suited young man on a stroll that suddenly turns into a soaking windstorm. He encounters flying furniture, a spinning room and breakaway walls that sail through the air….all while never losing his rhythm to the techno beat. A truly avante-garde sequence that’ll have you cheering, dancing…and perhaps scratching your head.

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Click HERE to continue reading.

 

 

 

 

Last-minute Deals and Tips for New Year’s Eve


You still have options galore but don’t wait one minute more…

Very few cities aside from New York can match the outlandish excitement of a New Year’s Eve in Sin City. With all of the dining, entertainment and nightclub options, there is something to appeal to every taste.

Be aware, though, that restaurants fill up quickly and most require reservations. Same goes for hotels, and the closer to the actual date, the more prices will skyrocket. Many resorts prohibit checking in on December 31st and require a minimum two-night stay. So if you haven’t reserved your lodging yet, prepare for quite a bit of sticker shock. Prices will fluctuate frequently, often several times within a single day, so this article is only meant as a guideline. Check prices often and lock them in if something meets your budget.

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When it comes to searching for hotel deals, this writer is partial to Kayak.com. Entering dates for a stay from December 30th through January 1st, you’ll see that the best deal out there (at the time this article was written) is at Downtown’s El Cortez. Priced at a non-refundable rate of $126.00 per night (plus taxes and fees) for a double suite, the El Cortez is a great last-minute option. It also puts you within walking distance of the wild street party held under the Fremont Street Experience canopy.

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If you’d like to take in the Strip’s beautiful fireworks shows at midnight but want to avoid the insane crowds on Las Vegas Boulevard, consider two nights at Gold Coast Hotel Casino. Situated across from PALMS on Flamingo Road, Gold Coast has an assortment of wonderful restaurants and recently-updated rooms. Parking is free and you can easily walk to a number of nightclubs…even Voodoo Rooftop Nightclub at RIO for an unbeatable view.

Priceline.com is currently listing several room options at Gold Coast from $202 to $212 per night (plus taxes/fees) and free cancellation if you find a better deal elsewhere.

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For those who absolutely must stay on the Strip to chime in 2019, the best price going right now is at LUXOR for $207, You’ll notice the inclusion of Westgate Hotel Casino in the photo above. Even though it’s not technically on the Strip, having its own dedicated monorail stop makes Westgate an absurdly convenient option to get around with ease.

Speaking of the Las Vegas Monorail, it’s truly the best way to traverse the city during this holiday. The monorail runs continuously from 7 am on December 31, 2018 through 2 am on January 2, 2019. Single rides are $5 and a 24-hour pass is $13. The track runs from MGM Grand on the south end to SLS Las Vegas on the north. Stations are in the rear of casinos and automated ticketing kiosks accept credit cards, cash and Google Pay. Click here for a guide to monorail resort stops.

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Luxury hotels are available at press time and still not priced as outrageously as in previous years. Amoma.com is listing rooms at Wynn Las Vegas starting at $679 per night. With all of the nightclubs at the Wynn/Encore complex, this is certainly one worth considering for a high-end celebration.

Remember that the entire Las Vegas Strip is closed to all vehicles on New Year’s Eve starting at around 4 pm. Traffic is a nightmare and cars, buses and taxis will be squeezing onto the smaller back roads to get around town. So it’s highly advisable that you stay near where you plan to play, get situated early in the evening and have a plan to get around and back. You might also want to carry a fully-charged phone, a back-up battery and choose a meet-up point in case you get separated from your companions or have some kind of emergency.

Even though Vegas is in the desert, this is still winter. Plan on the possibility of cold weather and dress accordingly. You’ll also want to remember that crowded events pose issues of personal security. Keep your valuables as secure as you can, men should keep wallets in their front pockets, don’t accept drinks or food from strangers, etc. A little common sense will go a long way…and be especially careful of letting your guard down once the bubbly starts flowing.

There will be a significant increase in police presence on New Year’s Eve. Strollers, coolers, luggage, over-sized purses and backpacks will be prohibited on the Strip. Downtown’s Fremont Street Party is a ticketed event ($35 until Christmas Day, $45 after) and only those 21 and older are permitted. Click here for tickets to Fremont’s “America’s Party Downtown”.

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Expect security to be aggressive at nightclubs, too…along with hefty cover charges. Voodoo Nightclub at RIO has a $100 admission but includes open bar from 9 pm through 11 pm. Marquee Nightclub‘s admission at Cosmopolitan is $75 for women and $150 for men (say what?). Price includes hors d’oeuvres and open bar starting at 9 pm and a complimentary champagne toast at midnight.

Over at Caesars Palace, overhyped DJ Calvin Harris will be the hot draw for OMNIA Nightclub. Tickets cost $150 for women, $225 for men and include….absolutely nothing. Your dollars will go much farther at Aria‘s JEWEL, where admission is $52/$104 and gets you two hours of open bar and music by Tyga. You can add a four-course dinner at Herringbone for $175 per person, good from 7 pm through 11 pm.

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For the best view in all of Las Vegas, consider the Skyline Spectacular NYE Party at Stratosphere. For $250 per person you get the works:

Party in the Sky for a New Year’s Eve you won’t forget! Enjoy 3-hours of unlimited premium brand open bars, specialty drinks, martini luges and award-winning chef’s specialty food stations from around the world as you celebrate New Year’s Eve 800 feet above Las Vegas Boulevard in our iconic Tower’s indoor Observation Deck. Take in the spectacular Las Vegas New Year’s Eve Firework Show at Midnight with our signature champagne toast. Mingle and dance to live DJs and go-go dancers, and ring in 2019 in style.

Click here for tickets to Stratosphere’s Party in the Sky.

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Yours truly will be spending his first NYE as a Las Vegas resident in a somewhat conservative style. Just like last year, I’ll be enjoying great food, music and cocktails inside the cavernous ballroom of Westgate Las Vegas. Last year’s SUNDAY NIGHT FEVER costume party was a 70’s theme. This time they’ve jumped a decade ahead:

REVENGE OF THE 80s NYE PARTY: Pop your collar and jam out to music from the Spazmatics, celebrating the decade that gave us puzzle cubes, 8-bit obsessions, synth rock, shoulder pads, and other unforgettable fashions. You’re welcome to wear your sunglasses at night as you moonwalk your way out of 2018! $150 includes 3-course seated dinner and open bar.

The Westgate Revenge of the 80s party begins at 6 pm and is framed around an east-coast time zone ball drop (their home offices are in Florida). So you’ll have the opportunity to ring in 2019 at 9 pm…then do it all over again three hours later. Click here for tickets. Here’s a sample from last year’s entertainment:

There are a number of other inclusive events that’ll give you significant bang for your buck. For instance, Sugar Factory/Chocolate Lounge at Fashion Show Mall has a package deal for $99 via Groupon which in my opinion is the best NYE deal in the city. Here’s what you get:

  • General admission
  • What’s included: guest’s first goblet, free unlimited signature cocktails, unlimited champagne toast, buffet-style dinner, party with a DJ in the Chocolate Lounge, fireworks show at midnight, 20% discount off any retail purchase.
  • Bottomless signature cocktails to choose from: Peace, Love, Harmonie, Grape Crush, Lemon Drop, Watermelon Burst.
  • Buffet style dinner: chicken fingers, mini-burgers, fries, bruschetta, Caesar salad, mixed green salad, scalloped potatoes, green beans, chicken satay, grilled shrimp skewers, rigatoni marinara, meatballs, sandwiches, mini-cheesecake, chocolate cake, red velvet cake, assorted sundaes, brownies, cookies.
  • Time: 10 p.m.

While you won’t get the elevated views that Stratosphere or Voodoo Nightclub offer, it’s still a scenic and pretty sweet venue. The price on one Goblet Signature Cocktail by itself is upwards of $35 on a typical afternoon, so wrap your mind around the savings here.

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Neighborhood bars are a great way to drink in the Sin City vibe without feeling like your wallet has been stolen. Personal favorite The Golden Tiki on Spring Mountain Rd. will be featuring YouTube sensation Marc Rebillit with one of his offbeat musical performances. There’s no cover, complimentary hats/noisemakers and a free champagne toast at midnight.

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For the LGBTQ crowd, The Garage on E. Flamingo Road makes the perfect locals’ NYE spot for guys who like guys. There’s a masculine auto-service theme, never an admission charge and the cheapest top-shelf drink prices in the city.

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Across the street and down one block from The Garage, Hamburger Mary’s is offering $50 open bar from 9 pm-midnight (well&draft), Champagne Bottles $25, Skyy $75 and Absolut for $100. Entertainment from7 pm-Midnight and a countdown with entertainer Kenneth Blake. Complimentary champagne toast while watching the fireworks on their Strip-view patio.

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The most unusual NYE party for this season has gotta be the one at Spiegelworld’s hit show at ABSINTHE at Caesars Palace:

For an all-inclusive celebration, The Gazillionaire has a huge package for you. Arrive from 8.30pm for a complimentary glass of champagne in the Absinthe forecourt. Then enjoy a performance of ABSINTHE from 9.30pm to 11.00pm. After the show, you will have exclusive access to a private outdoor party in the Absinthe forecourt, on Stripside at Caesars Palace, which includes an open bar, light hors d’oeuvres, DJ and one of the best views of the fireworks. The party will conclude at 1am.

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The all-inclusive Show & Party ticket prices are $599 for VIP seating, $499 for Category A seats and $299 for Category B seating, which is one hell of a deal for a Sin City party and show. Click here to reserve your tickets and party admission.

Be sure to stay safe this holiday and don’t drive while impaired. LYFT rideshare service is offering a NYE discount to get you there and back. “Whether you are celebrating on the Strip, bar hopping, or partying at a friends house, we want everyone to get home safe on New Year’s Eve and other holidays throughout the year”, says Yacob Girma, Lyft Nevada’s general manager.

The Las Vegas Coalition for Zero Fatalities has donated $200,000 in ride credits to LYFT. Access your discount by using code “LASNYE10”. Have a wonderful time and a spectacular 2019.

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Photos: Sam Novak, Stratosphere, Fremont Street Experience, ABSINTHE, Westgate Hotel Casino, The Golden Tiki, The Garage LV