COVID-19 Aftermath – Shows Most Likely (and Least Likely) To Return


Taking a hard and painful look at the Vegas entertainment landscape as Sin City’s quarantine drags on…

As a devoted enthusiast of Sin City entertainment, it pains me to think of the hundreds of gifted performers currently out of work during the pandemic shutdown. Devoted to a volatile industry in which success is never guaranteed, many artists work multiple jobs and/or share living expenses just to get by. Combine this with a lack of adequate health care and spotty unemployment compensation, and it wouldn’t be surprising if many struggling entertainers decide to leave the city…or the industry altogether.

Sadly, there’s a likelihood that numerous residencies and production shows will decide to fold (or have their lifeline unceremoniously yanked) once the ramp-up begins. How this plays out is anyone’s guess, but I’ve been doing my own pondering on what changes lie ahead. Keep in mind that my conclusions aren’t in any way a reflection of quality…or lack thereof. Instead, I’ve considered factors such as pre-virus buzz, operation overhead (costs), post-virus marketability, name recognition, longevity, and brand loyalty.

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I might be completely wrong on these predictions or right on the money. Your guess is as good as mine. We won’t know until it actually happens, but here’s my list of shows that might weather the storm. And those that I believe will most certainly blow away.

Very Likely To Return –

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David Saxe Productions – the long and colorful list produced by David Saxe amounts to a well-oiled machine. His self-named theater inside Planet Hollywood’s Miracle Mile Shops and nearby V Theater churn out hits like Vegas! The Show, Zombie Burlesque, V – The Ultimate Variety Show and many more. Saxe is a master of efficiency and knows how to run and market his business. His children will survive just fine.

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ABSINTHESpiegelworld‘s naughty alternative to Cirque du Soleil is an instant hit that would have celebrated its ninth anniversary on April 1st. The bawdy burlesque ABSINTHE has spun off two successful companion productions and shows no sign of slowing down. Relatively low overhead (an outdoor tent, pre-recorded music, and simple props) should help it to last through a sluggish restart (if that’s how things play out, that is).

Other Spiegelworld titles OPIUM and ATOMIC SALOON SHOW might not have it so easy. Their out-of-the-way locations inside expensive Cosmopolitan and Venetian/Palazzo might prove to be a bigger challenge in the long run. Cosmo‘s costly parking fees make OPIUM an easy pass for locals, too. (Update 5/19/20 – Cosmopolitan has announced its intentions to discontinue parking fees)

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“O” at Bellagio – Despite a mountain of debt that Cirque du Soleil is carrying, it’s unlikely that they’ll allow their highest-profile Vegas production to fold. Since “O” is synonymous with the Bellagio image (just like its outdoor fountains and seasonal conservatory displays) it’s easy to envision the resort taking ownership of the show if it came down to that (Steve Wynn did that with Le Reve). “O” is still a very popular draw despite two decades and thousands of performances. Not my cup of tea, but for many tourists, it’s a must-see.

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CELESTIA – my insiders at CELESTIA assure me that the fledgling big-top production is on solid ground. STRAT Hotel Casino has a strong financial stake. which seems to be a common thread in the current make-or-break environment. Four-wallers (independent contractors) will suffer while casino-owned shows are likely to last. It all comes down to money.

Sex Tips For Straight Women from a Gay Man – This is an easy one to envision continuing. An extremely Vegas-y premise, an attractive local cast and very low overhead within an intimate theater setting. What’s not to love?

Solo and Lounge Acts – Our deeply-fractured economy is going to have a ripple effect on both consumers and the products they offer. Returning guests with limited discretionary income will most likely avoid the high-ticket attractions. That’s where one-man/woman shows come to the rescue.

With low overhead and a simple format, solo acts can offer solid entertainment and a retro vibe while passing the savings onto their audiences. Look for returning favorites like Mike Hammer, Murray Sawchuck, Carrot Top, Xavier Mortimer, Jen Kramer and maybe even the once-popular Gordie Brown to shine brighter in the spotlight. I anticipate that bloated, self-serving star vehicles like Criss Angel – Mindfreak Live and Mariah Carey‘s endless residencies will go down in flames, though. Darn.

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Expensive mega-residencies could also feel the same heat. Last year people were forking over a grand or more to StubHub for Lady Gaga tickets. Who has that kind of money now? Even though Paula Abdul‘s lip-syncing stomp-fest at the Flamingo couldn’t warrant a $49 price tag last fall, her short-lived residency now seems like a million years ago. Look for a glut of similar shows (like Derek Hough: No Limit), along with the resurgence of intimate lounge acts, to tide us over until the economy…and Vegas…rebounds.

Say Farewell –

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Blue Man Group (Update 6/30/20 The cast of Blue Man Group has been laid off by parent company Cirque du Soleil)

They’re old, tired, and as cliched as the fanny pack strapped around your cargo shorts. The trio of silent weirdos known as Blue Man Group is as annoying as those outdoor escalators that are constantly “under service”. Luxor‘s long-running production returned to the pyramid a few years ago, after more than a decade at Venetian and Monte Carlo. Now they’re in a much smaller venue and it’s easy to forget that they’re still around. Maybe COVID-19 will be the nudge that gets them to squeeze their final Twinkie.

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Human Nature (Update – permanent closure announced 6/10/20) –

It really upsets me to have this one on the list, but the Aussie quartet known as Human Nature appears to have been struggling for a while. I’ve been to the show a number of times in the past twelve months, and attendance has been anemic during each and every visit. Their live band has been downsized as a cost-cutting measure and the dancers were given a pink slip before that. They’ve also jettisoned the “Jukebox” format and returned to the Motown sound that put them in the U.S. limelight.

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Magic Mike Live (Update – Sahara opening postponed until 2021) –

                               We can wait even longer for this execrable slop to return….

The movie-inspired male revue received a scathing write-up from me upon its debut (deservedly so). Yet, the man-bashing mess, hosted by a shrill, leather-clad harpy who never shuts her f*cking mouth, somehow managed to become a hit. Still, the closure of Hard Rock Hotel sent the strippers dancers off into the sunset last year.

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Audiences were promised a spring relaunch at the newly-rebranded Sahara Hotel, yet an official debut date was never set and tickets have yet to go on sale. The 360-degree format requires a custom-built arena that Sahara didn’t have, so costly construction was required. Alas, an insider told me that the venue’s build-out was halted many weeks before the shutdown, suggesting that the bump-and-grind may actually be over. Today’s visit to the official website reveals that the word “spring” was removed, most likely due to the shutdown. Or are revised negotiations holding things back?

During the interim, MML has gone global with residencies in London, Berlin, Sydney, and Melbourne, so a pricey Vegas space is no longer a top priority for the franchise. Sahara Hotel has yet to prove itself as a hip destination, as demonstrated by the premature shuttering of similar-themed Blanc de Blanc. Combine that with the perpetual postponements of nearby Fontainebleau/The Drew and Resorts World, and things are looking pretty dead for Magic Mike Live.

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Cirque du Soleil 

Update 6/30/20 – Cirque du Soleil announced today that they have filed for bankruptcy protection and have eliminated 3,500 jobs…

I know what you’re thinking – “But you just said that “O” was safe?!?!?!?!”. True enough. But in our new reality, Vegas cannot sustain six (already down from eight) of what is basically the same show…especially at $150 and up for decent seats.

According to FinancialPost.com, Cirque owes more that $1.25 billion to creditors. MGM Resorts operates five of their six Vegas shows and is known to brutally slice away expenses wherever and whenever possible. So who gets their trapezes pulled? I’m looking at KA, The Beatles LOVE, and maybe Michael Jackson ONE.

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Hanging In The Balance/Probably Safe –

MYSTERE – the longest-running Vegas Cirque show follows its own set of rules since Treasure Island operates separately from MGM Resorts. MYSTERE is smaller in scale and has the lowest ticket prices. The others have massive sets, live musicians, huge casts and expensive automation that requires an entire team of technicians to operate and maintain. SO…..overhead…

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ZUMANITY – never a critical darling or fan favorite, but this one might not be in real jeopardy. It has many of the advantages that MYSTERE enjoys (smaller cast, intimate venue, lower ticket prices), and has already trimmed back its musicians and singers. But despite the adult-skewing format, ZUMANITY now pales in comparison to raunchy offerings from Spiegelworld. So once again, your guess is as good as mine.

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Le ReveWynn‘s signature production was never an out-and-out hit (some still believe it’s part of Cirque du Soleil fifteen years in), but it’s a critical darling and those who know it, love it. Le Reve is also owned by Wynn/Encore, which has deep pockets and an image to protect. When Steve Wynn’s own SHOWSTOPPERS was shuttered, massive shockwaves rippled through the entertainment community. That’s unlikely to happen again.

‘WOW: The Las Vegas Spectacular’ Celebrates Two Years on the Strip

WOW: The Vegas Spectacular – another budget-friendly production that hung in there despite the competition, WOW could in fact raise its profile and attendance numbers in the months ahead. Room rates at host hotel RIO start at a ridiculously-cheap $10 (plus resort fees/taxes) for the first half of May, so if the city actually opens, expect a pilgrimage to the aging off-Strip resort.

Sister production EXTRAVAGANZA missed its debut date at Bally’s last month and could possibly be in jeopardy. The cast of performers came from Israel and has yet to log a single hour in front of a paying audience. Housing the entire cast during quarantine is no doubt chipping away at the show’s reserves. Whether that could bring WOW down as well involves legalities that aren’t known to me. But from the outside looking in, it’s a pretty grim picture for EXTRAVAGANZA.

What are your thoughts, predictions and opinions? Feel free to add your comments or email me at Sam@VegasUnfiltered.blog.

2019 – The Year in Review: See It or Skip It?


A quick-reference guide for current shows and my take on their worthiness for your hard-earned discretionary income…

With all of the productions that have come and gone in 2019, it’s tough to know what is playing, let alone what to see. This is the most complete list of titles I could compile as of 12/22/19. The guide includes only shows that I’ve actually seen, along with three categories to help you decide. Where possible, I’ve provided a link to my reviews, which can be accessed by clicking on the colored letters.

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DON’T MISS IT!!!!

ABSINTHE“Daring burlesque variety show continues to amaze in its 9th year”.

ATOMIC SALOON SHOW“You’ll laugh, you’ll cringe and you’ll most definitely be titillated.” 

AUSSIE HEAT – The ‘other’ Down-Under male revue is faster/hotter/better than you’d ever expect.” 

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BEATLES LOVE by Cirque do Soleil – “Remains one of the most spectacular and satisfying shows in town.”

BARRY MANILOW – “Try not to get choked up.”

BRONX WANDERERS –  “Handsome and talented collection of musicians and singers brings down the house with every performance.”

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CELESTIA“Beautifully mounted with snappy pacing, memorable costumes, and a very attractive athletic cast.”

CHIPPENDALES – “It’ll melt your inhibitions…and the ice in your glass.”

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DAVID COPPERFIELD

DRAG BRUNCH – “The perfect opportunity to lose your gender-bender virginity.”

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FANTASY – “If you’ve enjoyed FANTASY in the past, you’ll love it even more the next time.

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HANS KLOK – “A breakneck theatrical experience that will leave you slack-jawed and gasping in wonder.”

HUMAN NATURE: MOTOWN AND MORE – “will have you humming all night and dancing in the aisles.”

JEN KRAMER MAGICa collection of tried-and-true favorites delivered with a next-generation spin.”

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John Caparulo MAD CAP COMEDY- “an unforgettable evening of gut-busting hilarity.”

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LE REVE: The Dream – “manages to be both intimate and epic. It’s my personal favorite in the city.”

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MIKE HAMMER COMEDY MAGIC

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MISS BEHAVE GAMESHOW – “An experience that you can’t have anywhere else…and that’s what Las Vegas is all about.”

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MURRAY THE MAGICIAN

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MYSTERE by Cirque du Soleil

OPIUM – “will have you gasping for days. Don’t let ANYONE spoil the surprise.”

PURPLE REIGN

REDNECK COMEDY MAGIC

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SEX TIPS FOR STRAIGHT WOMEN FROM A GAY MAN – “a fast-paced evening for open-minded adults of all persuasions.”

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SEXXY 

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TENORS OF ROCK – “An international confection of rip-roaring vocals, boundless energy, and a live onstage band.”

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TOURNAMENT OF KINGS

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V- THE ULTIMATE VARIETY SHOW

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VEGAS! THE SHOW

WOW – THE LAS VEGAS SPECTACULAR“an unforgettable adventure through the oceans of time.”

ZOMBIE BURLESQUE

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DON’T DO IT!!!

BLACK MAGIC LIVE – a cheap, chaotic disaster unworthy of your time and money.”

CRISS ANGEL MINDFREAK – “continues to regurgitate up our collective pipes and spread noxious odors throughout the Vegas valley.”

MARIAH CAREY – “Santa didn’t hand out coal this year…he gave away tickets to Mariah.”

MAT FRANCO: Magic Reinvented NightlyMat Franco is about as dull as a dead rabbit.”

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R.U.N by Cirque du Soleil – “you’ll think you’ve wandered into a high school production of West Side Story”.

TERRY FATOR – “Terry Fator is a log jam that just won’t flush.”

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THUNDER FROM DOWN UNDER – “a great big middle finger to the audience.”

IF THE PRICE IS RIGHT

AUSTRALIAN BEE GEES

BLUE MAN GROUP 

CARROT TOP – “the exact same jokes and gags for over a decade”

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CHERRY BOOM BOOM – “Costuming is top-notch, the choreography is consistently impressive, and some sequences are downright breathtaking.”

CRAZY GIRLS

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GEORGE WALLACE

KA by Cirque du Soleil

LEGENDS IN CONCERT

MAC KING COMEDY MAGIC

MARC SAVARD COMEDY HYPNOSIS

MENOPAUSE THE MUSICAL

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NATHAN BURTON MAGIC

‘O’ by Cirque du Soleil

PENN & TELLER

POPOVICH COMEDY PET THEATER

POTTED POTTER – “a face-paced and humorous retelling of the wizarding-world saga.”

RAT PACK IS BACK

STEVE CONNOLLY – SPIRIT OF THE KING 

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X BURLESQUE

XAVIER MORTIMER’S MAGICAL DREAM – “technology blends with meticulous choreography and precision timing to jaw-dropping effect.”

ZUMANITY

More of my 2019 Round-up in the days ahead…

 

 

Look! Up In the Air! It’s Davide Zongoli aka ‘AcroDave’!

 


Sin City’s high-flying aerialist won’t be satisfied until you know his name…

“People think they know who I am…they don’t. ‘AcroDave’ is a character. ‘The Outlaw’ is a character. My name is Davide Zongoli.” So begins my conversation with Sin City’s newest aerialist/acrobat. And it’s one discussion that I won’t soon forget.

Davide may or may not be the “The Abdominal Outlaw”, the flamboyant flying cowboy who sails over the audience in a state of near-total nudity at Venetian’s Atomic Saloon Show. If that statement confuses you, click here to bring yourself up to speed.

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As we settled in for drinks at a coffee shop on the city’s west side, I couldn’t help noticing the stares when Davide (pronounced DAH-vee-dah) unzipped his jacket and released his tight, beefy frame from captivity. A barely-there tank top did nothing to hide the Italian hunk’s extraordinary physique.

But even when fully clad, Mr. Zongoli strikes an imposing figure. With his thick flowing hair, carefully-manicured scruff and chiseled cheekbones, he’d turn heads in any environment…even in Las Vegas, where pretty people are “a dime a dozen”.

So what makes Davide Zongoli worthy of a profile article and heaps of praise from his 329,000 followers? Well, that’s an answer many years in the making, built on a foundation of adversity and determination. And everyone loves a success story achieved through hard work.

Prior to being cast in the ATOMIC SALOON SHOW, the acrobat has been caught performing his jaw-dropping acrobatics in circuses across Europe, as master of the aerial pole, and was a 2018 finalist on Spain’s Got Talent. And as if that wasn’t impressive enough, The Abdominal Outlaw is also a swimwear and underwear model with more than 300,000 Instagram followers. If you follow him, you’ll understand how he got his moniker. – Jena Pugh, BestOfVegas.com

Long before Zongoli was the impressive specimen I saw before me on this sunny afternoon, he was a six-year-old boy suffering from scoliosis. As part of his treatment regime, doctors advised him to swim regularly. Taking an active part in his conditioning and therapy was something Davide became fully immersed in, so much so that he became a competitive swimmer until he was sixteen. This established a lifetime of discipline which segued into professional success in the world of dance.

After signing up for ballet, modern and contemporary classes at the urging of his friend, instructor Antonella Mita, the 17-year-old proved to be a natural. Within a year he had a contract to perform in Ivano Festival della Valle d’Itria and appeared in the televised musical “A Voice In The Sun” with popular Italian singer/actor Al Bano. In 2010 he was asked to participate in Leona Lewis‘s first international tour.

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Despite demonstrating remarkable talent and aptitude, Davide faced resistance from nearly every direction. School instructors, peers, and even his family made it difficult for him to pursue what he loved (“Boys don’t dance!”). Bullied and pressured, he continued to learn the craft with the support of counterparts in the entertainment field. Zongoli’s parents had hoped for him to achieve a degree in law and initially resisted in supporting him, but eventually, they became strong allies too.

Perhaps it was the fact that dancing allowed him to appear on television with celebrities that won them over. Or touring the world in prestigious productions. Most likely it was the fact that their son was fully committed to being the best in his field. Whatever the reason, Zongoli was making his own rules and succeeding quite wonderfully at them. And he was thrilled that his parents were now attending his performances from Venice to Madrid.

As we were about to discuss his transition from dance to acrobatics, Davide’s phone rang. During the next few moments, I got to witness the qualities that made this performer worthy of being lured to Vegas from overseas. Sure, I’d already seen the stunning things he could do on stage and in the air…but what goes on behind the scenes is just as vital when you’ve reached this level.

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It turns out that one of Zongoli’s fellow acrobats had been sidelined from an injury and would be out for a while. Davide was being summoned to the theater to cover that performer’s absence and to rework some transitions. “They want me to come in at three. I told them I’d be there at five. It will only take thirty minutes to fix this and it will be perfect”.

Witnessing his confidence, I fully believed that the evening’s show would be flawless. With all of his experience and previous gigs, situations like this one become routine. Still, I was shocked at his candor with the party on the other end of the line. “That was pretty gutsy” I gushed. Davide just laughed. But what some might view as arrogance is actually earned. “This is why they hire me. I’m good at what I do. I’m a professional and will take care of this. Nobody will realize that someone is missing”.

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I asked Davide what the audition process was like for Atomic Saloon Show and once again he chuckled. “I don’t audition for parts. People can see what I do on the internet. It’s all there. If it’s something that I’m interested in, I send a video.”

For many Vegas performers, the genres of acrobatics, dance and competitive sports frequently intersect. This allows them to become more commercially attractive and useful in the field of entertainment. Davide found himself transitioning from traditional dancing into pole dancing, a talent that drew him national attention on Spain’s Got Talent. It’s also a skill that’s highly featured in Atomic Saloon Show.

                                Wowing the judges in Spain’s Got Talent 2018

As with swimming and dancing, Zongoli quickly took to pole dancing and once again rose to the top. From his bio:

In July 2011, Davide began practicing pole dance with Titty Tamantini (his coach) and within 3 months he had won the Italian National Championship, becoming the country’s first national male Italian pole dance champion. This enabled him to enter other high ranking prestigious competitions where he was a finalist: European Championships, International Pole Championships, World Pole Championships and World Pole Sport Championship.

He again won the Italian Pole Championship in 2012 and in 2013 and on September 29th he won the European Pole Sport Championship 2012 and the Silver Medalist at the 2013 World Pole Sports Championships.

At this point, our conversation bounced around from relationships (he’s single) to recreational activities (all I do is train, eat, work and sometimes go to Piranha), and of course, sexuality. Anyone who follows Zongoli’s Instagram page is aware that he’s a brazen, no-apologies member of the gay community. Then there’s OnlyFans, where he shows just about every asset. His stage character shares that bold sexuality, so I asked Davide if Spiegelworld had any concerns about his personal and social media activities.

“Not at all. They’re supportive of my ideas and they’re great to work with. They allowed me to be myself and even let me add in a kiss with _______ (I won’t spoil the surprise here). It was my idea to bring the nuns into my act, too. People love it and it works great.”

Considering the current, volatile state of live entertainment in Vegas, I wondered if Davide had fears about relocating here for a brand new show. “No. I already spent enough money to stay for a while. I have a car, furniture, an apartment. Five years is the plan. I can always get another job if I needed to, but I love my show and working for Spiegelworld.”

While Davide doesn’t necessarily have intentions of making Las Vegas a permanent home, he’s up for being flexible. “Where I came from, everything is within a few blocks. Your friends are all around you and everything you need is near. Here, you drive drive drive. Everyone knows each other but they’re over here, over there. But, you make plans and life changes them.” So…who knows?

                  Underwear: Modus Vivendi Photographer: Joan Crisol @joancrisolphoto

Planning and self-awareness are traits that have allowed Zongoli to curate a perfectly polished image known as “AcroDave”. That’s the name he goes by on Instagram. Much more than a public display of selfies, the account represents another facet of his business, one that generates brand association and of course, income.

Davide may not have gotten that law degree, but he would have certainly excelled at marketing. As he explained it, every product, location or photographer he collaborates with is expected to have a similar or greater level of public presence. Every choice is one that can offer growth and a heightened degree of exposure. He’s currently a brand ambassador for both JJ Malibu and Andrew Christian undergarments and is about to launch his own line of clothing.

“I’m not a model. I’m not that tall and not that young. But I know how to look good in pictures.” Every photoshoot takes several days of planning. It’s unusual for a fitness/physique model to have body hair, but Davide said that Atomic Saloon Show wants that look for his character. So when a session is coming up, he’ll trim his body hair a few days beforehand, allowing time for any skin irritation to subside. Then he meticulously grooms and shapes it.

Nothing is left to chance when it comes to a photo shoot. Photographers must enter an agreement to immediately download a copy of each raw photo taken before he’ll leave the studio or location. Then Davide will retouch the final shots after they’ve already been edited by the photographer. “Those photos will be around forever. This won’t be” he says, pointing to a blemish on his bicep. “We get pimples. We have scars that will fade. I want everything to be perfect.”

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Perfection is what sets apart the best from the rest. And scars, both emotional and physical, will indeed fade with time. But for performers like Davide Zongoli, who respect their craft and the audience that pays to see them, the impact of their talents will remain long after the final curtain falls.

Photos provided by Davide Zongoli

 

HOT GUYS OF VEGAS: New Boys In Town


Two new adult productions have brought an avalanche of fresh hunks to Sin City…

You may have seen my recent reviews on Spielgelworld’s ATOMIC SALOON SHOW at Venetian and BLANC DE BLANC at Sahara. Both productions are excellent and packed with amazing acrobatics, saucy wit and moments of lunacy. They’re also dripping with stripped-down musclemen who push the edge of titillation with their hot bodies and physical feats.

Let’s get cozy with a few of these boys and find out what they do to make our pulses soar. And we’ll start off with….

THE MEN OF SAHARA’S ‘BLANC DE BLANC’

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Gregory Romeo aka “Monsieur Romeo” – model/performer

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Where you’ve seen him – Host of Blanc de Blanc, Armani ads 

“Debonair” is the perfect word to describe Gregory Romeo. That’s the impression he slathered on me upon meeting at Sahara’s Blanc de Blanc Theater. Dripping with sensuality and purring “hello” in a delicious French greeting, Romeo strolled from table to table to welcome each guest. I barely allowed him to leave.

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Clad in a striking tuxedo and clutching an ever-present flute of champagne, Monsieur Romeo (as he’s known in performance mode) made hearts flutter every moment he was on the stage. Things got even more intense when he stripped off his formal wear and slid into a bubbling jacuzzi for the show’s outrageous finale. Talk about popping your cork!

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Every facet of Monsieur Romeo oozes a delicious mixture of silliness and sensuality. Born in France and raised throughout Europe, this man of the arts finds joy in pushing social and cultural boundaries. An artist with a formal education in graphic design, Romeo mixes architecture, eroticism and fashion into his own signature style.

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We can all learn from Romeo’s freedom of expression. Confident in his sexual appeal minus the ego, he uses his great looks, stunning physique and outrageous sense of humor to capture your attention. And once you take a look, you’re hooked.

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Check out Gregory Romeo’s website to explore his amazing photographic work, both behind of and in front of the cameras. And get your butt to Sahara for Blanc de Blanc. Monsier Romeo is waiting there for you with a glass of bubbly…in a tub full of bubbles.

Noteworthy traits – velvety voice, muscles of granite

 

Hampus Jansson –  circus performer/model

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Where you’ve seen him – Blanc de Blanc, Michael Jackson IMMORTAL TOUR

Stockholm’s loss is Sin City’s gain now that Hampus Jansson has arrived. This boyishly-handsome blonde athlete (full name Ulf Hampus Jannson) and his professional/life partner Milena Straczynski are now setting hearts afire in Las Vegas as the passionate aerialist duo of Blanc de Blanc.

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Hampus has a boyish smile and innocent playfulness that make him wonderfully appealing. His tousled blonde hair and smooth flawless skin form the perfect contrast to a strong, athletic body that was created by endless hours of training and endurance.

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Spinning through the air while holding his lady love, this muscular Adonis looks perfect on a romance-novel cover. He’s just as comfortable in family-friendly productions like Cirque du Soleil’s VEREKIA, DRALION and Michael Jackson: The IMMORTAL World Tour.

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Great genetics are part of what makes Hampus an amazing entertainer. Father Ulf-Håkan Jansson came to fame in Sweden as an actor and puppeteer, imparting a love for theatrics to his children. Hampus originally planned on going into acting until the circus bug bit him. Sister Uuve, an award-winning trapeze artist, made her mark on Los Angeles in the cinema-themed IRIS by Cirque du Soleil.

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Jannson came to the States awhile back and settled in nicely to the tropical feel of Miami Beach. Moving to Las Vegas this summer for Blanc de Blanc has been quite a big change. Nevertheless, the young hunk has been having fun, taking in the sights and learning about our partying ways here on the Strip.

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                      Hampus and Milena pop a cork at premiere of Blanc de Blanc…

With his disciplined lifestyle, a body that ripped and a face so innocent, it’s doubtful that Hampus often indulges in the excesses of Las Vegas. But as official emissaries of the city, it’s our duty to corrupt him. Or at least to try…

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Noteworthy traits – youthful personality, manly physique

Danik Abishev – handstand athlete/acrobat/dancer

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Where you’ve seen him – LIMBO, Dubai’s LA PERLE, Circus Royale of Australia 

Danik Abishev is truly a global performer. Born into a traditional Russian circus family, Danik began performing at the age of four. As part of the Soviet Union state circuses, he toured China and received the title of Honoured Artists of Russia.

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The family relocated to Brisbane in Queensland, Australia and Danik continued his worldwide domination of performance arts. After working with hip-hop group Tom Tom Crew in the Middle East and South America, the muscular athlete charmed the people of Oz in Australia’s Got Talent.

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Then it was off to Dubai’s Al Habtoor City to perform in La Perle, a new show created by Franco Dragone. Vegas audiences know Dragone from the hit shows O and Le Reve, so of course the Sin City bug was eventually bound to bite Abishev in his well-shaped arse, too.

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As part of Blanc de Blanc, Danik struts, strips and wows audiences with an inverted handstand act that has the audience gasping, screaming and standing up to applaud. The finale features the diminutive hunk literally soaring over the audience and plunging down to their tables in a mind-bending sway pole climax. Nice of you to drop in, Danik!

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Noteworthy traits – short in stature, long on sex appeal

 

THE MEN OF Spiegelworld’s ‘ATOMIC SALOON SHOW’

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The boys of Blanc de Blanc are pretty open about their identities and bios. At Spiegelworld, not so much. The upstart (and wildly successful) challenger to Cirque du Soleil‘s throne is quite invested in the reality of their characters. They’d have you believe that “The Gazillionaire” of ABSINTHE and OPIUM‘s cast of inter-planetary travelers are genuine people…and that’s part of their unique charm.

Now that ATOMIC SALOON SHOW has opened at Venetian to awesome reviews, Vegas has another collection of wacky “citizens” to welcome. But a little journalistic know-how has uncovered the identities and backgrounds of a few of Boozy Skunkton’s wild-west friends.

Or have I been hoodwinked with some fake bios put out there to throw me off???? It doesn’t matter….fact or fiction, they’re all hot as Hell! So let’s take a closer look at the hunks who hang out at Boozy’s Saloon, shall we?

“The Mayor” (Pavel Stankevych) – handstand athlete

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Where you’ve seen him – Mayor in ‘Atomic Saloon Show’ at Venetian

Effective leaders throughout history have been the ones who handle themselves with grace and elegance. As the “Mayor” of Atomic Saloon’s dusty town, Pavel Stankevych does so in spades. With his ability to defy gravity and bend backwards to a frightening degree, you may find yourself wondering if this prime specimen is indeed human. But I assure you…Speigelworld’s latest superlative slab of human flesh is the real deal.

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Musclemania.com reported on Instagram nearly four years ago that Pavel was from the Czech Republic. The illusive hunk stepped in to identify his origins as Ukranian, but perhaps they got the rest of the details right. Who knows?

Czech circus performer Pavel Stankevych has a bodybuilder’s physique with extreme calisthenics skills. The 6’2″, 185 lbs., athlete says he’s considering pursuing natural bodybuilding and competing this season.

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Beyond that description, good luck learning more about the ever-shirtless “Mayor”. In a cast stacked to the max with chiseled abs, bulging arms and massive pecs, Pavel still manages to elicit audible gasps from men and women alike.

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When he strips off his formal wear for upside-down feats of balance and strength, even Boozy Skunkton (proprietor of the titular Saloon) can’t help commenting with envy on the size of his bulging chest. No doubt the working girls in Boozy’s upstairs brothel would benefit from His Honor’s amazing flexibility…and the size of his ample bosom as well.

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Noteworthy traits – superhero powers, secret identity, giant pecs…

 

The Abdominal Outlaw (Davide Zongoli) – dancer/aerialist/acrobat

 

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Where you’ve seen him – ‘Atomic Saloon Show’ at Venetian, Norwegian Cruises

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Regular readers of this column know that I also freelance for BestOfVegas.com. Jena Pugh, my colleague from that site, had this to say about our next hottie:

The Abdominal Outlaw is the Italian stallion “infamous around the world for hold-ups, push-ups, sit-ups, and for stealing hearts wherever he goes.” Prior to being cast in the ATOMIC SALOON SHOW, the acrobat has been caught performing his jaw-dropping acrobatics in circuses across Europe, as master of the aerial pole, and was a 2018 finalist on Spain’s Got Talent. And as if that wasn’t impressive enough, The Abdominal Outlaw is also a swimwear and underwear model with more than 300,000 Instagram followers. If you follow him, you’ll understand how he got his moniker.

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You can read Jena’s full article by clicking HERE. But if you’re the type who prefers to just drool over photos, Davide’s Instagram page is indeed an epic collection of erotic moments frozen in time. Playful, titillating and infused with humor, this handsome devil lets his body do the talking. And oh, what a message it is….

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Of course, nothing compares to seeing this sensational athlete performing in all of his stripped-down glory. Featured in two solo numbers as well as several ensemble sequences, the Abdominal Outlaw manages to stand out in a cast of amazing characters.

 

While “The Mayor” is shrouded in secrecy, “Abdominal Outlaw” has been quite forthcoming with the media. In fact, you might find a full-fledged profile of this new Vegas resident in an upcoming column. Stay tuned…

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Noteworthy traits – wild mane of hair, wilder sense of eroticism…

 

“Blue Jackson the Singing Cowboy” – identity uncertain

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There’s a persistent rumor spinning throughout Vegas that “Blue Jackson”, the adorable guitar-toting cowpoke of Atomic Saloon Show, is actually Vegas performer Colin Cahill. The evidence I’ve uncovered seems to suggest otherwise, as Spiegelworld’s social media clearly shows Mr. Jackson at rehearsals for Atomic Saloon Show in Edinburgh, Scotland this past summer.

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Mr. Cahill would certainly have no time for nightly performances at Venetian‘s newest hit anyway. He’s already dazzling audiences on a regular basis at charity-driven Mondays Dark and popular Kenny Davidsen’s Bow Tie Cabaret at Tuscany Resort. Cahill’s also known to pinch-hit for singers in Tenors of Rock and The Bronx Wanderers as well as his stint as “Stefan” in ” Sex Tips for Straight Women from a Gay Man“.

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A seasoned veteran of Sin City entertainment, Cahill has shown off his acting, singing and dancing chops in a variety of productions like Tournament of Kings and the Jeff Timmons-fronted male revue Men of the Strip. So how in the world would this strapping hunk have time to portray a hick with a penchant for naughty lyrics and cornball humor?

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Besides all that, Colin quite simply cannot be “Blue Jackson” because that silly feller wears shirts…and our local boy doesn’t. It’s been told that the good-hearted young man who jokingly calls himself “the hairless Bigfoot” once donated all of his shirts to a charity for needy gentlemen…and hasn’t slipped one on since. All the better to see your stunning abs, my dear. 

 

The next time this writer attends Sex Tips, I may have to ask actress MaKenzie Fly to clear up the “Mystery of Blue Jackson”. After all, she’s married to Colin and the couple doesn’t seem to be the type to hang out at dusty old brothels. Then again, this is Vegas, where anything is possible.

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Noteworthy traits – innocent grin, bedroom eyes, abs for days….

“Jean Louis” (Jérôme Simard) – aerialist/dance trapeze

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Where you’ve seen him – Les Ailes du Desir, École nationale de cirque

Pity poor “Jean-Louis”, the youngest cast member of Atomic Saloon Show. The strapping immigrant came to the wild west with high hopes and big dreams. Alas, he found himself in the thankless position of janitor/handyman/stable boy to “Boozy Skunkton” at her brothel/hotel/saloon.

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Torn between a chaste life and the charms of working girl “Sweet Cheeks”, the handsome lad with curly locks and a French accent gives into his carnal desires and makes plans to run away with his girl. Alas, the only time they can share a moment together is during a romantic aerial straps duo.

 

Uncovering the personal details of performer Jerome Simard is harder that the whiskey bottles that get smashed over heads during the show’s uproarious climax. After a fair amount of digging I can confirm that Jerome has been a guest instructor at Miami’s prestigious Les Ailes du Desir Circus School, where Blanc de Blanc hunk Hampus Jannson (above) once taught.

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Jérôme is also listed as a graduate of Montreal National Circus School and has been affiliated with Zen Arts, a Los Angeles-based talent agency. Although he’s been spotted checking out other Vegas saloons with the Abdominal Outlaw in his free time, Simard’s birthplace and personal life remain a mystery. But his body of work….and shredded physique…may tell you all you need to know about this airborne artist.

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                   Myself with “Abdominal Outlaw” and “Jean Louis” during Halloween…

Noteworthy traits – shy demeanor, luscious locks, gentle voice…

Breaking news: Roman Mokrenko (below) has joined the cast of Atomic Saloon Show, swinging in the role of “Jean Louis” on select nights. Read about the former aerialist of CELESTIA in my profile article HERE.

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Photos: Ian Murphy, Michael Bader, Facebook, Roman Mokrenko

‘Atomic Saloon Show’ Brings the Wild West to the Venetian


Spiegelworld’s latest in adult variety brings the Wild West to Venetian/Palazzo…

The folks at Spiegelworld are on a roll. With the 8th anniversary of ABSINTHE fresh in our minds and OPIUM continuing to draw new fans, it was only a matter of time before the cutting-edge entertainment company would unleash another outlandish concept. Welcome, ladies and gentlemen, to the Atomic Saloon Show.

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The latest offering from Ross Mollison and his creative team is an all-out effort. Taking over the gorgeous, little-known space once home to controversial ‘The Act’, Atomic Saloon is a fully-realized theatrical concept. The gorgeous multi-level club has been reborn as an immersive old-West saloon/hotel housing multiple bars, intimate private spaces, lush woodwork, period accents…and supposedly a top-floor brothel (more on that in a bit).

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The backstory of ‘Atomic’ is as wacky as it is convoluted. The saloon’s original location in the Nevada desert was lost to nuclear testing decades ago. Proprietor “Boozy Skunkton” (Petra Massey) relocated her bar staff, working girls, entertainers and customers to a new spot inside Venetian’s Grand Canal Shoppes.

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Apparently all of the citizens of Skunton’s former town decided to come along too, including “Reverend Peabody” (Damien Warren-Smith), his nuns, lots of cows and a few tumbleweeds. And it would seem that everyone is caught in some kind of time warp.

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As luck would have it, each of the townsfolk has an amazing and sexually-charged talent…even the Mayor (Pavel Stankevich). His Honor is a wordless heart throb who wanders in and out of the show when not climbing onto a four-post apparatus to display his amazing flexibility and strength. Guitar-strumming “Blue Jackson” (Sex Tips‘ Colin Cahill) has a penchant for breaking into naughty songs between cattle stampedes, showing off a pair of swiveling hips that would make Elvis jealous.

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Good girl “Sweet Cheeks” (Alina Shpynova) longs to be free of Boozy’s gentlemen-callers and run away with the saloon’s French stud “Jean-Louis” (Jérôme Simard). Their amusing attempts to escape Madam Skunton’s brothel form the wraparound plot. In between, guests are entertained by a collection of aerial, acrobatic and dance numbers that are so in-your-face that the front row is cautioned to remain seated.

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Fans of Spiegelworld’s defunct Vegas Nocturne will delight in the return of Peter Harding and Suzanne Cleary, whose unforgettable “Up and Over It” has been transformed into a delightful table-slapping folk dance. Athletic model David Zongoli brings erotic flamboyance to “The Outlaw” in two separate acts, a gravity-defying pole dance and a sensual aerial striptease.

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Efforts by the good Reverend to shut down Boozy’s establishment go predictably awry. So much so that the Sisters fall victim to their urges, unleashing a cavalcade of ping-pong balls into the audience (don’t ask). Rev. Peabody himself weakens under Boozy’s spell, leading to a tawdry dance that had this writer watching from between his fingers.

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No Western tale would be complete without a bar brawl…and ‘Atomic Saloon Show’ unleashes a doozy.

Click HERE to continue reading…

Photos: Sam Novak, Atomic Saloon Show

 

International Hit ‘Blanc de Blanc’ Pops a Cork at Sahara



Sexy new burlesque show forms the cornerstone of re-imagined resort…

UPDATE: Starting October 3rd, all showtimes are moving from 7 pm to 8 pm.

The conversion of legendary Sahara Hotel Casino into SLS Las Vegas wasn’t the success that everyone had hoped for. Nor was it the north-Strip savior that many predicted. But five years of floundering later, Sahara is back with the original name, new owners and lots of improvements. And leading their entertainment line-up is the wonderful Blanc de Blanc.

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Blanc de Blanc is an international hit that evokes the spirit of the finest champagnes. It’s fizzy, titillating, euphoric and oh so sophisticated. Featuring a gorgeous cast of singers, dancers, acrobats and comedians, it’s 75 minutes of fast paced, adults-only fun. The Foundry has been transformed into a lush Parisian cabaret for this production, lending an air of intimacy that few shows of this nature can achieve.

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A two-level main stage is enhanced by three additional platforms, one of which becomes a balloon-filled hot tub as the show progresses. The action is all around you in the multi-level space which offers booths, cocktail tables, bar-side seats and…brace yourself…a Premium Champagne Hot Tub Experience. Yes, you can actually take a dip and sip bubbly with the cast (swimwear is required, so come prepared).

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The show itself is reminiscent of Vegas Nocturne, the fantastic three-chapter Spiegelworld extravaganza that helped launch Cosmopolitan’s Rose.Rabbit.Lie in 2014. Fans of that short-lived production, which was ironically once rumored to resurface here at SLS/Sahara, will recognize cast member Spencer Novich. The rubber-bodied funnyman, who performed a similar role as “Ripley” in Vegas Nocturne, brings his unique onstage talents to Blanc de Blanc and also serves as its comedy director.

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Blanc de Blanc is hosted by elegant, towering and muscular Monsieur Roméo. Clad in a tuxedo, holding his ever-present champagne flute and speaking in velvety French, the former Armani model, photographer and comedian greets guests at their seat before each performance. His sultry charisma sets the perfect tone for an evening of steamy Parisian thrills.

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Monsieur Roméo has worked in the past with entertainers like Lady Gaga, Beyonce and burlesque legend Dita Von Tesse. In a post-show conversation, Roméo told me that he’s been hosting Blanc through multiple tours of Australia, New Zealand and London before bringing it to the lights of Sin City.

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Show director Scott Maidment was also on hand for the evening’s performance. He watched from an upper level booth….

Click HERE to continue reading.

Photos: Sam Novak

 

 

5 Reasons To Revisit ‘ABSINTHE’


Daring burlesque variety show continues to amaze in 9th year…

Sin City entertainment was noticeably rocked when Spiegelworld‘s ABSINTHE arrived on the Strip. Opening on April Fool’s Day 2011, the naughty show at Caesars Palace was an immediate hit that continues to sell out nightly. With fourteen performances per week, that’s a lot of shock value to spread around.

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If you haven’t seen ABSINTHE yet, it belongs at the top of your must-do list. And if it’s been awhile since you’ve visited host The Gazillionaire and potty-mouthed assistant Wanda Widdles, here are five reasons to return.

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Improved Seating Options – the classic old-world charm of ABSINTHE’s Spiegeltent is accentuated by oddball decorations and makeshift furnishings. While they’re charmingly authentic, the rustic wooden chairs of its original decor sometimes made for cramped seating. Now you can choose from a selection of Premium View Tables, VIP Cushioned Seats, Dinner Packages and even a new Green Fairy Bottle Service.                                                                                                                                             12439358_1028690277196134_5189735788685160169_n

Celebrity Spotting – Take in a performance of ABSINTHE and chances are good that you’ll be sitting near someone famous. Celine Dion, Usher, Justin Timberlake, Adam Lambert and Queen, David Guetta, Imagine Dragon’s Dan Reynolds, Reba McEntire, Steve Aoki, Coolio, Joey Lawrence, Ice-T, Bobby Flay, James Franco, Steven Tyler, Olivia Newton-John and more have taken a seat on The Gazillionaire’s throne.                                                                                                                                             21314639_1483496035048887_2082414211414431212_n

Garden Parties – ABSINTHE resides within a beer garden that offers games, picnic tables, and of course….lots of alcohol. Ticketed guests are encouraged to hang out before and after each performance, but on occasion the venue is opened to all adults for free-of-charge special events. Food trucks, drinks specials and DJ’s create a street-party vibe that carries on well into the next morning.                                              

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The Electric Oak – In celebration of the show’s eight anniversary, a spectacular Electric Oak was “planted” in Absinthe’s courtyard. A towering 35 feet of art with over 120,000 LED “leaves”, the Electric Oak is a swirl of color, light and beauty that will transport you into a euphoric                                                                            

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New Acts Galore – click HERE to continue reading….

Photos courtesy of Spiegelworld

‘Cherry Boom Boom’ Makes Triumphant Vegas Return


Bawdy skin-fest opens at HOOTERS August 15th…..

Thanks to my partner-in-crime at VegasFool.com, I just learned that the uproarious burlesque musical ‘Cherry Boom Boom’ is coming back to Vegas. Its original run at TROPICANA in 2016 was prematurely clipped at the cowboy boots after only a few short weeks. But that was due to plenty of behind-the-scenes drama at the long-troubled Tropicana Showroom and not the fault of the show itself. 

While it’s likely that the smaller showroom and stage at Hooters Hotel Casino will require an overhaul of the production, there’s no question in my mind that the heart of ‘Cherry Boom Boom’ will still beat hard, strong and bright red, So in anticipation of its second helping of sweetness, here’s my review as published during the initial Tropicana run. Get tickets for the Hooters relaunch by visiting Vegas Fool through this LINK. Prices start at only $37 plus taxes/fees. 

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WTF did I just see? I can’t really say for sure, but it was enjoyable to the max. Yes, a T & A girl-power topless revue getting a positive review from a male member of the LGBTQ community. Is that an impressive endorsement? I would have to say “yes.” And you’ll be saying “Oh, yes” if you make it to Tropicana to check out Cherry Boom Boom.

I’m going to be absolutely direct here – Cherry Boom Boom is effing crazy. It makes no real sense, despite offering some semblance of a love-story plot. Does it take place in a brothel? A Coyote Ugly-style roadhouse? Perhaps a surreal make-believe world where men barely exist and gorgeous women dance and get intimate together in various types of fetish gear and hard-rocking costumes? Honestly, I couldn’t tell you…not that it matters.

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The goal of a burlesque show, either traditional or in one of its many recent re-imaginings (like Absinthe), is to stimulate and entertain. The cast of Cherry Boom Boom does so in spades. It’s worth mentioning that the number of performers is surprisingly large for a production of this nature. But since Cherry has avoided the burlesque moniker in favor of “Rock ‘n Roll A Go-Go”, it’s clear that they’re intent on re-writing the rules for Vegas topless revues.

Tropicana‘s main showroom has a wide, deep stage, which CBB (let’s stick to that abbreviation for awhile) utilizes to the max. The lone two-level set is massive, adorned with chains, large video screens, parallel bars…and a stripper pole road sign. Production numbers fill every corner, zipping around to dizzying effect. It’s the antithesis of Jubilee‘s slow-strolling showgirls of Vegas past.

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High above the stage and to the left is a boudoir decorated in vivid pinks. An aerial acrobatic ring descends from the ceiling on occasion, and various props are wheeled out to accommodate specialty acts. They include a mechanical bull and a human-sized bird cage.

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Hosted by the androgynous “P*ssy Control” (perhaps named after the song by Prince, whose catalog gets a visit in the soundtrack), the central romance is basically a flimsy coat-hanger on which to hang libido-stimulating production numbers. It’s played out in a world of rock music, bullwhips, lingerie and cowboy boots.

A pair of small-town innocents (Rock of Ages, cough-cough) take jobs at “Cherry Boom Boom”, the brothel/nightclub/whatever of the title. Their first meeting and subsequent romance are mostly mimed wordlessly while naughty action swirls around them. Naturally, they’re drawn into this fantasy lifestyle and decide to explore their own desires. Eventually, they get back together and things wrap up in a finale reminiscent of Grease.

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If it wasn’t for the charm of the two principals and their amusing explorations of lust, the plotline could easily be eliminated, and CBB would still be a solid, satisfying production. The performers are some of the most physically attractive women on the Strip. There’s also a hard-bodied juggling aerial cowboy tossed in for girls (and gays).

Costuming is top-notch, the choreography is consistently impressive, and some sequences are downright breathtaking….especially one using wheeled mirror panels and another involving cafe chairs.

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Then there’s the soundtrack. Much like Rock of AgesCBB is a jukebox of hits, but this one crosses genres and spans decades of heart-pounding favorites. I had a hard time staying still in my seat. The songbook includes favorites from artists like AC/DC, Joan Jett, Led Zeppelin, Lenny Kravitz, Elvis Presley, Foo Fighters, Melissa Etheridge and Heart. Almost all are the original recordings, mixed and arranged for maximum impact. I noticed only one cover version (“Darling Nikki” by the omnisexual Prince).

Tropicana has had a rough go of it for the last few years, at least with their entertainment offerings. When the rare hit comes along, fate intervenes and things still go awry. Here’s hoping that Cherry Boom Boom is the one that breaks the Tropicana Showroom curse. It truly is a blast…and one that deserves to last.

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‘Cherry Boom Boom’ is scheduled to perform 11pm Thursday through Saturday at Hooters Hotel Casino starting August 15th. Tickets start at $37 plus taxes/fees and can be ordered here

Photos: Sam Novak, Diane L., Cherry Boom Boom

Hot Guys of Vegas: Mathieu Bolillo


France’s man of mystery lets his body do the talking…

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There are performers and celebrities who could chat all day about themselves. Without them, we wouldn’t have gossip websites, grocery store tabloids and gab sessions with Ellen Degeneres. Mathieu Bolillo is different. Taking the lead from Olivia Newton-John, he prefers to just get physical.

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My first encounter with Mathieu was this past February on my birthday. It happened to coincide with his debut performance in a new brunch show. It’s hard to focus on your eggs when this fireplug of muscle walks onto the stage, strips off his shirt and commences with a dazzling routine that would have you swearing off croissants for the rest of your life.

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I had to do some digging to learn more about this rippling hunk of inspiration. There are precious few personal details about the athletic Frenchman on his website…but plenty of eye candy and physical feats to wow and impress. So I reached out to Mathieu directly and asked him to tell me more about himself.

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Naturally, the strong-and-silent hunk admitted that he preferred to keep his private life close to his bare chest….er, “vest”.

I have one sister and we were born in Bordeaux, France. I’m raised in France with Spanish, Arabic and international influences due to the origins of my parents and to my high level gymnastic background.

As an international artist, Mathieu has performed in his home country, Germany, Spain, throughout Asia on board the Golden Princess cruise ship….and of course, in Las Vegas. 

Bolillo spent six years with the cast of Cirque du Soleil’s KA at MGM Grand, defying gravity nightly in the long-running epic production. Returning to France in 2010, he contracted a very serious case of chicken pox that nearly claimed his life (adult cases are much more severe than the childhood variety). It took a year to recover and get back his strength and physique.

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In order to set himself apart in the competitive world of athletic entertainment, Bolillo created a new apparatus that he calls the Balance Wheel. His innovative design and self-taught act garnered him the 2016 U.S. Aerial Champion Award for “New and Innovative Apparatus”. It also launched the next phase of his career.

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A self-proclaimed “fitness freak”, Mathieu has an intense desire to push his body to the limit. That’s led to impressive stunt work in films. He’s also a go-to for innovative modeling shoots, special events and fitness workshops. Even in his down time, Bolillo can’t seem to rest…he includes soccer, crossfit and basketball as methods of “relaxation”.

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The new production I met Mathieu at sadly didn’t last, but that’s the reality of entertainment in Sin City. Looking ahead, the ambitious 39-year-old is hoping to lend his talents to new innovative productions. He’d also like to work more in front of the cameras. His expressive face, hot body and sultry voice are tailor-made to capture attention.

Just don’t ask him to talk about himself…

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You can follow Mathieu Bolillo by visiting his Instagram page

 

Dance With The Devil at SATANGO


New musical comedy in the Arts District is one Hell of a great time…

Despite my promises to do otherwise, it’s been way too long since this writer has visited a community theater performance. My last was the outstanding KRAMPUS by Majestic Repertory Theater during the 2018/2019 holiday season. It’s a good thing that dancer/choreographer Alejandro Domingo reached out to me this week and invited me to his latest production. Otherwise I might have missed the brilliantly entertaining SATANGO at downtown’s adorable Cockroach Theatre Company.

I’ll admit a certain weakness to the prospect of seeing Alejandro back in action after the abrupt closure of BAZ in 2018. Despite having kept busy since then, the abs-tastic dancer has been keeping a relatively low profile here in Sin City. Now it’s clear as to why…Domingo has created the choreography and supplies a supporting role in one of the cleverest and most wonderfully naughty new musicals in ages.

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The premise of SATANGO is delightful and delicious. Toby Allen‘s “Old Scratch” is contemplating his eternity of loneliness (Welcome To My Neighborhood, I Was Once An Angel) while fearing that he may have lost his dance grooves. You see, it’s the eve of the All-Souls Ball, a once-in-a-millenium party. On that special night, the barrier between Heaven and Hell dissolves, giving souls the opportunity to lure each other to the opposite side. How? By using tango, the “Dance of Seduction”, of course. Will Lucifer’s dancing impress the other guests…and will he find an eternal companion?

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Fortunately for Satan, a lost innocent named Sofia (played by Savannah Smith) happens to pass through the gates to his fiery lair. She also just happens to be a dance instructor from Pahrump! Using his persuasive charms (“Everyone loves Luci!”, he boasts), Satan manages to strike a deal with Sofia to give him three tango lessons. She asks for one thing in return, which she’ll reveal after the party. What ensues is an amusing and steamy tug of war between the temptations of naughtiness and the rewards of being pure.

 

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Pop-culture references and topical humor fly as fast as the nimble feet in a wild assortment of comical and sexy dance numbers. Vegas locals will enjoy a shout-out to downtown pizza favorite Evel Pie and jabs at parking fees, the High Roller observation wheel and the ill-fated Fontainebleau tower. Supported by a solid five-piece band led by Music Director Keith Thompson, the cast belts out fifteen original songs (music by Stewart D’ Arrietta, book and lyrics by Justin Fleming) that keep the plot moving at just the right pace.

 

Toby Allen absolutely shines in the lead role. Despite his towering physical presence, Allen tends to be the lowest-profile member of Venetian’s long-running Human Nature Jukebox. In SATANGO, he unleashes a maelstrom of emotions and energy coupled with a scathing slice of wit. He’s clearly great at improv, too. An opening-weekend mishap with a prop was splendidly blended into the proceedings by Allen. As luck would have it, a second occurrence of the same gaffe occurred perfectly in sync with lyrics being sung at that moment. Clearly, the Devil had an angel on his shoulder last night.

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Speaking of angels, Savannah Smith (Vegas! The Show) is sheer nirvana as “Sofia”. Whether singing the praises of Pahrump from atop a ladder (My Favorite Place To Eat) or bringing the audience to its feet with her dazzling steps, the popular singer/actress/dancer is clearly having the time of her life.

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Alejandro Domingo, Kate Farrow and Socorro Jones round out the wonderful cast. They portray Satan’s minions along with a variety of other characters including Donald Trump, Kim Kardashian and even a lusty delivery boy. And yes, Domingo doffs his shirt once more to display the legendary abs that earned him a place on my list of the hottest guys in Vegas five years ago.

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Despite the tiny size of Cockroach Theatre Company, every inch of the venue is utilized in this production. Set design and costumes are spot-on, and director Wayne Harrison (ABSINTHE) achieves a polish that belies the indie nature of this production.

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SATANGO is one dance with the Devil that you won’t want to miss. You’ll forget your humble surroundings and be immediately drawn into this den of temptation. That’s the magic of live theater, and SATANGO pulls it off with aplomb.

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Cockroach Theatre Company is located at 1025 South First Street #110 in the Arts District. SATANGO performs Friday through Sunday at 8pm through June 23rd with matinee performances at 2pm on Saturday and Sunday. Tickets are $35 ($20 for public servants) and can be ordered here