‘Cherry Boom Boom’ Makes Triumphant Vegas Return


Bawdy skin-fest opens at HOOTERS August 15th…..

Thanks to my partner-in-crime at VegasFool.com, I just learned that the uproarious burlesque musical ‘Cherry Boom Boom’ is coming back to Vegas. Its original run at TROPICANA in 2016 was prematurely clipped at the cowboy boots after only a few short weeks. But that was due to plenty of behind-the-scenes drama at the long-troubled Tropicana Showroom and not the fault of the show itself. 

While it’s likely that the smaller showroom and stage at Hooters Hotel Casino will require an overhaul of the production, there’s no question in my mind that the heart of ‘Cherry Boom Boom’ will still beat hard, strong and bright red, So in anticipation of its second helping of sweetness, here’s my review as published during the initial Tropicana run. Get tickets for the Hooters relaunch by visiting Vegas Fool through this LINK. Prices start at only $37 plus taxes/fees. 

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WTF did I just see? I can’t really say for sure, but it was enjoyable to the max. Yes, a T & A girl-power topless revue getting a positive review from a male member of the LGBTQ community. Is that an impressive endorsement? I would have to say “yes.” And you’ll be saying “Oh, yes” if you make it to Tropicana to check out Cherry Boom Boom.

I’m going to be absolutely direct here – Cherry Boom Boom is effing crazy. It makes no real sense, despite offering some semblance of a love-story plot. Does it take place in a brothel? A Coyote Ugly-style roadhouse? Perhaps a surreal make-believe world where men barely exist and gorgeous women dance and get intimate together in various types of fetish gear and hard-rocking costumes? Honestly, I couldn’t tell you…not that it matters.

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The goal of a burlesque show, either traditional or in one of its many recent re-imaginings (like Absinthe), is to stimulate and entertain. The cast of Cherry Boom Boom does so in spades. It’s worth mentioning that the number of performers is surprisingly large for a production of this nature. But since Cherry has avoided the burlesque moniker in favor of “Rock ‘n Roll A Go-Go”, it’s clear that they’re intent on re-writing the rules for Vegas topless revues.

Tropicana‘s main showroom has a wide, deep stage, which CBB (let’s stick to that abbreviation for awhile) utilizes to the max. The lone two-level set is massive, adorned with chains, large video screens, parallel bars…and a stripper pole road sign. Production numbers fill every corner, zipping around to dizzying effect. It’s the antithesis of Jubilee‘s slow-strolling showgirls of Vegas past.

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High above the stage and to the left is a boudoir decorated in vivid pinks. An aerial acrobatic ring descends from the ceiling on occasion, and various props are wheeled out to accommodate specialty acts. They include a mechanical bull and a human-sized bird cage.

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Hosted by the androgynous “P*ssy Control” (perhaps named after the song by Prince, whose catalog gets a visit in the soundtrack), the central romance is basically a flimsy coat-hanger on which to hang libido-stimulating production numbers. It’s played out in a world of rock music, bullwhips, lingerie and cowboy boots.

A pair of small-town innocents (Rock of Ages, cough-cough) take jobs at “Cherry Boom Boom”, the brothel/nightclub/whatever of the title. Their first meeting and subsequent romance are mostly mimed wordlessly while naughty action swirls around them. Naturally, they’re drawn into this fantasy lifestyle and decide to explore their own desires. Eventually, they get back together and things wrap up in a finale reminiscent of Grease.

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If it wasn’t for the charm of the two principals and their amusing explorations of lust, the plotline could easily be eliminated, and CBB would still be a solid, satisfying production. The performers are some of the most physically attractive women on the Strip. There’s also a hard-bodied juggling aerial cowboy tossed in for girls (and gays).

Costuming is top-notch, the choreography is consistently impressive, and some sequences are downright breathtaking….especially one using wheeled mirror panels and another involving cafe chairs.

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Then there’s the soundtrack. Much like Rock of AgesCBB is a jukebox of hits, but this one crosses genres and spans decades of heart-pounding favorites. I had a hard time staying still in my seat. The songbook includes favorites from artists like AC/DC, Joan Jett, Led Zeppelin, Lenny Kravitz, Elvis Presley, Foo Fighters, Melissa Etheridge and Heart. Almost all are the original recordings, mixed and arranged for maximum impact. I noticed only one cover version (“Darling Nikki” by the omnisexual Prince).

Tropicana has had a rough go of it for the last few years, at least with their entertainment offerings. When the rare hit comes along, fate intervenes and things still go awry. Here’s hoping that Cherry Boom Boom is the one that breaks the Tropicana Showroom curse. It truly is a blast…and one that deserves to last.

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‘Cherry Boom Boom’ is scheduled to perform 11pm Thursday through Saturday at Hooters Hotel Casino starting August 15th. Tickets start at $37 plus taxes/fees and can be ordered here

Photos: Sam Novak, Diane L., Cherry Boom Boom

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Prince Lives Through THE REVOLUTION

“The Revolution has done the unimaginable and reformed to honor their front man”.


The funkmeister’s original Minneapolis band rocks Brooklyn Bowl Las Vegas…

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We’re just the band, okay? We’ll never replace him…we’ll never be him…we’ll never try. We’re just going to be The Revolution.

Last year, in my review of Westgate‘s resident show Purple Reign, I had this to say:

Reign is as close as you could get…and ever will again…to a genuine Prince concert”. And while that production still sizzles with jaw-dropping authenticity and onstage talent galore, the original band from Purple Rain has made a bit of a liar out of me.

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The Revolution has done the unimaginable and gotten back together to honor their front man. The reunion show, currently touring nationwide, brings the gift of their music back to the stage for a landmark evening.

Having lived the songs and experiences as they happened, only The Revolution is able to deliver the early songs of Prince to fans in a way that no tribute show ever could.

Prince The Revolution Brooklyn Bowl Vegas

Prince The Revolution Brooklyn Bowl Vegas

A somewhat anonymous backup group from their beginnings through the double-length album 1999, The Revolution officially received its name and identity via Purple Rain. That iconic 1984 movie highlighted their memorable talents and personalities. It also depicted the real-life struggle that Wendy Melvoin and Lisa Coleman had in getting the Purple One to recognize their own compositions.

After his death in 2016, guitarist Melvoin, keyboardists Coleman and Matt (Doctor) Fink, bassist BrownMark and drummer Bobby Z performed a series of sold-out shows at First Avenue Nightclub in Minneapolis. Returning to the actual setting of Purple Rain inspired them and healed them. So, they decided to take that therapy on the road.

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Wendy recently told Billboard Magazine “We all sort of had this moment where it felt like this was almost too much. But at the same time we made people smile and they felt good and they got to grab onto at least the legacy of him so that his death didn’t feel so permanent.”

BrownMark added “We have the ability now to give people a glimpse of what we experienced with him, and I think that’s a powerful thing. I know it helped me heal.”

Prince The Revolution Brooklyn Bowl Vegas

One of the biggest live-entertainment regrets this writer has carried through the years is that I’d never gotten to see Prince and The Revolution performing together. The many Prince concerts I’d attended were subsequent to their disbanding in October of 1986.

Prince had constantly reinvented himself throughout his career and changed (or lost) backup performers with regularity. So it was with great pleasure that I got the opportunity to witness The Revolution at Brooklyn Bowl on June 21st.

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Still shot from the 1984 film (above)….                 

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…and at Brooklyn Bowl on June 21, 2017…                            

The Brooklyn Bowl concert venue, bathed in purple floodlights and a light veil of fog, was the perfect place to recreate the legacy of First Avenue. Of course, Wendy, Lisa and the others made the illusion a reality, performing with precision and plenty of heart.

Opening with the infamous “Wendy…is the water warm enough?” line from “Computer Blue” and seguing into the politically-charged anthem “America” (from Around The World In A Day), it was clear that the 80’s lyrics resonated just as strongly today. Next came the euphoric “Mountains” from Parade (aka the Under The Cherry Moon soundtrack), followed by 1999‘s “Automatic”.

With that quartet of opening numbers, the band had already visited four massively successful albums in as many years, spanning multiple genres with ease. But there was plenty more to come in the nearly two-and-a-half hour show.

Video highlights…    

Eschewing their trademark frills, make-up and lace for conservative slacks and jackets (Dr. Fink rocked the scrubs and stethoscope), The Revolution delivered that rare reunion performance that didn’t feel like an obligatory money grab.

They also left behind the posturing and characterizations that once provided memorable foils to their flamboyant leader. With Prince now looking down from the Heavens, what remained was a very genuine group of friends…who touched the audience with sentiment, appreciation and love.

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The band was joined on several numbers by Stokley Williams, lead singer of Mint Condition. Rather than mimic the vocals and stylings of Prince, Williams gave them his own flair, infused with energy and plenty of funk.

Prince The Revolution Brooklyn Bowl Vegas

At one point the venue felt silent as Melvoin delivered an emotional tribute via “Sometimes It Snows In April” (also from Parade). As she approached the mic, an electronic thump boomed from the speakers. “Is that you, Prince?”, she mused.

Always cry for love…never cry for pain. 

He used to say so strong unafraid to die.
Unafraid of the death that left me hypnotized.  

Sometimes it snows in April.
Sometimes I feel so bad, so bad.
Sometimes I wish that life was never ending.
But all good things, they say, never last….

The guitarist took several opportunities to remind the audience that all of these great songs now belonged to the fans. Through them, Prince and The Revolution would live to sing another day.

Prince The Revolution Brooklyn Bowl Vegas

It’s important to know when you leave here tonight that these songs really belong to you guys. If you wondered “Who’s singing these tracks?”… if you came here going “Who’s gonna do this? Who’s gonna do that?” YOU guys are!  Wendy Melvoin of The Revolution

The Revolution continues their tour of North America through August 11th. Cities and dates are available by clicking here

Photos and video: [Sammasseur]