Show Reviews – VEGAS UNFILTERED BLOG by Sam Novak

Terry Fator – AGT’s Biggest Winner Is Sin City’s Biggest Loser

Scandal-laden puppet-master rides his shit-spewing rocket to New York NY’s obscure upstairs banquet room…

People often say that you shouldn’t kick a man when he’s down. But it’s hard to resist when the person in question is ventriloquist Terry Fator. Once the jewel in The Mirage’s entertainment crown, this walking tabloid magnet tumbled so hard and so fast that he was asked to leave the property.

Even his Tery Fator store was replaced with a shop that sold Kim Kardashian’s nasty-ass underwear. Refusing to admit defeat and fade off into memory, the controversial mouthpiece “Man of a Thousand Voices” vowed to return and rise again. Sound like anyone you know?

Fator managed to secure a holiday gig last year inside the former Zumanity Theater of New York NY. The news didn’t sit well with Christoper Kenny, creator of “Edie“, Zumanity’s host for more than a decade. You see, through his residency Fator has garnered a well-documented reputation of being a homophobe and bigot.

Click here to continue reading via VEGAS 411.

Brent Barrett – Celebrating 40 Years On Broadway

Most entertainers put their heart and soul into a performance. But actor/singer Brent Barrett once put his life and limbs on the line for a role. While preparing for a German production of Phantom of the Opera, Barrett suffered a painful accident that resulted in a badly broken leg.

With only two weeks to go before opening night, the handsome Vegas resident underwent surgery and rehabilitation so that the “Phantom” could go on. Still sporting a metal plate in his lower leg three years later, he laughs it off as just another chapter in a stunning career…one that spans four glorious decades.

This July 11th at the Italian American Club, Brent Barrett will be presenting 40 Years on Broadway, a single-night career retrospective. Click HERE to continue reading via CHIC Compass Magazine.

‘NSFW’ – UNCENSORED Is The Biggest Surprise Of The Season

Treasure Island’s New male revue comes out of Nowhere and Blows The Rest Away…

This is one of the rare times that I feel guilty for writing a rave review. Why? Because I’m about to state that the newest male revue in Las Vegas is far superior to anything we’ve seen before. And that’s a pretty significant claim to make. Get ready for Uncensored International Show at Treasure Island Hotel Casino.

Regular readers know that I’m a big fan of Chippendales and Aussie Heat. I’ve also enjoyed Rock Candy and the vastly-improved Thunder From Down Under (Magic Mike Live will undoubtedly remain a steaming pile of shit when it moves to Sahara this fall). So how can Uncensored International come out of nowhere and blow the others away?

First and foremost, Uncensored International has the hottest collection of guys you will probably ever see on one stage. Their tagline is “Younger. Stronger. Harder”. The flawless faces, stunning physiques, perfect skin and stimulating body language truly are of the highest caliber. Believe me when I tell you that the cast is huge! There are at least eight jaw-dropping gentlemen onstage at any given time, and each one is sheer perfection in talent and size (ahem).

Uncensored International is performed in the second-level event space of Senor Frog’s, known to many as the home of the world-famous Voss Events Drag Brunch. The unusual, sprawling layout of this venue would be a challenge for most productions, but Uncensored International transforms it into something both intimate and epic at the same time.

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There are three performance platforms inside Senor Frogs – a wide central stage and two smaller ones. All of them are utilized simultaneously, enveloping the audience in the action from every angle. The guys crisscross from one spot to the the next, leaping across tables, swinging on poles and running from end to end. Live video feeds are broadcast on floor-to-ceiling digital screens, ensuring that you won’t miss a second of the sizzle.

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Never before have I seen a male revue packed with such energy and power. Lighting and effects are amped to the max, accompanied by a pulsating soundtrack that dares you to sit still. Thankfully, chit-chat is kept to a minimum, aside from the priceless emceeing of the Supreme Queen herself, Shannel. This world-famous drag star is known to millions via her appearances on television’s RuPaul’s Drag Race, as well as her Vegas stints at 53X and Drag Brunch.

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Uncensored International begins with a bang. Actually, lots of them, as the guys position themselves behind large drums across the entire space. When the music begins, their pounding causes a Blue Man Group-inspired water spray which drenches their clothing. So begins a striptease that gives way to pole dancing directly over the audience.

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Various set pieces include Game of Thrones-inspired barbarians, a classy Vegas crooner number, locker room showers, and a prison transport sequence. Looking to heat things up even more? Wait until the stage is literally set on fire. Audience members are frequently pulled in for some seriously raunchy antics, so don’t expect to remain a wallflower for long.

Alas, there are a few minor caveats to the new production. Despite the fact that at least one quarter of the attendees on premiere weekend were men, guys are barely acknowledged by the dancers. My companion questioned a cast member on this issue, and the response was something along the lines of “We’re working on that”. Let’s hope so. My two-part article (here and here) compares other Vegas male revues for inclusivity, an important matter these days.

Update 6/16/21 – I’ve seen Uncensored International two more times since posting this review, and the cast, producers and host have taken major steps to making the show inclusive. Shannel now acknowledges the gentlemen in the audience with jokes and banter, the performers make eye contact, give close-up dances and more.

My friend and I were drawn into the action this past Saturday, as these photos demonstrate. They even came over after the show to chat with us in the casino. Way to go, everyone!!!!

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My second beef has to do with cocktail service. There was only one bartender, who was located in a dark, grungy corner far opposite the entrance and stages. I had to ask an employee where to get a drink, then missed the beginning of the show due to a long line. A cocktail server eventually came around, but by then the show was more than half over. Everyone knows that the real money is in alcohol sales, so Senor Frog’s needs to step up their game right away. More bartenders plus more cocktail servers equals happy Vegas partiers.

Update 6/21/21 – I have now seen UNCENSORED five times since it opened, and drink service has improved dramatically. There are now cocktail waiters and waitresses on the floor during seating and canvassing the showroom throughout the performance. Since my initial complaint, I’ve had no problems getting served. It’s nice to see improvements actually taking place in an era where service and amenities are constantly being chipped away. Dollars and sense…

As for the production, it was created in 2014 and at one point featured Latino actor/heartthrob William Levy. Producer Omar Suárez is known throughout Latin America for his work on Perfume de Gardenia, the largest stage spectacle ever seen in Mexico. It was choreographed by Eitan Tellez, who specializes in jazz, hip-hop, ballet and Latin fusion. Together, they’ve delivered a scorching 75 minutes that Las Vegas audiences expect and deserve.

I was extremely pleased with Uncensored International Show, and plan to visit again and again. Sin City might still be in shock by Chippendales‘ ouster from Rio Las Vegas, but there’s new crop of bad boys to scratch that itch. And they’re more than welcome on the Strip.

Senor Frog’s is located off the casino floor at Treasure Island. Showtimes are as follows:

Tuesday: 8:30 pm
Wednesday: 8:30 pm
Thursday: 7:00 pm & 9:30 pm
Friday: 7:15 pm / 9:45 pm
Saturday: 7:15 pm / 9:45 pm
Sunday: 7:00 pm & 9:30 pm

Audience members must be 18 and over. Tickets start at $65 (plus taxes/fees) and can be ordered here.

Photos: Sam Novak

‘CELESTIA’ Is Poised To Rise Again

Classic-style circus seeks new venue for its glorious tent extravaganza…

In the realms of media and show business, one of the most gratifying phrases you can use is “I told you so”. And this particular writer is looking forward to announcing in the near future that Intrigue Shows has found a new home for CELESTIA, the wonderfully-entertaining spectacle that launched at The STRAT during the summer of 2019.

When the pandemic swept through Sin City, its impact was devastating. Companies filed for bankruptcy, long-established productions announced permanent closure, and cast and crew from all facets of entertainment scattered like petals in the wind.

At one point I was compelled to assemble a list of the shows I felt were most and least likely to return….along with a bunch that could topple to either side of the fence. I may have swung a bit broadly on some, but others were home runs. On my “Most Likely To Return” collection was the fledgling CELESTIA. Here’s what I said on April 13th of last year:

My insiders at CELESTIA assure me that the fledgling big-top production is on solid ground. STRAT Hotel Casino has a strong financial stake. which seems to be a common thread in the current make-or-break environment. Four-wallers (independent contractors) will suffer while casino-owned shows are likely to last. It all comes down to money.

While the reason for my faith in CELESTIA‘s return might not have been correct (The STRAT is now willing to part with the tent-based production), there’s no denying that a family-friendly circus with a desirable price point has built-in appeal for post-COVID Vegas. That’s why the show’s General Manager Kim Scott (formerly of Cirque du Soleil) has dedicated every available resource to making sure the CELESTIA tent reaches towards Vegas skies once more.

Here’s the letter that Ms. Scott sent out to all 88 cast members, technicians, ushers, front-of-house and other crew just this afternoon. The email was motivated by an article from one of my colleagues, who yesterday announced the show’s permanent closure despite the lack of a formal statement:

Hello Everyone with Celestia,

I hope this finds you all well and enjoying the reopening of Las Vegas.

I want to give you an update on the status of Celestia and its future in Las Vegas. As you know, COVID hit many businesses hard and our company ownership has tasked me with finding new ownership for the tent and show.

I have been working nonstop to source a buyer for the tent and a company interested in running the show. I want you to know that finding a new home for Celestia has been my only priority during the shutdown.

We do have a few companies interested in the tent and a potential company interested in operating Celestia. While I cannot guarantee that Celestia will return to the stage, I can ensure you that I am working to make that happen for all of you. I can confirm that Celestia and the tent will not remain at The STRAT and will be relocated until a new owner can be identified. The move will happen within the next few weeks.

I want to sincerely thank all of you for your patience as I work to navigate the next steps focus and your courage and commitment to Celestia during this past year.

Please don’t fall into the rumor mill of Las Vegas. If you have any questions, please reach out to me directly.

Kim Scott

General Manager Intrigue Shows, Inc.

Regular readers will remember that I’ve published a number of articles about CELESTIA, from a stellar original review to an insider’s view via their STAR VIP EXPERIENCE (with onstage seating) and a profile of their latest electrifying cast addition, DUO TRANSCEND from America’s Got Talent.

As an avid supporter of every hard-working individual who dedicates their talents both behind the scenes and onstage, I’m excited for the possibilities awaiting those involved with CELESTIA.

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Support from large corporations and casinos may come and go with wildly unpredictable results. But Intrigue Shows, and Kim Scott in particular, have years of experience behind them. They know the do’s, the don’t’s, and B.S. that get tossed around by big-talkers. They’re independent thinkers with a passionate desire to put on an old-fashioned spectacle….just what we need in today’s turbulent environment.

Photo by Cipriano Moreno Aparicio

Don’t count out CELESTIA just yet. You might be in for a pleasant surprise.

Photos: Sam Novak, Intrigue Shows, Cipriano Moreno Aparicio

Revamped “Thunder” Goes From ‘Strike-out’ to ‘Home Run’

Long-running male revue takes early lead as most-improved production of 2021…

Regular readers of Vegas Unfiltered Blog have probably figured out by now that this writer is an out-and-proud gay man. If you haven’t, my long-running “Hot Guys of Vegas” series should have tipped you off. Nevertheless, this column has never been focused on that aspect of my personal life. I just mention it now to give some insight on my perspective of male revues.

Clowning with the guys of “Aussie Heat”…

That being said, I’ve spent many a night with my friends at Aussie Heat and Chippendales. And I’ve deliberately avoided that misguided mess called Magic Mike Live (one of the worst major productions of any kind). The other that’s been high on my “Do Not Fly” list is Australia’s Thunder From Down Under at Excalibur.

My first visit to “Thunder” was in December 2015…

If you’re curious as to why “Thunder” ranks so low in the hierarchy of Vegas beef-fests, the full review from 2018 is here. But I can give you the Cliff Notes version:

“It’s everything that the equally awful Magic Mike Live ridicules male revues for being. Packed with rote production numbers, Thunder will have you mentally scratching off each item from the list of cliches as it plays out on a cheap plywood stage.”

Now, I experience no joy in publishing negative reviews, especially when the cast and crew are rarely to blame. “Thunder” being in a temporary venue at the time (their second-floor showroom was undergoing a desperately-needed re-fit) certainly didn’t help. But three years later, I revisited this “Outback throwback” on a whim and found myself having a fantastic evening.

“Thunder” shares a revamped showroom with “Australian Bee Gees”…

Let’s start with the venue itself. The newly-christened THUNDERLAND showroom received a pretty modern retrofit. The odd two-level footprint is sadly unchanged, and the choice of furniture is somewhat curious (psuedo-IKEA, much like Mat Franco’s space at The Linq). But the current positioning of seats and tables has improved the sight lines. Moving video walls double as a stage curtain, bar service has received an overhaul (with optional online ordering), and the lighting/sound system booms like a beating chest.

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Speaking of chests, the cast of Thunder is one pec-tastic bunch. Each is chiseled, handsome, and much better at dancing than the last go-round. And this is where I noticed the first major improvement…individual performers are given a chance to shine. Each guy is introduced after their respective showcase moment, removes their mask, offers a few words to the audience…and one even sings the rafters loose.

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As for the ensemble numbers….my biggest gripe was the lazy choreography and cliched acts. Mercifully, “George of the Jungle” seems to have crashed into his final tree, and the vampires have retreated to their coffins. Replacing them are an uncomfortable SWAT team sequence in riot gear (too soon, guys) and a take on the 300 Spartans (meh). The rest is a top-shelf combination of musical hits, contemporary moves, and extreme athleticism that brings horney guests to their feet.

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It’s worth noting that the element of male audience inclusion remains unchanged since my last review:

“Don’t expect to get more than a fist-bump from the dancers as they work their way through the audience. The rough-and-tumble men of the Outback are dripping with testosterone, but only seem interested in sharing it with the ladies.”

The show is specifically geared towards women, and the few guys in attendance are presumed to be supportive straight men (not tonight, fellas!). Hopefully the minds behind Thunder will catch up with the all-are-welcome Aussie Heat and realize that they’re turning away an untapped, lucrative market. Click here and here for more of my analysis on that topical subject.

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New host Scott Reading is sass, class…and one sweet surprise…

Now for the best improvement of all….host Scott Reading. This bloke is just about everything you could hope for in a male-revue emcee. He’s sexy, charming, charismatic, funny, engaging, spontaneous, and downright fantastic. In other words, he’s everything that former front-man Marcus Deegan wasn’t:

Abrasive and short-tempered, Deegan seems to take delight in belittling rowdy audience members. The past two times that I’ve seen THUNDER, Deegan’s stopped the show dead in its tracks to berate rowdy women. He’s gone so far as to blatantly tell them to “Shut the f*ck up”. On one occasion, he came out during final bows to flip his middle finger at an audience member while mouthing “F*ck you!”…and it wasn’t done with a wink.

Yes, Marcus…that’s the exit door…

Who knows how many ticket-buyers failed to return thanks to Marcus and his abusive antics? But with any luck, he’s gone for good. Let’s hope that Scott Reading is a permanent fixture. He alone is worth the price of admission….and that’s before he unleashes a massive surprise at the finale.

With the recent sale of RIO Hotel Casino to Hyatt, there’s no telling when gold-standard CHIPPENDALES will return to Sin City…if ever. Thank goodness Thunder From Down Under has stepped up to the plate. It’s an early front-runner for “Most Improved Production of 2021”. And once COVID restrictions are finally removed, this generous serving of beef from the Outback will become a veritable buffet.

Australia’s Thunder From Down Under performs Wednesday through Monday at 9pm with additional showtimes on weekends. Click here for full schedule and to order tickets. Prices start at $70.95 (plus taxes/fees).

Photos: Sam Novak, Thunder From Down Under, Scott Reading via Instagram

Mend Your Broken Heart with The Timeless Sounds of “Australian Bee Gees Show”

Top-level tribute delivers the Best Music when we need it the most…

If you saw the 2021 Grammy Awards and happen to have the slightest bit of good taste, you’ve realized that contemporary “music” is being dredged up from the smelliest bowels of Hell. When “WAP” aka “Wet A** P*ssy” is performed live on network television, there’s no place to go but up.

Yes, our nation is in a deep dive. We’re hurting and need something to lift us up. So we look back at the fantastic music of the 70’s and 80’s…songs that defined several generations and will last for years to come. That might explain why we’re dusting off our vinyl records for another go-round. And who better to exemplify that era than the Bee Gees?

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A year after COVID’s mandatory shutdown , The Australian Bee Gees are back at Excalibur‘s remodeled second-level showroom, and they’re resonating like never before. Is it because of the music and warm lyrics? Perhaps it’s our yearning for better times. Or maybe we just need a little positivity in our lives. When you hear live performances of “To Love Somebody”, “ONE” and “How Deep Is Your Love”, those questions are moot.

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This past December, while we were stuck at home instead of visiting family or enjoying holiday vacations, HBO presented the documentary “The Bee Gees: How Can You Mend A Broken Heart”. Directed by Frank Marshall (producer for POLTERGEIST, RAIDERS OF THE LOST ARK, GREMLINS and the BACK TO THE FUTURE trilogy), the lovingly-created chronicle touched people around the world. It reminded us of the hearts behind the music, and left very few dry eyes.

There’s so much more to the brothers Gibb than the disco era. The Australian Bee Gees Show covers the gamut of their discography, opening with the 90’s, jumping back to the beginning, then culminating in a veritable dance party of Saturday Night Fever proportions.

There are medleys dedicated to every significant decade of their lengthy career. Along the way the trio visits youngest brother Andy‘s “Shadow Dancing”, Frankie Valli‘s “Grease”, Dolly and Kenny‘s “Islands in the Stream”, and a very familiar collaboration with Barbra Streisand (“Guilty”). Montages of vintage videos create a perfect backdrop to the performances.

The gentlemen behind the characters are a wildly-gifted trio of musicians in their own right. They’ve been delivering variations of this production across the globe for over two decades. Guitarist Michael Clift (“Barry”) founded the group in 1996. David Scott hits all the right notes and bears an uncanny resemblance to falsetto “Robin”. Handsome keyboardist Wayne Hosking lives and breathes Robin’s twin brother “Maurice”. They’re joined by bassist Tony Richards and percussionist Rick Powell, two powerhouse musicians with their own impressive resumes.

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It’s been several years since I last saw Australian Bee Gees. At the time, it was a two act, two-era show with a costume change in between. Hosking tells me that the production will continue to develop and grow once COVID restrictions have been eliminated:

Unfortunately some of the best additions to our new show are still absent under the distancing guidelines. We had to drop the second set costume change, the medley around one microphone and a lot of the audience interaction and dance floor. Still…just happy to be back on stage at this point!

I’d be perfectly content if A.B.G. maintained one continuous set. The current iteration is an authentic, in-character concert retrospective, as though all of the boys still remained alive (alas, only eldest brother Barry survives). Much like Jason Tenner‘s PURPLE REIGN tribute to Prince, this is the closest thing you’ll ever get to an actual Bee Gees concert.

Hosking also said that a big-screen biopic of the legendary group is in the works from Paramount and actor/director Kenneth Branagh. With the box office success of BOHEMIAN RHAPSODY and PIANO MAN, perhaps this was inevitable, and that’s just fine. As the HBO documentary showed, there’s a lot more to the story than you know.

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Las Vegas tribute shows rarely get the respect that they deserve. It takes plenty of effort to sing, dance, and channel iconic artists. Imagine how tough it is to maintain that illusion for an entire 75 minute production.

The Australian Bee Gees Show is overflowing with authenticity. You’ll be on your feet and feeling the fever way after the mirror ball stops spinning.

The Australian Bee Gees Show performs at 6 pm (and 4pm on select dates) at Excalibur Hotel Casino. Prices start at $50.95 plus taxes/fees. Click here for complete schedule and to order tickets.

Photos: Sam Novak, The Australian Bee Gees

‘APÉRO’ is a Sexy New Way to Get Your Vegas On

European-influenced acrobatic production packs a lot of flirtation into a gorgeously lush showroom…

“Love comes from the most unexpected places.” – Barbra Streisand

It was inevitable. With Cirque du Soleil on an ongoing hiatus and both ZUMANITY and Le Reve – The Dream shuttering forever, it was only a matter of time before some of their top-level talent came together to create something new. And as I’ve said many times before, COVID-19 has had an ancillary effect of spurring creativity. Combine those two elements, drop them into a stunning cabaret and you have APÉRO, a delightful new show at Baobab Stage in Town Square.

APÉRO‘s premise is built around aperatif, the oh-so-French tradition of early-evening libations and nibbles (something you’re invited to partake of at Baobab Cafe adjacent to the showroom). An ultra-hot cast of three men and three women meet, greet, flirt, switch around…and try to impress each other with feats of grace and strength. A threadbare concept to be sure, but who cares when the antics are this sexy?

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APÉRO is geared towards adults, but there’s no nudity (the guys do get shirtless, thank goodness) or anything overtly sexual. Just a bunch of charming young people strutting their impressive ~~bodies~~ skills and having a great time.

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The sensual atmosphere and strikingly-appointed Baobab Stage create a total escape from reality. You’ll believe that you’re in a vintage European cabaret. I was hard-pressed to look away from the stunning wall coverings, overstuffed love seats, ornate light fixtures and artwork. A 20-minute intermission allows you to drink in the settings and indulge in another aperatif or share a bottle of wine with your companion. But….back to the show.

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The cast of APÉRO is a veritable who’s who of the athletic arts. Towering Damir Mouzdybaev is 6 feet, 3 inches of chiseled muscle who opens the production. Lithe, God-like, and sensual, he guides the cast through their various interactions…and has his own adventures along the way. Damir was most recently in Le Reve – The Dream, and has performed in Ringling Brothers and “Marvel Universe Live”.

Damir Mouzdybaev (with Angelique Janowski), photography by @benjaminhphoto

Aerial hoop artist/dancer/choreographer Angelique Janowski spent several years at ZUMANITY until the pandemic clipped the show’s wings. Undeterred, she and a few colleagues formed Visionary Pack Collective, which produces APÉRO. A graduate of two art schools in France,. Ms. Janowski performed hundred of hours for audiences in Paris before coming to Las Vegas.

Angelique Janowski

Dazzling Natsumi Miyazaki performed in Le Reve alongside Damir Mouzdybaev, where the two of them soared through the air and danced on water. APÉRO finds the award-winning synchronized swimmer airborne once more, this time via an amusing pole sequence. Her charming character is a little sassy, a little sweet, and a whole lotta “wow”.

Natsumi Miyazaki, photo by Charles Lohman

Beefy, brooding Roman Tomanov is the “bad boy” of the cast. Decked out in a leather jacket and ribbed tank shirt, he performs gymnastic feats, then takes flight for the aerial straps. Roman has been in the casts of ABSINTHE and Kà (by Cirque du Soleil), along with Cirque’s KURIOS and LE NOIR in Tokyo.

Roman Tomanov strikes a pose in APÉRO

Mongolian contortionist Tsatsral Erdenebileg will have you gasping with her stunning flexibility. That’s certainly what occurred when the audience I was a part of saw her abilities. You’ll be awed, amazed, and perhaps even cringing when you witness what this Guinness World recordholder can achieve. Tsatsral also comes to APÉRO by way of ZUMANITY.

Tsatsral Erdenebileg is APÉRO’s stunning contortionist…

Is it possible for juggling to be sexy? If the performer is Vladislav Miagkostoupov, then the answer is a resounding “Yes”! Part clown, part underdog, and the “nice boy” of the troupe, Vladislav combines dancing and juggling into a hysterical mixture which defines his signature style. The European acrobat entertained Vegas audiences in ZOMBIE BURLESQUE and V: The Ultimate Variety Show before landing on his feet at Baobab Stage.

Vladik Miagkostoupov will juggle his way to your funnybone…

There is plenty of DNA from ZUMANITY behind the scenes of APÉRO, too. Niccole Dunn, co-founder of Visionary Pack Collective, spent seventeen years at Cirque‘s first adults-only show. Skilled at backstage duties and wardrobe design, Niccole created the costumes for APÉRO and is entrenched in making the public aware of their new production.

Pavel Gurov…

Pavel Gurov serves as Artistic Director/Acrobatic Advisor, and Jorge Salomone (Niccole Dunn’s husband) is Technical Director. Salmone was involved in the video elements of ZUMANITY, and Gurov is a performing artist himself.

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The Baobab Cafe, Boutique and Showroom are all operated by Wassa Coulibaly, who spent several years as a dancer at New York NY‘s resident Cirque show. In some ways, she seems to have become the de facto “mom” of this ambitious endeavor, and shares the Collective’s enthusiasm.

Wassa Coulibaly

The fact that APÉRO was born from the shockwaves of an international pandemic isn’t forgotten by the cast and creative team. All performers wear masks during the show, the audience is capped out within legal limits, and there’s even a COVID-19 protocols/procedures page on the show’s official website.

Final bows after a recent performance…

With live entertainment just now ramping up after almost a year of darkened stages, the producers knew they had to work long-term sustainability into their model:

Visionary Pack Collective was born of a small group of artists and industry professionals eager to create something sustainable and beautiful in this unprecedented time. The Baobab Stage is a cool small theatre and we wanted to make a show that would feel huge in this space, and give the audience the feeling of seeing something truly extraordinary in a way they could not have in the past. The show combines extraordinary talent and all the trappings of a
production usually seen on grand stages and in arenas playing to thousands.

So when you’re ready to rediscover the magic of sensual circus artistry, head to Town Square on South Las Vegas Boulevard and immerse yourself in an evening with APÉRO.

APÉRO performs Friday, Saturday and Sunday at 7pm. The show runs approximately 90 minutes with intermission. Tickets are $50.00 (plus tax/fees) and can be ordered here.

Photos: Sam Novak, APÉRO, cast members via Facebook

‘Piano Man’ at MOSAIC Theater Hits All The Right Notes

Tribute to Elton and Joel is way better than it has any right to be…

Tribute shows rarely get the respect that they deserve. It takes a massive amount of talent to physically transform into a well-known entertainer, then deliver spot-on performances in song and dance. Sometimes tribute shows are even better than the real thing…a joyous experience without the exorbitant prices, ego-fueled antics, or notorious late starts (I’m looking at you, Madonna).

Celebrity impersonators have been a mainstay in Las Vegas for decades, and LEGENDS IN CONCERT is the longest-running show in the city. In 2019, I named V Theater‘s Gaga/Britney/Madonna tribute Blond Invasion as “the ultimate pop-diva experience” and “Biggest Surprise of the Year”.

With all that’s happened this year, there’s no telling when concerts and superstar residencies will return. So imagine my joy, in this era of pandemic madness, in discovering a new show that delivers everything the biggest names can…except for a certificate of authenticity. That’s Kyle Martin’s PIANO MAN at Mosaic Theater on the Strip.

You might not be familiar with Mosaic Theater, but you should be. I’ll publish a dedicated column on this unique, COVID-conscious venue very soon. Mosaic has become a shining beacon for show-starved audiences. It currently offers three separate productions, including Queens of Rock and the sexy Aussie Heat, with more on the way.

You might remember the short-lived PIANO MAN at Planet Hollywood‘s V THEATER. That version featured a quartet of singers that bopped and swayed through a lively medley of Elton John, Billy Joel, and Barry Manilow. Backed by a terrific seven-piece band, stars Brett Pruneau, Russel Francis, Savannah Smith and Sophia Monica winningly delivered the hits, but no actual piano.

Mosaic Theater‘s PIANO MAN takes quite a different approach. A grand onstage keyboard is the heart of this production, and star Kyle Martin delivers its soul. The former Californian cut his teeth on Disney stages and as Billy Joel in Broadway’s MOVIN’ OUT. He’s also covered the west coast with JOEL, his own tribute band.

It’s to the show’s advantage that Martin isn’t necessarily familiar to Vegas audiences yet. He enters the stage in character, and his physical resemblance to the hitmaker is noteworthy. But it’s Martin’s remarkable keyboard skills that might fool you into thinking that you’re in the presence of stardom.

Pounding out a rapid-fire “Angry Young Man”, Kyle launches on a high note followed by chart-toppers like “We Didn’t Start The Fire” and “Uptown Girl”. “Scenes from an Italian Restaurant” provides one of the few mellow moments…the Billy Joel parade rarely slows down.

After such a spot-on first set, I was skeptical that Martin could shift gears to the foppish whimsey of Elton John, but my concerns were unfounded. Donning a pair of flashy goggles and flashier shoulder pads, the beefy singer/songwriter brings the house down with “I’m Still Standing”, “Benny and the Jets” and “Tiny Dancer”.

Martin’s four-piece band is an excellent assemblage. Each member gets their turn in the spotlight. Percussionist Daniel Sia, bass player Steve Bonacci, saxophonist Jeff Teczon, and Liam Hemsworth lookalike Luke Randall on guitar are all flawless. Sexy dancers Sarah Le Clear-Domingo (see profile here) and Nadia Albulet dazzle in costumes created by legendary BAZ alumnus Blair Farrington, who also oversees visuals. The entire team appears to be having one hell of a good time.

At just the right length, the 75-minute concert winds down with a segment that’s unusual for tribute shows. After two sets performing as the featured headliners, Martin addresses the audience as himself. A charismatic and humble “everyman”, he offers a little insight into his career and shares a few family photos. Then the whole thing comes together in an explosive finale.

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Nothing brings people together like live entertainment, and MOSAIC‘s new show is a labor of love that hits all the right notes. PIANO MAN will send you into the night with a smile on your face and a song or two in your heart.

PIANO MAN performs Thursday through Monday at 8:30pm. Click here for tickets. MOSAIC THEATER is located at 3765 Las Vegas Blvd, just north of HARD ROCK LIVE and across from PARK MGM Hotel Casino.

THE JETS BRING NOSTALGIC ‘80’S AND ‘90’S FUN TO V THEATER

The unforgettable 80’s family band brings their own top hits and many more to PHo’s V Theater…

Click HERE to read this article and purchase tickets through the awesome BestOfVegas site.

UPDATE 6/9/20 – I’ve received word from band member Vannessa Naeta that The JETS are planning to return in July, possibly August of this year. Follow Vegas Unfiltered Blog on Facebook for updates.

No matter what era you grew up in, chances are that you’re a fan of 80’s and 90’s music. Even today’s teens know how great the era was, thanks to the lasting influences of Tina Turner, Queen, Elton John, and boy bands like NKOTB. Now you can groove, funk and jive through the greatest years of pop music with the breakout band that made it real…The Jets.

Now playing at Miracle Mile’s V Theater, THE JETS – The 80’s & 90’s Experience is a fast-paced jukebox of the songs you know and love. Original members LeRoy, Haini and Rudy Wolfgramm are joined by sister Etivise Haunga, cousin Vannessa Naeata, LeRoy’s 18-year-old son Evan and keyboardist Mychael Pollard.

The Jets were originally comprised of the eight eldest of seventeen siblings from the Wolfgramm family. They were the first breakthrough entertainers from the island kingdom of Tonga. Gifted with natural talent and great looks, their incredible family dynamic shines through every set. The group pumps out memorable covers of dance, rock, pop and that unmistakable Minneapolis funk made famous by Prince and Morris Day.

The 80’s and 90’s Experience opens with a lengthy medley of The Jets‘ own favorites and those made famous by C + C Music Factory, Grammy winner Jody Watley and Madonna. Barely pausing to catch a breath, they dance through the material of Whitney Houston, Mariah Carey, TLC, Fugees, Will Smith, Destiny’s Child…even Vanilla Ice.

Of course, the show truly shines when The Jets revisit their own smash singles. With eight top-ten hits and three certified Gold and Platinum albums, the music of The Jets seemed to be everywhere at their peak. They appeared in the soundtracks for movies like Beverly Hills Cop II, Karate Kid Part 3 and Whoopi Goldberg’s Burglar, and their songs continue in rotation on many Adult Contemporary stations today.

It’ll be hard to believe that three decades have passed when The Jets deliver such classics as “Cross My Broken Heart”, “You Got It All”, “Make It Real” and of course “I’ve Got A Crush On You”. Decked out in colorful outfits that evoke the 80’s, they provide their own musical accompaniment, playing drums, guitar and keyboards while dancing across the stage and up and down the aisles.

The boundless enthusiasm The Jets maintain during their performances is absolutely contagious. If there really is a fountain of youth, it exists back on those Polynesian islands of the Wolfgramm family tree. And you’ll feel like a teenager, too, when you see The Jets – The 80’s and 90’s Experience. It’s a soaring time capsule you’ll want to open again and again.

The Jets perform Tuesday through Saturday at 7pm. Save up to $50 on tickets now with Best of Vegas.

Photos: Sam Novak, The Jets

5 Reasons To Revisit ‘VEGAS! The Show’

Epic production revisits decades of legendary Sin City superstars…

Click HERE to read this article and purchase discounted tickets through the awesome BestOfVegas site.

Las Vegas earned its title as the City of Entertainment through years of world-class headliners. From Tom Jones and Tina Turner to Dean Martin and Gladys Knight…they all paved the way for the stars of today. And you can revisit every one of these legendary performances in VEGAS! The Show.

The long-running VEGAS! The Show (at Saxe Theater inside Planet Hollywood’s Miracle Mile Shops) is as fresh as the day it opened nearly a decade ago. It’s a large-scale treat with massive sets, superb choreography, an outstanding setlist and much, much more. Whether you’re new to Vegas entertainment or a longtime devotee, VEGAS! The Show is a journey through the decades that’s not to be missed. Here are five reasons why:

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THE PRODUCTION DESIGN IS UNRIVALED – The sets, costumes, and props for VEGAS! The Show have a wonderfully authentic feel. From the glamorous showgirl headdresses, tuxedos and top hats to the retro-cool chic of a 50’s soda shop, you’ll believe that you’re actually experiencing a trip through time.

Various segments take you to the groovy days of Sonny and Cher, the gritty streets of Sinatra’s New York City, a naughty can-can at the Moulin Rouge and a visit to the candy store with Sammy Davis Jr. There are even a two-level bandstand and a mock-up of the Neon Boneyard, downtown’s final resting place for those iconic neon signs.

A WHIRLWIND OF VARIETY ACTS – Following JUBILEE‘s well-established format, the larger sequences in VTS are punctuated by a collection of specialty acts. You’ll never know who will step out from behind the curtain, from acrobat Yasu Yoshikawa and juggler Michael Holly to the troupe of riotous physical comedians known as The Quiddlers. Each one is guaranteed to amaze, amuse and keep the show moving at a breakneck pace.

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LIVE BAND and SINGERS – Many of today’s productions have recently eliminated live musicians as a cost-saving measure. Not so at Vegas! The Show, where audiences are treated to a crackerjack eleven-piece band. Piano, horns, drums, and guitars bring you a musical experience that no pre-recorded track could ever emulate. VTS‘s amazing singers do double-duty, offering authentic recreations of familiar stars while delivering stunning vocalizations in their own style. Which brings us to…

AN ALL-STAR CAST – Since the very beginning, Vegas! The Show has been a whos-who of Sin City stars, both current and in-the-making. Ballroom dancers Alejandro and Sarah Domingo became featured performers in Palazzo’s BAZ. Broadway star Josh Strickland (Disney’s Tarzan) was a lead singer for many years. Eric Jordan Young and Jaclyn McSpadden have gone on to outstanding musical productions like Cocktail Cabaret, BAZ and Postmodern Jukebox.

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Today’s line-up is just as impressive. America’s Got Talent alumnus Samantha Johnson delivers stunning renditions of the hits of Gladys Knight, Lena Horne, and Tina Turner. Vocalist JT Seumalu belts out Wayne Newton‘s “Danke Schoen” then smoothly shifts gears to an Elvis gospel tune. Elijah Rock is wonderful as host “Ernie”, who takes you through the years while crooning Sammy’s “Candyman” and “Once In A Lifetime”. He and many more are accompanied by over a dozen stunning dancers.

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NONSTOP HITS – Get ready for a rousing parade of timeless favorites. “Midnight Train To Georgia”, “I’ve Got You Babe”, “What’s New Pussycat”, “If I Can Dream” and “Shining Star”…they’re all here. Disco, funk, jazz, lounge standards and the big-band era get the VTS treatment in epic style. Seumalu brings the show to an emotional climax with “Rocketman” as videos of hotel implosions return us to present-day Sin City.

The Golden Era of Entertainment may have come and gone, but thanks to Vegas! The Show, the legacy will live on for a long time to come.

VEGAS! The Show performs nightly at 7pm (dark Sunday) with an additional 9pm performance on select evenings. Tickets start at only $54 via BestOfVegas and can be purchased by clicking HERE.

Photos: Sam Novak, Vegas! The Show, JT Seumalu/The Quiddlers via Facebook