5 Reasons to Party with ‘Tenors of Rock’


The all-hits classic rock show at Planet Hollywood brings down the house…

From lounge lizards of the Golden Era to the headliners of today, music has always been at the heart of Sin City entertainment. And nowhere does that heart beat stronger than with the dynamic stylings of Tenors of Rock.

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An international confection of rip-roaring vocals, boundless energy and a live onstage band, Tenors of Rock has evolved from a group of X-Factor hopefuls into a world-renowned brand with two touring groups and their own chart-topping hits. Now in their third year of Las Vegas success, the boys recently landed a new home at Planet Hollywood’s Sin City Theater.

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Whether you’ve seen their previous residency at Harrah’s or are discovering them for the very first time, here are some great reasons to spend the evening with Tenors of Rock.

Classic Rock Anthems – the popularity of classic rock is at an all-time high. Tenors of Rock brings you American favorites like “Sweet Child of Mine”,” Shook Me All Night Long”, “Desperado”, “More Than A Feeling” and British hits including “Pinball Wizard”, “Satisfaction” and “Back in Black”, all delivered in their signature style.

Intimate Venue –  Rock shows often get caught up in bombast and pyrotechnics, rarely offering the subtleties of lush harmony and complex vocals. Sin City Theater provides a rare personal experience with a band that has played to upwards of 100,000 at a time. Percussionist Nannette Fortier and guitarist Chris Cicchino also benefit from the smaller space, allowing the musicians to absolutely shine.

Dynamic Personalities – Vegas audiences immediately fell in love with members Dai Richards and Jonathan Williams (Wales), Daniel Shumann (Melbourne), Tommy Sherlock (Liverpool) and kilt-clad extrovert Jimmy Denning (Scotland). Onstage chemistry makes every performance an electrifying concert experience. Newest members Andrew Freeman (Raiding the Rock Vault) and BAZ alumnus Paul Johnson (Las Vegas) are injecting a healthy dose of American DNA into the mix.

Amazing Talent – The level of experience behind Tenors is world class. Williams excelled as Les Miserables lead “Jean Valjean” in London’s West End. Shumann has a background in TV, opera, cabaret and musicals. Richards is a founding member who…

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Photos: Tenors of Rock

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Talent Uprising: Brad Standley


Vegas guitarist/singer warms up your soul with “Antarctica”…

You may have never heard of Brad Standley…and that’s okay. Until now, this handsome singer-songwriter has maintained a relatively low profile. With one shoe in Las Vegas and another in New York City, Brad somehow manages to hop back and forth between the two cities. But lately he’s been working hard to make a name for himself everywhere. He wants to bring his personal style of music to your ears with the release of the new single “Antarctica”.

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If you were fortunate enough to experience BAZ: A Musical Mash-up at Venetian/Palazzo, you may have already seen and heard Brad on that wonderful stage. He’s also appeared in productions on Broadway (In Transit) and is touring the country with Waitress: The Musical. But no matter what venue he’s performing in or how large the city, this young man from a north California farming community will always have a chunk of small-town Americana in his soul. And that slice of down-home spirit comes through with his music.

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Visiting his YouTube channel, you’ll see that Brad enjoys making music right out there on the streets. I mean, he REALLY enjoys it. Hitting the sidewalks of various locations in a series he calls “Ditty in the City“, Brad and friends take pop music hits and re-imagines them with guitar and strong vocals. Here he joins fellow BAZ alumnus Danny McHugh for a fun acoustic version of Britney’s “Toxic”:

Brad’s current single “Antarctica” is one that’s near and dear to his heart. He originally recorded a performance video of the song more than five years ago. Last week it became a full-on concept video, showcasing Standley’s warm voice with soaring background vocals, stirring strings and sweeping horns. The song has just earned a place in Spotify‘s “Undiscovered & Brilliant” playlist.

Independent artists are the heart and soul of the music industry. For every megawatt star on the Strip and the Great White Way, there are dozens (perhaps hundreds) of struggling performers with equal and greater talent. They’re out there, waiting for you to discover, support and enjoy.

If you’d like to know more about Brad Standley, visit his website by clicking here.

Photos and video courtesy of Brad Standley

Postmodern Jukebox Is A Musical Time Machine

 


The group’s vintage remixes are pitch-perfect for Vegas…

You may have heard of Postmodern Jukebox, the genre-busting collective of musicians and singers. But have you actually heard them? One song into Scott Bradlee’s Postmodern Jukebox Hideway, their new production at The Mirage, and you’ll become a lifelong fan.

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Postmodern Jukebox is a brilliantly entertaining concept. An ever-changing line-up of performers and songs, PMJ (as they’re affectionately known) has become a sensation thanks to the power of YouTube. Founded in Queens just eight years ago by pianist Scott Bradlee, Postmodern Jukebox takes your favorite contemporary songs, puts them into a time-machine blender and gives them a whole new spin.

Imagine hearing a familiar rap single performed in a roaring 20’s style. How about an electronica dance hit re-imagined as swing or Motown? Perhaps a country ballad doled out as a cool jazz session or a doo-wop ditty? That’s what PMJ does…and they do it oh so well.  Every song is a thrill to experience, and you’ll marvel at how well it all works.

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PMJ has been enjoying a love affair with Sin City for quite some time. Their short-term gigs around the city and in a 2016 New Year’s Eve performance at Cosmopolitan were such successes that it was only a matter of time before they landed a residency here. And why not? Las Vegas attracts music lovers of all generations and tastes, as does the group itself.

The new Hideaway stint has already been hailed by Mark Shunock (Rock of Ages, voice of Las Vegas Golden Knights) as “The best show in Las Vegas right now…period!”. Presented as an evening at an early 1900’s nightclub, Hideaway gathers the best singers, dancers and musicians you may ever see on a stage. And each performance is unique to that particular evening.

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Fans of Palazzo’s glorious BAZ: A Musical Mash-up will be thrilled by the return of its stars Nicci Claspell and Jaclyn McSpadden. Revisiting BAZ’s infectious vintage-pop fusion, Claspell delivers and cool and bouncy take on Portugal The Man’s “Feel It Still”. Dazzling Vegas local McSpadden brings down the house with a torch rendition of Radiohead’s “Creep”.

Lead vocalist/host Ariana Savalas (daughter of Kojak actor Telly Savalas) and award-winning tap dancer Aaron Turner (son of Vegas legend Earl Turner) rip up the floor with a stunning “Bad Romance”. They’re supported by an electrifying five-piece band and a hot cast of dancers that take the excitement to every corner of the club.

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Click here to continue reading via BestOfVegas.com…

 

 

 

 

 

Hanging By A Thread – Sin City’s Huge Entertainment Dilemma


Fuerza Bruta’s shocking failure suggests a troubling future for large-scale productions….

Several years ago I penned a two-parter for Vegas Chatter entitled “Four Walls and a Dream”. In it I explored the difficulties involved in launching a new show in today’s corporation-run Vegas. Gone are the days when casinos supported their own entertainment. It’s up to productions themselves to “pay the rent” via an arrangement known as four-walling. And that quite simply is why most new shows are gone before you’ve ever even heard of them.

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That article was inspired by Jeff Civillico, a dynamic young entertainer whose star was already on the rise. His “Comedy In Action” afternoon show at Linq Hotel (then known somewhat absurdly as The Quad) was working hard to make a name for itself. Yet the resort where he rented showroom space had little interest in helping “Comedy In Action” to succeed.

Civillico was on the hook not only for the room and production costs, but also for supplying the advertising materials to display around the property. Yet Jeff had little control over where they’d be displayed….if at all. I’m not sure if he ever worked out his issues with parent company Caesars Entertainment, but Comedy in Action still performs once a week at Paris Hotel Casino.

I learned a lot about the current state of Vegas entertainment while researching that piece. There was plenty of response from performers, producers, directors and public relations people when it ran, too. But after the shocking announcement that Fuerza Bruta would be shuttering only four weeks into a six-month stint, I realized two valuable facts:

  1.  There is no magic formula to ensure that a show will be a hit.
  2.  The current state of Vegas entertainment is more volatile than ever before.

If you haven’t heard of Fuerza Bruta, then congratulations. I’ll pretend to make a check-mark in the air and we can continue on down the list. But first, allow me to say that less than one week ago in my rave review for Fuerza Bruta for BestOfVegas.com, I called it a “Sin City game changer”. I also inaccurately claimed that it was “poised to redefine entertainment on the Strip”. Oh, my… (click HERE to read the original review).

 

 

Just after I’d sent the piece off to the editor, I received an email from Fuerza Bruta’s public relations firm regarding the Vegas run.

FUERZA BRUTA will perform its final show at Excalibur Hotel & Casino on Sunday, April 7, 2019. The acclaimed production, which has been seen by more than six million spectators in more than 34 countries and 58 cities since its launch in 2003, will continue to impress audiences from around the world as it prepares to make the move from Las Vegas to MGM Cotai in Macau in June 2019.
Tickets for the remaining Las Vegas performances of FUERZA BRUTA are now on sale and available at any MGM Resorts International box office, online at Excalibur.com or by calling (702) 597-7600. Refunds for tickets purchased for shows at Excalibur after April 7 will be available at the point of purchase.

It took awhile for the shock of this announcement to subside. I could have been embarrassed that I’d been so far off in my predictions. Instead I was angry that the so-called “City of Entertainment” had chewed up and spit out yet another piece of great entertainment.

 

 

All but one of my friends who had seen the show were absolutely dazzled by the balls-to-the-walls audacity of it. During three separate viewings, I’d stood alongside (and chatted afterwards with) cast members from shows like Chippendales, Le Reve, Zumanity and Donny & Marie. They’d come as I had to see if the enthusiastic pre-opening buzz was deserved. And every one of them was delirious, if not downright envious, of the incredible visuals and creative sequences that Fuerza Bruta was able to pull off inside a tent erected on a parking lot.

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That positive word-of-mouth alone should have been enough to bolster tickets sales. If performers from some of the top shows in Vegas loved it, then it was a must-see, right? Not so fast. Depending on who you ask, it turns out that paid tickets for the show were averaging 50-80 sales per performance with the rest comped (freebies). But if all of those people love it, then they’ll recommend it to friends and attendance will build, right? Well, that would take time….which the powers that be weren’t about to grant.

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Fuerza Bruta was located just outside of Excalibur, which is owned by MGM Resorts. MGM runs nearly half of the major resorts on the Strip. So why weren’t they supplying the capital to help fund operations and allow for attendance of this remarkable show to grow? Four-walling, of course! If Fuerza Bruta failed, all Excalibur would have to do is pull down the advertisements and sweep away any remaining evidence of where the tent had been.

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Realizing that readers and friends who’d planned on seeing the show would never get that opportunity to do so made me angry. I took to social media to vent my frustrations. “What the Hell is wrong with Vegas? Nothing worthwhile stands a chance anymore!”

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Well, thank goodness for the reach of Facebook and Twitter, because my steam-valve post brought out lots of sensible responses from performers in and around the Strip. Mike Hammer of Mike Hammer Comedy Magic at Four Queens was the first to chime in:

You can blame it on this city all you want but they didn’t understand the fundamentals of running a show in this town. It comes down to poor marketing strategy. First of all the show has a name that is not memorable. I live here and can’t even pronounce the name. No way most people from the Midwest are even going to know what the show is. Also, it’s pretty hard to sell a show when you can’t even describe it. Everyone I know that has seen it, including has never described it in one sentence. They didn’t even leave enough time to build up a buzz.

Bad timing of when they opened too. Slower time of the year with March madness and spring break. Again, this a producers decision. They weren’t even selling 50 tickets so how can you blame it on this city?

Again, people that don’t get the VEGAS market. If they didn’t plan enough money to survive six months of marketing, they just were not ready. I wish the best of luck elsewhere where they know what they’re doing. I love VEGAS and it’s been a home to me for 16 years. I’ve seen shows come and go and most of the time it’s the producers or management fault.

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Enoch Augustus Scott, host of long-running hit Zombie Burlesque at Planet Hollywood’s V Theater also took exception to my finger-pointing at Vegas:

There are a million possible reasons besides fat Americans to account for this. Injury. Bad accounting. Or it could be the standing up. People stand and walk around Las Vegas all day along. Sometimes the only chance they get to sit is dinner or a show. Also the Las Vegas show demo skews older. Also people from all over the world come to Vegas. Cirque has been able to grow as big as they are by catering to and attracting an international market base. So you really can’t blame fat Americans on a show not running. Clearly the producers did not understand the landscape or have enough capital to go the 6 months. Happens all the time. Producers come here with a hope and dream and without a business plan or the necessary investment to run a show long enough for it to become a success. It is poor craftsman who blames his tools and even poorer performer who blames his audience. Literally.

While I agree on much of what Enoch says, he also had added “It was always meant to be a limited run. Calm down everybody.” Correct, but that limited run was for six months with the hope of an extension. Four weeks was clearly a failure with deeper implications.

 

See, that’s the problem with having so many choices in one city. Without brand recognition, a famous headliner or a simple-to-explain concept, your middle-American Vegas visitors just won’t make the time for it. Hence we’re inundated with magic shows, impersonators, topless revues and lots of “Circus Day Solay”.

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It’s interesting to note that Fuerza Bruta played in New York City from 2007 through 2016. That’s over 3,000 performances! But we’re talking about an entirely different demographic over there. Visitors to NYC book their tickets to Broadway hits months…and sometimes a year or more…in advance. They’re also a more sophisticated crowd that makes Broadway entertainment part of an elegant evening that includes fine dining while wearing tasteful and carefully-selected outfits.

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But in Las Vegas we’ve got 1) no backing from the host hotels, 2) no opportunity to build brand awareness….and 3) a group of visitors not exactly looking for high art to go along with their yard-long daiquiris.

I went poking around other social media outlets to see how people were reacting to the news of Fuerza Bruta’s sudden shuttering. Always-reliable VitalVegas.com had quickly published an article announcing the closure, and it was a comment from reader ExVegasLocal that caught my eye:

I was “this close” to buying tickets to see Fuerza Bruta for an upcoming trip. It looked like a really cool show, but I was on the fence because I wasn’t sure I wanted to be jostled in a crowd from one side of the room to the other for an hour. In the end, I decided not to bite.

No matter what Vegas thinks about itself, it’s not really that forward thinking/avant garde. Neither are its visitors. Hence the constant replication of one thing that works until it’s completely overdone. Another Cirque show/night club with one syllable name/shopping arcade in front of a hotel/pool party/CVS pharmacy anyone? Now that’s more like it.

Vin A., one of The Bronx Wanderers, had a humorous reaction to my post…one that was also deeply insightful:

Well THAT was obnoxiously fast 😢 i didn’t even get to see the freaking thing! Wtf? Need a low low overhead to survive out here. Why all the one man shows live on forever and a few small cast things barely squeak by. It’s tough as hell out here. You play here for the prestige, and you tour for the money that carries you through your losses out here. That’s the future.

Raja Rahman of the musical magic duo Jarrett and Raja added his own thoughts to the situation:

It’s never about the quality of the show. It’s the $$$ behind it. Ugh. The cycle continues. After our experience, I’m convinced this business model is crap. Any business needs time to ramp up.

“Our experience” no doubt refers to the troubles Jarrett and Raja encountered at various showrooms throughout the city. They’ve had to deal with four-wall scenarios and abrupt closures at downtown’s Plaza Hotel, Hooters Casino and Stratosphere. Even though these gentlemen are residents of Las Vegas, they often find it sensible and more lucrative just to take their talents on the road.

Actually, it’s a pretty common thing for Vegas shows to go on tours. And often they never return. A few years ago I shadowed a production as it searched for a suitable venue on the Strip. After months of meetings and hassles, they decided on a major casino with a troubled showroom history. Sadly, their production would just be another casualty in a long list at the historic south-Strip hotel.

An opening date was chosen, tickets were sold, sets were constructed and advertisements went up throughout the casino and outside. But after being frustrated by resistance and lack of support from the hotel’s regime, the producers abruptly decided to throw up their hands, walk out the door and take the show on the road without doing a Vegas residency.

It makes no sense. It’s like they don’t want you here. Why should I put up money and then fight with the people who I’m paying rent to? After all that, if I’m lucky I’ll sell two hundred tickets a night in Las Vegas. We could take this show to other places where entertainment like this isn’t available and sell out two THOUSAND seats a night. And those places roll out the red carpet for us.

And that’s exactly what he did. A show designed for the Vegas Strip had to leave the city in order to survive. And the showroom they walked away from still remains empty two years later.

It doesn’t have to be that way, but greed always puts short-term profit ahead of long-term goals. Let’s use BAZ as an example. That innovative musical was brought to Mandalay Bay from Los Angeles by none other than Cirque du Soleil. The launch occurred during an awkward time frame in which ownership and business models at Cirque were being radically altered. Cirque abandoned BAZ in no time and without their support it closed after only six weeks.

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      BAZ was the perfect blend of sass, class and contemporary pop culture…

That’s when the Sands Corporation stepped in. Recognizing the many benefits of having a fantastic and unusual show on their property, they forked over the money to retro-fit the Palazzo Theater and supported BAZ’s run for two years. BAZ was never going to be a huge hit, but it was a prestigious project that brought a great deal of class and pride to the Venetian/Palazzo family.

So on one side we’ve got performers stating from personal experience that the four-wall business model doesn’t work. And on the other we’ve got these huge corporations that just don’t care. Working within the confines of the current system, what can be done to help a show succeed?

Well, if there was an answer to that, then at least a few of the dozens of shows that died in 2017 and 2018 might still be around. And that theoretical answer still wouldn’t apply to an existing property like Fuerza Bruta. So should it have been the responsibility of the PR firm to suggest “Hey, your show isn’t going to work here without a bit of overhaul”? Unlikely….they’re a third-party agency being hired by the show to spread awareness and buzz….nothing more. And who tells their boss on the first day that people might not even want their product?

Besides, public relations firms work mostly within the industry, reaching out to people like yours truly and much larger outlets such as TV networks, magazines and newspapers. They can tailor an existing ad campaign to make it Vegas-centric, but a risky top-to-bottom re-do for one stop of a tour? Not gonna happen…and we’ve already decided that there’s no magic formula for success, so why even try to change what’s worked everywhere else on the planet?

Should the PR firm have at least suggested a name revision for the show? Again, that would have understandably been met with resistance from a product that’s already a worldwide brand. And yet, a temporary re-naming to “Fuerza Bruta – Brute Force” might have eliminated some confusion and put a few more arses in those non-existent seats. Even the wise folks at Wynn eventually decided after several years to officially change the name of  Le Reve to “Le Reve – The Dream”. Because, you know, French is hard!

So just how much is in a name? Maybe the folks at the Strat should be asking that question right about now. No doubt they are sweating, because their delayed-delayed-delayed tent show Celestia, which was supposed to open on January 30th, is suddenly looking at an even more troubled future.

Celestia, now set for a May 1st debut (even though tickets are still not up for sale), may have an edge over Fuerza Bruta simply because it’s a show created specifically for Vegas. But we can justifiably counteract that advantage with the simple fact that it’s way at the troubled north end of the Strip and not the heavily-traveled Excalibur/MGM Grand/Tropicana/New York NY intersection where F.B. failed.

Celestia can also boast having some Cirque du Soleil DNA in its genes….and a few years ago that might have mattered. But now it’s time to recognize something really scary: Cirque du Soleil is facing genuine trouble here in Las Vegas. I’ve been told by people behind the scenes that MGM Resorts is quietly preparing to shut down all of their Cirque shows by the end of 2020.

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                             It’s my blog, I’ll be dramatic if I want to be…

While that might sound like absurd conjecture, there is plenty of evidence to back this rumor up. For one, huge productions like KA, ZUMANITY and Beatles LOVE are now advertising on Groupon. Yes, Groupon…the place where you go to buy discount Botox treatments and personalized make-up bags.

 

 

In my Vegas Chatter days, Groupon was a clear indicator that a Vegas attraction was struggling badly and would soon be gone. If you don’t believe me try to visit Eli Roth’s GORETORIUM. That’s not always the case anymore, but with must-see shows like LOVE, it’s an embarrassing way to put butts in seats.

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Hundreds of empty seats during a Friday performance of Cirque’s “Beatles LOVE” 

I recently attended a Friday-night performance of LOVE and was shocked that the massive auditorium was perhaps 40 percent filled. Hundreds upon hundreds of empty seats. And that’s apparently been the case for most of the Cirque shows for awhile now.

Vital Vegas stated in May of last year that Cirque’s 2017 capacity had been running at around 50 percent. With the removal of free parking to Nevada residents and a continued drop in tourism, that number would look even bleaker in the first quarter of 2019.

MGM Resorts numbers bear out rumors Cirque shows running at 50-60% capacity in Vegas: 3.6 million Cirque tickets sold in 2017, 9,890/week avg. per show. At 10 shows per week, that’s 989 sold with avg. capacity of 1,700.

Vital Vegas was also one of the first to report that Cirque Vegas was undergoing huge layoffs behind the scenes as part of a massive cost-cutting measure:

As they say in show business, “Holy crap!” Cirque du Soleil has reportedly informed all their Las Vegas shows (excluding “Mystere”) all department heads (lighting, sound, wardrobe, etc.) will be let go Apr. 17.

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He followed that up with an even more troubling tweet:

Hearing at least one well-known Cirque variety act was spotted auditioning at another (non-Cirque) show in town, presumably due to safety concerns related to Cirque layoffs.

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So, department heads have been axed, individual shows are being consolidated under one umbrella and performers are supposedly jumping ship to save their own skins. Does that sound like Cirque du Soleil will be around much longer to you?

In November I visited the Vegas Cirque du Soleil headquarters for a profile on Kim Scott, their Senior Manager of Sourcing and Partnerships. In her twelve years with the company, Scott had spearheaded shows like KA, Beatles LOVE and Criss Angel Believe.

During the interview, Kim had proudly spoken about being “responsible for maintaining our position in the industry as a leader in live entertainment safety standards, and position(ing) Cirque du Soleil as an employer of choice.” Yet one week after the article was published, Ms. Scott notified me that she was leaving Cirque to start her own consulting firm. I was astonished…and a little concerned.

Scott had also mentioned at the time that Cirque was busy creating a new show for Luxor in the theater vacated by Criss Angel’s Mindfreak. Raise your hand if you’ve heard anything about that one….I certainly haven’t.

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          Wanna go gaga over Gaga? It’ll set you back about a grand….

If a major brand like Cirque is struggling, new shows can’t afford to open and dozens of existing productions have disappeared, what will the future of Las Vegas entertainment look like? I have three answers: pricey headliner residencies, sports teams and celebrity DJ’s.

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       This….person…was just hired by Palms Resort to the tune of $60 million…

I don’t think anyone’s unaware of the Golden Knights or the new Raiders stadium. And who isn’t buzzing about Lady Gaga‘s two new shows at Park MGM Theater? Katy Perry, Janet Jackson, Christina Aguilera, Aerosmith and more are settling in for extended gigs. Throw in Marshmello/Calvin Harris and their ilk for the club kids and that’ll probably cover nearly every major kind of entertainment in the city.

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           1.8 billion dollars is the projected cost of the new Raiders stadium…

Oh, those little one-man shows will probably survive. And the strippers most likely will never run out of poles to swing from. But for productions shows, you’ll just have to head Downtown to the Smith Center. That venue for the performing arts will continue to host nationwide touring productions for short-term runs. Las Vegas will just be another stop on the schedule…no longer unique.

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               “Closed. Refunds will be available at the point of purchase.”

Clips and photos by Sam Novak. Except for a few from…wherever….

 

 

 

 

 

Vegas 2018 – Best of the Best, Worst of the Worst in Large-scale Production Shows

 


Wrapping up another event-filled year with fond memories and a little sass…

Can it really be that Santa is returning to his home base to put the elves back to work? Perhaps, but that Christmas hangover still lingers, ensuring that you didn’t dream your way through another holiday season in Vegas.

As you bring out the noisemakers and put champagne on ice for New Year’s Eve (check out my piece for tips on last-minute NYE planning), let’s look back at some of the noteworthy…and notorious…moments and madness from Las Vegas 2018. First up: the shows…

BEST NEW SHOW – Manilow: The Hits Come Home

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I’ll admit to being a bit worried when 75-year-old Barry Manilow missed his own big night at Westgate Las Vegas. The legendary singer was hospitalized on the morning of his kick-off weekend, which scuttled a massive media party and prompted singers Clint Holmes and Earl Turner to entertain the sold-out auditorium with their SOUNDTRACK show in his absence.

It turns out that my fears were unnecessary, as Manilow snapped back quickly, proving that he truly is the World’s Greatest Showman. Brimming with energy and love for his audience, Barry is everything you want in a Las Vegas event production. Check out my full review here and be sure to see Manilow: The Hits Come Home through June of 2019.

Runner-up: Soundtrack with Clint Holmes and Earl Turner, also at Westgate (now closed), OPIUM at Cosmopolitan (tie)

WORST NEW SHOW – Inferno: The Fire Spectacular 

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                                        “We need more GAS-O-LEEN!!!!!” 

There are certain entertainment venues in Sin City that seem to have a hex on them. Bad things happen, shows close way faster than they should and nothing seems to go right. Tropicana Showroom, Encore Theater at Wynn and Palazzo Theater have all gone through this period at one time or another (in Tropicana’s case, it’s as bad as ever). Now the curse seems to have landed at Paris Hotel Casino.

This was a bad year for Paris. Its troubled (and aging) Paris Theater chewed up and spit out Circus 1903 and Marilyn: The New Musical in just the first half of this year. Next came the cringe-worthy Inferno: The Fire Spectacular. Built around the supposed talents of peculiar and obscure magician Joe Labero, this upstart element-based production squandered every bit of potential in its premise and left you laughing for all the wrong reasons (“We need more gasoline. Lots and lots of GAS-O-LEEN!”). Read my full review here.

While Inferno could have been salvaged by jettisoning its star and focusing on the fire aspect (and The Fuel Girls), the show was abruptly yanked from the Paris schedule just six months in. Its cast was rudely told to hit the road during a break without the benefit of a farewell performance. Show business can be cruel.

It’s interesting to note that I Love The 90’s, the next production to enter this venue, went on an abrupt hiatus for most of December, just two months into its residency. UD Factory‘s CEO Seth Yudof assures me that there is no reason to be concerned. He swears that I Love The 90’s will return stronger than ever in January. Let’s hope his production is the one to break the Paris showroom curse. Entertainers in Sin City already have it tough enough.

Look for my review of I Love The 90’s when it returns in 2019.

MOST UNWELCOME RETURN – Mariah Carey/Britney Spears/Criss Angel (tie)

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                   A stripper, a robot and a douche bag walk into a bar…

The worst thing about Christmas is taking down the tree, packing up the lights and tossing away all that torn wrapping paper. I get that same sinking feeling every time I spot a billboard hyping the residencies of these three clowns.

Like a dried-up fruit cake that won’t go down the garbage disposer, the miserable triad of Carey, Spears and Angel continue to regurgitate up our collective pipes and spread noxious odors throughout the Vegas valley.

There’s an amazing amount of common ground among the self-proclaimed diva, robotic lip-syncer and goth faux-magician. Arrogance, fakery and distraction are the hallmarks of their supposed talents. Onstage gaffes, cancellations, accidents and savage reviews have plagued each of their productions. Yet minimally-talented blowhards continues to sell tickets and broker new residencies shortly after the last ones have been kicked into the desert.

The PR teams for each were touting their “returns” before the stench had even cleared from their previous rounds. Mariah’s somehow on her second stint at Caesars…three if you count last year’s Christmas gig. MGM Resorts wooed Britney from Planet Hollywood over to Park MGM Theater starting in February (why, exactly?). They’re probably regretting it now that advance ticket sales have been lukewarm at best.

Criss Angel’s partnership with Cirque du Soleil is finally over (they’re probably breathing a collective sigh of relief for surviving ten tumultuous and embarrassing years). He’s left Luxor biggest theater for a mezzanine-level auditorium at PHo, the same troubled theater that swallowed Frankie Moreno and Paul Zerdin just last year. Let’s hope it manages to choke down Mindfreak Live…and digest it once and for all.

Santa didn’t hand out coal this year…he gave away tickets to Mariah, Britney and Criss.

SADDEST CLOSURE – BAZ/David Goldrake’s IMAGINARIUM (tie)

It’s frustrating to see unique and talent-packed shows being overlooked for the likes of the notorious three mentioned above. And while they’re vastly different, both BAZ and IMAGINARIUM suffered similar fates.

Palazzo Hotel Casino deserves a lot of credit for backing BAZ, the daring musical mash-up built around a trio of familiar and tragic love stories. Defying simple descriptions and difficult to promote in any form of media, BAZ relied on word of mouth to put butts in seats. Those who saw it praised the innovative production and its amazing cast. In other words, it was doomed from day one.

David Goldrake IMAGINARIUM

David Goldrake IMAGINARIUM had the unfortunate challenges of 1) coming in behind notorious child-porn illusionist Jan Rouven in the cursed Tropicana Showroom 2) sharing the same corner with high-profile magicians Criss Angel and David Copperfield, and 3) being better than Vegas audiences wanted…or deserved. The hard-working Goldrake made IMAGINARIUM far superior to anything either of his competitors currently offer. And he did it with sincerity, dignity, humility and a great deal of sexiness.

Runner-up: Soundtrack at Westgate Hotel Casino

BEST OVERALL PRODUCTION – Le Reve The Dream

Le Reve

It’s nice to have my all-time show back on this list. Le Reve – The Dream had to take a backseat to BAZ for a few years. But now that the musical has closed down, nothing shines more brightly than Wynn’s signature spectacular.

Le Reve

Not only is Le Reve back to the top of my list, but it’s fresher than ever. New costumes and make-up design, a fabulous re-imagined score and songs by original composer Benoit Jutras…and a revised story line all come together for an unforgettable experience. When it comes to sheer spectacle, nothing on the Strip beats Le Reve – The Dream. Read my full review here.

Be sure to check back for my next entry in 2018’s wrap-up. And best wishes for the New Year.

Teresa Van – Trainer to the Stars


Dynamic inspiration keeps Sin City’s top performers in peak condition…

Reno NV is called “The Biggest Little City In The World”. But once you get to know the locals of Las Vegas, that slogan could just as easily apply here. It’s a tight-knit community of people who live and work amid the glitz and flashing lights, yet are extremely supportive of one another in everyday life.

Recently I did a profile of Alejandro and Sarah Le Clear Domingo, the husband-and-wife team that tore a roof through the Palazzo Theater in BAZ. These amazing dancers are also stunning physical specimens. Sarah credits much of her success to her friend, trainer Teresa Van.

Teresa McAuliffe Van is a fitness and lifestyle coach as well as owner of ENVY TRAINING. This hard-working wife and mother of two is an inspiration for many stars and featured performers in the Las Vegas Valley. With over 18 years of experience, Teresa knows how to get the most out of their bodies. Being that Teresa is a seasoned choreographer and a former professional dancer herself, it’s no surprise that today’s crop of athletes and dancers depend on her to maximize the primary tool of their craft.

Teresa’s impact has been felt in many gyms throughout the area. Before starting her own business in conjunction with Tim Soder Physical Therapy, she trained clients at the former Edge Fitness (this writer’s personal retreat), EOS Fitness and David Barton Gym. Onstage, eagle-eyed show-goers may recognizer her as one of Matt Goss‘s “Gossy Girls” and her stint in iCandy Burlesque.

Teresa says “I truly have a passion for helping people feel their best”. One of her favorite sessions meets regularly on Saturday mornings. These boot camps gather performers from a variety of shows like Legends In Concert, Zombie Burlesque, Vegas! The Show and even Chippendales.

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Teresa (left) and Sarah Le Clear-Domingo after a performance of Palazzo’s BAZ…

Sarah is a regular member of that weekly class…and couldn’t be more please with the results.

We are all “seasoned” performers and in the same upper age bracket. We still put in the work to maintain our tool and do what we are passionate about. Teresa has devoted her life to fitness and keeping us current performers in shape. She’s such a wonderful person who gives so much to us.

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       Teresa (far left) and the cast of iCandy Burlesque at Planet Hollywood…

Teresa’s personal evolution is uniquely “Sin City”. She’s gone from sharing the spotlight with SEXXY‘s Jennifer Romas to building a family with her handsome husband (loan officer Brenton Van). Teresa understands the changes that hard-working bodies go through as life progresses. She’s now using her own experiences to guide those facing similar challenges.

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I have struggled in regards to keeping a tight, toned body for both my career and postpartum. I know that accountability is a key factor in maintaining a fitness regimen. Adopting new fitness habits is difficult and often times frustrating. My goal is to change your view on fitness, so that it becomes a part of who you are and your overall lifestyle.

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To that end, Teresa’s ENVY TRAINING offers personalized courses, written and audio plans along with online support. Whether you come to her facility or she designs an in-home course for you, Teresa promises to be there every step of the way:

I am capable of analyzing your body and creating an in-home or on-location fitness plan that will help you achieve your highest potential. Most plans include healthy eating and exercise to ensure the best results. I will always be in contact with you to keep you on track and motivated on your fitness journey. I am also available for personal training sessions in both Las Vegas and Henderson. If you’ve never worked with a personal trainer, get ready to WORK and SEE RESULTS!

Perhaps that’s why so many Strip stars entrust their health, fitness and longevity to the UNLV graduate and certified personal trainer. Sarah Domingo is very grateful for the time they spend together.

Each session is different, fun, hard and always a full body work out. So thrilled to have her training me! Thank you so much for always keeping my injuries in check and pushing me so I can do this nightly.

As for Teresa, she couldn’t be happier to make a difference she makes in the lives of her clients, friends and colleagues. “It feels awesome to be strong, and that’s why I love training around this city…helping everyone feel healthier and more AWESOME!”.

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   Teresa and her family count their blessings during a recent holiday season…

You can contact Teresa Van for a personalized workout by calling 520-820-9258 or visiting EnvyTraining.com. Envy Training is located at 6440 Medical Center St #100, Las Vegas, Nevada 89148. Gift cards are available by clicking here

Photos: Teresa Van, Sarah Le Clear-Domingo

 

 

 

Palazzo Surprises Guests On “National Plan For Vacation Day”


Movement encourages Americans to schedule their vacations and enjoy well-deserved fun…

Yes, I know what you’re thinking – “Sammasseur really loves Palazzo Resort. Blah blah blah”. And you’d be fair to say so. It’s true that I continue to crow about Palazzo‘s virtues (like Best Luxury Resort and Best Overall ShowBAZ Musical Mash-up). But since we’re in a time when so many Vegas properties continually find new ways to stick it to their customers, Venetian’s sister hotel does the opposite by giving back.

Palazzo National Plan For Vacation Day

Earlier this week, BAZ star Ruby Lewis posted a cute and clever video wherein she surprised Rosina Lounge bartender Sarah by taking over her shift. She then shocked two of Sarah’s guests with a complete Vegas vacation package.

Palazzo National Plan For Vacation Day

The unexpected award included round-trip airfare via Allegiant Air, a suite at Palazzo, tickets to BAZ Musical Mash-up and cocktails at Rosina Lounge. While the beginning of the clip seems somewhat scripted, the facial expressions of the recipients are anything but…

Palazzo National Plan For Vacation Day

The purpose of this clip…and the “holiday” that inspired it…is to bring attention to an growing trend among Americans. And that is the wasting of paid vacation time…an estimated 659 million days each year. An alarming 54 percent of us don’t collect on the R & R we’re entitled to, and that’s harmful in more ways than you’d think.

In today’s uncertain economy, many workers are hesitant to take time off, perhaps fearful that the well-entitled indulgence will cost them more than it’s worth. Sadly, that decision backfires in many ways. Not only does work fatigue damage both productivity and morale, but the economy loses approximately $236 billion each year in vacation spending.

Palazzo National Plan For Vacation Day

That’s why the organization Project: Time Off was created. They’re spearheading a movement to address this silent epidemic of self-neglect, as so eloquently stated on their “About Us” page:

We aim to shift culture so that taking time off is understood as essential to personal well-being, professional success, business performance, and economic expansion.​

To that end, January 30th has been declared National Plan For Vacation Day. It has been shown that workers who actively and deliberately schedule upcoming vacations in advance are less likely to make excuses for skipping them. 2017’s NPFV Day was the very first, yet more than 600 organizations in all 50 states participated.

Palazzo National Plan For Vacation Day

This year’s NPFV Day was even larger with major players in the tourist industry hopping on board. Naturally, everyone wants a piece of the pie, but what better place to let off some steam than Las Vegas?

Palazzo National Plan For Vacation Day

Palazzo and Venetian have a long history of community service efforts and often show support for worthy causes. You’ll frequently see the colors of their signage and marquees changed to support awareness (World Heart Day, Domestic Violence Awareness Month, Breast Cancer Awareness) or darkened altogether for the annual World Wildlife Fund Earth Hour.

Venetian/Palazzo team members also do their part to help the world’s communities. To date they have assembled and shipped out about a half-million hygiene kits to support Clean the World. That organization’s mission is to promote good health and well-being around the globe through improved access to soap and other hygiene products.

Baz Boot Camp

Myself with BAZ star Ron Remke and “Morning Blend” host Jennifer Jean Snyder…

That cast of BAZ: A Musical Mash-up reaches out to the community through the magic of song and dance. In addition to giving performance lessons to members of the media and clumsy bloggers like myself (BAZ Boot Camp), they’ve welcomed local children to participate in a day with the cast. The event is part of the Positively Arts Foundation, a local nonprofit dedicated to using the arts to empower, inspire and heal.

Palazzo National Plan For Vacation Day

Palazzo National Plan For Vacation Day

  BAZ stars Savannah Cross and Patrick Ortiz put children through the paces…

Ruby Lewis, the show’s resident “Daisy”, released a holiday single to raise funds for Alzheimers research. In October, she and her fellow cast mates formed “Team BAZ” for the Las Vegas Walk to End Alzheimers. It’s the largest such event dedicated to fighting the dreaded disease. Each performer dedicated their efforts to someone…for Ruby, it was her grandmother.

Palazzo National Plan For Vacation Day

In December, my best friend and I were lucky enough to be in attendance at BAZ when they were collecting donations for Broadway Cares/Equity Fights AIDS. Our donation nabbed us a couple of autographed posters and photos with some of the cast. Overall donations exceeded $11,000.00 in the two weeks leading up to Christmas.

As you can tell, I’m extremely enamored of the people in front of and behind the scenes…those who tirelessly work, create, support and go beyond to make Palazzo a very special place.

As other hotel casinos on the Strip find new ways to gouge their guests and claw every last cent out of your wallet, the team at Venetian/Palazzo go down a very different path. This is one of the many reasons why I consider Palazzo to be the “Best Luxury Resort” in Las Vegas. You can read more about the how’s and why’s by clicking here.

Palazzo National Plan For Vacation Day

And don’t forget to schedule your vacation soon. If you don’t, Ruby Lewis just might show up at your workplace to remind you…and maybe even give you the night off…

Palazzo National Plan For Vacation Day

BAZ: A Musical Mash-up performs Tuesday through Sunday at 7pm. Tickets are available here.

Photos: Sammasseur, Venetian/Palazzo, Ryan Lyons