Spiegelworld’s OPIUM is a Space Voyage from Uranus (sorry) to your Heart


Absinthe’s new cousin is the schlocky 70’s sci-fi variety show that never was….

Imagine that you’re scanning the channels and come across TV Land, the cable network specializing in beloved 60’s and 70’s programs. They’re airing a weird science-fiction variety show that you don’t remember at all…and you can’t look away.

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The wacky neon-and-spandex-clad passengers and crew of the starship OPIUM are headed towards Earth. For some reason they perform musical and acrobatic acts when not doing naughty things on and with each other. No, it’s not an episode of The Twilight Zone or the super-bizarre Brady Bunch Variety Hour (yes, that was really a thing!). It’s Spiegelworld’s OPIUM…and the ship of fools has landed at Cosmopolitan.

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OPIUM takes over the space once occupied by Vegas Nocturne, another Spiegelworld creation. That lamented masterpiece of hysteria now lives on through OPIUM, which infuses the spirit of Vegas Nocturne with a psychedelic vibe all its own.

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An ethereal mood is instantly established when you enter through Rose.Rabbit.Lie‘s ring of mysterious doors and head for the bar. The lounge is bathed in pink and purple neon tubes and 70’s kitsch like lava lamps and portable televisions (who didn’t have one of those?) line the walls. There, under a shower of electronic bleeps and Moog synthesizer music, you can peruse a 3D menu of specialty cocktails via an authentic View-Master reel.

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Comparisons to Absinthe will be unavoidable, but as my guest at a recent performance noted, OPIUM is the exact opposite of the nearby production. While that long-running hit at Caesars is back-to-back acts of world-class quality, OPIUM deliberately revels in its own awfulness. It’s pure camp and overacting on an epic scale.

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It would be unfair to give away the plot or tell you too much about the characters. They’re pure delight and half the joy is in discovering them. Instead I’ll focus on some of the variety segments, which don’t all achieve the stellar heights of Absinthe but soar on their own plane of existence.

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“Dusty Moonboots” is the songbird of Starship Opium’s crew. She (or he…I can’t be totally certain) belts out ballads and pop numbers with aplomb, sporting an outlandish series of costumes that seem re-purposed from a roadshow version of Priscilla – Queen of the Desert.

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Vegas Nocturne returning performer Brett Loudermilk is unrecognizable as the ship’s resident sword swallower. His risque oral act is exactly what you might be thinking. Armed with a suitcase full of swords of varying shapes and sizes (along with a rather large “personal item”), Brett’s stunts will shock, nauseate and have you holding your aching sides from the laughter.

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The ship’s all-purpose handyman “Scottie” seems determined to fly his inner rainbow flag through the solar system. Armed with dozens of bright pink hula hoops and streamers trailing behind his go-go shorts, the chubby crew member amazes with his balance, flexibility and grace.

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By far my favorite sequence involved America’s Got Talent duo Christian Stoinev and Scooby. The hunky shirtless young strongman and his faithful chihuahua are so entertaining that they alone are worth the ticket price. This video clip from the performance I attended is a real treat:

Despite the seeming randomness of OPIUM’s concept, it really is cohesive…and surprisingly touching. There’s a story arc, character development, audience interaction and some pretty kick-ass music from a live band. If you’re a Freddy Mercury fan, you’ll love the Queen sing-alongs that form a framework of universal love and acceptance.

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OPIUM’s goal is to amuse, titillate, revolt, befuddle and entertain. Most of all, it’s about delivering the unexpected. On that OPIUM succeeds beyond your imagination. It might not reach the heights of either of its Spiegelworld relatives, but OPIUM is one schlocky sci-fi tale that deserves to run for at least a five-year mission. William Shatner would be proud.

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OPIUM performs nightly (except Tuesdays) at Cosmopolitan Las Vegas. Ticket are available online or at the OPIUM box office on the second level. Click here for show schedule and times. Discounts of 25% on select seats are available courtesy of our friend at VegasFool by clicking here

 

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SAW Escape Experience Takes to the Strip via FLO Advertising’s Mobile Digital Billboard Trucks


World-famous Egan Productions teams up with the latest high-tech advertising firm to deliver the deep cuts of Lionsgate’s slasher movie series…

Mobile advertising is a rich part of American culture. From Depression-era sandwich boards to Goodyear Blimps hovering over stadiums, advertising has always been most effective when it’s on the move.

Las Vegas has its own popular collection of mobile billboards and taxi toppers. They keep visitors up to date on the hottest shows, best restaurants and newest headliners on the Strip.

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New Vegas-based FLO Advertising is the latest such venture. FLO Advertising features high-tech digital mobile billboards mounted to a fleet of sleek black trucks. Gliding up and down the Strip with the brightest eye-catching electronic signs, FLO Advertising estimates that they reach up to four million potential customers each month.

FLO’s mobile digital billboards are 23% larger than the conventional mobile digital billboards you’ve been seeing on the Strip. Their electronic signage is staggering 10,000 NITS brightness which is 25% brighter than the competition. Their state of the art technology is instantly update-able and flexible, allowing for unlimited creativity and immediate response to marketing demands.

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It’s no surprise, then, that innovative Egan Productions , a full-service production company also based in Vegas, has partnered with FLO Advertising to promote their new Official SAW Escape Experience. Inspired by the long-running series of Lionsgate hit films, SAW Escape Experience brings your biggest horror-film fears to life.

FLO Advertising SAW Escape Experience

Now open at 2121 Industrial Road, just behind the Stratosphere and a bone’s throw from the world famous Golden Steer Steakhouse, SAW Escape delivers a full-building multi-room experience that is entirely immersive and absolutely terrifying.

As the unwitting player in Jigsaw’s twisted games, you’ll need to rely on wits and reflexes to survive a harrowing tour of Egan & Co. Meat Packing Plant. That’s where things will undoubtedly take a sinister turn for you and your friends.

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Since their inception, escape rooms have quickly overtaken murder-mystery dinner theater as the hottest interactive thrill. Egan Productions ramps up the octane by building theirs around a familiar and frightening villain.

“Jigsaw”, the vengeful mastermind behind SAW’s traps and pratfalls, has sliced and diced his way through eight successful films. The latest was released just last Halloween to over 100 million dollars at the box office.

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             Jason Egan (far right) is embraced by the world of horror films…

SAW Escape benefits by having the best creators at the helm. Egan Productions is the firm behind Fright Dome, the infamous Halloween attraction held each year at Circus Circus. Company creator Jason Egan knows his way around the world of horror. He’s served as Executive Producer on cult horror films like Bloodsucking Bastards and The Neighbor (with Vegas favorite Bill Engvall). He even partnered with legendary director George Romero for a Night of the Living Dead-themed house.

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                                      Egan on the set of The Neighbor

Jason’s Fright Dome attractions featuring the SAW franchise have been standouts in recent years. So when he decided to launch a permanent escape experience in Las Vegas, it seemed natural to integrate the twisted puzzles and traps of Jigsaw’s sinister universe. And Egan’s successful past collaborations with Lionsgate Studio enabled them to entrust their signature character to his team.

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               Jason Egan and actor Tobin Bell, the iconic “Jigsaw” himself…

With the Official SAW Escape Experience now welcoming victims visitors, the creative team has entrusted their mobile marketing plans to FLO Advertising. Research shows that 73% of Vegas visitors have seen mobile billboards. Of them, 53% say they remember specific ads that they’ve noticed.

FLO Advertising SAW Escape Experience

If something like a traditional billboard can garner that much attention, imagine the number of impressions that an enormous mobile LED-style ad can achieve with 17,000 tourists walking the Strip every hour.

A large number of visitors wait until they get to Vegas to arrange their entertainment and dining plans. Strip-level mobile advertising is a great way to make arriving tourists aware of what’s new and exciting in Sin City.

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With the partnership of FLO Advertising and The Official SAW Escape Experience taking to the streets, you can believe that horror fans will be lining up to take their crack at the challenges of Jigsaw. “Do You Want To Play A Game?”

SAW ESCAPE EXPERIENCE operates Sunday, Wednesday and Thursday from 6pm to 11pm, Fridays and Saturdays from 5pm until midnight. Click here to purchase tickets. Information about FLO Advertising Mobile Digital Billboards is available on their website. Click here to learn more or request a quote. 

Photos: FLO Advertising, SAW Escape Experience, Jason Egan via Facebook

 

Cosmopolitan Gets High on “OPIUM”


Absinthe-style production brings Spiegelworld madness back to Rose.Rabbit.Lie…

“Slip through the crack in the space/time continuum for a close encounter with a spaceship of fools”.

The politics of show business are not unlike those of the world’s governments. Coalitions are forged, battle lines get drawn and sometimes old enemies become allies. That’s what happened when the 2014 spectacular Vegas Nocturne abruptly closed at the Cosmopolitan‘s Rose.Rabbit.Lie Social Club a mere seven months into its run.

It’s a genuine shame if you missed out on Vegas Nocturne. That genre-spanning production delivered an entire evening of thrills and laughter, spread out over three full-length interconnected shows.

Some of Nocturne‘s best acts, like David O’Mer‘s bathtub seduction and Sean and John‘s tap-dancing routine were integrated into Absinthe. Other breakout performers like Piff the Magic Dragon and beatbox singer Butterscotch moved onto their own fame as well.

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       Vegas Nocturne’s “Bathtub Boy” now shares his excitement at Caesars…

Vegas Nocturne‘s sudden closure led to legal battles that continued for years. Things got more complicated when it was announced that Caesars‘ hit show Absinthe would be moving into the performance space once occupied by Nocturne. Again, the big guns came out…and after a few volleys and threats, Absinthe stayed put (leaving the Rose.Rabbit.Lie theater empty for yet another year).

This month, all those differences have been put aside. A brand new variety show is about to launch in that sadly-neglected space. It’s called OPIUM…and it promises to be as crazy and off-the-wall as those other two naughty spawn of their Spiegelworld parents.

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Last week, Spiegelworld held a cast reveal and teaser performance under the Cosmo’s Chandelier Bar. Emceed by “Harry M. Howie”,  the supposed creator of OPIUM (and a fictitious character a la Absinthe’s “The Gazillionaire”), the official Arrival Ceremony was comically timed to overshadow the opening ceremonies of the 2018 Winter Olympics.

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Howie, looking nervous and disheveled in a tacky suit, spoke from a cheap portable PA system in front of a folding table adorned with lunchbox packs of Jell-o and a gallon jar of Costco Cheez Balls. He was eager to unveil the final artwork for his long-dreamed-of Sin City project.

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“You make a poster and everything else pretty much falls into place” Harry stated with the arrogance of a seasoned Vegas producer. One might say that his confidence fluctuated as wildly as the authenticity of his Australian accent. With one quick tug, the veil was lifted on the official poster…and the drums started to play.

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As various characters entered the Cosmo casino from all directions, the crowd began to thicken. A sax player belted out notes on the descending escalator. Towering interstellar God (and costume designer) Machine Dazzle made a grand entrance by way of the Chandelier Bar‘s glass elevator. They all came together to give the curious spectators a peek at OPIUM, which opens next month.

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What happened next was hard to explain. The cast performed a rhythmic number backed by bongos and carrying pyramid-shaped props from which they extracted a change of costumes. Utilizing folding lawn chairs, suitcases, confetti and LOTS of aluminum foil, the OPIUM performers shared their home galaxy’s avant garde brand of music and dance:

It’s clear from the video clip above that OPIUM will be anything but ordinary. One can only hope that the new show will bring the same level of enchantment that Vegas Nocturne did when it first graced the Rose.Rabbit.Lie stage.

Although shrouded in mystery, OPIUM is already more forthcoming than Nocturne ever was. That ill-fated production asked members of the media not to reveal very much in hopes that guests would discover it on their own. Even my VegasChatter review, which spared held back most of the details, was heavily edited to blot out additional specifics. That over-reliance on secrecy, IMO, is what led to consumer confusion…and ultimately the untimely closure.

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In addition to the teaser performance last week, the folks at Spiegelworld have offered this formal synopisis of OPIUM:

Journey on a trip to a new dimension of entertainment with OPIUM, the new show at The Cosmopolitan of Las Vegas from the creators of ABSINTHE. What is OPIUM? It’s fast, funny and funky. Completely off the planet. Remember the good old days when you sauntered into a Las Vegas showroom, martini in hand, while a pack of comedians and crooners bantered in front of the house band? Even if you do, one thing’s for certain: it didn’t look like this. Slip through the crack in the space/time continuum for a close encounter with a spaceship of fools.

They’ve also uploaded this peculiar featurette onto YouTube. I recommend jumping to the actual promo video which begins at the 2:18 mark:

So if your senses…and your curiosity…are prepared to be heightened, take a hit of OPIUM. I’ll be checking it out myself soon and will report back with a detailed review.

Preview performances for Spiegelworld’s OPIUM begin March 13, 2018 at Cosmopolitan’s Rose.Rabbit.Lie. Tickets are on sale now at Spiegelworld.com or by calling 1-866-973-9611. Use code VEGAS at checkout to receive the amazing price of $30 (plus taxes/fees) while offer lasts.

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Photos: Kirvin Doak, Erik Kabik, Spiegelworld