KRAMPUS – A Wickedly-Engrossing Stunner


Majestic Theater’s interactive holiday thriller is the must-do event of the season…

For fans of live theater, the biggest gift of the season has already been unwrapped. It’s KRAMPUS, a one-of-a-kind experience you will never forget. Shrouded in secrecy and bathed in deliciously-shocking humor, this twisted evening of entertainment is brilliant in every detail.

Eschewing their typical stage at 1217 South Main Street, the cast of Majestic Repertory Theater welcomes you to an actual Downtown residence (the location is kept secret until the day of performance) for an evening of fun, food and drink. You’re there as guests and coworkers of Jerry Krumeich (Timothy Cummings), patriarch and host of the traditional family Christmas gathering.

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You and fellow attendees arrive just as Jerry is finishing decorations on the exterior. Inside, wife Marge (Anita Bean) is laying out a spread of cookies, eggnog and quiche, waiting for the rest of the family to arrive.

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Introductions are made, coats are hung up and everyone is invited to take a seat in the living room. A vintage record player is spinning atmospheric holiday favorites and a real fire is crackling in the fireplace. All that’s missing is….was that a knock on the door?

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What follows is the most convincing piece of interactive entertainment this writer has ever witnessed. Not one second rings falsely and the improvisation is sheer perfection. More guests will arrive, awkward family conflicts will surface…and a sinister decades-old secret will be revealed. To tell you any more might dilute the carefully-crafted thrills delivered by an exquisitely believable cast of gifted performers.

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If you’re a fan of KRAMPUS, the hit horror film of the same name, rest assured that this story is quite different but just as chilling…literally, in fact. Bring your sweaters, as some sequences take place outside in the dark. And pay close attention to everything you see and hear, even when it’s down the hallway or through closed doors. This house is alive with mysteries…and not everyone will survive when the dark Santa finally arrives.

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Local theater productions can be hit-or-miss, but Majestic Repertory Theater carries a reputation for consistently fantastic work. If KRAMPUS is any indication of what they have in store for 2019, then consider me a future fan.

KRAMPUS is created and directed by Troy Heard, co-directed by Natalie Senecal. Performances are Thursday through Sunday at 7 pm and 8:30 pm, now through December 23rd. Tickets are $35 and can be ordered here. This production is intended for adults only. You will be required to sign a waiver in order to participate.

Photos: Sam Novak, Majestic Repertory Theater

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LOVE 2.0 Merges Tech, Heart…and Lots More Beatles


“The Beatles: LOVE” remains one of the most spectacular and satisfying shows in town…

When Cirque du Soleil unveiled “The Beatles: LOVE” twelve years ago at Mirage, it was a first in many ways. The custom-designed 360-degree theater had an immersive sound system with speakers built into the seats. Intricate stage platforms quickly transformed the set from one sequence into another. Hi-tech projections created the illusion of a unique concert experience that couldn’t be seen anywhere else.

And the biggie of them all…the Montreal-based acrobatic company had built their first-ever show around an existing musical property – the Fab Four. Dozens of works by the Beatles were intricately woven into a musical tapestry that defies explanation. It was lovingly created for LOVE by Sir George Martin (aka “the fifth Beatle”) and his son Giles with the blessings of Ringo StarrPaul McCartneyJohn Lennon‘s wife Yoko Ono and Olivia Harrison, widow of George.

A lot has changed in the ensuing years, especially in the relationship between Cirque and Las Vegas. Further collaborations resulted in productions featuring Michael Jackson (hit), Elvis Presley (fail) and Criss Angel (where do we start?). With the closure of Zarkana two years ago (the second of their shows to fail in the Aria theater), it’s fair to question whether CDS has over-extended their brand on the Strip. Still… LOVE started out…and remains…a critically-acclaimed crowd-pleasing hit.

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        May 5th, 2016 – Massive crowds lined up to see “Beatles: LOVE” at Mirage

For the tenth anniversary of LOVE, Cirque took on the challenge of revising, updating and fine-tuning what many already consider to be the best show in the city. A risky proposition, but with Giles and original artistic director Dominic Champagne at the helm, the updating was nearly flawless…and quite beautiful.

Those unfamiliar with the show…or who haven’t seen it multiple times (this writer clocks in at 14 and counting) will be oblivious to the more subtle tweaks. But the new sound system, updated video elements, and three-dimensional projections stand out as clearly state-of-the-art.

LOVE’s pacing is also much tighter in this new incarnation. What once began from an incredibly slow build to explosive action, then back to a more solemn World War II sequence now drives continuously forward, thanks to the addition of Twist and Shout.

There’s less focus on the Beatles as children (in fact, during the media event that I attended for the tenth anniversary, only three child actors were present, but their downplayed roles hardly made it noticeable). Another absence, seemingly permanent, was the “Eleanor Rigby” character (portrayed by beloved Brazilian actress Silvia Aderne since the beginning).

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It seems as though the re-sequenced songs and staging are now meant to represent an emotional interpretation of the Beatles’ cultural impact, more so than just a chronological depiction of their rise. LOVE has always been quite a bit on the dreamy side, with surreal visuals and characters.

Now the show is even more trippy, with wildly colorful costumes and props that are vivid and vibrant. Whimsical touches, like characters and sea creatures from Yellow Submarine and Octopus’s Garden, permeate every corner of the massive arena.

Two significant numbers have been re-imagined by replacing marionettes with projections. Lady Madonna has jettisoned the dancing yellow galoshes. The once-black floor now comes alive with moving multi-colored spots that turn the surface into a living Twister game board.

While My Guitar Gently Weeps has done away with the giant marionettes made of letters. In their place, a sole female character now dances with an animated sketch of a man that moves, morphs, and flies from one screen to another throughout the auditorium. The scene and staging are hard to describe, but their beauty brought tears to my eyes.

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The biggest sequence – and a fan favorite – is the enormous mushroom-cloud bedsheet that spreads over the audience during Within You Without You/Tomorrow Never Knows. That set piece remains, but it was unclear from my seating position whether anything going on above the canvas had been updated (that statement might only make sense if you’ve seen LOVE in the past).

Check out the YouTube video below for a brief look at this mind-blowing segment.

Speaking of the previous version, it’s worth noting that the four band members were once only shown in silhouette until the final moments. Now their faces are front and center, sometimes using archival footage that syncs with the soundtrack. That effect and a few others might need a little tweaking (the show was briefly interrupted on the night I attended, due to a glitch) in the weeks leading up to the official tenth-anniversary celebration.

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That gala on July 14th 2016, presented the return of Ringo, McCartney, and the widows of John and George for a formal event. It was truly an epic night and one for my personal Hall of Memories.

It’s terrific to know that one of my favorite Vegas shows is just as wonderful as ever. Whether you’re a fan of the Liverpool quartet, Cirque du Soleil or just great productions, The Beatles: LOVE remains one of the most spectacular and satisfying shows in town. Don’t miss it.

The Beatles LOVE performs Tuesday through Saturday at 7 pm and 9:30 pm. Tickets and information on behind-the-scenes tours and VIP  experiences are available through this link. Our friend at VegasFool.com has tickets starting at $75 (plus taxes/fees) by clicking here.

Editor’s Note: This article previously appeared on another site. It has since been updated.

Photos: Sam Novak

Manilow: The World’s Greatest Showman


Barry returns to Westgate’s International Theater in a must-see event…

Thanks to Hugh Jackman’s recent hit film The Greatest Showman, a new generation regards P.T. Barnum as the greatest showman. But look a little closer at history and you’ll find a career marked in controversy and ethical concerns.

No such worries with the revered Barry Manilow. This legendary performer is universally respected, admired and loved….with good reason. No living singer/songwriter has done for entertainment what the Brooklyn native has been able to accomplish. And the fact that he’s still bringing crowds to their feet at 75 years of age is beyond remarkable.

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It goes without saying that after more than four decades, Manilow has begun to show signs of aging (ya think?). The voice is a little less velvety than you may remember. And after some serious health issues, his gait can be a bit wobbly at times.

But make no mistake – the man still owns the stage and can belt them out with aplomb. As Manilow said himself last night: “What is your 75-year-old grandfather doing tonight? I’m STILL a sex god!”. Yes, sir, you are.

As for the production, Manilow: The Hits Come Home is a landmark achievement in Vegas entertainment. Returning to the stage that he ruled for so many years (under the “Hilton” banner), Manilow’s entrance is preceded by a video intro that builds an unbearable amount of suspense. When the screen arises and the icon steps into the spotlight, it’s a true “pinch me” moment.

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The set list begins with 1975’s “It’s A Miracle”, which seems fitting considering the circumstances. The significance of this early hit was not lost on a packed house of diehard and casual fans. “Daybreak” and “Looks Like We Made It” round out the opening medley, setting the tone for 105 minutes of pure hits and touching moments.

There are very few performers of his era that can maintain the energy level that Barry does during a show. Eschewing the usual time-borrowing distractions…like solos from back-up artists and endless video packages (I’m looking at you, Cher), Barry is onstage from curtain-up through final bows.

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It’s clear that the singer’s primary reason for being onstage is because he enjoys doing it so very, very much. He wants you to have a great time, sing along and reminisce with him about an era that looks so great in the rear view mirror.

“I just love these songs”, he says. “Whatever happened to melodies? Today’s music is great….there’s lots of rhythm…but where did the melodies go?”. Then he answers that question by diving right back into his huge bag of goodies, which includes “This One’s For You”, “Even Now” and “I Made It Through The Rain”.

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Between songs, Manilow recounts his childhood…and the endless support he got from his family. This was especially true of his grandfather, who took little Barry into the city to record his voice at a coin-operated sound booth. Amazingly, the audio of that scratchy vinyl disc still exists. He shares it with the audience, along with photos of them together on their adventure.

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Speaking of adventure, Barry briefly turns on the campy charm with a 3D-enhanced flyover of New York City (everyone gets a pair of 3D glasses, glow stick and collectible tumbler), set to the lyrics of “This Is My Town”. That self-penned single is from his newest album. Released in 2017, “Songs of New York” is the 31st studio release, which rose to number 12 on U.S. charts.

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Another heartwarming moment brought tears to this writer’s eyes. It’s when Manilow is seen in a clip of his 1975 performance of “Mandy” on THE MIDNIGHT SPECIAL. After a few phrases, Barry himself appears, already seated at a piano. The two Manilows share a duet, separated by 43 years and a lifetime of experience. Try not to get choked up.

The television has always kind to Barry, especially in the formative years of his career. He began as a songwriter, creating jingles for the likes of State Farm, Band-Aid and McDonald’s. He shares a few of those ear worms, much like he did in a legendary 1978 HBO concert.

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That program, “Manilow: Live at the Greek Theater”, was HBO‘s first-ever music special…and a breakthrough for modern programming. It was also the first cable program to ever beat the big three networks in the ratings, cementing HBO‘s place in American homes (bet you GAME OF THRONES fans didn’t know that you have Barry to thank!).

I remember going to a friend’s house to watch this concert (we couldn’t afford cable back then) and being utterly mesmerized. And that’s how I felt at the Westgate Hotel Casino as this master of entertainment brought all those memories back to vivid life.

The nearly two-hour show flies by at a rapid pace, culminating in the glorious “I Write The Songs”, a masterpiece that united the many generations in attendance. This clip will show you just how moving a song can be. And of course, there’s an encore of “Copacabana (At The Copa)” to send you dancing in the streets.

If there’s one show you absolutely must see while in Vegas, it’s Manilow: The Hits Come Home. 2019 dates were just announced today, so you still have some time to witness the legend. But don’t put it off…even the World’s Greatest Showman will have to hang up his flashy jackets someday.

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Manilow: The Hits Come Home performs Thursday-Saturday at Westgate’s International Theater. Tickets start at $22 (plus taxes/fees) and can be ordered here.  Our friend at VegasFool.com is offering discounts via this link

Photos: Sammasseur

 

 

 

 

 

 

Blue Man Group – Fresh and Vibrant as Ever


Guest author Kristopher Kidd of discount ticketing site VegasFool.com grabs the reins for a review of the latest iteration of a long-running favorite…

If you’ve been visiting Las Vegas for any amount of time, there is no doubt that the colorful Blue Man Group have at least piqued your interest. Their Las Vegas journey began years ago at Luxor, followed by a move to Venetian, then Monte Carlo and now back again to Luxor.

Being one of the longest-running shows in the city is quite the accomplishment. Having seen the show before (and blown away), I was wondering if the Blue men had anything new up their sleeves. I was not disappointed.

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From the Blue Man-themed box office to the paper streamers before the show, we already knew we were about to experience something unique and fun. With so many new and re-imagined acts, it felt like I was seeing something familiar yet also somehow new.

The smoke drums are now one of my favorite parts of BMG. You’ll even be treated to the Big Drum, which is only found in the Las Vegas version of the show (Blue Man Group performs in New York, Chicago, Boston, Orlando, and Berlin as well).

Have no fear, many of your favorite Blue Man moments are still a part of the show. This includes catching marshmallows in their mouths from across the stage, the drum-bone, embarrassing late arrivals and the iconic paint drums.

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Yes, Blue Man is still loud, still hilarious, still in your face, and still the masters of sound using unconventional items for instruments. Who knew that three blue men with no ears could be such brilliant musicians?

On top of being a visual comedy concert, Blue Man also makes you think. They are better philosophers than they get credit for. Staying culturally relevant by exposing our obsession with smartphones gives the audience a chance to remind themselves to live in the moment.

The atrium-level theater at Luxor is one of the coziest you will find. With the show being so massive and the theater being so well laid out, you will literally feel the vibrations of the PVC pipe percussion.  If you’re brave enough to grab seats up front, parts of the show might land in your lap…in the form of paint and Twinkies.

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Don’t worry, ponchos are provided for those sitting in the appropriately named ‘poncho’ seats. Even sitting in the second half of the theater, you will still likely be within a few feet of a Blue Man at some point in the show. The interaction and audience involvement is all part of the fun.

Las Vegas shows sometimes struggle at simultaneously being entertaining for kids, teens, and adults. It’s hard for a show to appeal to all ages, but Blue Man Group is entertaining for everyone. It’s worth belaboring the point that it’s wildly entertaining even if your group consists of only adults.

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What’s so brilliant about BMG is their ability to entertain in many ways. It’s not just funny. It’s not just musical. It’s not just visual…it’s all of the above. You could even say it’s physically exhausting, not just for the performers, but for the audience.

Keeping up with so much activity at once is quite the accomplishment, so much so that you may be tempted to see the production again for anything you may have missed. From start to finish, the guys in blue will keep you entertained and engaged. The end of the show is as unexpected and hysterical as ever.

Blue Man Group is way too much fun!

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Blue Man Group performs nightly at 7 p.m. and 9:30 p.m. at Luxor Hotel Casino. Tickets can be purchased here. Deals for all other Las Vegas shows can be found by clicking here. The author of this article can be reached via email at KKidd@vegasfool.com

Photos: Blue Man Group, Kristopher Kidd

Get Ready For Another Dose of OPIUM


Spiegelworld’s sexy interstellar spaceship comedy gets an upgrade…

Damn, this has been a really tough summer for Vegas entertainers. Shows have been closing left and right, some before they’ve barely gotten out of preview. Sadly, I’ve seen many of my performer friends leaving Sin City for better opportunities in Los Angeles and New York City.

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So where does that leave a spaceship full of cosmic settlers trying to make a name for themselves on the Strip? Well, if you’re the passengers and crew of the OPM 73 Starship, you’re bound and determined to make your new production OPIUM a hit. After all, a return trip to Uranus would be the ultimate walk of shame.

That’s why the Spiegelworld team, creators of ABSINTHE, have streamlined and upgraded their glitzy homage to wacky 70’s variety shows with new songs, a faster storyline and plenty of humorous new acts. If you grew up on Saturday morning Sid and Marty Krofft programs like LAND OF THE LOST, DR. SHRINKER, FAR OUT SPACE NUTS and THE LOST SAUCER, then OPIUM is for you!

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You may have seen my previous review of OPIUM that I published in April. Well, blast that one into space via the airlock on Deck C. OPIUM 2.0 deserves its own write-up. It’s funnier, more shocking and a lot more polished. Look for things to get even flashier with the possible addition of BAZ’s prolific costume designer Olwen Zarlengo.

BTW, it’s still as naughty as ever, so leave your sticky little rugrats at home!

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The basic premise is the same – crewmates of the OPM 73 perform variety acts for the passengers when not engaging in sexual encounters with each other. We’re introduced to new trainee “Chip”, a virginal geek unsuccessfully looking for his first physical encounter. Despite all the randy opportunities aboard, Chip is holding out for love.

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Chip’s mechanical pal Rob the Robot doesn’t understand the concept of emotions, so Chip installs an upgrade into Rob’s software that puts him on his own path of sexual exploration. Can robots do the deed with horny humans while on a lengthy trek through the stars? You betcha….just wait until you see the newest crew member at the finale.

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The revised plot has jettisoned a riff on 1979’s Ridley Scott film ALIEN. Gone is the oversized Muppet running amok in the bowels of the ship. Captain Kunton is now in charge, replacing Ann Tennille (whose character has apparently disappeared into a black hole). The new captain has an affection for playing with his diablos (those Asian yo-yo’s), as well as certain members of the audience.

Luckily, the best variety acts have remained on board for all to enjoy. Portly maintenance man Scotty still dazzles with his flamboyant hula-hoop routine. Mateo – Queen of the Galaxy, aka the “Latino Freddie Mercury”, vies for your attention with a pair of banana-shooting WTF’s. And crowd favorites Yuri and Cosmo continue to dazzle with their shirtless-muscleboy-and-his puppy showstopper.

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        Flashy but maudlin “Dusty Moonboots” belts out another heartbreaking hit…

Also returning are drag-tastic crooner “Dusty Moonboots” and sword-swallowing Rear Admiral Todd Vader, whose role has been wisely amped up to include a subplot involving engine-room sabotage…using an enormous dildo. Don’t say you weren’t warned.

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Among the new acts is a whip-cracking Puerto Rican security officer Judita with an overactive libido. He has a mid-scene costume change that will have you gasping for days. Don’t let ANYONE spoil the surprise….and don’t reveal the twist once you’ve seen it.

As with most variety-dependent shows, expect OPIUM to continually evolve. You can be sure that each visit will be unique and memorable…just like every trip to Las Vegas.

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           Social media celebrity Perez Hilton and I take in a performance of OPIUM…

And with the volatile nature of today’s entertainment market, it would be wise for you to see OPIUM right now. You never know what threat lies around the corner…or in the furthest reaches of outer space. So grab a “Spocktail” and enjoy the show.

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OPIUM performs at the OPIUM THEATER next to Rose.Rabbit.Lie on the second level of Cosmopolitan Las Vegas. Showtimes are Wednesday through Monday at 8pm with additional 10pm shows Thursday through Sunday. Tickets start at $79 (plus taxes/fees) and can be purchased via this link

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VegasFool.com is currently running a special for $38 that you can take advantage of by clicking here.

Photos: Sammasseur

 

 

 

 

 

 

PEREZ HILTON -Breaking The Rules (and making some new ones) at Chippendales


The nation’s foremost social media “influencer” manages to make the outlandish seem easy in his guest-hosting stint…

I was one of many who were shocked when Chippendales announced notoriously-outspoken Perez Hilton as their next celebrity host. After all, the self-proclaimed “Queen Of All Media” was hardly forged from the same slabs of beef as previous guests like Tyson Beckford and Antonio Sabator Jr. So what gives?

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The answer is that the forces behind Chippendales version 2018 are ready to shake things up. With the absurdly awful Magic Mike Live biting into their sales and cutting-edge newcomers like Aussie Heat offering alternative takes on the male revue concept, it isn’t enough to just be the gold standard any more.

As I previously reported, Chippendales is one of several erotic male productions that have evolved in order to tap into the DINK demographic. What’s that, you ask? It’s the “Dual Income, No Kids” members of our society, which these days are widely represented by the gay community.

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With the passage of marriage equality, the need for gay-only entertainment options has largely melted away. LGBTQ tourists are now welcomed along with everyone else, so it’s common to see gay couples and groups attending male revues along with the ladies.

That’s why Perez Hilton fits so nicely into this hosting gig. Never one to shy away from controversy, the flamboyant Hilton is this generation’s Paul Lynde, Liberace or Siegfried & Roy. He’s way out there, yet approachable. Daring, yet somehow safe. A perfect mash-up of comedy, shock value and tongue-in-cheek humor to make your night on the town an only-in-Vegas experience.

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I sat down with Perez before the official opening of his debut last Friday. Decked out as a carnival barker in a spectacular Jeffrey DeBarathy-designed costume reminiscent of Britney Spears’ ensemble for The Circus tour, Hilton was surprisingly eloquent and soft-spoken.

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         The two of us at a performance of Spiegelworld’s OPIUM at Cosmopolitan…

When asked if he felt like a pioneer by being the first openly-gay host of a show that once prohibited men from attending, Perez seemed surprised:

Wait a minute….I’m gay? Who told you that? (laughter). Wow, I did not know that! So men weren’t allowed in the audience before…that’s interesting. But no, I can’t say that I feel anything like a pioneer. This is something that I’ve wanted to do for awhile and I’m glad we were able to make it happen!

“Now that you’ve been in rehearsals, gotten to meet all the guys and seen their inner workings (more laughter), were there any pre-conceived notions about Chippendales that were either confirmed or shattered?”

(sly grin) Hmmmm….there weren’t really any backstage shocks that I can think of. I know the show pretty well from coming so many times. And I’ve only been rehearsing since Monday so there hasn’t been a lot of opportunity to think about things like that when you’re focused on the work.

I will say that everyone here has been supportive of me and they’ve made it easy. It’s been so much fun and I’m eager to see how the audiences react. This is uncharted territory for me as much as them.

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With the pre-show party about to begin inside the adjacent Flirt Lounge, time was running short. So I was able to ask one last question – “What advice can you offer a small-time blogger like myself?”.

You need to know your audiences for every individual platform. The readers on Facebook are going to be a different group from those on Instagram. They want to experience different kinds of content, so you need to tailor each social media outlet to their expectations, not yours.

YouTube is the big one right now. You have to use video…and lots of it. People want to see for themselves what you’re up to. I have two YouTube channels and it’s a challenge to keep up with all of it, but you have to stay current and pump out new information all the time.

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                Ever-present mother Teresita enjoying Perez’s debut performance…

After fans (and the curious) had lined up and taken their seats inside Rio‘s custom Chippendales Theater, the countdown to showtime was interrupted by Perez himself. Appearing from behind the audience, the host stopped the show with a bit of impish playfulness before allowing the beefcake to be revealed.

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Throughout the evening, Hilton worked his way into the proceedings with his signature charm, playing emcee for a faux game show, busting in on performer Kyle Efthemes‘ “Purple Rain” shower sequence (yes, really) and holding an open forum for questions from the audience.

What could have been a train-wreck attempt at hipness from lesser media celebs (the flatliner response to Chester Lockhart and Scheana Shay’s short-lived stint at Sex Tips for Straight Women From a Gay Man comes to mind) turns out to be a brilliant move. And one that should bring in hordes of new fans to the long-running show.

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But don’t take my word for it. See the audacious Perez Hilton and his crowd-pleasing antics for yourself. Chippendales performs nightly at 8:30 p.m. with additional shows on Thursday, Friday and Saturday at 10:30 p.m.

Perez Hilton’s Chippendales residency runs Thursday/Sunday nights through Sept. 2nd, 2018. Tickets range from $64.95 to $165.09 + tax and fees (18+) and can be purchased by calling (702) 777-7776. VegasFool.com is currently running discount rates as low as $39 for select evenings.

Photos: Sammasseur, Perez Hilton via Facebook, Chippendales

 

 

 

 

 

 

Sexy Power Duos: Alejandro and Sarah Le Clear-Domingo


The city’s best dancers are a husband and wife team that brings down the house each night at Palazzo’s BAZ….

Ask anyone what their must-do Vegas experiences are and you’ll undoubtedly get a list of familiar answers: a romantic stroll by the fountains of Bellagio…people-watching at Mon Ami Gabi…drinks at a favorite cocktail lounge.

For this writer, no trip to Vegas is complete without a seat at the Palazzo Theater for BAZ: A Musical Mash-up. And that experience was recently taken to new heights with the addition of husband-and-wife dance team Sarah Le Clear and Alejandro Domingo.

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Stunning to look at (Alejandro was featured as “Best Abs” in my column four years ago) and a revelation to see in action, this power duo exudes every aspect of power, sensuality, sophistication and the sheer stunning artistry of dance. Audiences may recognize them from nearly five years at David Saxe‘s glorious VEGAS! The Show, but BAZ has unleashed their abilities in a way rarely seen on any stage.

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I recently spoke with the couple after seeing BAZ for the the 27th time (yes, really) and invited them to participate in a fun Q & A. I’m honored to say that they excitedly agreed. But before we get to that, here’s a little about them and how they came together as a professional team.

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Sarah and sister Julianne were born in southern California and grew up in the Bay area of San Francisco. Their parents were college sweethearts who encouraged their daughters’ love of performance arts. So, Sarah began formal dancing classes at age five.

I started intense ballet training at a very young age at Contra Costa Ballet Centre. A very prestigious school that I took very seriously, but I knew I wanted to study all aspects of dance. This is when I started my training at Dance Connection Performing Arts Center in Concord California, under the direction and ownership of Paula Henson.

My years at the studio is when I flourished the most…I became involved in the competition aspect of the studio competing all over California through the competition season. I was so thrilled to be expanding my repertoire of styles.

Years of practice and competitions were rewarded by a Sue Pipo Memorial Dance Scholarship, and Sarah’s future in the world of dance was assured.

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After graduation I auditioned to be an NBA Dancer for  the Golden State Warriors and became the youngest on the team. From there I moved to LA to continue my training at EDGE Performing Arts Center.

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Alejandro is from Buenos Aires. A rare combination of brains, brawn and grace, he played soccer and piano in his youth before pursuing a career in civil engineering. Despite his athletic frame and dashing looks, the Argentinian native enrolled in dance classes at the age of sixteen just to overcome shyness. By eighteen this natural talent was already touring with the salsa-heavy Latin musical Baracatun.

Many entertainers credit their parents and family for setting them on the show-business path. Ale is no exception:

My parents, Jorge and Ana, are just the best parents you could ask for. They always have supported my crazy dreams, and me, even though it meant being away from them for long periods of time. I have also a very smart and sweet little sister called Mariana, four years younger than me. I’m very proud of her and the person she is becoming.

Alejandro received a scholarship to further his dance studies in ballet, jazz, contemporary and partnering at Teatro Colón and the National Institute of Art in Buenos Aires. In 2006 he left Argentina to perform at the Chateau du Versailles in the renowned Fêtes de Nuit. After that he settled for periods in both Paris and Barcelona then continued his training throughout Europe and the United States.

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In 2008 the couple met in Hollywood, Florida when both were hired as dancers and aerialists for Royal Caribbean‘s Explorer of the Seas. Rehearsing nine hours a day, six days a week can bring people very close…and so can a first date at the local Martini Bar. That was a decade ago, and the gorgeous couple has never looked back.

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You might think that sharing the workplace and being together around the clock might tighten the pressure on a relationship, but for Sarah and Alejandro, their art is what brought them together and keeps them strong.

As Ale tells it:

Sarah and I met working together. Since then we have been blessed with sharing the same stage in many different productions, something quite unusual in our line of work. We have had our share of ups and downs in this crazy performers’ world.

I personally love working with Sarah because I always know that she has my best interest at heart…and I have hers. So any criticism or note we give to each other always comes from a caring and honest place and it’s intended to make the other person better.

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Sarah added:

The tense moments are very rare for us because we know how lucky we are to still be performing together. More than anything, it’s fun. A lot of hard work goes into it but it’s worth it!

I asked the couple if either of them tends to “take the lead” during their rehearsals….

We have both been “dance captains” so it depends on what we are rehearsing for, honestly. We pay attention to what the other one needs because if we are going to look and feel good on stage we both need to feel comfortable. (Alejandro)

Hahaha…I think we both want to take the lead! That’s the thing when you’re married to your dance partner…you both want to be in charge. But I think we have a very strong communication and respect for the other so we’re able to tell each other our needs as a partner. Ale is a fabulous ballroom teacher and I will say I have learned a lot from him as far as execution goes. (Sarah)

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Life in Vegas has definitely agreed with the couple. Along with having a great collection of friends in the community, the two enjoy much that the city has to offer. Alejandro offered these insights:

In my free time I like reading, going to the gym and to the movies. I’m not great at cooking but do enjoy it. I always enjoy trying new restaurants and Vegas is an awesome place for that.

I don’t dance much when I’m not on stage, but I have always enjoyed salsa dancing. It’s the first style I ever learned and it’s so much fun in social settings. I’m not a nightclub kind of guy. I prefer going to a chill bar with friends and having a drink, listen to some music and have a good conversation.

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I like taking Sarah out for dinner to a good restaurant and buying her nice things. I love Sinatra at the Wynn…the atmosphere and awesome background music. For a “cheat meal” I’d have to say Vege-Way…some of the most delicious vegan burgers you’ll have.

We also enjoy taking some much needed time off and going on a relaxing vacation. So far my favorite spot has been the Riviera Maya in Mexico.

Sarah enjoyed Mexico as well, but she’s partial to a different vacation destination:

Hawaii!!!!! We make an effort to spoil ourselves with nice vacations. We also love going to the M Resort pool during the summer as well as trying new restaurants on the Strip or downtown. I love cheat meals!!! Mon Ami Gabi is one of our favorites.

At my “seasoned” age I’m not much for the nightclub scene anymore…and because we perform so much we tend to enjoy our nights off with no dancing. Although the occasional line dance night at Stoney’s with my girls is always a blast. And we love catching new shows and supporting fellow performers.

I was a competitive swimmer for eleven years, so swimming is a fun hobby of mine. Fitness is a huge part as well so I enjoy the gym. And of course I have my “guilty pleasure” hobbies which include “The Real Housewives of Orange County” and “The Bachelor”, haha.

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It seems that animal rescue is a common thread among cast members of BAZ. Along with Anne Martinez and Ron Remke, the Domingos have a special place in their hearts for the Vegas community’s needy animal population.

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                                              Little Milo loves his toys…

“We both love animals and support the work of amazing nonprofits like The Animal Foundation“, Ale stated. Sarah continued “I am a member of the Humane Society and like to donate to any charity that helps and aids animals..this is very important to me! We have one dog named Milo and he is our baby. He is a rescue dog and has become a part of the family!”

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Speaking of family, I inquired as to where the Domingos saw themselves twenty years from now. Both hinted at the possibility of little dancers in their future.

Maybe I will go back to school and become an engineer. I’v wanted to finish that career. Hopefully we will have kids by then and we will be choreographing for Broadway, cruise ships, or another Vegas show.

Bob Fosse’s work has always been an inspiration for me. I would love to perform some of his work on stage someday. I absolutely love his style and legacy to the dance world. I would also love to work with choreographers like Jerry Mitchell, Sergio Trujillo and Andy Blankenbuehler.

Maybe we will own our own production company… Who knows? (Alejandro)

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Sarah shares her partner’s admiration for the work of Bob Fosse, too:

I would love to work with Broadway choreographers or any master of “Fosse” style like Ann Reinking. Any Broadway show or tour would be a dream of mine, but I also consider myself very lucky and grateful for the career that I’ve had thus far.

The exciting thing about this question is that I just don’t know. We are gypsies and follow the work. Vegas has been incredibly good to us, but the “show” aspect of the city is changing. I do know that we will always be involved in the industry, one way or another.

And by then, maybe we’ll have our own “little performers” in the making.

It’s true that the future of production shows in Las Vegas seems rather uncertain, especially recently. The sometime-abrupt closures of long-running hits combined with many short-term failures reflects a changing landscape for Strip entertainment.

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The Domingos left secure positions with VEGAS! The Show after nearly five years to join BAZ. Only a short time later, they learned that the last performance would be on July 29th, 2018.

As they prepare for an emotionally-charged final weekend with this landmark production, neither displayed any regret for coming aboard at Palazzo‘s signature musical. Instead, they’ll look back with fondness and gratitude:

This is a tough one to talk about and not get emotional. I will never forget the very first time I saw BAZ two years ago. I left the theater feeling completely overwhelmed with what I’d just experienced and witnessed. I remember thinking to myself “What an incredible show to be a part of”.

When Alejandro and I received the call with an offer we were absolutely blown away. After our time at VEGAS! The Show I was now being given the opportunity to be a part of a production that I love and admire. Words can’t really describe how I feel about being a part of the magic of BAZ…especially with Alejandro. (Sarah)

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                      “The first time I saw BAZ”. Sarah Le Clear-Domingo

The more I think about it the more I’m convinced this was where we were meant to be at this moment in our lives and careers.  It’s a memory I will forever cherish, and will always put a smile on my face.

I absolutely love the movies BAZ is based on, and have been a fan of the production since it first opened at Light in Mandalay Bay. The level of talent is incredible, and I’m fortunate enough to share it with the person I love the most, my beautiful wife.

It also allowed me to go back to my beginnings in ballroom and perform in a style that has always been so close to my heart. It’s a show that I truly believe in and that I am so proud to be a part of. There’s nothing else quite like it in the city, and I think Vegas is losing a true gem.

This show reminds people that love is the only thing really worth living for, no matter what situation life throws at you. Yes, it can cause pain, but only if you were lucky enough to truly love someone.

BAZ has real content and real entertainment. I would love for people to remember its message alongside with the talent that brought it to life: “Love is like … oxygen. Love is a many-splendored thing… Love lifts us up where we belong.” (Alejandro)

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BAZ: A Musical Mash-up concludes its two-year run at Palazzo Casino Resort this weekend.

Photos: Alejandro and Sarah Le Clear-Domingo via Facebook, Nicholas Foote, Patrick Rivera, banner photo by David Brenot Photography, video courtesy of Dominick Pepe