SOUNDTRACK Brings Alive The Songs Of Your Life


Legends Clint Holmes and Earl Turner are the heart and soul of a superlative collaboration…

Earl Turner and Clint Holmes, the stars of Westgate’s new SOUNDTRACK production, amusingly carry with them a condition I call “Danny Gans Syndrome“. That is, they’re very well-loved by Vegas audiences but virtually unknown elsewhere. That’s unfortunate, as talent is…and should always be…universally recognized.

Clint Holmes Earl Turner Soundtrack

             Clint Holmes (left) and Earl Turner light up the Westgate stage…

Yet Turner and Holmes continue to prosper and thrive on Vegas stages. The two friends have performed separately for many years and are mutual fans of one another. As Clint tells the story “When arriving in Vegas back in 2000, I did what every performer does…I asked “Whose show should I see?”. Everyone told me about Earl Turner…and they were right. He’s terrific”.

These days you’re just as likely to see Earl in the audience for Clint’s solo performances as vice versa. But when these two collaborate for an ongoing series of concerts at Westgate’s International Theater, it’s the fans who will be rejoicing.

Clint Holmes Earl Turner Soundtrack

SOUNDTRACK offers a familiar premise – cover versions of songs you know and love…and what they mean for memorable events in your lives and theirs. The target demographic is mainly folks forty and over, yet the gentleman do justice to current hits as well. It’s a well-rounded collection of favorites sure to please every generation.

Much of the fun of this anthology comes from not knowing what’s next, so I’ll try not to spoil things by pounding out a track list. Just know that artists as diverse as Bobby Darin, Stevie Wonder, Prince, Ed Sheeran and The Beatles get the SOUNDTRACK treatment, all done in the inimitable styles of the two leads.

Much like Human Nature JUKEBOX at Venetian, SOUNDTRACK bounces through the decades somewhat randomly, adding to the sense of spontaneity that makes productions like this such a joy. Between the songs are humorous anecdotes that convey a warmth these two have clearly shared through the years…both onstage and off.

Clint Holmes Earl Turner Soundtrack

                                                             Serena Henry…

Holmes and Turner fittingly open SOUNDTRACK with “The Boys Are Back In Town”. But this is far from an all-guys night at the theater. Talented back-up singer Serena Henry comes front and center….and owns the stage with a set of classic songs made famous by other female vocalists. It’s almost disappointing when Serena steps back out of the spotlight. Expect to hear lots more from Ms. Henry in the future.

Both stars also have their own moments alone onstage. Clint demonstrates the way he learned to be funky from his African-American father (his mom was a “proper British white woman”, he tells us). Earl shares his evolution from country tunes to a spot-on James Brown impersonation that will have you on your feet and holding your sides with laughter. They come back together for a scatting session that will leave you breathless.

Clint Holmes Earl Turner Soundtrack

                                                            Earl Turner…

The eight-piece band led by musical director Christian Tamburr is as attractive as it is talented. Standout saxophonist Rocco Barbato brings a huge slice of “sexy” to several solo moments including a vocal/instrumental jam session with Holmes.

Clint Holmes Earl Turner Soundtrack

                                                           Rocco Barbato…

The large International Showroom stage, once home to the likes of Elvis Presley, Barbara Streisand and the returning Barry Manilow, is nicely utilized with simple but effective sets. Lighting, sound and visuals are all what you’d expect from such a well-known venue. Costuming is pretty basic with the band in black suits and the gentleman in shiny pants and sparkly blazers. Ms. Henry dazzles in a series of flattering ensembles.

Clint Holmes Earl Turner Soundtrack

One thing that I’m personally pleased to see is a minimum of sing-alongs and “I can’t hear you!” moments. Those live-performance cliches are so overused…and quite frankly need to be retired. If I wanted karaoke I’d go to Ellis Island Brewery, so thank you SOUNDTRACK for sparing us many of the cornball audience-participation segments.

With Holmes and Turner both having busy solo schedules, the dates for SOUNDTRACK are somewhat limited. A next round of performances will begin July 5th and a full schedule of upcoming shows is available here.

Be sure to stake out a future date and mark this show down on your list of Vegas “musts”. SOUNDTRACK is one memorable playlist that should not be missed.

Clint Holmes Earl Turner Soundtrack

SOUNDTRACK performs on select dates at 7 pm inside Westgate International Showroom. Tickets start at $48 (plus taxes/fees) and are available here. Travelzoo is running a special for seats starting at $24 by following this link.

Photos: Sammasseur, Clint Holmes, Serena Henry, Rocco Barbato, Westgate Las Vegas

Video clip courtesy of Curtis Haines, Next Level Media and Entertainment

 

 

 

 

 

 

 

 

 

MAGIC OF JEN KRAMER Is Delightful, Frothy Fun


Award-winning illusionist brings laughter, surprises and boundless charm to Westgate’s Cabaret Theater…

P.T. Barnum has one of the most memorable legacies in entertainment history. His recent resurgence in popularity, thanks to “The Greatest Showman“, reminds us that despite decades of change in entertainment culture, the master of deception had universal ideas:

“The noblest art is that of making others happy”. – P.T. Barnum

In the world of magic shows, there is an extremely familiar collection of illusions that most entertainers fall back on: card tricks, disappearing/reappearing, nail-biting escapes, “mind reading”, audience predictions and the classic saw-a-lady-in-half are all favorites. What makes or breaks these acts is how they are presented….and whether or not the entertainer is indeed a great showman. Or in this case, show person.

Much has been made in other media about the disproportionate amount of male magicians. I won’t belabor the point other than to say that it’s refreshing to see a lovely young lady front and center as the headliner of a magic show. And Jen Kramer has certainly earned her place on a Las Vegas stage.

Magic of Jen Kramer

Already familiar to fans of television shows like Masters of Illusions and Penn and Teller: Fool Us, Ms. Kramer has risen quickly through the ranks of the magical boys club. Think of her as a “Hermoine Granger” to David Goldrake‘s “Harry Potter”. Despite a young age (she graduated from Yale University in 2014), Jen’s already received honors such as the Merlin Award and Female Magician of the Year 2016 by the International Magicians Society.

Ms. Kramer kicked off her new residency at Westgate Las Vegas just last week. I attended on the second evening of what might be considered a soft opening. Despite a couple of minor technical gaffes, it was a fast-moving and altogether enjoyable 70 minutes. The intimate Westgate Cabaret is the ideal location for Jen’s illusions, many of which rely on detailed sleight of hand.

Magic of Jen Kramer

What Magic of Jen Kramer lacks in large production values is made up for with plenty of comedy, audience participation and charm. Kramer brims with enthusiasm for her craft, drawing the audience into her prestidigitation with a magnetism that Criss Angel could only hope to match.

Kramer’s ability to engage her guests is quite noteworthy. I immediately fell for this young performer, despite know nothing about her background or achievements. What followed that evening was indeed a collection of tried-and-true favorites, but delivered with a next-generation spin.

Magic of Jen Kramer

While the show could actually use some theatrical bombast, it’s off to a solid start. I’ll avoid describing individual illusions (nobody likes review spoilers, anyway). Instead, lets boast about the fact that Jen was able to pull off the near-impossible by stunning me with a few tricks that I’d never seen before (the Rubik’s Cube is still haunting me). That in itself makes this production worthy of the admission price.

The family-friendly show is suitable for all ages and an early start time makes it a perfect pairing for dinner at one of Westgate‘s adjacent restaurants (yes, that’s a blatant plug since I’m a known fan of their dining offerings).

Magic of Jen Kramer

Surprise me once and you can consider me a fan. Do it twice and I’ll call you amazing. Jen Kramer astounded me numerous times in her new residency. So I guess you can label me a “groupie”. Being a fan of Vegas magic acts, that can be considered high praise.

Magic of Jen Kramer performs Wednesday through Saturday at 6pm. Tickets start at $19.99 (plus taxes/fees) and can be ordered here or purchased at the Westgate Box Office. 

Photos: Jen Kramer, Westgate Las Vegas, Beckett Studios, Sammasseur

 

 

 

Spiegelworld’s OPIUM is a Space Voyage from Uranus (sorry) to your Heart


Absinthe’s new cousin is the schlocky 70’s sci-fi variety show that never was….

Imagine that you’re scanning the channels and come across TV Land, the cable network specializing in beloved 60’s and 70’s programs. They’re airing a weird science-fiction variety show that you don’t remember at all…and you can’t look away.

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The wacky neon-and-spandex-clad passengers and crew of the starship OPIUM are headed towards Earth. For some reason they perform musical and acrobatic acts when not doing naughty things on and with each other. No, it’s not an episode of The Twilight Zone or the super-bizarre Brady Bunch Variety Hour (yes, that was really a thing!). It’s Spiegelworld’s OPIUM…and the ship of fools has landed at Cosmopolitan.

Opium Spiegelworld Cosmopolitan

OPIUM takes over the space once occupied by Vegas Nocturne, another Spiegelworld creation. That lamented masterpiece of hysteria now lives on through OPIUM, which infuses the spirit of Vegas Nocturne with a psychedelic vibe all its own.

Opium Spiegelworld Cosmopolitan

An ethereal mood is instantly established when you enter through Rose.Rabbit.Lie‘s ring of mysterious doors and head for the bar. The lounge is bathed in pink and purple neon tubes and 70’s kitsch like lava lamps and portable televisions (who didn’t have one of those?) line the walls. There, under a shower of electronic bleeps and Moog synthesizer music, you can peruse a 3D menu of specialty cocktails via an authentic View-Master reel.

Opium Spiegelworld Cosmopolitan

Comparisons to Absinthe will be unavoidable, but as my guest at a recent performance noted, OPIUM is the exact opposite of the nearby production. While that long-running hit at Caesars is back-to-back acts of world-class quality, OPIUM deliberately revels in its own awfulness. It’s pure camp and overacting on an epic scale.

Opium Spiegelworld Cosmopolitan

It would be unfair to give away the plot or tell you too much about the characters. They’re pure delight and half the joy is in discovering them. Instead I’ll focus on some of the variety segments, which don’t all achieve the stellar heights of Absinthe but soar on their own plane of existence.

Opium Spiegelworld Cosmopolitan

Opium Spiegelworld Cosmopolitan

“Dusty Moonboots” is the songbird of Starship Opium’s crew. She (or he…I can’t be totally certain) belts out ballads and pop numbers with aplomb, sporting an outlandish series of costumes that seem re-purposed from a roadshow version of Priscilla – Queen of the Desert.

Opium Spiegelworld Cosmopolitan

Vegas Nocturne returning performer Brett Loudermilk is unrecognizable as the ship’s resident sword swallower. His risque oral act is exactly what you might be thinking. Armed with a suitcase full of swords of varying shapes and sizes (along with a rather large “personal item”), Brett’s stunts will shock, nauseate and have you holding your aching sides from the laughter.

Opium Spiegelworld Cosmopolitan

The ship’s all-purpose handyman “Scottie” seems determined to fly his inner rainbow flag through the solar system. Armed with dozens of bright pink hula hoops and streamers trailing behind his go-go shorts, the chubby crew member amazes with his balance, flexibility and grace.

Opium Spiegelworld Cosmopolitan

By far my favorite sequence involved America’s Got Talent duo Christian Stoinev and Scooby. The hunky shirtless young strongman and his faithful chihuahua are so entertaining that they alone are worth the ticket price. This video clip from the performance I attended is a real treat:

Despite the seeming randomness of OPIUM’s concept, it really is cohesive…and surprisingly touching. There’s a story arc, character development, audience interaction and some pretty kick-ass music from a live band. If you’re a Freddy Mercury fan, you’ll love the Queen sing-alongs that form a framework of universal love and acceptance.

Opium Spiegelworld Cosmopolitan

OPIUM’s goal is to amuse, titillate, revolt, befuddle and entertain. Most of all, it’s about delivering the unexpected. On that OPIUM succeeds beyond your imagination. It might not reach the heights of either of its Spiegelworld relatives, but OPIUM is one schlocky sci-fi tale that deserves to run for at least a five-year mission. William Shatner would be proud.

Opium Spiegelworld Cosmopolitan

OPIUM performs nightly (except Tuesdays) at Cosmopolitan Las Vegas. Ticket are available online or at the OPIUM box office on the second level. Click here for show schedule and times. Discounts of 25% on select seats are available courtesy of our friend at VegasFool by clicking here

 

The Many Sides of Savannah Cross


Palazzo’s infectious dancer brings razzle-dazzle to BAZ: A Musical Mash-up

Ever since its humble beginnings inside a small Los Angeles nightspot, BAZ: A Musical Mash-up has boasted a fluid cast. Performers and celebrity guests regularly step into and out of six iconic and several supporting roles. They often swap characters and lines…sometimes within the same performance, making each night a unique experience.

The genre-bending BAZ musical, a creation by LA-based For The Record, recently celebrated its 500th performance inside a custom-designed venue at Palazzo Resort. Although its tradition of rotating casts continues, one performer has been there through four different dance partners. Her name is Savannah Cross…and she’s someone you’ll want to experience on your next trip to the Strip.

Savannah Cross BAZ Dancer Palazzo

Savannah grew up in Sandy, Utah, just south of Great Salt Lake. She spent her earliest years learning to dance at several studios around her home state.

I started dancing at the age of 6.  Watching my older cousin compete is really what drew me into dance.  I remember thinking to myself, this is it, this is what I want to do.  From the time I started training at 6, I just never stopped and got even more immersed into dance.

During my first couple years of dancing, I saw the movie Center Stage and fell in love.  I loved the idea that dance was something I could make a career out of and watching this movie made it all even more real.  I also loved the work, energy and sacrifice that the dancers in the movie put into this crazy art form.

During high school, the ambitious teen traveled around the country with Hollywood Connection, a company dedicated to preparing dancers for their commercial careers. Despite her young age, Savannah performed in a variety of productions that displayed skills in hip-hop, contemporary and ballroom styles.

Savannah Cross BAZ Dancer Palazzo

Savannah Cross BAZ Dancer Palazzo

After graduating from high school, the dynamic young lady enrolled at the University of Utah‘s College of Fine Arts. While there, Savannah was member of their Performing Dance Company, which gave her the opportunity to work with several famed choreographers. As a result of her hard work and the enormous potential she displayed, Savannah received the prestigious Dizzy Feet Foundation Scholarship for her 2014-2015 year.

Savannah Cross BAZ Dancer Palazzo

While less ambitious college students were spending their summers sipping margaritas on Mexican beaches, Ms. Cross was in Leeds, England, receiving intensive training at the Northern School of Contemporary Dance. And somewhere in those college years she managed to become a finalist on Paula Abdul‘s Live To Dance and appeared in a music video for singer Shaun Barrowes.

Savannah Cross BAZ Dancer Palazzo

After earning a Bachelor of Fine Arts degree in Modern Dance, Savannah became an instructor at Utah’s Elite Academy, a unique dance studio that teaches children as young as preschool age.  There she inspired other up-and-coming dancers and shared the knowledge she’d gained from an already extensive background.

Aside from dancing, I have really found a passion in teaching.  I started teaching dance when I was 18 and instantly fell in love. I was so lucky to have such incredible and diverse teachers growing up and because of this I felt very informed when I first started teaching.

Savannah Cross BAZ Dancer Palazzo

It was obvious that the girl from a small town in Utah was destined to accomplish great things. With the unending support of her loving mom…and her father as a faithful companion/escort to countless auditions, Savannah’s determination would soon pay off.

Savannah Cross BAZ Dancer Palazzo

I have the most amazing support system and especially wouldn’t be where I am today without my mom and dad. They sacrificed so much to let me follow my dreams.  Every vacation we ever took as a family was always for dance.  A large part of me sticking with this art that can be so hard and grueling is because of those two.  They never gave up on me and every second of everyday, they believed in me.

I have one sibling, a 12 year old sister named Dylann.  She is now starting to dance and train heavily and it makes my heart so happy.  Watching her flourish makes me want to be the absolute best version of myself each day.

As with so many other promising artists, Savannah Cross decided to try her luck in New York City. Although she had success there, a turn of luck would lead her to the bright lights and neon of the Las Vegas Strip.

Savannah Cross BAZ Dancer Palazzo

The innovative Los Angeles-based cabaret troupe For The Record Live was catching on like wildfire. Their musical interpretations of the film works from directors  Quentin Tarantino and John Hughes were drawing raves…and crowds. Their biggest hit so far was For the Record: BAZ, built around the scenes and music of avante-garde Aussie filmmaker Baz Luhrmann.

The production, interweaving love stories from Luhrmann’s contemporary re-imaginings of The Great Gatsby, Moulin Rouge and Romeo & Juliet was given a short stint at Mandalay Bay’s LIGHT Nightclub. Plagued by problems with the venue and its relationship with Cirque du Soleil, BAZ closed prematurely…but refused to die.

In 2016, Palazzo Resort announced a relaunch of the newly-named BAZ: Star Crossed Love. Cirque was now out of the picture and Venetian/Palazzo pledged full support of the acclaimed musical. This latest version of the long-evolving production would open with a mostly-new cast, a reworking of songs and scenes and a custom theater designed to showcase its cabaret-style roots.

What would eventually become my 2017 Best Production Show in Las Vegas was about to gain a brand-new ballroom star. This time, Savannah would be required to sing, act and play characters in addition to swirling around the stage. Here’s how she became a part of BAZ…in her own words:

I really never imagined I would be a part of a show like BAZ. Before I joined the cast, I was dancing for two contemporary companies in New York and I really thought that was my path. When I initially joined the show, I was somewhat hesitant having to sing and act, but now have come to realize that I have such a passion for the two. I do strongly believe that my background in dance and immense training that I did all over the world and in different styles, informed and directed me as a strong actor.  

Savannah Cross BAZ Dancer Palazzo

My initial start into the show was such a whirlwind! I received a phone call from a fellow dancer/friend who I hadn’t heard from in years. She started the conversation totally casual, and a few minutes into the conversation asked me if I would be interested in BAZ. I fell in love with the structure of the show and the incredible talent she described to me. Within days, I got a phone call that I was chosen for the role of Fran! I felt so incredibility lucky to be cast in the show without For the Record and the management team ever seeing me in person.

Savannah Cross BAZ Dancer Palazzo

Everything happened so quickly, with only 3 days to learn the entire show, I became the first new cast member to come into BAZ. I instantly knew that I was meant to be here doing this amazing show. As of now, Scorsese: American Crime Requiem (based on the mafia films of Martin Scorcese) is the only other For the Record show I have seen, but it absolutely blew me away!!! I saw the show in Los Angeles with some others members of BAZ and I sat there thinking to myself, how lucky am I to be part of such an insanely talented family.

Savannah Cross BAZ Dancer Palazzo

I have now had four different partners in the show and I will say that I have really been lucky with each boy. Two of the four partners are also from Utah and we actually grew up dancing together, which made the transition pretty simple. But I will say that there is an emotional toll when a partner leaves.

You end up building such a connection and relationship with each other in which you fully trust each other. I do think that it often feels like a “break up” to some extent and can take a minute to rebuild an entirely new connection with someone else.

Being able to build a connection between herself and others is definitely one of Savannah’s gifts. Whether it’s with her fellow performers, the people in the audience or her own students, Miss Cross is magnetic, energetic and completely mesmerizing.

Savannah Cross BAZ Dancer Palazzo

This writer was fortunate enough to have once been Savannah’s student…for a day. As a member of the media, I was invited to participate in BAZ Boot Camp last summer, an event that allowed members of the press to live a day as a performer at the Palazzo Theater.

Savannah Cross BAZ Dancer Palazzo

Savannah Cross BAZ Dancer Palazzo

  Savannah (center, rear) keeps a watchful eye on yours truly during rehearsal…

Despite my having two left feet and a pair of wobbly legs, Savannah and her dance partner Marcquet Hill rallied and turned us into dancers in a few short hours. Savannah’s positive reinforcement and patience were especially memorable.

Savannah Cross BAZ Dancer Palazzo

Savannah Cross BAZ Dancer Palazzo

Fortunately, the next round of students Savannah and cast mate Patrick Ortiz shared the BAZ experience with were fledgling local youth performers. During the past two years, the show’s team has partnered with Positively Arts Foundation to provide mentorship, collaboration and inspiration for students intent on pursuing a career in performance.

Savannah Cross BAZ Dancer Palazzo

The cast of BAZ also put on the Positively Arts Holiday Spectacular at the Palazzo Theater last December. Featuring more than sixty Positively Arts students, the show brought performances of seasonal songs like “Silent Night,” “All I Want for Christmas Is You,” “This Christmas,” “Carol of the Bells” and “Let There Be Peace on Earth” to the stage with all proceeds benefiting the Foundation. For Savannah, teaching and performing on the same stage is something she will no doubt always relish:

I think its beyond amazing that I get to share something I love so dearly with others and help them find their own passion within the art.  Watching my students grow is the most inspiring and informative lesson for myself.

Now that BAZ: A Musical Mash-up has surpasseded the 500th-performance mark and is about to celebrate its two-year anniversary on the Strip, it’s clear that something special is going on inside the Palazzo Theater. With people like Savannah Cross to teach, inspire and entertain, here’s hoping that she and the cast of BAZ reach for the stars with five hundred more…and beyond.

Savannah Cross BAZ Dancer Palazzo

BAZ: A Musical Mash-up performs Tuesdays through Sundays at 8 pm. Tickets start at $64 (plus taxes/fees) and can be ordered here. VegasFool is currently offering discounted seats starting at $39(plus taxes/fees). Access that offer by clicking here.

Photos: Whitney Lauren Photography, Richard Brusky, Post Productions Photography, Marc Reynolds, Abe Larmas Photography, Erik Kabik, KTNV Morning Blend, Sands Corp.

INFERNO’s Magician Goes Up In Flames


Visually-spectacular production is a victim of its own star performer…

A few years back, the handlers for Britney Spears were faced with an unusual dilemma…what to do when the star of your production is a washed-up tabloid punchline with an inexplicably-strong fan base. Their answer was simple yet effective: launch her residency with a circus of hoopla, stick her onstage with all the pyrotechnics and distractions that money could buy and hope for the best.

As fate would have it, Britney: Piece of Me was indeed an unqualified hit. The mentally-troubled pop tart flapped her arms and silently moved her lips while a small army of gorgeous dancers did the heavy lifting, both literally and figuratively. They carried her around like a mannequin accompanied by prerecorded audio tracks and propped her up in whatever area of the stage that the choreography required. Think of it as “Weekend at Bernie’s: The Musical”.

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                         Joe Labero thanks Britney Spears for her #1 idea…

The minds behind INFERNO: The Fire Spectacular (now playing at Paris Hotel Casino) seem to have taken a similar route. Their featured performer is Joe Labero, an obscure illusionist (at least to American audiences) who’s apparently a big name in Europe. He’s also a former recipient of Illusionist of the Decade. Raise your hand if you’ve heard of him.

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Labero’s version of smoke-and-mirrors distractions comes courtesy of a London pyrotechnic troupe known as The Fuel Girls. You may know them from the UK tour of rock group Fall Out Boy….or maybe not. The resultant pairing is the most uncomfortable seen on a Vegas stage since Criss Angel crawled into bed with Cirque du Soleil nearly a decade ago.

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On their own, The Fuel Girls could easily warrant their own show. Stunts, flame throwers, explosions, choreography and visual effects are all top notch. Ramped up and fleshed out, INFERNO could be to fire what Le Reve and WOW – World of Wonder are to water.

Inferno1

Alas, the show is hostage to Labero and his magic routines. The illusionist does everything he can to remain front and center, despite being the weak link. Like an annoying uncle who laughs at his own jokes then repeats the punchline a second time, Labero attempts to milk every last clap from the audience.

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Walking to the edge of the stage after each bit, Labero stretches out his arms in a “Ta Dah!” pose that he holds far too long…before dashing into the audience to repeat it in the aisles. There were frequent snickers from people seated all around me. Yes, it’s that embarrassing.

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Labero’s stage presence is hampered by a strong Swedish accent that makes it quite difficult to understand what he’s saying much of the time. Also distracting is that the 54-year-old host is frequently out of breath, heaving heavily and sweating…even in the quieter moments of the show.

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As for the illusions themselves, expect the requisite “person sliced into pieces”, sleight of hand, card tricks and people disappearing/reappearing. Two illusions that do have merit are one where Labero seems to walk right through a person stretched between two supports and another where he passes through a mirror.

Aside from that, there isn’t anything truly special about the magic acts in INFERNO: The Fire Spectacular. With the likes of David Copperfield, David Goldrake, Masters of Illusions, Criss Angel, Matt Franco and many more filling the Strip showrooms with this type of entertainment, was there really a need for another? Of course not, especially when one European import in particular is already doing it so much better (David Goldrake’s IMAGINARIUM was my choice for Best New Production of 2017).

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What makes the show worthy of your consideration are all the sequences without Labero. Pyrotechnics are always jaw-dropping in any medium, but feeling the heat, hearing the sizzle and being bombarded with loud blasts are a visceral experience. In this case, the flames are deftly used through aerial stunts, physically-demanding choreography and handling of fiery objects like batons, whips and an umbrella frame.

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Other saving graces are the elaborate production design and costumes. Stylist collaborators Georgia Richardson and Jeffrey DeBarathy (ALICE: A Steampunk Concert Fantasy) bring a distinctive “Mad Max” look to the performers that’s a perfect match for the Fuel Girls’ visuals. The character of “Animal” is clearly inspired by The Road Warrior.

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Unfortunately, Labero’s attempt to associate his magic acts with the far superior fire aspect are truly cringe-inducing. The two just do not overlap well. It’s clear that the magician has taken his existing acts and awkwardly grafted them onto this new production with wildly uneven results.

Joe frequently breaks from what he’s doing to grab a large vase on the side of the stage and dump its contents into a nearby barrel. “We need more gasoline. Lots and LOTS of GAS O LEEEEEEN!” he exclaims time after time before returning to the business at hand.

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Amidst more hushed chuckling from nearby patrons (several of whom had walked out at this point), my companion leaned in and said “Am I missing something here?”. No, my friend…it’s just the sound of another expensive Strip production going up in flames.

INFERNO: The Fire Spectacular performs Wednesday through Sunday inside the Paris Theater. Tickets start at $65.77 (plus taxes/fees) and can be ordered here.

VegasFool.com is offering a $20 discount on INFERNO by following this link. Discounts on additional shows and hotels can be combined/increased by visiting here.

Photos: INFERNO: The Fire Spectacular, Joe Labero

Cosmopolitan Gets High on “OPIUM”


Absinthe-style production brings Spiegelworld madness back to Rose.Rabbit.Lie…

“Slip through the crack in the space/time continuum for a close encounter with a spaceship of fools”.

The politics of show business are not unlike those of the world’s governments. Coalitions are forged, battle lines get drawn and sometimes old enemies become allies. That’s what happened when the 2014 spectacular Vegas Nocturne abruptly closed at the Cosmopolitan‘s Rose.Rabbit.Lie Social Club a mere seven months into its run.

It’s a genuine shame if you missed out on Vegas Nocturne. That genre-spanning production delivered an entire evening of thrills and laughter, spread out over three full-length interconnected shows.

Some of Nocturne‘s best acts, like David O’Mer‘s bathtub seduction and Sean and John‘s tap-dancing routine were integrated into Absinthe. Other breakout performers like Piff the Magic Dragon and beatbox singer Butterscotch moved onto their own fame as well.

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       Vegas Nocturne’s “Bathtub Boy” now shares his excitement at Caesars…

Vegas Nocturne‘s sudden closure led to legal battles that continued for years. Things got more complicated when it was announced that Caesars‘ hit show Absinthe would be moving into the performance space once occupied by Nocturne. Again, the big guns came out…and after a few volleys and threats, Absinthe stayed put (leaving the Rose.Rabbit.Lie theater empty for yet another year).

This month, all those differences have been put aside. A brand new variety show is about to launch in that sadly-neglected space. It’s called OPIUM…and it promises to be as crazy and off-the-wall as those other two naughty spawn of their Spiegelworld parents.

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Last week, Spiegelworld held a cast reveal and teaser performance under the Cosmo’s Chandelier Bar. Emceed by “Harry M. Howie”,  the supposed creator of OPIUM (and a fictitious character a la Absinthe’s “The Gazillionaire”), the official Arrival Ceremony was comically timed to overshadow the opening ceremonies of the 2018 Winter Olympics.

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Howie, looking nervous and disheveled in a tacky suit, spoke from a cheap portable PA system in front of a folding table adorned with lunchbox packs of Jell-o and a gallon jar of Costco Cheez Balls. He was eager to unveil the final artwork for his long-dreamed-of Sin City project.

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“You make a poster and everything else pretty much falls into place” Harry stated with the arrogance of a seasoned Vegas producer. One might say that his confidence fluctuated as wildly as the authenticity of his Australian accent. With one quick tug, the veil was lifted on the official poster…and the drums started to play.

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As various characters entered the Cosmo casino from all directions, the crowd began to thicken. A sax player belted out notes on the descending escalator. Towering interstellar God (and costume designer) Machine Dazzle made a grand entrance by way of the Chandelier Bar‘s glass elevator. They all came together to give the curious spectators a peek at OPIUM, which opens next month.

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What happened next was hard to explain. The cast performed a rhythmic number backed by bongos and carrying pyramid-shaped props from which they extracted a change of costumes. Utilizing folding lawn chairs, suitcases, confetti and LOTS of aluminum foil, the OPIUM performers shared their home galaxy’s avant garde brand of music and dance:

It’s clear from the video clip above that OPIUM will be anything but ordinary. One can only hope that the new show will bring the same level of enchantment that Vegas Nocturne did when it first graced the Rose.Rabbit.Lie stage.

Although shrouded in mystery, OPIUM is already more forthcoming than Nocturne ever was. That ill-fated production asked members of the media not to reveal very much in hopes that guests would discover it on their own. Even my VegasChatter review, which spared held back most of the details, was heavily edited to blot out additional specifics. That over-reliance on secrecy, IMO, is what led to consumer confusion…and ultimately the untimely closure.

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In addition to the teaser performance last week, the folks at Spiegelworld have offered this formal synopisis of OPIUM:

Journey on a trip to a new dimension of entertainment with OPIUM, the new show at The Cosmopolitan of Las Vegas from the creators of ABSINTHE. What is OPIUM? It’s fast, funny and funky. Completely off the planet. Remember the good old days when you sauntered into a Las Vegas showroom, martini in hand, while a pack of comedians and crooners bantered in front of the house band? Even if you do, one thing’s for certain: it didn’t look like this. Slip through the crack in the space/time continuum for a close encounter with a spaceship of fools.

They’ve also uploaded this peculiar featurette onto YouTube. I recommend jumping to the actual promo video which begins at the 2:18 mark:

So if your senses…and your curiosity…are prepared to be heightened, take a hit of OPIUM. I’ll be checking it out myself soon and will report back with a detailed review.

Preview performances for Spiegelworld’s OPIUM begin March 13, 2018 at Cosmopolitan’s Rose.Rabbit.Lie. Tickets are on sale now at Spiegelworld.com or by calling 1-866-973-9611. Use code VEGAS at checkout to receive the amazing price of $30 (plus taxes/fees) while offer lasts.

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Photos: Kirvin Doak, Erik Kabik, Spiegelworld

Palazzo Surprises Guests On “National Plan For Vacation Day”


Movement encourages Americans to schedule their vacations and enjoy well-deserved fun…

Yes, I know what you’re thinking – “Sammasseur really loves Palazzo Resort. Blah blah blah”. And you’d be fair to say so. It’s true that I continue to crow about Palazzo‘s virtues (like Best Luxury Resort and Best Overall ShowBAZ Musical Mash-up). But since we’re in a time when so many Vegas properties continually find new ways to stick it to their customers, Venetian’s sister hotel does the opposite by giving back.

Palazzo National Plan For Vacation Day

Earlier this week, BAZ star Ruby Lewis posted a cute and clever video wherein she surprised Rosina Lounge bartender Sarah by taking over her shift. She then shocked two of Sarah’s guests with a complete Vegas vacation package.

Palazzo National Plan For Vacation Day

The unexpected award included round-trip airfare via Allegiant Air, a suite at Palazzo, tickets to BAZ Musical Mash-up and cocktails at Rosina Lounge. While the beginning of the clip seems somewhat scripted, the facial expressions of the recipients are anything but…

Palazzo National Plan For Vacation Day

The purpose of this clip…and the “holiday” that inspired it…is to bring attention to an growing trend among Americans. And that is the wasting of paid vacation time…an estimated 659 million days each year. An alarming 54 percent of us don’t collect on the R & R we’re entitled to, and that’s harmful in more ways than you’d think.

In today’s uncertain economy, many workers are hesitant to take time off, perhaps fearful that the well-entitled indulgence will cost them more than it’s worth. Sadly, that decision backfires in many ways. Not only does work fatigue damage both productivity and morale, but the economy loses approximately $236 billion each year in vacation spending.

Palazzo National Plan For Vacation Day

That’s why the organization Project: Time Off was created. They’re spearheading a movement to address this silent epidemic of self-neglect, as so eloquently stated on their “About Us” page:

We aim to shift culture so that taking time off is understood as essential to personal well-being, professional success, business performance, and economic expansion.​

To that end, January 30th has been declared National Plan For Vacation Day. It has been shown that workers who actively and deliberately schedule upcoming vacations in advance are less likely to make excuses for skipping them. 2017’s NPFV Day was the very first, yet more than 600 organizations in all 50 states participated.

Palazzo National Plan For Vacation Day

This year’s NPFV Day was even larger with major players in the tourist industry hopping on board. Naturally, everyone wants a piece of the pie, but what better place to let off some steam than Las Vegas?

Palazzo National Plan For Vacation Day

Palazzo and Venetian have a long history of community service efforts and often show support for worthy causes. You’ll frequently see the colors of their signage and marquees changed to support awareness (World Heart Day, Domestic Violence Awareness Month, Breast Cancer Awareness) or darkened altogether for the annual World Wildlife Fund Earth Hour.

Venetian/Palazzo team members also do their part to help the world’s communities. To date they have assembled and shipped out about a half-million hygiene kits to support Clean the World. That organization’s mission is to promote good health and well-being around the globe through improved access to soap and other hygiene products.

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Myself with BAZ star Ron Remke and “Morning Blend” host Jennifer Jean Snyder…

That cast of BAZ: A Musical Mash-up reaches out to the community through the magic of song and dance. In addition to giving performance lessons to members of the media and clumsy bloggers like myself (BAZ Boot Camp), they’ve welcomed local children to participate in a day with the cast. The event is part of the Positively Arts Foundation, a local nonprofit dedicated to using the arts to empower, inspire and heal.

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Palazzo National Plan For Vacation Day

  BAZ stars Savannah Cross and Patrick Ortiz put children through the paces…

Ruby Lewis, the show’s resident “Daisy”, released a holiday single to raise funds for Alzheimers research. In October, she and her fellow cast mates formed “Team BAZ” for the Las Vegas Walk to End Alzheimers. It’s the largest such event dedicated to fighting the dreaded disease. Each performer dedicated their efforts to someone…for Ruby, it was her grandmother.

Palazzo National Plan For Vacation Day

In December, my best friend and I were lucky enough to be in attendance at BAZ when they were collecting donations for Broadway Cares/Equity Fights AIDS. Our donation nabbed us a couple of autographed posters and photos with some of the cast. Overall donations exceeded $11,000.00 in the two weeks leading up to Christmas.

As you can tell, I’m extremely enamored of the people in front of and behind the scenes…those who tirelessly work, create, support and go beyond to make Palazzo a very special place.

As other hotel casinos on the Strip find new ways to gouge their guests and claw every last cent out of your wallet, the team at Venetian/Palazzo go down a very different path. This is one of the many reasons why I consider Palazzo to be the “Best Luxury Resort” in Las Vegas. You can read more about the how’s and why’s by clicking here.

Palazzo National Plan For Vacation Day

And don’t forget to schedule your vacation soon. If you don’t, Ruby Lewis just might show up at your workplace to remind you…and maybe even give you the night off…

Palazzo National Plan For Vacation Day

BAZ: A Musical Mash-up performs Tuesday through Sunday at 7pm. Tickets are available here.

Photos: Sammasseur, Venetian/Palazzo, Ryan Lyons