New male revue features pedigree talent, chiseled abs…and one sizzling lady…
With nearly every major production already re-opened or slated to, it’s inconceivable that world-famous Chippendales male revue was recently evicted from Rio Las Vegas. In the past few months, a reborn Thunder From Down Under has gained steam, Aussie Heat continues to pack Mosaic Theater, and the awful Magic Mike Live‘s relaunch at Sahara Hotel is now scheduled for August (several false starts later).
While Chippendales searches for a new home, some cast members have scattered to parts unknown or taken non-entertainment roles. But at least three of the cuffs-and-collar crew are back onstage in a fledgling male revue called ROCK CANDY.
ROCK CANDY has taken a clever casting route by filling its recipe with laid-off performers from major shows like Le Reve and Cirque du Soleil productions. There’s also a heaping helping of AUSSIE HEAT with a few sprinkles of Thunder. Add a dash of one sexy lady and you’ve got a colorful display of morsels that is worth digging into with both hands and your teeth.
Rock Candy Male Revue is an intimate fantasy journey through the mind of your hostess, Rosa. This is not your typical Male revue, where the men think they know how to fulfill every woman’s fantasy. Rock Candy will entice your mind and stimulate your senses from a female perspective, as Rosa directs the dancers like her muses to bend to her will and desires. Every performance is different, while Rosa’s mind wanders from voyeuristic fantasies, uniformed dreams, and even a bit of bondage play. The Rock Candy dancers are Rosa’s playthings as she daydreams the night away.
Rosa Agius – Your Host
The big-budget Magic Mike Live could learn a few lessons from ROCK CANDY. Foremost is how to have a female host that doesn’t run interference between the guys and the audience. Mike‘s shrill emcee yanks you out of the fun with her incessant blather, but Rosa Agius serves as the perfect tour guide.
This super-sexy dancer/actress/choreographer/entrepreneur explores a variety of scenarios that draw you so deep, deep, deep into fantasy land that you just might need a towel.
Sydney-born Rosa is one of the most ambitious entertainers in the city. Besides performing in ROCK CANDY, she runs her own apparel/furnishings company (Aussie Allure), operates an entertainment production company and is a VIP hostess at The Garden, the hunk-packed nightspot I told you about in this article.
Rosa probably has her lovely hands in even more enterprises, but thinking about it has made me exhausted. So let’s just enjoy a few of her fabulous photos before proceeding onto the men.
You can see more of Rosa Agius by following her Instagram page here.
Now let’s taste a few delicious samples from the extensive selection at ROCK CANDY. Keep in mind that the large cast rotates from performance to performance….so you’ll want to dig into the candy bowl more than once.
Miguel Rivera Laureano –
When dancer Miguel Rivera Laureano made the move from Le Reve to Chippendales, his new employers couldn’t have been more pleased. “We’ve been trying for about two years to get him”, one of them confessed to me. And who could blame them for wanting to land this level of smoldering talent? Miguel is as good of a dancer as they come, and his looks and physique made him the perfect match for their cast.
Seeing Miguel back onstage at Rock Candy this past week was a pleasant surprise. I’ve been an admirer of his for a long time (Le Reve was my favorite production until the pandemic forced its closure). I can’t say if he’ll return to Chippendales when they reopen, but he’s a terrific fit for RockCandy, too. And…why wait for “then” when you can see him RIGHT NOW!
If you’re into Latin lovers, then one scorching Miguel is never enough. ROCK CANDY serves up two hot tamales with the casting of Miguel Reyes Santiago. Be careful not to confuse them, as Santiago was in the Le Reve cast, too. He’s also been in Cirque du Soleil‘s MJ One and Vegas! The Show. So while other male revues are more about the looks, Santiago’s resume proves that the studs of ROCK CANDY can really dance!
Mr. Santiago’s manly chest and rippling abs are the product of hours of training. An avid cross-fit participant, he recently traveled to Tulum, Mexico, where he gave their famous “Jungle Gym” a try. Shirtless, of course. We wouldn’t have it any other way.
If you’re a follower of local Vegas bands, chances are that you’ve seen Ryan Kelsey behind the guitar. A born entertainer with show business in his blood, Kelsey plays venues of all sizes. He’s also a consummate dancer, having progressed from Chippendales swing performer and calendar model to their official Dance Captain.
As is the case with Miguel Rivera Laureano, the handsome musician joined the cast of ROCK CANDY while Chippendales loyalists await the verdict on when, where, or if the original male revue will return. In the meantime, Kelsey is tantalizing audiences at Alexis Park Resort every weekend. His fans will undoubtedly follow him there. And you can follow Ryan via Instagram by visiting this page.
Antonio GrandA manzano –
Young Cuban Antonio Granda Manzano is another one of those handsome hardbodies that you’ve seen all over town. You might not know his name, but it’s hard to miss his memorable features on billboards and ad campaigns for The STRAT hotel, Passion libido spray (say what?), Navi Collection swimwear and INMEX eyewear.
An international entertainer who’s been all over the world, the singer/dancer/actor has been in numerous stage productions, TV commercials and films. Antonio is also a horror movie enthusiast who spends many evenings attending the fright fests at West Wind Las Vegas Drive-in Theater. And he somehow finds the time to pick up extra cash as one of the hot staff at The Garden, along with his dear friend Rosa Agius (see above).
Get to know Antonio a little better by stalking visiting him on Instagram via this link.
Jeffrey Garrovillo –
Every class has a clown. And every group of guys has the “bad boy”. Jeffrey Garrovillo fulfills both roles in ROCK CANDY. As outlandish as he is naughty, the seasoned entertainer sports a physique as memorable as his distinctive hair style.
Jeffrey is as home in the water as he is onstage, being both an experienced technician for “O” at Cirque du Soleil and a former man of Chippendales (yes, another one!). If you want to how this sexy stud got that slamming body, then ask Teresa Van. She’s the owner of ENVY Training, which I profiled here. Jeffrey is a trainer at ENVY and excels at kickboxing, which explains his supple abs and impressive flexibility.
If you’d like to dive a little deeper into Jeffrey Garrovillo, then check him out on Instagram right here.
Nino Anthony SMith –
He’s a stunning dancer. An actor. A stuntman. A teacher. A host. He’s Nino Anthony Smith, the multi-hyphenate action man of ROCK CANDY. Nino might come across as a little intense, especially with his steely gaze. But once he smiles, you’ll see the little kitten behind Nino’s panther-like facade.
Speaking of panthers, word has it that Mr. Smith was part of the large cast of Marvel‘s mega-hit BLACK PANTHER. How’s that for an impressive entry on the resume? He’s also a big fan of horror films. One of his favorite actresses is Lisa Wilcox (A Nightmare On Elm Street 4 and 5), who happens to be the manager of The 35 Cinema right here in Las Vegas. And Nino has delved into the horror genre himself, playing the undead in a recent zombie flick.
If you want to see Nino Anthony Smith very much alive and up close, get your tickets to ROCK CANDY. And you can follow his latest activities on Instagram.
ROCK CANDY performs Friday through Sunday at 8pm inside Alexis Park Resort at 375 East Harmon Avenue. Audiences members must be 21 or over. Tickets start at $59.95 via the official website, but you can save up to 25% by ordering via BestofVegas.com. right here.
Photos: ROCK CANDY cast and show social media, Levi Walker and Noel Dahl. Photographers are credited at those sites.
The Sin City you knew and loved has gone a little bit “Mad Max” and a whole lotta “Resident Evil: Extinction”…
Wynn Las Vegas is putting new security measures in place on weekends, requiring customers to be screened for metal objects and putting more uniformed officers in place.
The moves follow a fight on Labor Day Weekend that prompted an aggressive lawsuit by Wynn, and problems at other properties on the Las Vegas Strip that included shootings recently. Metro Police say they have noticed an uptick in violence at or near Las Vegas Strip properties since August, which has already led to more than 1,100 arrests.
Back in October 2018, I penned a piece announcing my transition from “Vegas visitor” to “Sin City local”. In that article, I promised to continue writing from the perspective of a tourist, while peppering in the additional tips I’d absorb as a resident along the way.
Since then, a lot has changed. You’re about to read what may be the final entry in this blog. Only time will tell. Keep in mind that the name of this site is “Vegas Unfiltered”. You might not like what you’re about to read, but quite often, the truth is ugly. And that’s the state of Las Vegas right now. Very ugly.
It’s often said that art imitates life….and vice versa. So when I looked towards the entertainment world for a representation of Las Vegas circa “summer 2020”, I found myself inside the dystopian setting of “Resident Evil: Extinction“. You’re probably familiar with that particular film, and if you aren’t, the description might seem uncomfortably familiar.
Based on popular video games and third in a series of movie adaptations, “Resident Evil: Extinction” depicts a post-pandemic Las Vegas in which our iconic hotels and casinos are overrun with hoards of the infected. The Strip is a wasteland, and those who survived the global pandemic become victims of bloody violence.
Factor in “Mad Max”-style high speed police chases along with the new phenomenon of ¨scooter gangs¨ in place of outlaw bikers…and you’ve got an post-apocalypse double feature that none of us could have imagined witnessing during our lifetime.
Does that seem dramatic and exaggerated? Well, perhaps you should follow Vegas news more often. Sin City has indeed become a seedy, violent place to visit. Since the shaky reopening of the Strip, downtown and surrounding areas, the shootings, muggings, murders, suicides, protests, riots and brawls have become rather routine. Sounds like the perfect vacation spot, doesn’t it? Just bring your bulletproof vest and join in on the fun.
Grim business prognosis from 8NewsNow published 9/21/20
Sights like this were common just a few short months ago…
The seeds of chaos were planted in May
Las Vegas Metropolitan Captain James LaRochelle told ABC News on 6/24/20 that the department saw an increase in crime starting late the previous month.
“Three weeks ago, we had a really bad week, with 11 murders in 10 days. Some of those were domestic violence-related. Our gang murders are about 22% of our homicides, and our rate of solving those is a bit lower. At one point in April we had solved 100% of our murders, and now we’re at about 80%,” LaRochelle told the outlet. “We’re still slightly down in violent crime year-to-date, but lately we are seeing an uptick and it is a concern.”
Police chase on Las Vegas Boulevard, Labor Day weekend 9/5/20
When the first restrictions were rolled back and chains were cut from casino doors, I penned a series of articles detailing the efforts to lure tourists back. From new sanitation protocols to removal of parking fees, I assured readers that Vegas was ready and waiting for you. In retrospect, that was a foolishly optimistic stance.
Brawl at Encore 9/6/20 (Labor Day weekend)
Getting here is one tough battle
If you plan on visiting in the coming weeks or months, prepare for a very nerve-wracking experience. It begins at your local airport, where restrictions and measures will make everything from going through security to sitting at the gate and your actual flight anything but pleasant.
Chances are that you already had a rough time booking your trip, as airlines are bleeding cash and have slashed the number of daily flights into and out of the city. Along with limited options, expect an increased likelihood of delays and cancellations, too.
You’ll be required to wear a mask from the time you enter your departure point until you actually breathe Nevada air…it’s not a negotiable matter. You can say goodbye to having an in-flight cocktail to set the mood, and forget about even having a soft drink unless you buy a bottle at the pricey terminal newsstand. In an effort to minimize contact, flight attendants will mostly remain at the front and rear of the plane. You’ll get a cup of water and perhaps a bag of crackers…also known as “prison rations”.
You won’t know if the flight attendants and gate agents are smiling behind those masks. They certainly don’t want to be in an enclosed space with potentially infected passengers, but they’ve got to make a living. So shut up, avoid your neighbors, follow the lengthy list of rules, deal with the lack of in-flight amenities and sit still until the plane comes to a complete stop.
It may be a long time before McCarran International Airport is thriving again…
Things are beginning to look bleak
Once you disembark, the airport will provide a depressing first impression, with closed restaurants and bars, darkened slot machines and minimal available services. Due do decreased demand, you may deplane in a different terminal than usual, requiring a shuttle bus, tram or lengthy walk to pick up your baggage.
Most local UBER and LYFT drivers have given up servicing the airport, so anticipate a wait time of 30 minutes or so for a pickup. Tempers are short and I’ve witnessed multiple arguments in the terminals and at pick-up areas. Are you happy to be here yet?
When you arrive at the hotel, you’ll have your body temperature scanned by one of a variety of different methods, walk through a maze of stanchions to get to the few human beings behind the reception desk, or opt to check yourself in via an automated kiosk. The goal once again is to limit human contact in a city once known for its heightened hospitality. And keep that mask on at all times…unless you’re smoking, of course. Then it’s okay.
First class service is a thing of the past
After standing in line to pick up your room key, you’ll most likely stand in another line to use the elevator. Most resorts are restricting the number of persons allowed on each trip, yet they’ve closed off certain areas of the hotel to maximize efficiency during decreased occupancy. So you’re all going to the same floors in the same tower while being instructed to practice social distancing and not crowd into the elevators together. Did you follow that?
Take note that, just like the airlines, Vegas hotels and casinos are operating at a loss. They’ve cut their workforce tremendously, so services are minimal and not always offered in a pleasant manner. Those who remain employed are severely overworked and under a great deal of stress.
South Point Casino 8/30/20
Are you the kind of person who likes to have your hotel room serviced on a daily basis? Most travelers do…it’s nice to have someone else fix the bed, replace the towels and wipe down sinks and countertops. Well, not in today’s Vegas. It’s now standard for housekeeping to only do their tasks when you completely check out.
Need towels or supplies? Leave a message with housekeeping, and if you’re lucky, what you requested may eventually be hanging from the knob outside your door. Is your trash can full? Bag it up and leave it in the hallway with everyone else’s. There’s no room service if you wish to have breakfast in bed or splurge on a midnight snack. Doesn’t this all sound lovely?
MGM Resorts recently announced the layoff of an additional 18,000 workers. That’s on top of the thousands that they’ve already let go. So yes, that associate you’re engaging with is happy to have a job, but that’s the extent of their joy. Don’t hint for an upgrade…they aren’t in the mood to hear about your birthday while they’re wondering if or when they’ll get the ax.
Popular hotels like The Palms, Rio, The Cromwell, Planet Hollywood, The Linq, Tropicana, Main Street Station, and Park MGM continue to remain dark. Others have reduced operating hours, closed restaurants and buffets (Wynn already shut down their buffet after re-opening it in June), scaled back gaming options, eliminated valet service, and closed pools, spas, salons, fitness facilities, player’s club lounges, and more. You’re still on the hook for the full price of resort fees, despite the removal of most amenities.
The once-popular Wynn Buffet during peak lunch period on Saturday 8/16/20
Low down and dirty
Maintenance at most Strip hotels, with the notable exceptions of Wynn and Westgate, has been downright disheartening. Common areas and guestrooms are receiving poor to indifferent upkeep, despite the PR crap they’ve been shoveling. Hotels may be promising “Clean and Safe” but the puddles of dried urine/vomit, dirty rooms, grungy common areas and filthy parking garages tell a different story. Once again, cost-cutting and workforce reduction are to blame.
Guests returning to Flamingo Hotel Casino during reopening week were greeted with filth and disarray…
Glitz and glamour have been replaced with crime, decay and neglect.
If you decide to venture out, know that Las Vegas Boulevard is a mess. As usual, outdoor escalators are out of commission despite months of opportunity to repair them during the shutdown. Sidewalks and overhead walkways are filthy, too. The homeless problem has grown, so you’ll be dodging a lot more beggars than in the past.
One place that doesn’t seem to be suffering economic loss is Fremont Street. Nevertheless, the nightly street party is a COVID-friendly petri dish of overcrowding, gang bangers, hot heads, and anti-maskers. Going there on a weekend evening is literally taking your life into your own hands.
Labor day Anarchy as crowds go “Mad Max”
Check out this shocking video from Friday night, 9/4/20 (Labor Day Weekend). Take note of the pair of Las Vegas Metro police officers at 00:11 to 00:17, strolling through the crowd without masks. Apparently it’s optional for them to wear face coverings but not for you. So why aren’t they stopping the violators they see in every direction?
Public video posted to Facebook by Martin Laursen has gone viral…
After a Labor Day weekend filled with violence and brawls, Las Vegas Metropolitan Police Captain Patricia Spencer held a press conference at the “Welcome to Las Vegas” sign on Tuesday 9/8/20. She declared “We understand that our neighboring states all have COVID restrictions and the residents are looking for places to go and be entertained and get out. However, we cannot tolerate the violence.”
“There were numerous fights that took place with large amounts of people in various Strip properties,” Spencer continued. “For those people who are coming here to have fun and take part in the festivities and the entertainment here, we welcome you. For those of you who are coming here to prey on the tourists or residents of this community, it will not be tolerated.”
Here’s another video from Labor Day weekend on Fremont Street, capturing the tail end of a confrontation between the crowd and law enforcement. Why would you subject yourself to this kind of atmosphere?
Public video posted to Facebook by Martin Laursen…
Despite thousands of empty hotel rooms, abandoned hotel towers, and a vacant new stadium, massive construction projects continue…
Room rates have been slashed, so people who couldn’t normally afford high-end hotels are taking advantage of once-in-a-lifetime bargains. What does that mean to you? The luxurious experience you may have once enjoyed has now gone “ghetto”.
Wynn Resorts Ltd. spokesman Michael Weaver said the company is increasing its room rates and investment in its security workforce and procedures after a fight broke out at Encore over the weekend. The company has no record of injuries from the incident.
Weaver said the changes are being made to ensure Wynn’s two Las Vegas properties, Wynn Las Vegas and Encore, “maintain the guest experience standards for which (they) are known.” Las Vegas Review-Journal 9/8/20
Brawling at Wynn/Encore 9/6/20 (public photo posted to Facebook by Martin Laursen)
Vulgar, obnoxious, and violent behavior are prevalent around the clock. Both the police force and private security officers have their hands full dealing with anti-maskers, fights, street racing, protests, on-property marijuana use (prohibited by law) and additional crimes.
Downtown and the Strip saw their share of protests and riots this spring…
Why bother coming when there’s nothing to do but brawl?
If you can look past all of the above in hopes of “getting your Vegas on”, what’s left to do? Well, right now there are no nightclubs, day clubs or casino bars. There are a few scattered deejays, no karaoke and minimal live entertainment. Dancing is strictly prohibited (I’m not sure if you’re allowed to quietly hum the theme from “Footloose”, though). You might catch a lounge singer here and there, or perhaps some “Streetmosphere” performers at Venetian/Palazzo. That’s about it.
On and around Las Vegas Blvd 10 am on Tuesday 9/22/20. It’s a ghost town.
There are no production shows, no headliners, no topless revues, no singing gondoliers, and no magicians or comedians. Cirque du Soleil has gone bankrupt, Human Nature and Blue Man Group have left the building, and Wynn’sLe Reve has sunk to the bottom of the pool. Every single stripper joint is out of commission, and prostitution is still illegal here, too. I’ll ask again….are you having fun yet?
Update 9/23/20 – Nevada’s governor lifted restrictions on bars effective Monday 9/21/20. I ventured out the following evening for happy hour at a Palazzo eatery, then a nearby local tavern during the first Raiders home game. I was expecting a healthy turnout, yet both places were nearly empty. See below.
Entertainers bite the wrong hand
If you’ve followed this column for any length of time, you know that I have a soft spot for the entertainment community. I’ve hyped individual performers, new shows, revisions, special events, and pop-up appearances. Charity efforts, openings, profiles pieces, sexy celebrities, and passion projects have made up the bulk of Vegas Unfiltered Blog.
In an effort to assist the return of live entertainment, last week I contacted dozens of entertainers and requested that they record a 30-second video plea to Governor Sisolak to eliminate restrictions on live performances. I volunteered to gather and forward them to the Governor. After all, if movie theaters and water parks can reopen, why not production shows? But it would seem that many entertainers would rather eat their own tails than use their voices to make a difference.
In this age of selfies and TikTok videos, turning one’s phone into a tool for self-preservation should seem like a no-brainer. What I got instead was an avalanche of negativity, mockery, apathy and downright hostility from a number of entertainers. To say that I was shocked would be mild, especially after years of selflessly supporting them. I’m still reeling from the pain.
“You aren’t an entertainer…stay out of it”. “Are you crazy, suggesting that I go back to work? You’re telling me to put my life at risk!”. “I’m busy right now, let me think about it”. “I don’t appreciate being put in this position”. “I can’t take a political stance…it might jeopardize my job”. Oh, you mean the job that left you high and dry without unemployment compensation? The one that might never actually return while you sit on your ass getting fat? Yeah, that one.
Where am I going with this particular tangent? Well, the response I got was a punch to the throat, and quite indicative of the ugliness that has pervaded Sin City…and the nation as a whole. The amount of negativity around us is off the charts, but especially here, where there is little hope of things returning to normal anytime soon.
Considering all of the lost jobs, closed businesses and violence in the streets and neighborhoods, it’s completely understandable for people to feel this way. But would I recommended coming here for a vacation at this time? Absolutely not.
After recovering from the 10/1 mass shooting, 9/11 attacks, and 2008’s economic crisis, COVID-19 may be what finally causes Las Vegas to topple…
Consider sitting out the next couple of rounds
This city can no longer deliver any of the excesses that it’s famous for. Carefree revelry doesn’t have a place in a COVID-impacted society, and today’s Vegas offers nothing that you can’t get somewhere else. After spending the better part of a decade encouraging you to come here, I can no longer do that in good conscience.
Las Vegas isn’t worth your time, the inconvenience, the expense, or the risk to your health and safety. For now, it’s better for you to just stay home and wait it out.
Update 9/11/11 – in an effort to reduce the amount of violence on their properties, Wynn Resorts has filed an agressive and daring lawsuit. They’ve also vowed to increase their security force and have committed to raising room rates to discourage bad apples.
In a 9/9/20 interview with Las Vegas Review-Journal, CDC Consulting Vice-president Greg Mullen stated “Several of our higher-end profile clients say their high-end guests are done coming until this is under control. They’re scared to walk outside their rooms, and don’t feel safe on elevators or on the casino floors themselves. It’s a bad look. … You can really, severely, put a tarnish on Las Vegas.”
Vegas Unfiltered Blog will be taking an indefinite break. If and when there is a reason to put Sin City back on your to-do list, you might see this site return. Until then…stay safe, stay smart and be well.
The most-loved production show in Las Vegas announces its closure due to COVID-19.
The word “devastated” took on a whole new meaning at 4pm today when the cast and crew of “Le Reve” received word that the show was permanently shuttering. I’ve gotten an avalanche of texts and messages from friends and colleagues who know what this show means to the city of Las Vegas…and to myself personally.
While I allow this news to digest this evening (and mourn the loss of my favorite show), I’ll leave you with this article that I penned for VegasChatter.com in January of 2014. Be safe, stay strong, and be smart.
Click here to read (archived articles may take longer to load).
Six and a half years ago I wrote what would be one of my favorite articles and THE BEST EXPERIENCE I’ve had in this city. Farewell, Le Reve. You’ve earned a place in Vegas history that time will never erase, and I thank each and every person involved for creating one of the most beautiful productions Las Vegas will ever see.
Cover photo courtesy of Alexander Stabler, performer at “Le Reve – The Dream”
The rebirth of Las Vegas was stillborn, and it’ll be years before this city is relevant again.
Update 8/16/20 – Well, here we are five months later and things are worse than they’ve ever been. Aside from the rollback of parking fees on the Strip, the corporations have learned ZERO about luring people back. There are still the exorbitant resort fees, $20 cocktails and nickel-and-diming practices.
Tourists have been hit with COVID-19 surcharges, mask and temperature-scan requirements, limited dining options, no live entertainment and darkened storefronts. Major casinos remain dark, thousands of staff members have been let go and even McCarran Airport has laid off almost a thousand employees.
Cirque du Soleil has filed for bankruptcy, Wynn has closed down Le Reve permanently, Human Nature tossed in the towel, and the Blue Man Group has been given their walking paper. I’d be hard-pressed to encourage people to visit Las Vegas for the foreseeable future. There’s nothing here that you can’t get elsewhere cheaper/faster/easier. If that sounds like a downer, of course it is. But if you were expecting rosy bullshit from a site named “Vegas Unfiltered”, you were mistaken.
The rebirth of Las Vegas was stillborn, and it’ll be years before this city is relevant again.
UPDATE 5/19/20 – It appears that SOMEBODY has been listening to all of us who have urged the major resort chains to make changes. MGM Resorts and Cosmopolitan have announced that they’re dropping parking fees. As VitalVegas.com reported, Caesars had no choice but to do the same. Unfortunately, nothing has been done about resort fees. In fact, Cosmopolitan will be raising theirs from $39 per day to $45.
Venetian/Palazzo is slated to unlock their doors on June 1st. The giant resort has launched a program called “Share the LOVE” and they’re showing their appreciation with an offer geared towards essential workers. MGM and Westgate have publicized their sanitation protocols, which I’ve elaborated on here and here.
Sadly, there have been major layoffs during the interim, and some casinos have decided to label themselves as “Permanently Closed”, allowing for the termination of thousands of employees without recourse or compensation. Among them are The Palms, Fiesta Henderson, Texas Station and Rampart casinos (read more here).
So….it’s a mixed bag at this point. One victory. one stalemate…and plenty of casualties. But everything remains in flux, with major announcements arriving in my email nearly daily. As hotels ramp up their reopening plans, it is in your best interest as a customer to investigate the best deals, best prices and best overall plan before you decide to return to Sin City. Good luck and have fun…..we’re (kind of) back!
On March 17th, 2020, Governor Steve Sisolak shut down the City of Las Vegas, along with the rest of the state, for a minimum of thirty days. In order to slow the rampant spread of COVID-19 aka “Corona Virus”, all non-essential businesses were ordered to shutter. This included bars, hotels, casinos, indoor-dining restaurants, gyms, spas, salons, movie theaters, shows, most stores, parks, recreational attractions and much more.
Caesars Palace Forum Shops and Bellagio….both empty…
Thousands upon thousands of people are currently out of work (myself included). Very few are receiving compensation from their employers during this dark period, leaving homes and families at risk for multiple hardships. Can a town that’s already endured major drops in tourism due to 9/11, 2008’s economic collapse and the 10/1/17 massacre rebound from yet another cataclysm?
The party is over on Fremont Street…at least for the time being…
An insider source requesting anonymity sent these astonishing photos…
Will the stuffed suits in powerful boardrooms learn from their own mistakes…ones that were already dragging our tourist industry downward? What can be done to lure people back…and will we see a return to the perception of Las Vegas as a value destination? One can only hope.
A darkened Wynn/Encore offers hope to the remaining few passers-by…
The days leading up to the Governor’s declaration were filled with unbearable tension. Grocery store shelves were plundered as major Strip productions shuttered one by one. Next came the closing of buffets and restaurants, then entire hotels and casinos. Working parents suddenly had to figure out what to do with their children when all schools closed down this week.
Town Square near McCarran Airport is a ghost town…
As in other cities around the world, mundane activities like getting a haircut or meeting friends for lunch are no longer part of our lives. Everything has changed in just a matter of days. Once it became clear that this was our new normal, a friend and I entered “survival mode”. I was just laid off from two regular writing gigs (supposedly temporarily, but who knows?) and he needed a place to live, so now I have someone to share expenses with…and lean on at the same time.
Having resided for 14 years in hurricane-prone South Florida, this writer was used to disaster preparation as a routine activity. Stock the pantry, refill prescriptions, get extra pet food and litter, withdraw cash from the ATM, gas up the vehicles and charge everything that uses a battery. Then comes more drastic steps like buying plywood to board up the windows, checking/replacing fire extinguishers and having weapons on hand in case violence ensues.
All of this may sound drastic or even dramatic, but let’s face it…if people trample each other for a TV on Black Friday, what would they do when food and supplies run out? The answer isn’t an easy one.
Despite the seriousness of the situation, many have been working hard to maintain hope…and a sense of humor. Facebook has been a great outlet for people to offer assistance, share their talents and keep each others’ spirits high. Cirque du Soleil performer Alberto Del Campo (read about him HERE) is hosting free online pole fitness classes.
Talented spouses MaKenzie Fly (Sex Tips) and Colin Cahill (Atomic Saloon Show) have created “Mak and The Cheese” a Facebook page featuring witty songs and skits inspired by the “virus hiatus.” And yours truly hosted a “Sexy Apocalypse Party” at Palms Place, where shirts were optional (this is Sin City, after all).
As we locals ride out the long month ahead in our own unique ways, it’s clear that we’ll come out on the other side as very changed people. Thousands will undoubtedly remain unemployed. Homes will be lost and crime rates will rise. Many businesses will most certainly close for good.
The Bronx Wanderers toast their final performance…for now…
Entertainment offerings may no longer be the flashy, expensive productions (like Cirque du Soleil’s R.U.N) that have recently racked up millions in losses. Virgin Hotel (the former Hard Rock) and Allegiant Stadium completion dates will be pushed back. And you can forget about Resorts World and Fontainebleu/The Drew opening any time soon….yet again.
The Governor’s announcement was like licking the stamp on a death notice that was waiting to be mailed. Las Vegas has been struggling for quite some time, mostly due to poor decisions that have turned an inexpensive, beloved retreat into a tourist-gouging cesspool of greed. The bigger the city has grown, the less forward-thinking it has become. What we as citizens saw and heard tonight will forever be embedded in our minds. But can we say the same about the big-company execs who are directing the city’s future?
After the news conference, my new roomie and I gathered our wits and headed to the Strip to absorb the shocking reality of it all. What we witnessed were empty sidewalks, abandoned massive resorts, and shuttered storefronts. The world-famous Bellagio Fountains were dark, as was the Mirage volcano and the boardwalk along Treasure Island. Gone were the endless lines of taxis waiting to pick up tourists.
Overhead, pedestrian walkways were void of people, and the outdoor escalators at each major intersection went silently up and down with nary a soul to ride them. Amusingly, they all seemed to be working for a change, now that there was nobody to use them. If you were looking for the company of others, all you had to do was head for the nearest dispensary, where people encircled the buildings, hoping to get their stash before mandatory shutdowns went into effect.
Lines at marijuana dispensaries stretched around the block…
“Visit Las Vegas” is airing nationwide TV promising a bigger, better Vegas…
Now that we’ve witnessed that fall of Las Vegas, where do we go from here? As I said, it will most likely be a very different place…but will it be better? Maybe the “new normal” will yield smaller-scale ideas, where charming lounge-style acts push multi-million-dollar headliner residencies out of the way.
Terminal 1 at McCarran International Airport 3/18/20, 10am
Perhaps we’ll see a resurgence in gaming, bolstered by better odds than visitors can get at their local casinos. And if we’re lucky, quality service by smiling human beings will shove out main offender MGM Resort‘s move toward automation and self-service. If I’m paying $50 for a buffet, is it too much to ask for an actual person to refill my iced tea?
Found on my Facebook feed…
What Las Vegas REALLY needs is to learn a hard, definitive lesson from this punch to the stomach. Hotels must send parking charges out into the desert, never to return. People are sick of looking at their restaurant/bar tab and finding a laundry list of bogus service charges and taxes added onto their already-expensive bill. And when a hotel advertisement says “Stay here for $___”, that better be the actual rate. We’re done with $45 resort fees. Stop it…right now!
There are only so many times that a city built on tourism can bounce back from major disasters. Las Vegas has survived at least three of them in the past two decades. If the corporations that run this city don’t push the “restart” button and bring back what made this city successful for decades, then maybe it doesn’t deserve to recover at all. Right now, the only thing we all share is hope for a better tomorrow.
Click HERE to read this article’s companion piece: “Is Sin City Determined to Drive You Away?”
Photos: Sam Novak, Bobby Watson, Kevin Janison, Marianne LeMoine Phoenix, Greg C., Bill Chenowith, Vin A., Andrew Hill. Special thanks to Richard Lindblom.
Miracle Mile Shops and Stations Casinos deliver crushing blows to the local economy amidst relaunch efforts…
Update 7/14/20 – I’ve been told by someone I trust that a major show on the Strip has pulled out all of their equipment, sets and props from the theater due to a dispute with Miracle Mile Shops landlords. They are demanding full rent incurred during the shutdown. I have been unable to confirm this with other sources, but it’s in line with the documents I’ve seen that were provided by a retailer within the mall.
Our entire nation continues to endure a seemingly endless pandemic lockdown. Weeks have turned into months, and quarantine extensions get added as our bank accounts dwindle. The world will be a very different place when all of this has passed. Only the strong, smart, and very lucky may come out of it relatively unscathed.
The economy of Las Vegas seems to be most in jeopardy of total collapse. No other city depends so greatly on a daily influx of tourists. Our locals form a giant hospitality team, ready to host, serve, and entertain the world. If and how that will happen again has become an aggressively-debated subject, as a cringe-inducing exchange between Anderson Cooper and Mayor Carolyn Goodman recently demonstrated. So while casino execs and politicians huddle over their laptops, hashing out plans through virtual meeting apps, it’s the “little guys” who are about to suffer the most.
This week, a series of letters was sent out to business owners and employees that will put thousands of Vegas residents permanently out of work. Those dedicated staffers and smaller-scale entrepreneurs are being erased from the chalkboard with the flick of a wrist. It’s a crushing blow delivered at time when people couldn’t possibly be more vulnerable, an ugly tactic we should remember with our wallets long after the doors to Las Vegas have been unlocked.
Letter number one comes from Robert Buchanan, Vice President/General Manager of Miracle Mile Shops. Sent to tenants of the busy Planet Hollywood-based mall, the letter requires an agreement to pay the full amount of rent accrued during shutdown. Business owners must sign off on this legal agreement prior to reopening, despite the fact that their businesses have been unable to generate a single dollar of income since mid-March.
The multi-page document, of which I have a copy, offers the option to defer payment of rent and spread it out over twelve months (without interest or penalties). Failure to pay the rent would result in a monetary default of lease terms. Recipients have been instructed to keep the terms confidential and not to discuss the matter with other occupants of the mall or any third parties (oops…too late).
While an interest-free rent deferral might sound generous on paper, the amounts in question can literally be hundreds of thousands of dollars per tenant. These are staggering sums that will more than likely cripple and/or close a significant percentage of Miracle Mile‘s shops and restaurants.
The tenant that contacted me about this situation explained that rental rates are based on a monthly average of the mall’s total annual foot traffic. Nevertheless, no adjustments have been made to reflect a period of ZERO customers. No pro-rating, no discounts, no rent forgiveness, no exceptions. The store owner, who asked to remain anonymous, noted that his business was already struggling to break a profit.
Hard to share too much without giving away _____ (name of business) but I’d been trying to talk to them since this (the pandemic) started. No response, vague replies to emails. I kept asking a week leading into it. No guidance, no direction.
Finally we were given 24 hours to vacate. To get access we now have to schedule a meeting with a Miracle Mile security guy to walk us there. Total lockdown. They still want full rent. So ironic.
At Miracle Mile Shops, as in many other malls, a tenant’s rent is only one part of their financial responsibilities. They also have to pay their share of marketing, insurance, trash, water, security, facilities maintenance, and much more.
In other cities, landlords have taken pro-active steps to offer assistance. They are so concerned about losing valued tenants that they’re asking what can be done to assure that shops will reopen. But in corporate-run Vegas, nothing matters except for pleasing the stockholders.
How is this legal? It’s insane! It will take Vegas at least a year to recover from this so how can the landlord do this to its tenants? Multiple tenantss are grouping together and with one voice seeking legal assistance to fight this greed.
It just simply breaks your gears when you’ve worked so hard for something and been paying big dollars to this landlord for them to rip out our hearts during a crisis like this.
I’ve already mentioned Mayor Goodman, whose “Open up Vegas and see what happens” stance has garnered an enormous amount of ridicule. At the opposite end is Governor Steve Sisolak, who put the statewide shutdown in place. Sisolak supports a slow and organized approach to restoring our daily lives, which has received its own share of protests and demonstrations.
I’m not interested in delving into political arguments here, as I see logic in both approaches. The reason I bring it up is to emphasize that everyone has a stake in the decisions. Nobody has a perfect list of answers, so we wait, sacrifice, obey the rules (or protest) and watch those bank accounts dwindle down to nothing.
In the meantime, everyone seems to be asking the same question: when will MGM Resorts open? The same with Caesars Entertainment properties and Sands Corp. (Venetian/Palazzo). And while we focused our gaze on the big three, a lesser-known chain called Station Casinos swooped in and drove a dagger through the hearts of thousands of its own employees.
Vegas-based Station, which operates ten local establishments including Sante Fe Station and Palace Station, has gotten pretty powerful in recent years. Bolstered by the success of Red Rock Hotel and Green Valley Ranch, Station plunked down a cool billion to buy and renovate the once-popular Palms Casino Resort. An undeniable failure, the “new” Palms bled massive amounts of money, mostly through the catastrophic disaster known as KAOS Nightclub.
Station Casinos rested their billion-dollar Palms investment on the shoulders of a vulgar rapper-felon…and a grown man dressed as a marshmallow…
On May 1st, Station Casinos sent out letters to full-time Palms employees, announcing their terminations…effective 5/16/20. Similar letters were mailed to employees of Fiesta Henderson and Texas Station, both operated by Station Casinos. What makes this letter particularly ruthless is that they’re referring to the shuttering of the three hotels as a “temporary closure”, which in actuality took place two months ago. What this means is that when Palms, Fiesta Henderson and Texas Station reopen (if ever), they will be treated as new entities.
Palms Casino is the latest tombstone monument dedicated to overreaching ambition…
In the meantime, Station is off the hook for protecting their own employees. The company will grant certain benefits through September, then the labor force is on its own. The letter also stated that their will be “no bumping rights”, meaning that terminated individuals would have to reapply for their previous jobs, forfeiting any earned seniority if they return. This also means zero opportunities to transfer to other Station locations to maintain that seniority.
Photo: Sky News
Some people out there may be inclined to say “Corporations have to do whatever is necessary in order to survive”. But what about right now? Unleashing a bloodbath in the current economy is simply catastrophic. I’d rather see a company dig in for the moment and take its chances later. Much later.
So what is a struggling employee or business person to do in the current climate? We certainly can’t rely on the government to help. Very few people have had success in collecting unemployment benefits, judging by the daily posts I read on social media. Sadly, numerous businesses have announced that they won’t be coming back, either. Friends of mine from every walk of life are considering moving away and some have already begun the process.
Performer Andrew Hill, who entertains audiences at Station Casinos, shared these hard words regarding the closure of Fiesta Henderson on Facebook:
Well looks like our contract at the Fiesta is done and dusted ! Yep, for all the clueless fools sprouting Vegas is gonna bounce back!! ….Can you all Please stfu!
If anyone quotes the most idiotic destructive statement of “Vegas always reinvents itself” or “ we’ll be bouncing back in no time” …. can you please punch them very hard in the face!
When ever the wonderful PR word “ reinvent” is used …. it is code for cost cutting, slashing entertainment and figuring out how to screw people to make more money…
For those who stick it out and hope for a successful recovery, things look bleaker every day. Think back to the long-term effects that 9/11 had on the airline industry. In order to offset dwindling profits, nearly all airlines began charging mandatory fees for checked suitcases and eventually, carry-on bags. Yet once air travel rebounded, those fees remained. They now generate more profit than actual ticket sales.
As you read this, Las Vegas is virtually a ghost town. Every action taken by those in power during the days ahead will undoubtedly become a new standard. If the events of this week are any indication, the citizens of this city are in for for years of serious trouble.
Many of us have been hoping that Vegas will use the shutdown as an opportunity to undo damaging decisions of the past decade. Former Vegas Mayor Jan Jones Blackhurst is among them. We’ve urged the Big Three to toss out resort fees, eliminate paid parking, send “celebrity chefs” packing, dump those $20 cocktails down the drain and make Las Vegas appealing to the masses once more.
Las Vegas may be your playground. But it’s also our home. The future of this city depends on it being recognized as a community of flesh-and-blood people. But nobody seems to be listening.
Banner Photo: Palms Casino via Facebook
Click here for the article’s companion piece “Vegas Goes Dark – The Beginning of the End…or a new Beginning?”
Click here for my related article “Is Sin City Determined to Drive You Away?”
Taking a look back at the best, worst and notable in production shows of 2019….
As in recent years, the Las Vegas entertainment arena of 2019 was volatile, to say the least. Some headliners soared while others became a blip. Expensive new productions were met with skepticism or downright disdain. And still, those rotten brown logs known as Terry Fator, Mariah Carey, and Criss Angel continued to float in toilets of their own making.
Let’s take a closer look at some of the more notable examples of Sin City’s troubling trends in 2019 – The Year in Review: Entertainment Highs and Lows.
BEST NEW SHOW – Atomic Saloon Show at Venetian/Palazzo
Spiegelworld hits and scores once more with Atomic Saloon Show. A bawdy in-your-face Wild West romp with hookers, cowboys, a horny minister, and his pair of twisted nuns, Atomic Saloon Show tosses the high points of Absinthe and Opium into a blender and pours out a perfect cocktail. Cast members Colin Cahill and Davide Zongoli receive bonus points for pushing the “hotness scale” to ten but the entire cast is uniformly excellent.
Cirque du Soleil has definitely had their heyday on the Strip but they’ve swiftly fallen down the scale in terms of must-do entertainment. The famed acrobatic troupe somehow survived a nauseating ten years of BeLIEve/Mindfreak Live, Criss Angel’s abominable slop fest at Luxor. Then they replaced it with something far worse (how that’s even possible is a question for the ages).
Nothing can prepare you for the awfulness of R.U.N (read my full review here). No matter how much you may be warned in advance, you’ll still leave feeling nauseated, perplexed, violated, repulsed and suffering from a throbbing headache.
When the company behind such beloved productions as Mystere and The Beatles LOVE pukes out a furball of this magnitude, there really is no way to recover. R.U.N will go down in the history books as one of the worst shows that Las Vegas has ever seen. And this is the city where Nudes On Ice was born.
Runner Up – Criss Angel Mindfreak Live at Planet Hollywood Same shit, same arrogant asshole, different theater. Enough said.
In a city filled with tribute shows, Blond Invasion (here’s my review) had no right to be this much fun. Spot-on impersonations of Britney Spears, Madonna, and Lady Gaga would already be entertaining, but mix in a quartet of hot male dancers, terrific choreography, spectacular costumes and live singing and you’ve got a perfect night out. Things got even better when the trio came together for a once-in-a-lifetime medley that will sadly never happen in real life.
Swoon-worthy Adam D. Tucker as Tim McGraw in Vegas Gone Country…
Unfortunately, Blond Invasion was one of two gems at V Theater that was never discovered by the audiences they deserved. Companion show Vegas Gone Country followed a similar formula and also suffered from anemic ticket sales. When the stars themselves have regular gigs a few blocks away, it seems that folks would rather pay more for the genuine article, no matter how lazy or rude they’ve become (I’m talking to you, Madonna). Which leads us to…
MAJOR HEADLINERS THAT SNORED AND SOARED –
2019 was the year that fans went gaga over Lady Gaga. With two simultaneous productions playing at Park MGM Theater, the Star Is Born actress wowed sold-out audiences with classy Piano Jazz on some nights and Enigma‘s full-scale psychedelic pop on others.
Britney Spears imploded on a personal level…yet again…and her February residency at Park MGM was quickly canceled and forgotten. The official explanation was a concern for her father’s health, then later the pop tart claimed that daddy dearest had forced her into rehab. Whatever they claim, poor ticket sales were being reported right up to the cancellation. You can only move your lips and flap your arms so many times before audiences cry out “Enough already!”.
Janet Jackson quickly moved into the Brit-bot’s vacated slot but barely managed to make a squeak. It seems like most of her fans remained behind the velvet rope, waiting for something better. Maybe it was her silence regarding LEAVING NEVERLAND, the HBO documentary detailing brother Michael’s fascination with little boys, that kept them away.
Perhaps it was the tabloid-worthy marriage/pregnancy/birth/divorce to a Qatari billionaire. Or her conversion to the Islam faith accompanied by uncomfortable photos in traditional Muslim garb…or the fact that the weight-troubled former hitmaker had canceled a 2016 tour then kept the money from advance ticket sales (fans sued and won) that pushed them over the edge. Whatever the reason, don’t expect a return from the money-grubbing Rhythm Nation songstress anytime soon. Sorry, Miss Jackson, but you’re nasty.
Madonna turned out to be no lady for a trio of shows at Caesars Palace last month. Originally scheduled for 8;30 pm, the self-proclaimed diva pushed the start time to 10:30 pm after tickets were already sold, then had the nerve to show up three hours beyond THAT, going on stage way after midnight. Fans rebelled, hundreds of refunds were issued and of course, a lawsuit was filed by ticket buyers.
Arriving to a chorus of boos, Madonna remained unapologetic, saying “”There’s something that you all need to understand, and that is that a queen is never late.” Well, let’s hope this queen bitch tumbles from her throne and lands on her face. Maybe then she’ll finally get those teeth fixed and put that absurd eye patch to good use.
Shania Twain arrived late in the game for a series of shows at Zappos Theater, Planet Hollywood. Fans and non-fans alike gave the new production an enthusiastic thumbs-up with special mention to the energetic performance of its star…and some seriously steamy back-up dancers. Christina Aguilera and Gwen Stefani’s residencies in the same venue garnered a similar response.
Paula Abdul signed on for Flamingo‘s Donnie and Marie Theater and reviews have been decidedly mixed, leaning towards the negative. While I’ve yet to see the show (I was never a fan in the slightest, so she isn’t high on my list), those who have gone to it report that she lip-syncs the entire performance while being tossed around like a sack of potatoes.
Since the one-time American Idol judge (oh, the irony of that) was always a horrible singer, perhaps her onstage fakery is a blessing in disguise. But who thought that Abdul was worthy of a residency, especially since her 2018 comeback tour crashed and burned? Apparently the thrifty folks at TravelZoo, where you can snag discounted tickets for as low as $49. Forever your girl, indeed.
Next year will see a residency by Kelly Clarkson that already promises to be a big hit. The initial response has been through the roof. If this seems like something you’d be interested in, snatch up your tix asap, or else you may be seeing Gaga-level resale prices very soon.
GONE AND FORGOTTEN – Gordie Brown
Last year Gordie Brown was the unfortunate recipient of my “Saddest Career Path” award. Well, the new owners of Hooters Hotel Casino rebranded the place as OYO and quickly showed Mr. Brown the door. It certainly didn’t help that the one-time Venetian headliner slandered and criticized his own showroom and host hotel during performances, promising the audience that he’d rise again in a better place. Good luck with that, Gordie.
“THEY’RE STILL AROUND?” AWARD – Mariah Carey, Criss Angel, and Terry Fator
LAS VEGAS, NV – DECEMBER 08: ***EXCLUSIVE*** at LAX Nighctlub on December 8, 2007 in Las Vegas, Nevada. (Photo by Seth Browarnik/WireImage)
The unsinkable triad of Mariah Carey, Criss Angel, and Terry Fator is a log jam that just won’t flush. Maybe it’s just time to grab a plunger and force them down the drain. You already know my contempt for arrogant mouthpiece Mariah and douchebag Criss from last year’s summary. Those who’ve aligned themselves professionally with the faux-goth farce, in particular, have learned the hard way that they’ll eventually get stabbed in the back…and become a laughingstock in the eyes of colleagues. So the less said about them this time around, the better. Please, just go away.
Terry Fator is new to the list but deserves a placing nonetheless. His stale attempts at comedy were tired ten years ago but have grown exponentially stale, with the offensiveness amped up to levels that have garnered reactions from both audience members and host hotel Mirage.
Nothing says “Christmas” like your fist shoved deep inside a sexual predator doll…
The Mirage recently asked Fator to get rid of his controversial Donald Trump puppet “to avoid escalating the political divide in an already polarized country” as reported by the Las Vegas Review-Journal. Then Gary Costa, Executive Director of LGBTQ/AIDS charity Golden Rainbow sent a complaint letter to protest the show’s slandering of minorities and gays. Here is Mr. Costa’s public post via Facebook:
A few months ago I attended this offensive show at The Mirage Hotel and Casino and was horrified at the blatant racist, transphobic and homophobic content of the Terry Fator show. I contacted the management of The MGM including their diversity manager to formally lodge a complaint. While removing the offensive Trump puppet is a start it isn’t enough.
Blatant discrimination and public ridicule of Latinos and trans and LGBTQ individuals has no place on the Las Vegas strip disguised as “entertainment”. As long as the MGM corporation continues to allow this man to spew his hate under the guise of “family comedy” I will continue to boycott their company and keep pressuring their management to remove this outdated performer from their property permanently. There are literally a dozen or so ventriloquist acts in Las Vegas that are funny, entertaining, talented and enjoyable to watch. Terry Fator unfortunately is NOT one of them
My husband and I had a similar reaction when attending Fator’s sorry excuse for a show. We actually left the performance early and went to Le Reve instead. The fact that Fator is regularly listed on Groupon for $45 may be a sign that the wild, freaky ride is finally coming to a close. Then again, this is the same hotel that shuttered the Terry Fator Store in favor of Kardashian Khaos Boutique, so who can say? In any case, I urge you to boycott this hateful and revolting man, along with his nasty excuse for “entertainment”.
BIGGEST DISAPPOINTMENT – The Fate of FUERZA BRUTA
The long-running international hit Fuerza Bruta had a chilly reception from Sin City patrons and was closed mere weeks into a proposed six-month run. A daring, innovative show, it should have been a slam-dunk on the Strip (see my review here). But Vegas audiences won’t buy tickets to something that isn’t a known quantity, much like at movie theaters, where sequels and reboots shove new ideas to the bottom of the box office tallies.
Fuerza Bruta‘s quick shuttering inspired me to write what would turn out to be my most-read article of the year. If you haven’t taken the time to look at it, now would be a great opportunity. The in-depth piece analyzes the troubling future of the City of Entertainment and explains why so many shows have closed…and why others are on the chopping block.
RUNNER-UP: Blanc de Blanc’s abrupt closure at Sahara
It’s a well-known secret within the industry that Vegas performers often head to other cities on their days off (or take a Vegas hiatus) to supplement high overhead (and dwindling sales) on the Strip. Entertainers like Jason Tenner (PURPLE REIGN), The Bronx Wanderers, Criss Angel, and even Terry Fator hop onto planes (or busses) to fill much larger venues with significantly lower overhead.
Jeff Civillico has been extremely candid with me through the years regarding his difficulties with the “Four Wall” method of running shows. It’s a business model that puts the responsibility and cost of performing on the entertainers instead of the old way when casinos supported their productions. And it seems like Jeff has had enough of the current system.
Last Wednesday was Civillico’s final Vegas performance after a decade that saw him in places ranging from guest gigs with magician Nathan Burton to his first stint at Planet Hollywood (the restaurant, not the hotel) to residencies at Imperial Palace/The Quad/Linq Hotel, Flamingo and the Anthony Cools Showroom at Paris.
Jeff will continue to perform at corporate gigs around the country while focusing more time at Win-Win Entertainment, which matches performers with not-for-profit organizations. As a fan and personal friend who has followed Jeff’s journey from very humble beginnings to his current achievements, I will miss this handsome hunk of joy.
The cuddly, talented and adorable duo of Mike Tyler and Christopher Wayne enjoyed the prestige and opportunity (along with enthusiastic reviews like mine) to have their own Strip residency. Alas, the Naked Magicians experienced the same difficult reality that persuaded Jeff Civillico to say “I’m leaving Las Vegas”. Why fight an uphill battle when you can do financially better just about anywhere else in the world?
Stick with Vegas Unfiltered for more of 2019 – Year in Review in the days ahead.
A look back on a Fremont Street favorite that’s gone forever…
Downtown enthusiasts have been crowing about Circa, the first new hotel casino on Fremont Street Experience in decades. It’s slated to partially open on October 28th, with the hotel accepting reservations for New Year’ Eve. Fans are thrilled at the prospect of something shiny and modern. But for some of us, “Old Vegas” has lost as much as it’s gaining. Maybe even more…
Back when I first started visiting Vegas, it was a must-do to leave the Strip for downtown at least once. We’d hop on the double-decker Deuce bus to take in the grit and grunge of Fremont Street casinos. That four-block stretch had everything you could want. Loose slots, looser clothing, a multi-screen Galaxy Cinema, crazy characters and cheap drinks.
The 24-hour Original Coffee Shop in Binion’s basement was another must. I always had fun introducing friends to Alicia, the server that made every visit a special one. Alicia had a knack for handling our rowdy behavior and bad jokes while slinging a few of her own. And she served their signature chili (“with about an inch of grease”) with a great big smile. That bowl of oily goodness was a great way to start sobering up after an hour or two at the legendary Mermaid’s Casino.
Alicia is still part of the Binion’s family…
Mermaids began life as the Silver Palace Casino back in 1956. The first two-level club in Vegas, it also boasted the very first escalator in southern Nevada. That escalator took visitors to a lower-level restaurant. Fans of the movie Pay It Forward may remember Helen Hunt’s character as a blue-haired waitress in Mermaid’s fictitious basement nightclub.
Silver Palace underwent many name changes, from Carousel to Gambler’s Hall of Fame to Sundance West and Sassy Sally’s. In 1980 the building became Mermaid’s Casino and remained so until its closure on June 27th, 2016.
These days, Binion’s Coffee Shop is gone and so is Mermaids Casino. That colorful dump was the most bang you could get for your buck in the entire city…an absolute blast. You knew you were in for a good time the moment you headed for the entrance. Two ladies in absurdly-loud costumes would converge on you and your group, drape Mardi Gras beads over your heads and hand you tickets to their hourly slot-pull drawing.
Once inside, you’d be swarmed by cocktail servers, one of whom would take half of that ticket and your cocktail order. They’d often remember your order from previous visits, would suggest a slot machine that was “running hot” and find you at your chosen game when that cocktail was ready. They’d usually hand you more entries for the slot pull, too. The generosity here was off the hook.
Wandering through the small casino, you couldn’t escape the distinctive odors of Las Vegas excess…years of cigarette smoke, french fries, 99-cent hot dogs and of course the famous Deep-Fried Twinkies. There was often a lengthy line to the snack bar for those revoltingly-delicious delicacies. Plopped onto a paper plate and coated with a thick dust of powdered sugar and chocolate sprinkles, Deep-Fried Twinkies were to Mermaids what 99-cent shrimp cocktails were to Golden Gate‘s deli bar (both of which are long gone, too).
Off to one side of Mermaid’s slots-only gaming floor was a full-service bar that specialized in 99-cent frozen daiquiris. Much like sister location La Bayou (right across the sidewalk), you could purchase monster-sized varieties to take on your stroll to various other Fremont properties.
La Bayou, despite similarities in theme and offerings, lacked that intangible something that made Mermaids such a blast. Then again, La Bayou didn’t have Gabriella and Ling Ling, the two superstars of Mermaids. Always smiling, rapid-fire on the drink refills and genuinely happy to see you. these wonderful women were nearly always mentioned by guests on TripAdvisor and Yelp reviews. They were that awesome.
Both Mermaids and La Bayou closed in 2016. They, along with the Glitter Gulch Gentlemen’s Club, were flattened to make way for progress. The owners of Circa Hotel Casino promise nods to Mermaids and other landmarks that they took away from us. But we’ve heard that before (see the disappointing current iteration of O’Shea’s Casino on the Strip for reference).
Photo via VitalVegas.com
These days I rarely go to Fremont Street despite so-called improvements. Visitation there continues to rise and the once-forgotten eastern extension has been revitalized with hip new restaurants and clubs. But for some of us, Fremont Street is now a sad imitation of its former self. And those dusty Deep-Fried Twinkies that are poised for a comeback will never taste the same.
Photos: Sam Novak, Vital Vegas, UNLV Archives, Fremont Street Experience/La Bayou/Mermaids via Facebook
Famed duo hits new heights for final year of Flamingo residency….
Donny Osmond loves making jokes. Even when the gag seems to go over the audience’s head, he still keeps chuckling. “Did you get that one?” he asked, referencing This Is Spinal Tap‘s famous “up to eleven” quote. “I think you were one of the few who did” he laughed as we spoke after a recent performance of Donny and Marie Show at Flamingo Hotel Casino.
The beloved brother and sister of the famed Osmond clan have indeed turned up the dial to maximum setting. Not only is their revamped show better than ever, but the Utah natives are about to wrap up an amazing eleven years on the Strip. “You know, we were only supposed to be here for six weeks. And now we’re in our eleventh year” Donny exclaimed. “Can you believe it?”
While other nostalgia-based Vegas productions have had mixed success of late, Donny and Marie continue to pack the house, perhaps now more than ever. Derrick Boyce, one of the production’s award-winning dancers, is excited about their continued success. “I was in the casino before showtime and was stunned at the long line stretching around the corner. We’re sold out on a Tuesday night. It’s amazing!”.
“Amazing” is also the perfect word to describe the show itself. A perfect blend of their original hits and chart-toppers by other artists, Donny and Marie leave everyone wanting more. While their legacy is certainly the catalyst in attracting longtime fans, it’s the charisma of the two leads combined with their fantastic voices, dance skills and production numbers that lure in audiences of all ages.
Opening with a high-energy medley of Black Eyed Peas “I’ve Got A Feeling” and B-52’s “Love Shack”, the siblings thrill the crowd with non-stop banter and good-natured rivalry. Despite the passage of more than four decades, it feels like you’ve stepped into a live taping of their beloved 70’s TV variety show.
After that raucous opener, the Osmonds stroll down memory lane with their successful individual careers. Marie makes a visit to Broadway, then slips on a pair of cowgirl boots for country favorites. Duo Des Fleurs (from the French opera Lakme) is a beautiful sequence in which Marie performs a duet with herself via special effects. The segment closes with Music Is Medicine (from the album of the same name). That release features a collaboration with Olivia Newton-John and benefits Children’s Miracle Network Hospitals, which Marie helped to establish in 1983.
There’s definitely no opera or country when brother Donny takes over the stage. He unleashes serious rock and roll amidst hardcore pyrotechnics for Crazy Horses and Soldier of Love. The former heartthrob boasts about his recent Dancing With the Stars and The Masked Singer successes, revisits those teen idol days with Puppy Love and reunites with the legendary Osmond Brothers (via video) for Love Me For A Reason.
It’s worth noting that when this writer attended Donny and Marie the previous week, Marie had to abruptly cancel due to illness. Always the consummate professional, the 61-year-old Donny turned the evening into a stellar showcase and career retrospective. “Yeah, we really scrambled to put that one together. I hope it turned out alright,” he told me. Indeed it did.
When prodded about the possibility of a solo Vegas residency, the ageless father of five leaned in and revealed, “We’re already working on that.” Did Donny just give me a Vegas Unfiltered Blog exclusive? It certainly sounds that way, but don’t take any chances – experience the award-winning Donny and Marie Show before it becomes a part of Las Vegas history.
Update 11/20/20 – Donny Osmond has announced a residency at Harrah’s Las Vegas beginning August 2021. You read it here first. Thanks to my colleague at VegasFool.com for the news…
Fuerza Bruta’s shocking failure suggests a troubling future for large-scale productions….
Several years ago I penned a two-parter for Vegas Chatter entitled “Four Walls and a Dream”. In it I explored the difficulties involved in launching a new show in today’s corporation-run Vegas. Gone are the days when casinos supported their own entertainment. It’s up to productions themselves to “pay the rent” via an arrangement known as four-walling. And that quite simply is why most new shows are gone before you’ve ever even heard of them.
That article was inspired by Jeff Civillico, a dynamic young entertainer whose star was already on the rise. His “Comedy In Action” afternoon show at Linq Hotel (then known somewhat absurdly as The Quad) was working hard to make a name for itself. Yet the resort where he rented showroom space had little interest in helping “Comedy In Action” to succeed.
Civillico was on the hook not only for the room and production costs, but also for supplying the advertising materials to display around the property. Yet Jeff had little control over where they’d be displayed….if at all. I’m not sure if he ever worked out his issues with parent company Caesars Entertainment, but Comedy in Action still performs once a week at Paris Hotel Casino.
I learned a lot about the current state of Vegas entertainment while researching that piece. There was plenty of response from performers, producers, directors and public relations people when it ran, too. But after the shocking announcement that Fuerza Bruta would be shuttering only four weeks into a six-month stint, I realized two valuable facts:
There is no magic formula to ensure that a show will be a hit.
The current state of Vegas entertainment is more volatile than ever before.
If you haven’t heard of Fuerza Bruta, then congratulations. I’ll pretend to make a check-mark in the air and we can continue on down the list. But first, allow me to say that less than one week ago in my rave review for Fuerza Bruta for BestOfVegas.com, I called it a “Sin City game changer”. I also inaccurately claimed that it was “poised to redefine entertainment on the Strip”. Oh, my… (click HERE to read the original review).
Just after I’d sent the piece off to the editor, I received an email from Fuerza Bruta’s public relations firm regarding the Vegas run.
FUERZA BRUTA will perform its final show at Excalibur Hotel & Casino on Sunday, April 7, 2019. The acclaimed production, which has been seen by more than six million spectators in more than 34 countries and 58 cities since its launch in 2003, will continue to impress audiences from around the world as it prepares to make the move from Las Vegas to MGM Cotai in Macau in June 2019.
Tickets for the remaining Las Vegas performances of FUERZA BRUTA are now on sale and available at any MGM Resorts International box office, online at Excalibur.com or by calling (702) 597-7600. Refunds for tickets purchased for shows at Excalibur after April 7 will be available at the point of purchase.
It took awhile for the shock of this announcement to subside. I could have been embarrassed that I’d been so far off in my predictions. Instead I was angry that the so-called “City of Entertainment” had chewed up and spit out yet another piece of great entertainment.
All but one of my friends who had seen the show were absolutely dazzled by the balls-to-the-walls audacity of it. During three separate viewings, I’d stood alongside (and chatted afterwards with) cast members from shows like Chippendales, Le Reve, Zumanity and Donny & Marie. They’d come as I had to see if the enthusiastic pre-opening buzz was deserved. And every one of them was delirious, if not downright envious, of the incredible visuals and creative sequences that Fuerza Bruta was able to pull off inside a tent erected on a parking lot.
That positive word-of-mouth alone should have been enough to bolster tickets sales. If performers from some of the top shows in Vegas loved it, then it was a must-see, right? Not so fast. Depending on who you ask, it turns out that paid tickets for the show were averaging 50-80 sales per performance with the rest comped (freebies). But if all of those people love it, then they’ll recommend it to friends and attendance will build, right? Well, that would take time….which the powers that be weren’t about to grant.
Fuerza Bruta was located just outside of Excalibur, which is owned by MGM Resorts. MGM runs nearly half of the major resorts on the Strip. So why weren’t they supplying the capital to help fund operations and allow for attendance of this remarkable show to grow? Four-walling, of course! If Fuerza Bruta failed, all Excalibur would have to do is pull down the advertisements and sweep away any remaining evidence of where the tent had been.
Realizing that readers and friends who’d planned on seeing the show would never get that opportunity to do so made me angry. I took to social media to vent my frustrations. “What the Hell is wrong with Vegas? Nothing worthwhile stands a chance anymore!”
Well, thank goodness for the reach of Facebook and Twitter, because my steam-valve post brought out lots of sensible responses from performers in and around the Strip. Mike Hammer of Mike Hammer Comedy Magic at Four Queens was the first to chime in:
You can blame it on this city all you want but they didn’t understand the fundamentals of running a show in this town. It comes down to poor marketing strategy. First of all the show has a name that is not memorable. I live here and can’t even pronounce the name. No way most people from the Midwest are even going to know what the show is. Also, it’s pretty hard to sell a show when you can’t even describe it. Everyone I know that has seen it, including has never described it in one sentence. They didn’t even leave enough time to build up a buzz.
Bad timing of when they opened too. Slower time of the year with March madness and spring break. Again, this a producers decision. They weren’t even selling 50 tickets so how can you blame it on this city?
Again, people that don’t get the VEGAS market. If they didn’t plan enough money to survive six months of marketing, they just were not ready. I wish the best of luck elsewhere where they know what they’re doing. I love VEGAS and it’s been a home to me for 16 years. I’ve seen shows come and go and most of the time it’s the producers or management fault.
Enoch Augustus Scott, host of long-running hit Zombie Burlesque at Planet Hollywood’s V Theater also took exception to my finger-pointing at Vegas:
There are a million possible reasons besides fat Americans to account for this. Injury. Bad accounting. Or it could be the standing up. People stand and walk around Las Vegas all day along. Sometimes the only chance they get to sit is dinner or a show. Also the Las Vegas show demo skews older. Also people from all over the world come to Vegas. Cirque has been able to grow as big as they are by catering to and attracting an international market base. So you really can’t blame fat Americans on a show not running. Clearly the producers did not understand the landscape or have enough capital to go the 6 months. Happens all the time. Producers come here with a hope and dream and without a business plan or the necessary investment to run a show long enough for it to become a success. It is poor craftsman who blames his tools and even poorer performer who blames his audience. Literally.
While I agree on much of what Enoch says, he also had added “It was always meant to be a limited run. Calm down everybody.” Correct, but that limited run was for six months with the hope of an extension. Four weeks was clearly a failure with deeper implications.
See, that’s the problem with having so many choices in one city. Without brand recognition, a famous headliner or a simple-to-explain concept, your middle-American Vegas visitors just won’t make the time for it. Hence we’re inundated with magic shows, impersonators, topless revues and lots of “Circus Day Solay”.
It’s interesting to note that Fuerza Bruta played in New York City from 2007 through 2016. That’s over 3,000 performances! But we’re talking about an entirely different demographic over there. Visitors to NYC book their tickets to Broadway hits months…and sometimes a year or more…in advance. They’re also a more sophisticated crowd that makes Broadway entertainment part of an elegant evening that includes fine dining while wearing tasteful and carefully-selected outfits.
But in Las Vegas we’ve got 1) no backing from the host hotels, 2) no opportunity to build brand awareness….and 3) a group of visitors not exactly looking for high art to go along with their yard-long daiquiris.
I went poking around other social media outlets to see how people were reacting to the news of Fuerza Bruta’s sudden shuttering. Always-reliable VitalVegas.com had quickly published an article announcing the closure, and it was a comment from reader ExVegasLocal that caught my eye:
I was “this close” to buying tickets to see Fuerza Bruta for an upcoming trip. It looked like a really cool show, but I was on the fence because I wasn’t sure I wanted to be jostled in a crowd from one side of the room to the other for an hour. In the end, I decided not to bite.
No matter what Vegas thinks about itself, it’s not really that forward thinking/avant garde. Neither are its visitors. Hence the constant replication of one thing that works until it’s completely overdone. Another Cirque show/night club with one syllable name/shopping arcade in front of a hotel/pool party/CVS pharmacy anyone? Now that’s more like it.
Well THAT was obnoxiously fast 😢 i didn’t even get to see the freaking thing! Wtf? Need a low low overhead to survive out here. Why all the one man shows live on forever and a few small cast things barely squeak by. It’s tough as hell out here. You play here for the prestige, and you tour for the money that carries you through your losses out here. That’s the future.
It’s never about the quality of the show. It’s the $$$ behind it. Ugh. The cycle continues. After our experience, I’m convinced this business model is crap. Any business needs time to ramp up.
“Our experience” no doubt refers to the troubles Jarrett and Raja encountered at various showrooms throughout the city. They’ve had to deal with four-wall scenarios and abrupt closures at downtown’s Plaza Hotel, Hooters Casino and Stratosphere. Even though these gentlemen are residents of Las Vegas, they often find it sensible and more lucrative just to take their talents on the road.
Actually, it’s a pretty common thing for Vegas shows to go on tours. And often they never return. A few years ago I shadowed a production as it searched for a suitable venue on the Strip. After months of meetings and hassles, they decided on a major casino with a troubled showroom history. Sadly, their production would just be another casualty in a long list at the historic south-Strip hotel.
An opening date was chosen, tickets were sold, sets were constructed and advertisements went up throughout the casino and outside. But after being frustrated by resistance and lack of support from the hotel’s regime, the producers abruptly decided to throw up their hands, walk out the door and take the show on the road without doing a Vegas residency.
It makes no sense. It’s like they don’t want you here. Why should I put up money and then fight with the people who I’m paying rent to? After all that, if I’m lucky I’ll sell two hundred tickets a night in Las Vegas. We could take this show to other places where entertainment like this isn’t available and sell out two THOUSAND seats a night. And those places roll out the red carpet for us.
And that’s exactly what he did. A show designed for the Vegas Strip had to leave the city in order to survive. And the showroom they walked away from still remains empty two years later.
It doesn’t have to be that way, but greed always puts short-term profit ahead of long-term goals. Let’s use BAZ as an example. That innovative musical was brought to Mandalay Bay from Los Angeles by none other than Cirque du Soleil. The launch occurred during an awkward time frame in which ownership and business models at Cirque were being radically altered. Cirque abandoned BAZ in no time and without their support it closed after only six weeks.
BAZ was the perfect blend of sass, class and contemporary pop culture…
That’s when the Sands Corporation stepped in. Recognizing the many benefits of having a fantastic and unusual show on their property, they forked over the money to retro-fit the Palazzo Theater and supported BAZ’s run for two years. BAZ was never going to be a huge hit, but it was a prestigious project that brought a great deal of class and pride to the Venetian/Palazzo family.
So on one side we’ve got performers stating from personal experience that the four-wall business model doesn’t work. And on the other we’ve got these huge corporations that just don’t care. Working within the confines of the current system, what can be done to help a show succeed?
Well, if there was an answer to that, then at least a few of the dozens of shows that died in 2017 and 2018 might still be around. And that theoretical answer still wouldn’t apply to an existing property like Fuerza Bruta. So should it have been the responsibility of the PR firm to suggest “Hey, your show isn’t going to work here without a bit of overhaul”? Unlikely….they’re a third-party agency being hired by the show to spread awareness and buzz….nothing more. And who tells their boss on the first day that people might not even want their product?
Besides, public relations firms work mostly within the industry, reaching out to people like yours truly and much larger outlets such as TV networks, magazines and newspapers. They can tailor an existing ad campaign to make it Vegas-centric, but a risky top-to-bottom re-do for one stop of a tour? Not gonna happen…and we’ve already decided that there’s no magic formula for success, so why even try to change what’s worked everywhere else on the planet?
Should the PR firm have at least suggested a name revision for the show? Again, that would have understandably been met with resistance from a product that’s already a worldwide brand. And yet, a temporary re-naming to “Fuerza Bruta – Brute Force” might have eliminated some confusion and put a few more arses in those non-existent seats. Even the wise folks at Wynn eventually decided after several years to officially change the name of Le Reve to “Le Reve – The Dream”. Because, you know, French is hard!
So just how much is in a name? Maybe the folks at the Strat should be asking that question right about now. No doubt they are sweating, because their delayed-delayed-delayed tent show Celestia, which was supposed to open on January 30th, is suddenly looking at an even more troubled future.
Celestia, now set for a May 1st debut (even though tickets are still not up for sale), may have an edge over Fuerza Bruta simply because it’s a show created specifically for Vegas. But we can justifiably counteract that advantage with the simple fact that it’s way at the troubled north end of the Strip and not the heavily-traveled Excalibur/MGM Grand/Tropicana/New York NY intersection where F.B. failed.
Celestia can also boast having some Cirque du Soleil DNA in its genes….and a few years ago that might have mattered. But now it’s time to recognize something really scary: Cirque du Soleil is facing genuine trouble here in Las Vegas. I’ve been told by people behind the scenes that MGM Resorts is quietly preparing to shut down all of their Cirque shows by the end of 2020.
It’s my blog, I’ll be dramatic if I want to be…
While that might sound like absurd conjecture, there is plenty of evidence to back this rumor up. For one, huge productions like KA, ZUMANITY and Beatles LOVE are now advertising on Groupon. Yes, Groupon…the place where you go to buy discount Botox treatments and personalized make-up bags.
In my Vegas Chatter days, Groupon was a clear indicator that a Vegas attraction was struggling badly and would soon be gone. If you don’t believe me try to visit Eli Roth’s GORETORIUM. That’s not always the case anymore, but with must-see shows like LOVE, it’s an embarrassing way to put butts in seats.
Hundreds of empty seats during a Friday performance of Cirque’s “Beatles LOVE”
I recently attended a Friday-night performance of LOVE and was shocked that the massive auditorium was perhaps 40 percent filled. Hundreds upon hundreds of empty seats. And that’s apparently been the case for most of the Cirque shows for awhile now.
Vital Vegas stated in May of last year that Cirque’s 2017 capacity had been running at around 50 percent. With the removal of free parking to Nevada residents and a continued drop in tourism, that number would look even bleaker in the first quarter of 2019.
MGM Resorts numbers bear out rumors Cirque shows running at 50-60% capacity in Vegas: 3.6 million Cirque tickets sold in 2017, 9,890/week avg. per show. At 10 shows per week, that’s 989 sold with avg. capacity of 1,700.
Vital Vegas was also one of the first to report that Cirque Vegas was undergoing huge layoffs behind the scenes as part of a massive cost-cutting measure:
As they say in show business, “Holy crap!” Cirque du Soleil has reportedly informed all their Las Vegas shows (excluding “Mystere”) all department heads (lighting, sound, wardrobe, etc.) will be let go Apr. 17.
7:19 PM – 23 Mar 2019
He followed that up with an even more troubling tweet:
Hearing at least one well-known Cirque variety act was spotted auditioning at another (non-Cirque) show in town, presumably due to safety concerns related to Cirque layoffs.
12:48 PM – 31 Mar 2019
So, department heads have been axed, individual shows are being consolidated under one umbrella and performers are supposedly jumping ship to save their own skins. Does that sound like Cirque du Soleil will be around much longer to you?
In November I visited the Vegas Cirque du Soleil headquarters for a profile on Kim Scott, their Senior Manager of Sourcing and Partnerships. In her twelve years with the company, Scott had spearheaded shows like KA, Beatles LOVE and Criss Angel Believe.
During the interview, Kim had proudly spoken about being “responsible for maintaining our position in the industry as a leader in live entertainment safety standards, and position(ing) Cirque du Soleil as an employer of choice.” Yet one week after the article was published, Ms. Scott notified me that she was leaving Cirque to start her own consulting firm. I was astonished…and a little concerned.
Scott had also mentioned at the time that Cirque was busy creating a new show for Luxor in the theater vacated by Criss Angel’s Mindfreak. Raise your hand if you’ve heard anything about that one….I certainly haven’t.
Wanna go gaga over Gaga? It’ll set you back about a grand….
If a major brand like Cirque is struggling, new shows can’t afford to open and dozens of existing productions have disappeared, what will the future of Las Vegas entertainment look like? I have three answers: pricey headliner residencies, sports teams and celebrity DJ’s.
This….person…was just hired by Palms Resort to the tune of $60 million…
I don’t think anyone’s unaware of the Golden Knights or the new Raiders stadium. And who isn’t buzzing about Lady Gaga‘s two new shows at Park MGM Theater? Katy Perry, Janet Jackson, Christina Aguilera, Aerosmith and more are settling in for extended gigs. Throw in Marshmello/Calvin Harris and their ilk for the club kids and that’ll probably cover nearly every major kind of entertainment in the city.
1.8 billion dollars is the projected cost of the new Raiders stadium…
Oh, those little one-man shows will probably survive. And the strippers most likely will never run out of poles to swing from. But for productions shows, you’ll just have to head Downtown to the Smith Center. That venue for the performing arts will continue to host nationwide touring productions for short-term runs. Las Vegas will just be another stop on the schedule…no longer unique.
“Closed. Refunds will be available at the point of purchase.”
Clips and photos by Sam Novak. Except for a few from…wherever….
Historic old-tyme attraction meets the wrecking ball in two months….
If you’ve seen the award-winning hit film FREE SOLO, then you’re familiar with legendary rock climber Alex Honnold. This Las Vegas resident has been very outspoken on the subject of preventing urban sprawl into Red Rock Canyon. Sadly, Honnold’s efforts just hit a major setback.
The southern end of Red Rock Canyon is home to a quaint attraction known as Bonnie Springs Ranch. Part zoo and part nature preserve with a heaping helping of kitschy old-West charm, the 64-acre park is one of those charming throwbacks that need to be visited at least once.
Bonnie Springs was once a stopover for wagon trains journeying west. The natural springs on this land created an oasis for parched, weary travelers. In 1952 the land was purchased by Bonnie McGaugh Levinson. What started out as a place for grub and horseback riding became a full-on ranch attraction by the 1980’s. A 48-room motel which offers a horseback breakfast ride for guests still operates there today.
When word got out earlier this month that the property was being demolished to develop a housing community, the response was immediate. Petitions have garnered thousands of signatures while guests have been lining up by the hundreds. They’re coming to rekindle childhood memories and make new ones with their families.