Hot Guys of Vegas: Mathieu Bolillo


France’s man of mystery lets his body do the talking…

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There are performers and celebrities who could chat all day about themselves. Without them, we wouldn’t have gossip websites, grocery store tabloids and gab sessions with Ellen Degeneres. Mathieu Bolillo is different. Taking the lead from Olivia Newton-John, he prefers to just get physical.

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My first encounter with Mathieu was this past February on my birthday. It happened to coincide with his debut performance in a new brunch show. It’s hard to focus on your eggs when this fireplug of muscle walks onto the stage, strips off his shirt and commences with a dazzling routine that would have you swearing off croissants for the rest of your life.

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I had to do some digging to learn more about this rippling hunk of inspiration. There are precious few personal details about the athletic Frenchman on his website…but plenty of eye candy and physical feats to wow and impress. So I reached out to Mathieu directly and asked him to tell me more about himself.

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Naturally, the strong-and-silent hunk admitted that he preferred to keep his private life close to his bare chest….er, “vest”.

I have one sister and we were born in Bordeaux, France. I’m raised in France with Spanish, Arabic and international influences due to the origins of my parents and to my high level gymnastic background.

As an international artist, Mathieu has performed in his home country, Germany, Spain, throughout Asia on board the Golden Princess cruise ship….and of course, in Las Vegas. 

Bolillo spent six years with the cast of Cirque du Soleil’s KA at MGM Grand, defying gravity nightly in the long-running epic production. Returning to France in 2010, he contracted a very serious case of chicken pox that nearly claimed his life (adult cases are much more severe than the childhood variety). It took a year to recover and get back his strength and physique.

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In order to set himself apart in the competitive world of athletic entertainment, Bolillo created a new apparatus that he calls the Balance Wheel. His innovative design and self-taught act garnered him the 2016 U.S. Aerial Champion Award for “New and Innovative Apparatus”. It also launched the next phase of his career.

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A self-proclaimed “fitness freak”, Mathieu has an intense desire to push his body to the limit. That’s led to impressive stunt work in films. He’s also a go-to for innovative modeling shoots, special events and fitness workshops. Even in his down time, Bolillo can’t seem to rest…he includes soccer, crossfit and basketball as methods of “relaxation”.

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The new production I met Mathieu at sadly didn’t last, but that’s the reality of entertainment in Sin City. Looking ahead, the ambitious 39-year-old is hoping to lend his talents to new innovative productions. He’d also like to work more in front of the cameras. His expressive face, hot body and sultry voice are tailor-made to capture attention.

Just don’t ask him to talk about himself…

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You can follow Mathieu Bolillo by visiting his Instagram page

 

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Hanging By A Thread – Sin City’s Huge Entertainment Dilemma


Fuerza Bruta’s shocking failure suggests a troubling future for large-scale productions….

Several years ago I penned a two-parter for Vegas Chatter entitled “Four Walls and a Dream”. In it I explored the difficulties involved in launching a new show in today’s corporation-run Vegas. Gone are the days when casinos supported their own entertainment. It’s up to productions themselves to “pay the rent” via an arrangement known as four-walling. And that quite simply is why most new shows are gone before you’ve ever even heard of them.

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That article was inspired by Jeff Civillico, a dynamic young entertainer whose star was already on the rise. His “Comedy In Action” afternoon show at Linq Hotel (then known somewhat absurdly as The Quad) was working hard to make a name for itself. Yet the resort where he rented showroom space had little interest in helping “Comedy In Action” to succeed.

Civillico was on the hook not only for the room and production costs, but also for supplying the advertising materials to display around the property. Yet Jeff had little control over where they’d be displayed….if at all. I’m not sure if he ever worked out his issues with parent company Caesars Entertainment, but Comedy in Action still performs once a week at Paris Hotel Casino.

I learned a lot about the current state of Vegas entertainment while researching that piece. There was plenty of response from performers, producers, directors and public relations people when it ran, too. But after the shocking announcement that Fuerza Bruta would be shuttering only four weeks into a six-month stint, I realized two valuable facts:

  1.  There is no magic formula to ensure that a show will be a hit.
  2.  The current state of Vegas entertainment is more volatile than ever before.

If you haven’t heard of Fuerza Bruta, then congratulations. I’ll pretend to make a check-mark in the air and we can continue on down the list. But first, allow me to say that less than one week ago in my rave review for Fuerza Bruta for BestOfVegas.com, I called it a “Sin City game changer”. I also inaccurately claimed that it was “poised to redefine entertainment on the Strip”. Oh, my… (click HERE to read the original review).

 

 

Just after I’d sent the piece off to the editor, I received an email from Fuerza Bruta’s public relations firm regarding the Vegas run.

FUERZA BRUTA will perform its final show at Excalibur Hotel & Casino on Sunday, April 7, 2019. The acclaimed production, which has been seen by more than six million spectators in more than 34 countries and 58 cities since its launch in 2003, will continue to impress audiences from around the world as it prepares to make the move from Las Vegas to MGM Cotai in Macau in June 2019.
Tickets for the remaining Las Vegas performances of FUERZA BRUTA are now on sale and available at any MGM Resorts International box office, online at Excalibur.com or by calling (702) 597-7600. Refunds for tickets purchased for shows at Excalibur after April 7 will be available at the point of purchase.

It took awhile for the shock of this announcement to subside. I could have been embarrassed that I’d been so far off in my predictions. Instead I was angry that the so-called “City of Entertainment” had chewed up and spit out yet another piece of great entertainment.

 

 

All but one of my friends who had seen the show were absolutely dazzled by the balls-to-the-walls audacity of it. During three separate viewings, I’d stood alongside (and chatted afterwards with) cast members from shows like Chippendales, Le Reve, Zumanity and Donny & Marie. They’d come as I had to see if the enthusiastic pre-opening buzz was deserved. And every one of them was delirious, if not downright envious, of the incredible visuals and creative sequences that Fuerza Bruta was able to pull off inside a tent erected on a parking lot.

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That positive word-of-mouth alone should have been enough to bolster tickets sales. If performers from some of the top shows in Vegas loved it, then it was a must-see, right? Not so fast. Depending on who you ask, it turns out that paid tickets for the show were averaging 50-80 sales per performance with the rest comped (freebies). But if all of those people love it, then they’ll recommend it to friends and attendance will build, right? Well, that would take time….which the powers that be weren’t about to grant.

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Fuerza Bruta was located just outside of Excalibur, which is owned by MGM Resorts. MGM runs nearly half of the major resorts on the Strip. So why weren’t they supplying the capital to help fund operations and allow for attendance of this remarkable show to grow? Four-walling, of course! If Fuerza Bruta failed, all Excalibur would have to do is pull down the advertisements and sweep away any remaining evidence of where the tent had been.

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Realizing that readers and friends who’d planned on seeing the show would never get that opportunity to do so made me angry. I took to social media to vent my frustrations. “What the Hell is wrong with Vegas? Nothing worthwhile stands a chance anymore!”

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Well, thank goodness for the reach of Facebook and Twitter, because my steam-valve post brought out lots of sensible responses from performers in and around the Strip. Mike Hammer of Mike Hammer Comedy Magic at Four Queens was the first to chime in:

You can blame it on this city all you want but they didn’t understand the fundamentals of running a show in this town. It comes down to poor marketing strategy. First of all the show has a name that is not memorable. I live here and can’t even pronounce the name. No way most people from the Midwest are even going to know what the show is. Also, it’s pretty hard to sell a show when you can’t even describe it. Everyone I know that has seen it, including has never described it in one sentence. They didn’t even leave enough time to build up a buzz.

Bad timing of when they opened too. Slower time of the year with March madness and spring break. Again, this a producers decision. They weren’t even selling 50 tickets so how can you blame it on this city?

Again, people that don’t get the VEGAS market. If they didn’t plan enough money to survive six months of marketing, they just were not ready. I wish the best of luck elsewhere where they know what they’re doing. I love VEGAS and it’s been a home to me for 16 years. I’ve seen shows come and go and most of the time it’s the producers or management fault.

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Enoch Augustus Scott, host of long-running hit Zombie Burlesque at Planet Hollywood’s V Theater also took exception to my finger-pointing at Vegas:

There are a million possible reasons besides fat Americans to account for this. Injury. Bad accounting. Or it could be the standing up. People stand and walk around Las Vegas all day along. Sometimes the only chance they get to sit is dinner or a show. Also the Las Vegas show demo skews older. Also people from all over the world come to Vegas. Cirque has been able to grow as big as they are by catering to and attracting an international market base. So you really can’t blame fat Americans on a show not running. Clearly the producers did not understand the landscape or have enough capital to go the 6 months. Happens all the time. Producers come here with a hope and dream and without a business plan or the necessary investment to run a show long enough for it to become a success. It is poor craftsman who blames his tools and even poorer performer who blames his audience. Literally.

While I agree on much of what Enoch says, he also had added “It was always meant to be a limited run. Calm down everybody.” Correct, but that limited run was for six months with the hope of an extension. Four weeks was clearly a failure with deeper implications.

 

See, that’s the problem with having so many choices in one city. Without brand recognition, a famous headliner or a simple-to-explain concept, your middle-American Vegas visitors just won’t make the time for it. Hence we’re inundated with magic shows, impersonators, topless revues and lots of “Circus Day Solay”.

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It’s interesting to note that Fuerza Bruta played in New York City from 2007 through 2016. That’s over 3,000 performances! But we’re talking about an entirely different demographic over there. Visitors to NYC book their tickets to Broadway hits months…and sometimes a year or more…in advance. They’re also a more sophisticated crowd that makes Broadway entertainment part of an elegant evening that includes fine dining while wearing tasteful and carefully-selected outfits.

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But in Las Vegas we’ve got 1) no backing from the host hotels, 2) no opportunity to build brand awareness….and 3) a group of visitors not exactly looking for high art to go along with their yard-long daiquiris.

I went poking around other social media outlets to see how people were reacting to the news of Fuerza Bruta’s sudden shuttering. Always-reliable VitalVegas.com had quickly published an article announcing the closure, and it was a comment from reader ExVegasLocal that caught my eye:

I was “this close” to buying tickets to see Fuerza Bruta for an upcoming trip. It looked like a really cool show, but I was on the fence because I wasn’t sure I wanted to be jostled in a crowd from one side of the room to the other for an hour. In the end, I decided not to bite.

No matter what Vegas thinks about itself, it’s not really that forward thinking/avant garde. Neither are its visitors. Hence the constant replication of one thing that works until it’s completely overdone. Another Cirque show/night club with one syllable name/shopping arcade in front of a hotel/pool party/CVS pharmacy anyone? Now that’s more like it.

Vin A., one of The Bronx Wanderers, had a humorous reaction to my post…one that was also deeply insightful:

Well THAT was obnoxiously fast 😢 i didn’t even get to see the freaking thing! Wtf? Need a low low overhead to survive out here. Why all the one man shows live on forever and a few small cast things barely squeak by. It’s tough as hell out here. You play here for the prestige, and you tour for the money that carries you through your losses out here. That’s the future.

Raja Rahman of the musical magic duo Jarrett and Raja added his own thoughts to the situation:

It’s never about the quality of the show. It’s the $$$ behind it. Ugh. The cycle continues. After our experience, I’m convinced this business model is crap. Any business needs time to ramp up.

“Our experience” no doubt refers to the troubles Jarrett and Raja encountered at various showrooms throughout the city. They’ve had to deal with four-wall scenarios and abrupt closures at downtown’s Plaza Hotel, Hooters Casino and Stratosphere. Even though these gentlemen are residents of Las Vegas, they often find it sensible and more lucrative just to take their talents on the road.

Actually, it’s a pretty common thing for Vegas shows to go on tours. And often they never return. A few years ago I shadowed a production as it searched for a suitable venue on the Strip. After months of meetings and hassles, they decided on a major casino with a troubled showroom history. Sadly, their production would just be another casualty in a long list at the historic south-Strip hotel.

An opening date was chosen, tickets were sold, sets were constructed and advertisements went up throughout the casino and outside. But after being frustrated by resistance and lack of support from the hotel’s regime, the producers abruptly decided to throw up their hands, walk out the door and take the show on the road without doing a Vegas residency.

It makes no sense. It’s like they don’t want you here. Why should I put up money and then fight with the people who I’m paying rent to? After all that, if I’m lucky I’ll sell two hundred tickets a night in Las Vegas. We could take this show to other places where entertainment like this isn’t available and sell out two THOUSAND seats a night. And those places roll out the red carpet for us.

And that’s exactly what he did. A show designed for the Vegas Strip had to leave the city in order to survive. And the showroom they walked away from still remains empty two years later.

It doesn’t have to be that way, but greed always puts short-term profit ahead of long-term goals. Let’s use BAZ as an example. That innovative musical was brought to Mandalay Bay from Los Angeles by none other than Cirque du Soleil. The launch occurred during an awkward time frame in which ownership and business models at Cirque were being radically altered. Cirque abandoned BAZ in no time and without their support it closed after only six weeks.

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      BAZ was the perfect blend of sass, class and contemporary pop culture…

That’s when the Sands Corporation stepped in. Recognizing the many benefits of having a fantastic and unusual show on their property, they forked over the money to retro-fit the Palazzo Theater and supported BAZ’s run for two years. BAZ was never going to be a huge hit, but it was a prestigious project that brought a great deal of class and pride to the Venetian/Palazzo family.

So on one side we’ve got performers stating from personal experience that the four-wall business model doesn’t work. And on the other we’ve got these huge corporations that just don’t care. Working within the confines of the current system, what can be done to help a show succeed?

Well, if there was an answer to that, then at least a few of the dozens of shows that died in 2017 and 2018 might still be around. And that theoretical answer still wouldn’t apply to an existing property like Fuerza Bruta. So should it have been the responsibility of the PR firm to suggest “Hey, your show isn’t going to work here without a bit of overhaul”? Unlikely….they’re a third-party agency being hired by the show to spread awareness and buzz….nothing more. And who tells their boss on the first day that people might not even want their product?

Besides, public relations firms work mostly within the industry, reaching out to people like yours truly and much larger outlets such as TV networks, magazines and newspapers. They can tailor an existing ad campaign to make it Vegas-centric, but a risky top-to-bottom re-do for one stop of a tour? Not gonna happen…and we’ve already decided that there’s no magic formula for success, so why even try to change what’s worked everywhere else on the planet?

Should the PR firm have at least suggested a name revision for the show? Again, that would have understandably been met with resistance from a product that’s already a worldwide brand. And yet, a temporary re-naming to “Fuerza Bruta – Brute Force” might have eliminated some confusion and put a few more arses in those non-existent seats. Even the wise folks at Wynn eventually decided after several years to officially change the name of  Le Reve to “Le Reve – The Dream”. Because, you know, French is hard!

So just how much is in a name? Maybe the folks at the Strat should be asking that question right about now. No doubt they are sweating, because their delayed-delayed-delayed tent show Celestia, which was supposed to open on January 30th, is suddenly looking at an even more troubled future.

Celestia, now set for a May 1st debut (even though tickets are still not up for sale), may have an edge over Fuerza Bruta simply because it’s a show created specifically for Vegas. But we can justifiably counteract that advantage with the simple fact that it’s way at the troubled north end of the Strip and not the heavily-traveled Excalibur/MGM Grand/Tropicana/New York NY intersection where F.B. failed.

Celestia can also boast having some Cirque du Soleil DNA in its genes….and a few years ago that might have mattered. But now it’s time to recognize something really scary: Cirque du Soleil is facing genuine trouble here in Las Vegas. I’ve been told by people behind the scenes that MGM Resorts is quietly preparing to shut down all of their Cirque shows by the end of 2020.

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                             It’s my blog, I’ll be dramatic if I want to be…

While that might sound like absurd conjecture, there is plenty of evidence to back this rumor up. For one, huge productions like KA, ZUMANITY and Beatles LOVE are now advertising on Groupon. Yes, Groupon…the place where you go to buy discount Botox treatments and personalized make-up bags.

 

 

In my Vegas Chatter days, Groupon was a clear indicator that a Vegas attraction was struggling badly and would soon be gone. If you don’t believe me try to visit Eli Roth’s GORETORIUM. That’s not always the case anymore, but with must-see shows like LOVE, it’s an embarrassing way to put butts in seats.

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Hundreds of empty seats during a Friday performance of Cirque’s “Beatles LOVE” 

I recently attended a Friday-night performance of LOVE and was shocked that the massive auditorium was perhaps 40 percent filled. Hundreds upon hundreds of empty seats. And that’s apparently been the case for most of the Cirque shows for awhile now.

Vital Vegas stated in May of last year that Cirque’s 2017 capacity had been running at around 50 percent. With the removal of free parking to Nevada residents and a continued drop in tourism, that number would look even bleaker in the first quarter of 2019.

MGM Resorts numbers bear out rumors Cirque shows running at 50-60% capacity in Vegas: 3.6 million Cirque tickets sold in 2017, 9,890/week avg. per show. At 10 shows per week, that’s 989 sold with avg. capacity of 1,700.

Vital Vegas was also one of the first to report that Cirque Vegas was undergoing huge layoffs behind the scenes as part of a massive cost-cutting measure:

As they say in show business, “Holy crap!” Cirque du Soleil has reportedly informed all their Las Vegas shows (excluding “Mystere”) all department heads (lighting, sound, wardrobe, etc.) will be let go Apr. 17.

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He followed that up with an even more troubling tweet:

Hearing at least one well-known Cirque variety act was spotted auditioning at another (non-Cirque) show in town, presumably due to safety concerns related to Cirque layoffs.

12:48 PM – 31 Mar 2019

So, department heads have been axed, individual shows are being consolidated under one umbrella and performers are supposedly jumping ship to save their own skins. Does that sound like Cirque du Soleil will be around much longer to you?

In November I visited the Vegas Cirque du Soleil headquarters for a profile on Kim Scott, their Senior Manager of Sourcing and Partnerships. In her twelve years with the company, Scott had spearheaded shows like KA, Beatles LOVE and Criss Angel Believe.

During the interview, Kim had proudly spoken about being “responsible for maintaining our position in the industry as a leader in live entertainment safety standards, and position(ing) Cirque du Soleil as an employer of choice.” Yet one week after the article was published, Ms. Scott notified me that she was leaving Cirque to start her own consulting firm. I was astonished…and a little concerned.

Scott had also mentioned at the time that Cirque was busy creating a new show for Luxor in the theater vacated by Criss Angel’s Mindfreak. Raise your hand if you’ve heard anything about that one….I certainly haven’t.

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          Wanna go gaga over Gaga? It’ll set you back about a grand….

If a major brand like Cirque is struggling, new shows can’t afford to open and dozens of existing productions have disappeared, what will the future of Las Vegas entertainment look like? I have three answers: pricey headliner residencies, sports teams and celebrity DJ’s.

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       This….person…was just hired by Palms Resort to the tune of $60 million…

I don’t think anyone’s unaware of the Golden Knights or the new Raiders stadium. And who isn’t buzzing about Lady Gaga‘s two new shows at Park MGM Theater? Katy Perry, Janet Jackson, Christina Aguilera, Aerosmith and more are settling in for extended gigs. Throw in Marshmello/Calvin Harris and their ilk for the club kids and that’ll probably cover nearly every major kind of entertainment in the city.

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           1.8 billion dollars is the projected cost of the new Raiders stadium…

Oh, those little one-man shows will probably survive. And the strippers most likely will never run out of poles to swing from. But for productions shows, you’ll just have to head Downtown to the Smith Center. That venue for the performing arts will continue to host nationwide touring productions for short-term runs. Las Vegas will just be another stop on the schedule…no longer unique.

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               “Closed. Refunds will be available at the point of purchase.”

Clips and photos by Sam Novak. Except for a few from…wherever….

 

 

 

 

 

BEHIND THE CURTAIN: KIM SCOTT OF CIRQUE DU SOLEIL

 


Excerpts from my article for Best Of Vegas…

There’s a memorable scene in 1977’s Annie Hall in which Woody Allen says “Those who can’t do…teach. And those who can’t teach…teach gym.” In the acrobatic world of Cirque du Soleil, that statement couldn’t be further from the truth.

Behind the curtain of every Cirque show is an army of skilled technicians and a highly trained supporting cast. Step further back to discover a collection of individuals who work as a team to make the magic possible.

One such person is Kim Scott, Senior Manager of Sourcing and Partnerships for Cirque du Soleil Resident Division. Working from an impressive headquarters in western Las Vegas, Kim serves many key roles.

“I am responsible for ensuring the continued sourcing of qualified technicians to support our upcoming creations and current productions. I am also responsible for maintaining our position in the industry as a leader in live entertainment safety standards, and position(ing) Cirque du Soleil as an employer of choice.”

Read the rest by clicking here

After The Fall – “Le Reve” Acrobat Ryan Lyons

Chronicling the pain, suffering and risks that Vegas acrobats endure to entertain you.


Last weekend, former Le Reve performer Yann Arnaud suffered a fatal fall while performing in Cirque du Soleil’s VOLTA in Tampa. Fellow Le Reve acrobat Ryan Lyons suffered a shockingly similar accident during a live performance at Wynn Las Vegas several years ago.

Since this article was published on another site in August of 2015, Lyons has gotten married and relocated to Australia. He now works, among other things, as an aerial choreographer for singer Pink. What follows is a reprint of how the article originally appeared.

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Ryan Lyons is a “generalist” in Le Reve – The Dream.  Five nights a week he flips, flies, dances and dives for thousands of people. He has done so ever since the show opened more than ten years ago. While he considers his experience at Wynn Las Vegas to be a dream come true, for a short while it became something much darker.

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One evening during the finale, Lyons suffered a traumatic injury that echoes the one that occurred at MGM Grand/Cirque du Soleil’s KA. Performer Sarah Guyard-Guillot, who also fell during the final sequence, died as a result of her injuries.  That production was shut down for nearly weeks as safety protocols were re-examined. It reopened with a greatly altered finale (which has since been restored).

Ryan Lyons was much luckier than Guyard-Guillot.  After a hospital stay and physical rehabilitation, he returned to Le Reve for another five years.  Complications, pain, and the occasional surgery became a way of life, and he still deals with the physical and psychological aftermath of that accident.

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Now in his eleventh year with Le Reve, Lyons has reached the “What next?” phase of his career.  It’s a question that all performers must face when their bodies are maxed out but the soul still yearns to perform. As he ponders his options, Lyons has begun sharing his journey in a personal blog, which he calls “The Anchors Project”.  In it, he hopes to motivate, inspire creativity and ultimately help others to find what their personal anchors are.

Here are a few excerpts from “The Anchors Project”:

“The finale act comes around, and I jump onto my porters to set up my second trick of (the) act.  As they are launching me into the air, my left foot slips and everything just crumbles from there.  In mid-air, I only hope to have enough rotation that I don’t land head first upside down.  I end up landing back on the dry stage, taking all the force to my face and chest…and slide unconscious into the water.   

I wake up on a spinal board with several athletic trainers and rescue personnel around me.  I learn that I have shattered my nose, fractured some ribs and have multiple contusions to my lungs.”

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You might think the life of a Vegas performer is all glitz and glam.  It’s not bad by any means. We get paid to do what we love, and it often doesn’t feel like a job.  What people don’t realize is how short-lived our career is (I certainly didn’t). They don’t see the ugly side of the job, fighting for contracts, pushing through each show with an ache here and an ache there.  

The “show must go on” mentality of the corporate setting, or the fear of losing your next contract.  We dance and flip around on stage, but we often struggle to “play the game” as we try to find a balance that will keep our passion alive. It is often truly the passion to perform that keeps us going.

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Plagued by injuries, overuse of our bodies and sometimes not feeling valued for the risk we take with each performance, you are challenged to make decisions on what is important to you.

What is important to me now, as I reflect on this journey, is my health and well being. I often joke to my friends and say “I want to be able to walk when I’m 40!”. 

I’ve learned that even despite many setbacks, I was still able to live my dream.  That my strength and courage helped me move past my injuries and the obstacles that were placed in front of me.  That my tenacity to keep going, always gets me to where I want to go. I now find myself motivating others to share their passion and to reach beyond their wildest dreams.

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You can read more about Ryan Lyons by visiting his website The Anchors Project.

Photos: Ryan Lyons, Sammasseur

Hot Guys of Vegas: Dads and Sons


Get acquainted with the men who make their children, pets and parents proud…

With spring…and Father’s Day…just around the corner, it’s time to salute the young men of Vegas who inspire their families with talent, good deeds…and fantastic physiques and looks.

 

Alberto del Campo – athlete/performer/pole instructor

 

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                                                         Alberto del Campo

Where you’ve seen him – Le Reve, KA, Las Vegas Pole Expo, The Beatles LOVE

Alberto del Campo (banner photo above) is one of those guys who seems to be unaffected by gravity.  With athletic grace, he soars through the air and water, climbs tall objects with ease and is completely comfortable hanging upside down.

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This handsome Spiderman/Aquaman hybrid from Barcelona is a real-life superhero to sons Alex (10) and Zack (8). Together the play, train, and have lots of fun outdoors. But when the sun goes down, Alberto joins his boys onstage at Mirage for The Beatles LOVE.

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Father and sons, along with beautiful wife Genevieve Garneau, love being a seriously-fit circus family. Genevieve, a native of Quebec, is currently a performer in Le Reve and has previously been an artist for Cirque.

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Alex is skilled at joining dad on the pole and young Zack is currently mastering aerial work on the straps. Both boys will no doubt continue to follow in their parents’ footsteps and be stars in their own right.

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                                Alberto’s final evening with the cast of KA…

As for Alberto, his busy schedule is enhanced by a number of ancillary projects. Along with competing, he holds workshops in pole dancing and pole fitness. He’s also been known to choreograph amazing aerial sequences for Cirque du Soleil’s annual “One Night For One Drop” charity events. And if you’re lucky enough, you’ve caught one of his rare comedy performances in the naughty vaudeville act Golden Shower.

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Del Campo may be a dad, but he doesn’t have the standard “dad bod” by any stretch of the imagination. This handsome father lives, breathes, works and teaches fitness…and it shows.

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If you’d like to learn more about Alberto or attend one of his workshops, contact him through Aerial Athletica at (702) 848-7894.

Noteworthy traits – stunning flexibility, ability to look hot from all angles…

 

Chris Hodgson – dancer/singer/actor/model

 

Hot Guys Vegas Dads Sons

                                                         Chris Hodgson

Where you’ve seen him – Jubilee!, Sex Tips For Straight Women, ad campaigns

New daddy Chris Hodgson has been steaming up the stages of Las Vegas ever since he arrived from West Yorkshire. This slim, towering 30-year-old has a voice that can melt ice and cheekbones that could cut diamonds.

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Chris is currently starring as the object of everyone’s desire in Paris Casino‘s Sex Tips For Straight Women from a Gay Man. He plays Stefan, a technician who becomes the unwitting prop in a scheme to loosen one woman’s sexual inhibitions. With a body like that, do you really think he fails?

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Hodgson studied his craft at U.K.’s Performers College of Corringham, Essex. He cut teeth in show business aboard the Holland America cruise line before settling down in the States. Since then he’s been working steadily in Strip productions like Jubilee! and 50 Shades: The Musical Parody, along with special events and fundraisers.

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The performers in Vegas make up a tightly-knit community. They cherish Chris and his willingness to donate his free time for a worthy cause (he’s an ardent supporter of the LGBTQ). He’s frequently out and about with the city’s other artists, sharing jokes, outrageous behavior…and even the occasional spontaneous pole dance.

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Last spring, Hodgson and wife Leah Sykes (herself an artist in Cirque‘s Zumanity) became parents to son Parker. Proud Chris is excited to be a new dad and relishes the time he gets to spend with his quickly-growing boy.

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With such great genetics from both sides of the family, Parker will surely become a hearthrob in no time at all. Until then, big daddy Chris will be the one in charge of accelerating pulses around Sin City.

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Noteworthy traits – gleeming pecs, swoon-worthy British accent

 

Cameron “Boom” Brown – dancer/athlete/mentor

 

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                                                      Cameron Brown

Where you’ve seen him – Chippendales, charity events

Any fan of 80’s movies will remember Flashdance. That pop-culture phenomenon told the unlikely story of a Pittsburgh steel worker who moonlighted as a sexy dancer. With a little bit of tinkering (and a gender reversal). that blockbuster could easily double as a biography for Cameron Brown.

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Cam is a Sharon, Pennsylvania native who put his substantial muscles to work in blue-collar gigs for JMC Steel Group and Wheatland Tube (a steel manufacturer). As a student growing up in Steeler country, the rugged young man was a popular football player and even received an offer to join the Pittsburgh Pirates. In other words, a local hero.

However, Cameron felt that there was something else calling to him “out there”. He wanted to see more of the world and expand his horizons (having grown up in the same area, I can testify that the culture in that region can be more than a little confining). He readied himself by studying marketing at West Virginia’s Marshall University, where the slogan is “Be Proud. Be a son or daughter of Marshall”.

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                 Cameron hopes to continue making his father and mother proud…

After graduating, Cam decided he was ready to market himself. Perhaps he caught a late-night showing of Flashdance…and maybe that’s where he got the inspiration to follow Jennifer Beals’ path to becoming a dancer. Before you could say “What A Feeling“, this small-town boy with big dreams was soon strutting his stuff in the world-famous Chippendales male revue.

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After becoming a hit onstage at Rio Las Vegas, Brown joined Chippendales for their world tour. His list of destinations included Berlin, Zwolle (Netherlands), Bolzano (Italy) and Korea. Seeing the world and being so far away from home added to his appreciation of his beloved family. The 26-year-old has one sister and several half-brothers/sisters. He’s especially close to his mother Deborah.

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Not a day goes by where I don’t think of my Mom. I’m so very thankful to have my Mom in my life. Anybody who knows me knows I’m a huge mama’s boy and I have zero shame in that. She’s my world.

Currently on a break from touring, Cam is back on the Las Vegas stage, performing with his Chippendales brothers in their custom theater. In his free time he coaches children at i9 Sports, a Vegas youth organization. He believes that working with children affords him a peek at what the future has in store.

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                           Cameron and his one of his youth soccer teams…

Working hard to make his friends and family proud will continue to be Cam’s primary goal. One day he sees himself building a strong foundation for a family of his own:

I’m not worried about Jordans, cars, jewelry, none of that. I’m focused on starting a career and building a home…so my future family can lay their heads down without any worries.

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Noteworthy traits – massive shoulders, over-sized heart

 

Tyler Froehlich – dancer/model/physique competitor

 

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                                                     Tyler Froehlich

Where you’ve seen himMen of the Strip, Chippendales, magazine covers

If there was an award for “Happiest Hunk of Sin City”, it would automatically go to Tyler Froehlich. This Cincinnati Ohio native, one of three brothers, moved to Las Vegas last spring and immediately brightened the city with his infectious grin.

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Like Cameron Brown, Tyler Froehlich’s story is straight out of a movie. Having just returned from an Army stint in Iraq, the war vet was living in his parents’ basement and ready for a change…but never expected that his life would take a turn of this magnitude.

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                       Arriving in Las Vegas with MOTS owner Mike Foland…

Tyler was discovered via his Instagram account by Glenn Douglas Packard, the famed choreographer for last summer’s Men of the Strip. It must have been a bit of culture shock for the young man to go from small-town obscurity to a marquee on the famed Las Vegas Strip.

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                                         Photos from Tyler’s army days…

One thing that didn’t surprise Froehlich was the intense, dry climate of Las Vegas. During his four-year army stint, he spent 2011 in Iraq and 2103 in Afghanistan. His role there was as a Forward Observer, a military artillery spotter responsible for directing mortar fire on a target.

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Returning to the States, Froehlich maintained his heroic physique, hoping to develop a career in fitness modeling and physique competition. He competed in three shows and became nationally qualified for the NPC (you can see pics from his competition here). Then the call came to join Men of the Strip…and things haven’t slowed down since.

 

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Parents Carol and Randy have plenty to be proud of. They raised their son to have an infectious sense of adventure (and gave him a wild sense of humor), which might explain how he went from having no dance experience to sharing a stage with the likes of Jeff Timmons.

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I had the privilege of meeting Tyler’s mom and dad when they came out from Ohio to see his MOTS debut last July. They’re as warm and kind as Tyler, who has a special bond with brothers Bobby and Pete. The tattoo on his chest reads “Famiglia”, which of course means “family”.

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With MOTS on hiatus, the hard-bodied athlete began modeling for corporate events, providing entertainment at lavish parties and appearing in magazines. For the cover of QLife magazine‘s 2017 Halloween issue, Tyler’s sculpted physique provided a perfect canvas for artist Robin Slonina‘s exquisite body painting.

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As of this week, the former Army veteran can now be seen creating heat at Chippendales. The latest member of the world’s top male revue can’t be more excited to have a regular gig…and continues to relish the opportunities that Sin City has given him. He approaches each day with excitement, a wacky sense of humor and appreciation for his good fortune.

“Life isn’t about the destination…it’s about how you get there”. Tyler Froehlich

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Noteworthy traits – wild mane of hair, military-grade abs

 

Ron Remke – actor/singer/dancer

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                                                     Ron Remke

Where you’ve seen him BAZ – A Musical Mash-up, Jubilee!

Our final Hot Guy for this edition is Ron Remke. Ron’s dashing, suave, multi-talented and has a gorgeous soul. He’s also a stellar father in every sense of the word…the only difference is that his children have paws.

Remke was born in Reading, Pennsylvania (yep, another PA native) and studied musical theater at Penn State University (my alma mater). After graduating, he lent his vocal gifts to the Indianapolis Symphony Orchestra and released a glorious collection called Broadway Classics in 2012 (available on iTunes by clicking here).

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As with so many bitten by the showbiz bug, Ron answered the call of Vegas and settled in with wife Alexandra (also a performer), whom he married the day after Christmas in 2014 (awww). The two purchased a house in Henderson the following September and have become the type of romantic couple that songs are written about.

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The handsome couple were fortunate enough to share the same stage together in Bally’s legendary production of Jubilee!. Alexandra was the epitome of a gorgeous showgirl…and Ron was the dapper song-and-dance man. Together they entertained thousands until the show took its final bows.

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When Palazzo announced the return of BAZ two years ago, Ron came aboard as a swing performer. That meant he had to know numerous roles inside and out, stepping into whatever was required. His stage presence and handsome looks make him the perfect Jay Gatsby…but he also gets to show his comedic flair during a vaudeville-style take on “Like A Virgin”.

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                                      All the ladies swoon over Ron…

Ron and Alexandra are active in animal rescue operations and have opened their home to many of the community’s needy pets. After adopting shelter animals Lilly, a 9-year-old poodle, and kitties Oscar and Olly, the Remkes now raise rescued kittens and act as foster parents for the adults.

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Ron tells me that at this point they’ve gotten 19 kittens off to a promising start, bringing them to a healthy weight of two and a half pounds. Then they’re able to be neutered before receiving permanent homes through NSPCA Saturday adoption events.

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It’s no simple feat to be both a heartthrob and a hero at the same time, but Ron Remke makes it look easy. He’s the ultimate ladies’ man, a total man’s man and a hero to the animals of the world. In other words, he’s the perfect guy.

Noteworthy traits – flawless teeth, slick dance moves, silky voice

Photos by Marco Mendez@lightandpole, Corey Fox Photography, QLife magazine, Sammasseur, Facebook