Farewell to “Le Reve – The Dream” at Wynn


The most-loved production show in Las Vegas announces its closure due to COVID-19.

The word “devastated” took on a whole new meaning at 4pm today when the cast and crew of “Le Reve” received word that the show was permanently shuttering. I’ve gotten an avalanche of texts and messages from friends and colleagues who know what this show means to the city of Las Vegas…and to myself personally.

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While I allow this news to digest this evening (and mourn the loss of my favorite show), I’ll leave you with this article that I penned for VegasChatter.com in January of 2014. Be safe, stay strong, and be smart.

Click here to read (archived articles may take longer to load).

Six and a half years ago I wrote what would be one of my favorite articles and THE BEST EXPERIENCE I’ve had in this city. Farewell, Le Reve. You’ve earned a place in Vegas history that time will never erase, and I thank each and every person involved for creating one of the most beautiful productions Las Vegas will ever see.

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Cover photo courtesy of Alexander Stabler, performer at “Le Reve – The Dream”

COVID-19 Aftermath – Shows Most Likely (and Least Likely) To Return


Taking a hard and painful look at the Vegas entertainment landscape as Sin City’s quarantine drags on…

As a devoted enthusiast of Sin City entertainment, it pains me to think of the hundreds of gifted performers currently out of work during the pandemic shutdown. Devoted to a volatile industry in which success is never guaranteed, many artists work multiple jobs and/or share living expenses just to get by. Combine this with a lack of adequate health care and spotty unemployment compensation, and it wouldn’t be surprising if many struggling entertainers decide to leave the city…or the industry altogether.

Sadly, there’s a likelihood that numerous residencies and production shows will decide to fold (or have their lifeline unceremoniously yanked) once the ramp-up begins. How this plays out is anyone’s guess, but I’ve been doing my own pondering on what changes lie ahead. Keep in mind that my conclusions aren’t in any way a reflection of quality…or lack thereof. Instead, I’ve considered factors such as pre-virus buzz, operation overhead (costs), post-virus marketability, name recognition, longevity, and brand loyalty.

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I might be completely wrong on these predictions or right on the money. Your guess is as good as mine. We won’t know until it actually happens, but here’s my list of shows that might weather the storm. And those that I believe will most certainly blow away.

Very Likely To Return –

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David Saxe Productions – the long and colorful list produced by David Saxe amounts to a well-oiled machine. His self-named theater inside Planet Hollywood’s Miracle Mile Shops and nearby V Theater churn out hits like Vegas! The Show, Zombie Burlesque, V – The Ultimate Variety Show and many more. Saxe is a master of efficiency and knows how to run and market his business. His children will survive just fine.

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ABSINTHESpiegelworld‘s naughty alternative to Cirque du Soleil is an instant hit that would have celebrated its ninth anniversary on April 1st. The bawdy burlesque ABSINTHE has spun off two successful companion productions and shows no sign of slowing down. Relatively low overhead (an outdoor tent, pre-recorded music, and simple props) should help it to last through a sluggish restart (if that’s how things play out, that is).

Other Spiegelworld titles OPIUM and ATOMIC SALOON SHOW might not have it so easy. Their out-of-the-way locations inside expensive Cosmopolitan and Venetian/Palazzo might prove to be a bigger challenge in the long run. Cosmo‘s costly parking fees make OPIUM an easy pass for locals, too. (Update 5/19/20 – Cosmopolitan has announced its intentions to discontinue parking fees)

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“O” at Bellagio – Despite a mountain of debt that Cirque du Soleil is carrying, it’s unlikely that they’ll allow their highest-profile Vegas production to fold. Since “O” is synonymous with the Bellagio image (just like its outdoor fountains and seasonal conservatory displays) it’s easy to envision the resort taking ownership of the show if it came down to that (Steve Wynn did that with Le Reve). “O” is still a very popular draw despite two decades and thousands of performances. Not my cup of tea, but for many tourists, it’s a must-see.

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CELESTIA – my insiders at CELESTIA assure me that the fledgling big-top production is on solid ground. STRAT Hotel Casino has a strong financial stake. which seems to be a common thread in the current make-or-break environment. Four-wallers (independent contractors) will suffer while casino-owned shows are likely to last. It all comes down to money.

Sex Tips For Straight Women from a Gay Man – This is an easy one to envision continuing. An extremely Vegas-y premise, an attractive local cast and very low overhead within an intimate theater setting. What’s not to love?

Solo and Lounge Acts – Our deeply-fractured economy is going to have a ripple effect on both consumers and the products they offer. Returning guests with limited discretionary income will most likely avoid the high-ticket attractions. That’s where one-man/woman shows come to the rescue.

With low overhead and a simple format, solo acts can offer solid entertainment and a retro vibe while passing the savings onto their audiences. Look for returning favorites like Mike Hammer, Murray Sawchuck, Carrot Top, Xavier Mortimer, Jen Kramer and maybe even the once-popular Gordie Brown to shine brighter in the spotlight. I anticipate that bloated, self-serving star vehicles like Criss Angel – Mindfreak Live and Mariah Carey‘s endless residencies will go down in flames, though. Darn.

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Expensive mega-residencies could also feel the same heat. Last year people were forking over a grand or more to StubHub for Lady Gaga tickets. Who has that kind of money now? Even though Paula Abdul‘s lip-syncing stomp-fest at the Flamingo couldn’t warrant a $49 price tag last fall, her short-lived residency now seems like a million years ago. Look for a glut of similar shows (like Derek Hough: No Limit), along with the resurgence of intimate lounge acts, to tide us over until the economy…and Vegas…rebounds.

Say Farewell –

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Blue Man Group (Update 6/30/20 The cast of Blue Man Group has been laid off by parent company Cirque du Soleil)

They’re old, tired, and as cliched as the fanny pack strapped around your cargo shorts. The trio of silent weirdos known as Blue Man Group is as annoying as those outdoor escalators that are constantly “under service”. Luxor‘s long-running production returned to the pyramid a few years ago, after more than a decade at Venetian and Monte Carlo. Now they’re in a much smaller venue and it’s easy to forget that they’re still around. Maybe COVID-19 will be the nudge that gets them to squeeze their final Twinkie.

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Human Nature (Update – permanent closure announced 6/10/20) –

It really upsets me to have this one on the list, but the Aussie quartet known as Human Nature appears to have been struggling for a while. I’ve been to the show a number of times in the past twelve months, and attendance has been anemic during each and every visit. Their live band has been downsized as a cost-cutting measure and the dancers were given a pink slip before that. They’ve also jettisoned the “Jukebox” format and returned to the Motown sound that put them in the U.S. limelight.

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Magic Mike Live (Update – Sahara opening postponed until 2021) –

                               We can wait even longer for this execrable slop to return….

The movie-inspired male revue received a scathing write-up from me upon its debut (deservedly so). Yet, the man-bashing mess, hosted by a shrill, leather-clad harpy who never shuts her f*cking mouth, somehow managed to become a hit. Still, the closure of Hard Rock Hotel sent the strippers dancers off into the sunset last year.

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Audiences were promised a spring relaunch at the newly-rebranded Sahara Hotel, yet an official debut date was never set and tickets have yet to go on sale. The 360-degree format requires a custom-built arena that Sahara didn’t have, so costly construction was required. Alas, an insider told me that the venue’s build-out was halted many weeks before the shutdown, suggesting that the bump-and-grind may actually be over. Today’s visit to the official website reveals that the word “spring” was removed, most likely due to the shutdown. Or are revised negotiations holding things back?

During the interim, MML has gone global with residencies in London, Berlin, Sydney, and Melbourne, so a pricey Vegas space is no longer a top priority for the franchise. Sahara Hotel has yet to prove itself as a hip destination, as demonstrated by the premature shuttering of similar-themed Blanc de Blanc. Combine that with the perpetual postponements of nearby Fontainebleau/The Drew and Resorts World, and things are looking pretty dead for Magic Mike Live.

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Cirque du Soleil 

Update 6/30/20 – Cirque du Soleil announced today that they have filed for bankruptcy protection and have eliminated 3,500 jobs…

I know what you’re thinking – “But you just said that “O” was safe?!?!?!?!”. True enough. But in our new reality, Vegas cannot sustain six (already down from eight) of what is basically the same show…especially at $150 and up for decent seats.

According to FinancialPost.com, Cirque owes more that $1.25 billion to creditors. MGM Resorts operates five of their six Vegas shows and is known to brutally slice away expenses wherever and whenever possible. So who gets their trapezes pulled? I’m looking at KA, The Beatles LOVE, and maybe Michael Jackson ONE.

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Hanging In The Balance/Probably Safe –

MYSTERE – the longest-running Vegas Cirque show follows its own set of rules since Treasure Island operates separately from MGM Resorts. MYSTERE is smaller in scale and has the lowest ticket prices. The others have massive sets, live musicians, huge casts and expensive automation that requires an entire team of technicians to operate and maintain. SO…..overhead…

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ZUMANITY – never a critical darling or fan favorite, but this one might not be in real jeopardy. It has many of the advantages that MYSTERE enjoys (smaller cast, intimate venue, lower ticket prices), and has already trimmed back its musicians and singers. But despite the adult-skewing format, ZUMANITY now pales in comparison to raunchy offerings from Spiegelworld. So once again, your guess is as good as mine.

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Le ReveWynn‘s signature production was never an out-and-out hit (some still believe it’s part of Cirque du Soleil fifteen years in), but it’s a critical darling and those who know it, love it. Le Reve is also owned by Wynn/Encore, which has deep pockets and an image to protect. When Steve Wynn’s own SHOWSTOPPERS was shuttered, massive shockwaves rippled through the entertainment community. That’s unlikely to happen again.

‘WOW: The Las Vegas Spectacular’ Celebrates Two Years on the Strip

WOW: The Vegas Spectacular – another budget-friendly production that hung in there despite the competition, WOW could in fact raise its profile and attendance numbers in the months ahead. Room rates at host hotel RIO start at a ridiculously-cheap $10 (plus resort fees/taxes) for the first half of May, so if the city actually opens, expect a pilgrimage to the aging off-Strip resort.

Sister production EXTRAVAGANZA missed its debut date at Bally’s last month and could possibly be in jeopardy. The cast of performers came from Israel and has yet to log a single hour in front of a paying audience. Housing the entire cast during quarantine is no doubt chipping away at the show’s reserves. Whether that could bring WOW down as well involves legalities that aren’t known to me. But from the outside looking in, it’s a pretty grim picture for EXTRAVAGANZA.

What are your thoughts, predictions and opinions? Feel free to add your comments or email me at Sam@VegasUnfiltered.blog.

Wynn’s LE REVE Makes New Waves With Major Revision


Detailing major updates to Wynn’s long-running signature production…

NOTE: This article previously appeared on another site in February 2017. There have been additional revisions to the show since then. I will be revisiting Le Reve very soon and will share those updates with you at a later time.

The aquatic show Le Reve – A Small Collection of Imperfect Dreams opened at Wynn Resort in May of 2005. It was an eerie tale told through acrobatics and a blend of water and aerial ballet. Sets were adorned with skulls and skeletons, while the ceiling was layered with actual casts of human bodies. The dream of an “everyman” protagonist caught both audiences and critics off-guard. It was surprisingly dark for a night out in Vegas and became a bit of a PR nightmare for the newly-opened resort.

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Despite the fact that this writer was blown away (I saw it on my first Vegas trip), the production was quickly retooled. A lengthy process of reinvention took place over the next several years, much in keeping with the “fluid” nature of its setting. Le Reve was lightened and brightened, transformed from a sinister nightmare into a sweeping adventure filled with romance, dance….and lots of flowers.

The reinvention worked. Le Reve – The Dream (its second official name) became a must-see…and winner of Best Production Show for six consecutive years (Southern Nevada Hotel Concierge Association). Throughout its run, additional artistic and technological elements have been added to keep audiences returning. My personal tally is twenty-seven as of this writing (you can read all about my previous experiences by visiting an archived VegasChatter article here).

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Perhaps it was a reflection of the times that a happy version of Le Reve soared while the economy was tanking. Failed projects continue to surround the Wynn/Encore property, reminders of a time when the future of Las Vegas growth suddenly seemed bleak. But for fans of Le Reve, all was sunny and bright.

Now that tourists are pouring back into Vegas in record numbers and money is flowing once more, the folks at Wynn Entertainment have once again retooled their namesake show (Wynn resort was originally to be called “Le Reve”). And surprise…the production has gone back to the beginning and restored a bit of the darkness.

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Why would an established show embrace an approach that didn’t work so well the first time around? Perhaps we can credit this to the current crop of Vegas enthusiasts. Younger crowds that make Sin City their go-to destination these days don’t generally attend this type of production. But they do indulge in imagination-based entertainment like gaming, martial artistry, sci-fi, and superheroes.

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Le Reve version 2017 has tapped into the burgeoning fantasy culture and brought heroes and villains to the center of Le Reve’s aqua-stage. A romantic triangle that forms the core of its storyline has been amped up, with characters and costumes having a new sense of familiarity to genre fans. Elements of AVATAR and Ridley Scott’s LEGEND, sword/sorcery visuals and graphic novel sensibilities have been woven into the plotline, along with a dashing prince-like hero (in a billowy romance-cover shirt) and a bald, muscular challenger in black leather pants.

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As you might expect, Le Reve is much less of a musical now. The live singing doesn’t kick in until the second third of the show. Most of the ballroom dancing has been jettisoned, along with three angels who served as comic relief. In their place are two impish sidekicks who serve a staff-wielding Dream Master. That ominous character sends the dreamer into her adventure and leads her from one experience to the next before returning her to our world.

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Certain acts remain relatively unchanged, like a wild sequence with giant fishing nets and another with three female acrobats inside of a sphere. Natural elements like rain, snow, and fire have been amped up. A new effect features globes made entirely of water that descend from an enormous domed ceiling….while flames swirl around inside of them. It’s hard to describe, but absolutely breathtaking.

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As you might expect, not all is perfect in the new Le Reve. The happy-ending finale is set to a horribly cheesy song that would be more at home in Disney’s Parade of Lights. The Piece Montee set, a multi-tiered fountain from which high-divers leap and spin, is now adorned with Day-Glo accents that resemble a child’s aquarium. In fact, the entire sequence feels like a deleted scene from The Little Mermaid or Finding Nemo.

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A source connected with the show told me (on condition of anonymity) that the current finale is a remnant from a different failed revision that Steve Wynn halted (Wynn has had a hands-on role since purchasing the rights from creator Franco Dragone in 2006 and provides a voice-over in the latest rollout).

Apparently, this jettisoned re-imagining was only performed twice for audiences before being packed up and tossed into the dead pool. For whatever reason, the “get-happy” conclusion from the discarded reworking remains. It could easily be excised until another one is created and the show would still feel complete.

The source went on to say that original composer Benoit Jutras has been working on a new score to balance the overall tone and that a lyricist will be adding songs back into the production soon. So Le Reve will continue to be fluid, at least in the weeks and months ahead.

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As I stated in my review of the Beatles LOVE update, retooling a successful show can be a risky proposition. But like the artists of Cirque du Soleil, Wynn’s entertainment group has stayed true to the source material while making it feel brand new.

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Comparisons to Cirque du Soleil will most likely follow The Dream throughout its run, which in unfortunate. Le Reve – The Dream sets itself apart in ways too numerous to mention. Unlike Bellagio’s O, the show at Wynn manages to be both intimate and epic. It’s my personal favorite in the city.

Le Reve – The Dream is a spectacle on a massive scale. It’s incredible entertainment…and one hundred percent pure “Las Vegas.”

Le Reve – The Dream performs Friday through Tuesday at 7 pm and 9:30 pm. Tickets start at $115.00 plus taxes/fees and are available by clicking here. Our friend at VegasFool.com is running a special with Grandview seating for $99 plus taxes/fees (regular $145) by following this link.

Photos: Sam Novak

 

 

After The Fall – “Le Reve” Acrobat Ryan Lyons

Chronicling the pain, suffering and risks that Vegas acrobats endure to entertain you.


Last weekend, former Le Reve performer Yann Arnaud suffered a fatal fall while performing in Cirque du Soleil’s VOLTA in Tampa. Fellow Le Reve acrobat Ryan Lyons suffered a shockingly similar accident during a live performance at Wynn Las Vegas several years ago.

Since this article was published on another site in August of 2015, Lyons has gotten married and relocated to Australia. He now works, among other things, as an aerial choreographer for singer Pink. What follows is a reprint of how the article originally appeared.

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Ryan Lyons is a “generalist” in Le Reve – The Dream.  Five nights a week he flips, flies, dances and dives for thousands of people. He has done so ever since the show opened more than ten years ago. While he considers his experience at Wynn Las Vegas to be a dream come true, for a short while it became something much darker.

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One evening during the finale, Lyons suffered a traumatic injury that echoes the one that occurred at MGM Grand/Cirque du Soleil’s KA. Performer Sarah Guyard-Guillot, who also fell during the final sequence, died as a result of her injuries.  That production was shut down for nearly weeks as safety protocols were re-examined. It reopened with a greatly altered finale (which has since been restored).

Ryan Lyons was much luckier than Guyard-Guillot.  After a hospital stay and physical rehabilitation, he returned to Le Reve for another five years.  Complications, pain, and the occasional surgery became a way of life, and he still deals with the physical and psychological aftermath of that accident.

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Now in his eleventh year with Le Reve, Lyons has reached the “What next?” phase of his career.  It’s a question that all performers must face when their bodies are maxed out but the soul still yearns to perform. As he ponders his options, Lyons has begun sharing his journey in a personal blog, which he calls “The Anchors Project”.  In it, he hopes to motivate, inspire creativity and ultimately help others to find what their personal anchors are.

Here are a few excerpts from “The Anchors Project”:

“The finale act comes around, and I jump onto my porters to set up my second trick of (the) act.  As they are launching me into the air, my left foot slips and everything just crumbles from there.  In mid-air, I only hope to have enough rotation that I don’t land head first upside down.  I end up landing back on the dry stage, taking all the force to my face and chest…and slide unconscious into the water.   

I wake up on a spinal board with several athletic trainers and rescue personnel around me.  I learn that I have shattered my nose, fractured some ribs and have multiple contusions to my lungs.”

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You might think the life of a Vegas performer is all glitz and glam.  It’s not bad by any means. We get paid to do what we love, and it often doesn’t feel like a job.  What people don’t realize is how short-lived our career is (I certainly didn’t). They don’t see the ugly side of the job, fighting for contracts, pushing through each show with an ache here and an ache there.  

The “show must go on” mentality of the corporate setting, or the fear of losing your next contract.  We dance and flip around on stage, but we often struggle to “play the game” as we try to find a balance that will keep our passion alive. It is often truly the passion to perform that keeps us going.

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Plagued by injuries, overuse of our bodies and sometimes not feeling valued for the risk we take with each performance, you are challenged to make decisions on what is important to you.

What is important to me now, as I reflect on this journey, is my health and well being. I often joke to my friends and say “I want to be able to walk when I’m 40!”. 

I’ve learned that even despite many setbacks, I was still able to live my dream.  That my strength and courage helped me move past my injuries and the obstacles that were placed in front of me.  That my tenacity to keep going, always gets me to where I want to go. I now find myself motivating others to share their passion and to reach beyond their wildest dreams.

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You can read more about Ryan Lyons by visiting his website The Anchors Project.

Photos: Ryan Lyons, Sammasseur