International Hit ‘Blanc de Blanc’ Pops a Cork at Sahara



Sexy new burlesque show forms the cornerstone of re-imagined resort…

UPDATE: Starting October 3rd, all showtimes are moving from 7 pm to 8 pm.

The conversion of legendary Sahara Hotel Casino into SLS Las Vegas wasn’t the success that everyone had hoped for. Nor was it the north-Strip savior that many predicted. But five years of floundering later, Sahara is back with the original name, new owners and lots of improvements. And leading their entertainment line-up is the wonderful Blanc de Blanc.

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Blanc de Blanc is an international hit that evokes the spirit of the finest champagnes. It’s fizzy, titillating, euphoric and oh so sophisticated. Featuring a gorgeous cast of singers, dancers, acrobats and comedians, it’s 75 minutes of fast paced, adults-only fun. The Foundry has been transformed into a lush Parisian cabaret for this production, lending an air of intimacy that few shows of this nature can achieve.

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A two-level main stage is enhanced by three additional platforms, one of which becomes a balloon-filled hot tub as the show progresses. The action is all around you in the multi-level space which offers booths, cocktail tables, bar-side seats and…brace yourself…a Premium Champagne Hot Tub Experience. Yes, you can actually take a dip and sip bubbly with the cast (swimwear is required, so come prepared).

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The show itself is reminiscent of Vegas Nocturne, the fantastic three-chapter Spiegelworld extravaganza that helped launch Cosmopolitan’s Rose.Rabbit.Lie in 2014. Fans of that short-lived production, which was ironically once rumored to resurface here at SLS/Sahara, will recognize cast member Spencer Novich. The rubber-bodied funnyman, who performed a similar role as “Ripley” in Vegas Nocturne, brings his unique onstage talents to Blanc de Blanc and also serves as its comedy director.

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Blanc de Blanc is hosted by elegant, towering and muscular Monsieur Roméo. Clad in a tuxedo, holding his ever-present champagne flute and speaking in velvety French, the former Armani model, photographer and comedian greets guests at their seat before each performance. His sultry charisma sets the perfect tone for an evening of steamy Parisian thrills.

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Monsieur Roméo has worked in the past with entertainers like Lady Gaga, Beyonce and burlesque legend Dita Von Tesse. In a post-show conversation, Roméo told me that he’s been hosting Blanc through multiple tours of Australia, New Zealand and London before bringing it to the lights of Sin City.

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Show director Scott Maidment was also on hand for the evening’s performance. He watched from an upper level booth….

Click HERE to continue reading.

Photos: Sam Novak

 

 

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Postmodern Jukebox Is A Musical Time Machine

 


The group’s vintage remixes are pitch-perfect for Vegas…

You may have heard of Postmodern Jukebox, the genre-busting collective of musicians and singers. But have you actually heard them? One song into Scott Bradlee’s Postmodern Jukebox Hideway, their new production at The Mirage, and you’ll become a lifelong fan.

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Postmodern Jukebox is a brilliantly entertaining concept. An ever-changing line-up of performers and songs, PMJ (as they’re affectionately known) has become a sensation thanks to the power of YouTube. Founded in Queens just eight years ago by pianist Scott Bradlee, Postmodern Jukebox takes your favorite contemporary songs, puts them into a time-machine blender and gives them a whole new spin.

Imagine hearing a familiar rap single performed in a roaring 20’s style. How about an electronica dance hit re-imagined as swing or Motown? Perhaps a country ballad doled out as a cool jazz session or a doo-wop ditty? That’s what PMJ does…and they do it oh so well.  Every song is a thrill to experience, and you’ll marvel at how well it all works.

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PMJ has been enjoying a love affair with Sin City for quite some time. Their short-term gigs around the city and in a 2016 New Year’s Eve performance at Cosmopolitan were such successes that it was only a matter of time before they landed a residency here. And why not? Las Vegas attracts music lovers of all generations and tastes, as does the group itself.

The new Hideaway stint has already been hailed by Mark Shunock (Rock of Ages, voice of Las Vegas Golden Knights) as “The best show in Las Vegas right now…period!”. Presented as an evening at an early 1900’s nightclub, Hideaway gathers the best singers, dancers and musicians you may ever see on a stage. And each performance is unique to that particular evening.

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Fans of Palazzo’s glorious BAZ: A Musical Mash-up will be thrilled by the return of its stars Nicci Claspell and Jaclyn McSpadden. Revisiting BAZ’s infectious vintage-pop fusion, Claspell delivers and cool and bouncy take on Portugal The Man’s “Feel It Still”. Dazzling Vegas local McSpadden brings down the house with a torch rendition of Radiohead’s “Creep”.

Lead vocalist/host Ariana Savalas (daughter of Kojak actor Telly Savalas) and award-winning tap dancer Aaron Turner (son of Vegas legend Earl Turner) rip up the floor with a stunning “Bad Romance”. They’re supported by an electrifying five-piece band and a hot cast of dancers that take the excitement to every corner of the club.

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Click here to continue reading via BestOfVegas.com…

 

 

 

 

 

Blond Invasion – The Ultimate Pop-Diva Experience


New production gathers pop’s biggest female superstars for the dream concert that never was…

Superstar headliner residencies are the biggest draw on the Strip right now. We’ve got Mariah, Janet, Gwen and more with Christina on the way (Pink and Katy Perry are rumored to be eyeing gigs as well). Can you imagine how awesome it would be if Madonna, Lady Gaga and Britney Spears somehow teamed up for the megawatt show of a lifetime? Now you can stop dreaming, because Blond Invasion is here.

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Blond Invasion is the latest show to open at V Theater inside Planet Hollywood’s Miracle Mile Shops. A stunningly clever yet simple concept, Blond Invasion is a beautifully executed salute to the ladies who keep us dancing. Unlike other tribute shows you may have seen, Blond Invasion doesn’t have lip-syncing or a rotating roster of celebrity acts. It’s a live performance created especially for fans of Madonna/Britney/Gaga by people who adore them.

In the crazy world of entertainment, you never know if or when you’ll ever get the chance (or finances) to see your favorite headliner. Britney lovers were blind-sided last November when her upcoming Park MGM residency was abruptly cancelled. Things turned even more dire just this month when the troubled pop tart’s manager stated that she may never perform again.

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Britney’s devoted fan base will be thrilled when performer Katie Murdock blasts through the Planet Hollywood ceiling with uncanny live vocals and spot-on Britney moves. Flanked by an explosive male dance troupe, Katie opens with the fabulous “Circus”, followed by sensational interpretations of “Toxic”, “Womanizer” and of course, “Work B*tch”.

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At the grand opening celebration, guests literally gasped when Ms. Murdock strolled into the party…the likeness was absolutely breathtaking. I later learned that Katie has already wowed thousands through her portrayal of Spears in the record-setting Legends In Concert. With fourteen years of Britney experience and a lifetime of singing and performing, Murdock’s act alone is worth the price of admission. But she’s just one of three powerhouse performances that make Blond Invasion such a treat.

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The 90-minute production opens with Coty Alexander striking a pose to Madonna’s “Vogue”, followed by “Into The Groove”, “Papa Don’t Preach”, “Human Nature” and more. A multi-faceted artist who’s also a Legends in Concert alumnus, Alexander has thrilled with her interpretations of Gwen Stefani and Lady Gaga, too.

Speaking of Gaga, prepare to be floored when Philadelphia native Christina Shaw and the boys let loose with “Bad Romance”. Clad in a blue wig and glittery spandex, Christina shows off her own real keyboard skills at a lush red piano for a ballad-style rendition of “Poker Face”.  She and the boys celebrate diversity with “Born This Way”, bring the party directly to your seat for “Just Dance” and wrap up with a fabulous round of “Applause”.

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                Christina Shaw’s Lady Gaga raises the roof with “Applause”…

Along with their individual sets, Blond Invasion‘s three stars come together for something you’ll never see anywhere else…Madonna, Britney and Lady Gaga on one stage. Together they unleash a career-spanning medley that’s a concert event like no other.

 

Click here to continue reading…

 

 

 

 

 

 

 

 

 

 

Hanging By A Thread – Sin City’s Huge Entertainment Dilemma


Fuerza Bruta’s shocking failure suggests a troubling future for large-scale productions….

Several years ago I penned a two-parter for Vegas Chatter entitled “Four Walls and a Dream”. In it I explored the difficulties involved in launching a new show in today’s corporation-run Vegas. Gone are the days when casinos supported their own entertainment. It’s up to productions themselves to “pay the rent” via an arrangement known as four-walling. And that quite simply is why most new shows are gone before you’ve ever even heard of them.

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That article was inspired by Jeff Civillico, a dynamic young entertainer whose star was already on the rise. His “Comedy In Action” afternoon show at Linq Hotel (then known somewhat absurdly as The Quad) was working hard to make a name for itself. Yet the resort where he rented showroom space had little interest in helping “Comedy In Action” to succeed.

Civillico was on the hook not only for the room and production costs, but also for supplying the advertising materials to display around the property. Yet Jeff had little control over where they’d be displayed….if at all. I’m not sure if he ever worked out his issues with parent company Caesars Entertainment, but Comedy in Action still performs once a week at Paris Hotel Casino.

I learned a lot about the current state of Vegas entertainment while researching that piece. There was plenty of response from performers, producers, directors and public relations people when it ran, too. But after the shocking announcement that Fuerza Bruta would be shuttering only four weeks into a six-month stint, I realized two valuable facts:

  1.  There is no magic formula to ensure that a show will be a hit.
  2.  The current state of Vegas entertainment is more volatile than ever before.

If you haven’t heard of Fuerza Bruta, then congratulations. I’ll pretend to make a check-mark in the air and we can continue on down the list. But first, allow me to say that less than one week ago in my rave review for Fuerza Bruta for BestOfVegas.com, I called it a “Sin City game changer”. I also inaccurately claimed that it was “poised to redefine entertainment on the Strip”. Oh, my… (click HERE to read the original review).

 

 

Just after I’d sent the piece off to the editor, I received an email from Fuerza Bruta’s public relations firm regarding the Vegas run.

FUERZA BRUTA will perform its final show at Excalibur Hotel & Casino on Sunday, April 7, 2019. The acclaimed production, which has been seen by more than six million spectators in more than 34 countries and 58 cities since its launch in 2003, will continue to impress audiences from around the world as it prepares to make the move from Las Vegas to MGM Cotai in Macau in June 2019.
Tickets for the remaining Las Vegas performances of FUERZA BRUTA are now on sale and available at any MGM Resorts International box office, online at Excalibur.com or by calling (702) 597-7600. Refunds for tickets purchased for shows at Excalibur after April 7 will be available at the point of purchase.

It took awhile for the shock of this announcement to subside. I could have been embarrassed that I’d been so far off in my predictions. Instead I was angry that the so-called “City of Entertainment” had chewed up and spit out yet another piece of great entertainment.

 

 

All but one of my friends who had seen the show were absolutely dazzled by the balls-to-the-walls audacity of it. During three separate viewings, I’d stood alongside (and chatted afterwards with) cast members from shows like Chippendales, Le Reve, Zumanity and Donny & Marie. They’d come as I had to see if the enthusiastic pre-opening buzz was deserved. And every one of them was delirious, if not downright envious, of the incredible visuals and creative sequences that Fuerza Bruta was able to pull off inside a tent erected on a parking lot.

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That positive word-of-mouth alone should have been enough to bolster tickets sales. If performers from some of the top shows in Vegas loved it, then it was a must-see, right? Not so fast. Depending on who you ask, it turns out that paid tickets for the show were averaging 50-80 sales per performance with the rest comped (freebies). But if all of those people love it, then they’ll recommend it to friends and attendance will build, right? Well, that would take time….which the powers that be weren’t about to grant.

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Fuerza Bruta was located just outside of Excalibur, which is owned by MGM Resorts. MGM runs nearly half of the major resorts on the Strip. So why weren’t they supplying the capital to help fund operations and allow for attendance of this remarkable show to grow? Four-walling, of course! If Fuerza Bruta failed, all Excalibur would have to do is pull down the advertisements and sweep away any remaining evidence of where the tent had been.

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Realizing that readers and friends who’d planned on seeing the show would never get that opportunity to do so made me angry. I took to social media to vent my frustrations. “What the Hell is wrong with Vegas? Nothing worthwhile stands a chance anymore!”

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Well, thank goodness for the reach of Facebook and Twitter, because my steam-valve post brought out lots of sensible responses from performers in and around the Strip. Mike Hammer of Mike Hammer Comedy Magic at Four Queens was the first to chime in:

You can blame it on this city all you want but they didn’t understand the fundamentals of running a show in this town. It comes down to poor marketing strategy. First of all the show has a name that is not memorable. I live here and can’t even pronounce the name. No way most people from the Midwest are even going to know what the show is. Also, it’s pretty hard to sell a show when you can’t even describe it. Everyone I know that has seen it, including has never described it in one sentence. They didn’t even leave enough time to build up a buzz.

Bad timing of when they opened too. Slower time of the year with March madness and spring break. Again, this a producers decision. They weren’t even selling 50 tickets so how can you blame it on this city?

Again, people that don’t get the VEGAS market. If they didn’t plan enough money to survive six months of marketing, they just were not ready. I wish the best of luck elsewhere where they know what they’re doing. I love VEGAS and it’s been a home to me for 16 years. I’ve seen shows come and go and most of the time it’s the producers or management fault.

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Enoch Augustus Scott, host of long-running hit Zombie Burlesque at Planet Hollywood’s V Theater also took exception to my finger-pointing at Vegas:

There are a million possible reasons besides fat Americans to account for this. Injury. Bad accounting. Or it could be the standing up. People stand and walk around Las Vegas all day along. Sometimes the only chance they get to sit is dinner or a show. Also the Las Vegas show demo skews older. Also people from all over the world come to Vegas. Cirque has been able to grow as big as they are by catering to and attracting an international market base. So you really can’t blame fat Americans on a show not running. Clearly the producers did not understand the landscape or have enough capital to go the 6 months. Happens all the time. Producers come here with a hope and dream and without a business plan or the necessary investment to run a show long enough for it to become a success. It is poor craftsman who blames his tools and even poorer performer who blames his audience. Literally.

While I agree on much of what Enoch says, he also had added “It was always meant to be a limited run. Calm down everybody.” Correct, but that limited run was for six months with the hope of an extension. Four weeks was clearly a failure with deeper implications.

 

See, that’s the problem with having so many choices in one city. Without brand recognition, a famous headliner or a simple-to-explain concept, your middle-American Vegas visitors just won’t make the time for it. Hence we’re inundated with magic shows, impersonators, topless revues and lots of “Circus Day Solay”.

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It’s interesting to note that Fuerza Bruta played in New York City from 2007 through 2016. That’s over 3,000 performances! But we’re talking about an entirely different demographic over there. Visitors to NYC book their tickets to Broadway hits months…and sometimes a year or more…in advance. They’re also a more sophisticated crowd that makes Broadway entertainment part of an elegant evening that includes fine dining while wearing tasteful and carefully-selected outfits.

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But in Las Vegas we’ve got 1) no backing from the host hotels, 2) no opportunity to build brand awareness….and 3) a group of visitors not exactly looking for high art to go along with their yard-long daiquiris.

I went poking around other social media outlets to see how people were reacting to the news of Fuerza Bruta’s sudden shuttering. Always-reliable VitalVegas.com had quickly published an article announcing the closure, and it was a comment from reader ExVegasLocal that caught my eye:

I was “this close” to buying tickets to see Fuerza Bruta for an upcoming trip. It looked like a really cool show, but I was on the fence because I wasn’t sure I wanted to be jostled in a crowd from one side of the room to the other for an hour. In the end, I decided not to bite.

No matter what Vegas thinks about itself, it’s not really that forward thinking/avant garde. Neither are its visitors. Hence the constant replication of one thing that works until it’s completely overdone. Another Cirque show/night club with one syllable name/shopping arcade in front of a hotel/pool party/CVS pharmacy anyone? Now that’s more like it.

Vin A., one of The Bronx Wanderers, had a humorous reaction to my post…one that was also deeply insightful:

Well THAT was obnoxiously fast 😢 i didn’t even get to see the freaking thing! Wtf? Need a low low overhead to survive out here. Why all the one man shows live on forever and a few small cast things barely squeak by. It’s tough as hell out here. You play here for the prestige, and you tour for the money that carries you through your losses out here. That’s the future.

Raja Rahman of the musical magic duo Jarrett and Raja added his own thoughts to the situation:

It’s never about the quality of the show. It’s the $$$ behind it. Ugh. The cycle continues. After our experience, I’m convinced this business model is crap. Any business needs time to ramp up.

“Our experience” no doubt refers to the troubles Jarrett and Raja encountered at various showrooms throughout the city. They’ve had to deal with four-wall scenarios and abrupt closures at downtown’s Plaza Hotel, Hooters Casino and Stratosphere. Even though these gentlemen are residents of Las Vegas, they often find it sensible and more lucrative just to take their talents on the road.

Actually, it’s a pretty common thing for Vegas shows to go on tours. And often they never return. A few years ago I shadowed a production as it searched for a suitable venue on the Strip. After months of meetings and hassles, they decided on a major casino with a troubled showroom history. Sadly, their production would just be another casualty in a long list at the historic south-Strip hotel.

An opening date was chosen, tickets were sold, sets were constructed and advertisements went up throughout the casino and outside. But after being frustrated by resistance and lack of support from the hotel’s regime, the producers abruptly decided to throw up their hands, walk out the door and take the show on the road without doing a Vegas residency.

It makes no sense. It’s like they don’t want you here. Why should I put up money and then fight with the people who I’m paying rent to? After all that, if I’m lucky I’ll sell two hundred tickets a night in Las Vegas. We could take this show to other places where entertainment like this isn’t available and sell out two THOUSAND seats a night. And those places roll out the red carpet for us.

And that’s exactly what he did. A show designed for the Vegas Strip had to leave the city in order to survive. And the showroom they walked away from still remains empty two years later.

It doesn’t have to be that way, but greed always puts short-term profit ahead of long-term goals. Let’s use BAZ as an example. That innovative musical was brought to Mandalay Bay from Los Angeles by none other than Cirque du Soleil. The launch occurred during an awkward time frame in which ownership and business models at Cirque were being radically altered. Cirque abandoned BAZ in no time and without their support it closed after only six weeks.

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      BAZ was the perfect blend of sass, class and contemporary pop culture…

That’s when the Sands Corporation stepped in. Recognizing the many benefits of having a fantastic and unusual show on their property, they forked over the money to retro-fit the Palazzo Theater and supported BAZ’s run for two years. BAZ was never going to be a huge hit, but it was a prestigious project that brought a great deal of class and pride to the Venetian/Palazzo family.

So on one side we’ve got performers stating from personal experience that the four-wall business model doesn’t work. And on the other we’ve got these huge corporations that just don’t care. Working within the confines of the current system, what can be done to help a show succeed?

Well, if there was an answer to that, then at least a few of the dozens of shows that died in 2017 and 2018 might still be around. And that theoretical answer still wouldn’t apply to an existing property like Fuerza Bruta. So should it have been the responsibility of the PR firm to suggest “Hey, your show isn’t going to work here without a bit of overhaul”? Unlikely….they’re a third-party agency being hired by the show to spread awareness and buzz….nothing more. And who tells their boss on the first day that people might not even want their product?

Besides, public relations firms work mostly within the industry, reaching out to people like yours truly and much larger outlets such as TV networks, magazines and newspapers. They can tailor an existing ad campaign to make it Vegas-centric, but a risky top-to-bottom re-do for one stop of a tour? Not gonna happen…and we’ve already decided that there’s no magic formula for success, so why even try to change what’s worked everywhere else on the planet?

Should the PR firm have at least suggested a name revision for the show? Again, that would have understandably been met with resistance from a product that’s already a worldwide brand. And yet, a temporary re-naming to “Fuerza Bruta – Brute Force” might have eliminated some confusion and put a few more arses in those non-existent seats. Even the wise folks at Wynn eventually decided after several years to officially change the name of  Le Reve to “Le Reve – The Dream”. Because, you know, French is hard!

So just how much is in a name? Maybe the folks at the Strat should be asking that question right about now. No doubt they are sweating, because their delayed-delayed-delayed tent show Celestia, which was supposed to open on January 30th, is suddenly looking at an even more troubled future.

Celestia, now set for a May 1st debut (even though tickets are still not up for sale), may have an edge over Fuerza Bruta simply because it’s a show created specifically for Vegas. But we can justifiably counteract that advantage with the simple fact that it’s way at the troubled north end of the Strip and not the heavily-traveled Excalibur/MGM Grand/Tropicana/New York NY intersection where F.B. failed.

Celestia can also boast having some Cirque du Soleil DNA in its genes….and a few years ago that might have mattered. But now it’s time to recognize something really scary: Cirque du Soleil is facing genuine trouble here in Las Vegas. I’ve been told by people behind the scenes that MGM Resorts is quietly preparing to shut down all of their Cirque shows by the end of 2020.

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                             It’s my blog, I’ll be dramatic if I want to be…

While that might sound like absurd conjecture, there is plenty of evidence to back this rumor up. For one, huge productions like KA, ZUMANITY and Beatles LOVE are now advertising on Groupon. Yes, Groupon…the place where you go to buy discount Botox treatments and personalized make-up bags.

 

 

In my Vegas Chatter days, Groupon was a clear indicator that a Vegas attraction was struggling badly and would soon be gone. If you don’t believe me try to visit Eli Roth’s GORETORIUM. That’s not always the case anymore, but with must-see shows like LOVE, it’s an embarrassing way to put butts in seats.

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Hundreds of empty seats during a Friday performance of Cirque’s “Beatles LOVE” 

I recently attended a Friday-night performance of LOVE and was shocked that the massive auditorium was perhaps 40 percent filled. Hundreds upon hundreds of empty seats. And that’s apparently been the case for most of the Cirque shows for awhile now.

Vital Vegas stated in May of last year that Cirque’s 2017 capacity had been running at around 50 percent. With the removal of free parking to Nevada residents and a continued drop in tourism, that number would look even bleaker in the first quarter of 2019.

MGM Resorts numbers bear out rumors Cirque shows running at 50-60% capacity in Vegas: 3.6 million Cirque tickets sold in 2017, 9,890/week avg. per show. At 10 shows per week, that’s 989 sold with avg. capacity of 1,700.

Vital Vegas was also one of the first to report that Cirque Vegas was undergoing huge layoffs behind the scenes as part of a massive cost-cutting measure:

As they say in show business, “Holy crap!” Cirque du Soleil has reportedly informed all their Las Vegas shows (excluding “Mystere”) all department heads (lighting, sound, wardrobe, etc.) will be let go Apr. 17.

7:19 PM – 23 Mar 2019

He followed that up with an even more troubling tweet:

Hearing at least one well-known Cirque variety act was spotted auditioning at another (non-Cirque) show in town, presumably due to safety concerns related to Cirque layoffs.

12:48 PM – 31 Mar 2019

So, department heads have been axed, individual shows are being consolidated under one umbrella and performers are supposedly jumping ship to save their own skins. Does that sound like Cirque du Soleil will be around much longer to you?

In November I visited the Vegas Cirque du Soleil headquarters for a profile on Kim Scott, their Senior Manager of Sourcing and Partnerships. In her twelve years with the company, Scott had spearheaded shows like KA, Beatles LOVE and Criss Angel Believe.

During the interview, Kim had proudly spoken about being “responsible for maintaining our position in the industry as a leader in live entertainment safety standards, and position(ing) Cirque du Soleil as an employer of choice.” Yet one week after the article was published, Ms. Scott notified me that she was leaving Cirque to start her own consulting firm. I was astonished…and a little concerned.

Scott had also mentioned at the time that Cirque was busy creating a new show for Luxor in the theater vacated by Criss Angel’s Mindfreak. Raise your hand if you’ve heard anything about that one….I certainly haven’t.

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          Wanna go gaga over Gaga? It’ll set you back about a grand….

If a major brand like Cirque is struggling, new shows can’t afford to open and dozens of existing productions have disappeared, what will the future of Las Vegas entertainment look like? I have three answers: pricey headliner residencies, sports teams and celebrity DJ’s.

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       This….person…was just hired by Palms Resort to the tune of $60 million…

I don’t think anyone’s unaware of the Golden Knights or the new Raiders stadium. And who isn’t buzzing about Lady Gaga‘s two new shows at Park MGM Theater? Katy Perry, Janet Jackson, Christina Aguilera, Aerosmith and more are settling in for extended gigs. Throw in Marshmello/Calvin Harris and their ilk for the club kids and that’ll probably cover nearly every major kind of entertainment in the city.

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           1.8 billion dollars is the projected cost of the new Raiders stadium…

Oh, those little one-man shows will probably survive. And the strippers most likely will never run out of poles to swing from. But for productions shows, you’ll just have to head Downtown to the Smith Center. That venue for the performing arts will continue to host nationwide touring productions for short-term runs. Las Vegas will just be another stop on the schedule…no longer unique.

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               “Closed. Refunds will be available at the point of purchase.”

Clips and photos by Sam Novak. Except for a few from…wherever….

 

 

 

 

 

2018 Events, Trends & Moments…Cosmic and Controversial


A lot has happened in the past 12 months. Today I look back on large-scale events…

GREATEST SIGHT IN THE SKY – Angels of the 2017 Massacre

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                      I witnessed it on Sahara Avenue near Palace Station…

This one is emotional and unforgettable. If you were there to witness it, you couldn’t have helped being shaken to the core. As friends and loved ones gathered to commemorate the victims of 2017’s mass shooting one year later, the sunset brought a phenomenon that was seen throughout the entire valley.

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                       Courtesy of Michal Furmanczyk, Absinthe acrobat…

While some were quick to explain it scientifically, many of us felt it was a sign from a greater power…or perhaps a message from another plane of existence. Whatever your take on the matter, there’s no denying that the sunset on 10/1/18 was one we’ll never forget.

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                                  Courtesy of performer Kim Lange…

ROLLING BACK THE PARKING FEES

So many people want to sling buckets of rotting fruit at the money-grubbers of MGM Resorts for instituting parking fees on the Strip. As usual, copycat CAESARS Entertainment followed, the same way they did with resort fees. But unlike those dreaded mandatory surcharges, many of their competitors have held off…or even rolled back…charging their guests to park.

To my recollection, Wynn/Encore was the first to rethink this strategy by offering validation to shoppers, show attendees and hotel guests. Cosmopolitan began including parking as part of their mandatory daily fees just this month. Of course, they had to spoil a bit of the satisfaction by RAISING the resort fee another four dollars per day.

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       Caesars couldn’t resist sticking it to their guests one final time in 2018…

Tropicana, Treasure Island, SLS, Stratosphere, Venetian, Palazzo and a few others still offer parking to everyone without cost. Then there’s the Caesars properties, who dropped a stinkbomb during New Year’s Eve weekend by introducing a flat-rate “surge price” of $20 per day. Keep on gouging, guys. You’ve learned nothing.

LADY GAGA IS THE NEW QUEEN OF THE STRIP

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It seemed really odd when MGM Resorts decided to spend $170 million to rip out their new-ish and gorgeous Aria Theater in favor of “more lucrative” convention space…and then spend millions more to expand/rebrand the adjacent Monte Carlo theater for…get this…more live entertainment. Mmmm kay….

The gamble seems to have paid off, though, as Park Theater just celebrated two years of hosting such high-profile acts as Cher, Ricky Martin, Queen/Adam Lambert and Stevie Wonder. Reports have surfaced that the unwelcome return of faux entertainer Britney Spears has suffered underwhelming ticket sales. But Lady Gaga’s ENIGMA residency came to the rescue by swooping in during the last few days of the year.

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Initial reviews have been stellar. Entertainment Weekly wrote “Enigma the show is a damn good time, and it’s admirable in its attempts to elevate a greatest-hits gathering into something striving for more, something that perhaps even galvanized an artist in the peak of her career to take a Vegas residency in the first place.”

A local media publisher, who shall remain unnamed, confided a different take with me: “Gaga was great. Everything else about the show was a disaster.”

There’s no question that Lady Gaga’s profile has risen substantially since she signed her Park Theater contract. She’s sure to get an Oscar nomination for A Star Is Born…and might actually win. Her credibility as a performer, humanitarian and cultural icon are unquestioned. So having her as a fixture on the Strip (for a planned two years) is a major coup for Park MGM. Britney who?

UPDATE: Mere minutes after I published this piece, it was announced that Britney had cancelled her Las Vegas residency, citing “family health concerns”. That’s PR-speak for “My sales suck and they want me out”. What a wonderful bit of news for lovers of genuine talent. Buh-bye, Brit Brit. Don’t let the door hit-hit.

https://www.ktnv.com/news/britney-spears-cancels-las-vegas-residency

TOUGH YEAR FOR VEGAS RESORT EXECS

The past twelve months have seen a surprising upheaval in upper management at major hotel casinos. It all started with an ominous event as embattled former Caesars Entertanment CEO Gary Loveman was shown the door in January…from his replacement job with Aetna. Loveman had never previously worked for healthcare companies.

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His successor Mark Frissora, who assumed the position from Loveman in summer 2015, will be departing his role in the next month or so. According to the Las Vegas Review-Journal, Frissora was accused in a Securities and Exchange Commission filing by his former company, Hertz Global Holdings, of “inappropriate accounting decisions and the failure to disclose information to an effective review” three weeks after he took over at Caesars. Ouch!

Gary Loveman wasn’t the only former resort exec to have a bad year. Longtime MGM Resorts‘ Felix Rappaport was found dead in his home this summer. Current MGM CEO Jim Murren issued the following statement: “We are saddened by the news of the passing of our former colleague and friend, Felix Rappaport. Felix was a member of the MGM Resorts family for more than two decades and is remembered fondly by many. Our condolences and prayers go out to his family at this difficult time.”

Also at MGM, it was announced in October that Bobby Baldwin, Chief Customer Development Officer of their resorts and President/CEO of CityCenter on the Strip, will depart both positions soon…without explanation. The press announcement was extremely brief and offered no details, which stirred up plenty of rumors. Hmmm…

During that same month, they welcomed George Kliavkoff as the new President of Entertainment and Sports. He took over for legendary bushy-maned Richard Sturm who had held that position since 1993. Sturm shocked many when he announced his departure from MGM five weeks earlier. He was leaving to form his own entertainment consulting firm that would work exclusively with…MGM Resorts (insert facepalm here).

VitalVegas.com reported on a number of departures and managerial changes this summer at Westgate Hotel Casino. The most noteworthy that I personally can report on was the promotion of Cami Christensen into the position of President and General Manager. I happened to be there on the evening of the announcement and was honored to offer congratulations.

Christensen has been with the property for over seventeen years and assumed the responsibilities of former GM Geno Iafrate, who reportedly departed to help launch a new franchising concept for Westgate’s Superbook. Oddly, Iafrate’s LinkedIn account currently shows him as having left the property and looking for work.

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             Gordon Prouty and Cami Christensen raise the bar at Westgate…

I was also excited to meet Gordon Prouty while covering the annual Mr. Olympia Weekend this summer. Gordon had just accepted a position as Westgate’s Director of Public and Community Relations. This dapper gentleman has an extensive background in media and community relations throughout the country.

Here in Vegas, Gordon’s been involved in several organizations and Greenspun Media Group. And as the best-dressed man in all of Las Vegas, he served as inspiration for my article on STITCHED Men’s Haberdashery. Only good things can happen at Westgate with Gordon Prouty behind the PR wheel.

There’s nothing like a sex scandal to ruin a man’s legacy. Just ask Kevin Spacey….or in this case, Steve Wynn. The super-successful businessman, whom many credit with the mega-resorts of today, had one really tough year. Allegations of sexual misconduct forced the magnate to sell off his shares in Wynn Resorts this past March. Just before that he’d stepped down as CEO of his own company while denying the claims being made against him: “The idea that I ever assaulted any woman is preposterous.”

The founder of one of Las Vegas’ most luxurious resorts was also forced to depart the on-property villa he called home, as well as to forfeit his healthcare and severance pay. To add insult to injury, Wynn’s final pet project, the Paradise Park Lagoon, was scuttled. It would appear that Wynn West, an expansion on the opposite side of Las Vegas Boulevard, has also been put on ice.

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                                                     Photo via KSNV-TV

This is the third project to fall apart on the former New Frontier Hotel space. Perhaps it’s just as well. Somebody is apparently building Wynn West just a little farther down the street anyway. Unfortunately they’ve named it Resorts World, which doesn’t quite have the same ring. But it certainly looks familiar…

Tomorrow I’ll conclude my year-end wrap-up with the things that made Las Vegas 2018 a deeply personal affair.

Banner photo by Jim Gisclair of Serenity Helicopters