COVID-19 Aftermath – Shows Most Likely (and Least Likely) To Return


Taking a hard and painful look at the Vegas entertainment landscape as Sin City’s quarantine drags on…

As a devoted enthusiast of Sin City entertainment, it pains me to think of the hundreds of gifted performers currently out of work during the pandemic shutdown. Devoted to a volatile industry in which success is never guaranteed, many artists work multiple jobs and/or share living expenses just to get by. Combine this with a lack of adequate health care and spotty unemployment compensation, and it wouldn’t be surprising if many struggling entertainers decide to leave the industry…or the city.

Sadly, there’s a likelihood that numerous residencies and production shows will decide to fold (or have their lifeline unceremoniously yanked) once the ramp-up begins. How this plays out is anyone’s guess, but I’ve been doing my own pondering on what changes lie ahead. Keep in mind that my conclusions aren’t in any way a reflection of quality…or lack thereof. Instead, I’ve considered factors such as pre-virus buzz, operation overhead (costs), post-virus marketability, name recognition, longevity, and brand loyalty.

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I might be completely wrong on these predictions or right on the money. Your guess is as good as mine. We won’t know until it actually happens, but here’s my list of shows that might weather the storm. And those that I believe will most certainly blow away.

Very Likely To Return –

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David Saxe Productions – the long and colorful list produced by David Saxe amounts to a well-oiled machine. His self-named theater inside Planet Hollywood’s Miracle Mile Shops and nearby V Theater churn out hits like Vegas! The Show, Zombie Burlesque, V – The Ultimate Variety Show and many more. Saxe is a master of efficiency and knows how to run and market his business. His children will survive just fine.

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ABSINTHESpiegelworld‘s naughty alternative to Cirque du Soleil is an instant hit that would have celebrated its ninth anniversary on April 1st. The bawdy burlesque ABSINTHE has spun off two successful companion productions and shows no sign of slowing down. Relatively low overhead (an outdoor tent, pre-recorded music, and simple props) should help it to last through a sluggish restart (if that’s how things play out, that is).

Other Spiegelworld titles OPIUM and ATOMIC SALOON SHOW might not have it so easy. Their out-of-the-way locations inside expensive Cosmopolitan and Venetian/Palazzo might prove to be a bigger challenge in the long run. Cosmo‘s costly parking fees make OPIUM an easy pass for locals, too.

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“O” at Bellagio – Despite a mountain of debt that Cirque du Soleil is carrying, it’s unlikely that they’ll allow their highest-profile Vegas production to fold. Since “O” is synonymous with the Bellagio image (just like its outdoor fountains and seasonal conservatory displays) it’s easy to envision the resort taking ownership of the show if it came down to that (Steve Wynn did that with Le Reve). “O” is still a very popular draw despite two decades and thousands of performances. Not my cup of tea, but for many tourists, it’s a must-see.

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CELESTIA – my insiders at CELESTIA assure me that the fledgling big-top production is on solid ground. STRAT Hotel Casino has a strong financial stake. which seems to be a common thread in the current make-or-break environment. Four-wallers (independent contractors) will suffer while casino-owned shows are likely to last. It all comes down to money.

Sex Tips For Straight Women from a Gay Man – This is an easy one to envision continuing. An extremely Vegas-y premise, an attractive local cast and very low overhead within an intimate theater setting. What’s not to love?

Solo and Lounge Acts – Our deeply-fractured economy is going to have a ripple effect on both consumers and the products they offer. Returning guests with limited discretionary income will most likely avoid the high-ticket attractions. That’s where one-man/woman shows come to the rescue.

With low overhead and a simple format, solo acts can offer solid entertainment and a retro vibe while passing the savings onto their audiences. Look for returning favorites like Mike Hammer, Murray Sawchuck, Carrot Top, Xavier Mortimer, Jen Kramer and maybe even the once-popular Gordie Brown to shine brighter in the spotlight. I anticipate that bloated, self-serving star vehicles like Criss Angel – Mindfreak Live and Mariah Carey‘s endless residencies will go down in flames, though. Darn.

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Expensive mega-residencies could also feel the same heat. Last year people were forking over a grand or more to StubHub for Lady Gaga tickets. Who has that kind of money now? Even though Paula Abdul‘s lip-syncing stomp-fest at the Flamingo couldn’t warrant a $49 price tag last fall, her short-lived residency now seems like a million years ago. Look for a glut of similar shows (like Derek Hough: No Limit), along with the resurgence of intimate lounge acts, to tide us over until the economy…and Vegas…rebounds.

Say Farewell –

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Blue Man Group – They’re old, tired, and as cliched as the fanny pack strapped around your cargo shorts. The trio of silent weirdos known as Blue Man Group is as annoying as those outdoor escalators that are constantly “under service”. Luxor‘s long-running production returned to the pyramid a few years ago, after more than a decade at Venetian and Monte Carlo. Now they’re in a much smaller venue and it’s easy to forget that they’re still around. Maybe COVID-19 will be the nudge that gets them to squeeze their final Twinkie.

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Human Nature – It really upsets me to have this one on the list, but the Aussie quartet known as Human Nature appears to have been struggling for a while. I’ve been to the show a number of times in the past twelve months, and attendance has been anemic during each and every visit. Their live band has been downsized as a cost-cutting measure and the dancers were given a pink slip before that. They’ve also jettisoned the “Jukebox” format and returned to the Motown sound that put them in the U.S. limelight.

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Magic Mike Live – the movie-inspired male revue received a scathing write-up from me upon its debut (deservedly so). Yet, the man-bashing mess, hosted by a shrill, leather-clad harpy who never shuts her f*cking mouth, somehow managed to become a hit. Still, the closure of Hard Rock Hotel sent the strippers dancers off into the sunset last year.

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Audiences were promised a spring relaunch at the newly-rebranded Sahara Hotel, yet an official debut date was never set and tickets have yet to go on sale. The 360-degree format requires a custom-built arena that Sahara didn’t have, so costly construction was required. Alas, an insider told me that the venue’s build-out was halted many weeks before the shutdown, suggesting that the bump-and-grind may actually be over. Today’s visit to the official website reveals that the word “spring” was removed, most likely due to the shutdown. Or are revised negotiations holding things back?

During the interim, MML has gone global with residencies in London, Berlin, Sydney, and Melbourne, so a pricey Vegas space is no longer a top priority for the franchise. Sahara Hotel has yet to prove itself as a hip destination, as demonstrated by the premature shuttering of similar-themed Blanc de Blanc. Combine that with the perpetual postponements of nearby Fontainebleau/The Drew and Resorts World, and things are looking pretty dead for Magic Mike Live.

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Cirque du Soleil – I know what you’re thinking – “But you just said that “O” was safe?!?!?!?!”. True enough. But in our new reality, Vegas cannot sustain six (already down from eight) of what is basically the same show…especially at $150 and up for decent seats.  MGM Resorts operates five of the six shows and is known to brutally slice away expenses wherever and whenever possible. So who gets their trapezes pulled? I’m looking at KA, The Beatles LOVE, and maybe Michael Jackson ONE.

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Hanging In The Balance/Probably Safe –

MYSTERE – the longest-running Vegas Cirque show follows its own set of rules since Treasure Island operates separately from MGM Resorts. MYSTERE is smaller in scale and has the lowest ticket prices. The others have massive sets, live musicians, huge casts and expensive automation that requires an entire team of technicians to operate and maintain. SO…..overhead…

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ZUMANITY – never a critical darling or fan favorite, but this one might not be in real jeopardy. It has many of the advantages that MYSTERE enjoys (smaller cast, intimate venue, lower ticket prices), and has already trimmed back its musicians and singers. But despite the adult-skewing format, ZUMANITY now pales in comparison to raunchy offerings from Spiegelworld. So once again, your guess is as good as mine.

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Le ReveWynn‘s signature production was never an out-and-out hit (some still believe it’s part of Cirque du Soleil fifteen years in), but it’s a critical darling and those who know it, love it. Le Reve is also owned by Wynn/Encore, which has deep pockets and an image to protect. When Steve Wynn’s own SHOWSTOPPERS was shuttered, massive shockwaves rippled through the entertainment community. That’s unlikely to happen again.

‘WOW: The Las Vegas Spectacular’ Celebrates Two Years on the Strip

WOW: The Vegas Spectacular – another budget-friendly production that hung in there despite the competition, WOW could in fact raise its profile and attendance numbers in the months ahead. Room rates at host hotel RIO start at a ridiculously-cheap $10 (plus resort fees/taxes) for the first half of May, so if the city actually opens, expect a pilgrimage to the aging off-Strip resort.

Sister production EXTRAVAGANZA missed its debut date at Bally’s last month and could possibly be in jeopardy. The cast of performers came from Israel and has yet to log a single hour in front of a paying audience. Housing the entire cast during quarantine is no doubt chipping away at the show’s reserves. Whether that could bring WOW down as well involves legalities that aren’t known to me. But from the outside looking in, it’s a pretty grim picture for EXTRAVAGANZA.

What are your thoughts, predictions and opinions? Feel free to add your comments or email me at Sam@VegasUnfiltered.blog.

2019 – The Year in Review: See It or Skip It?


A quick-reference guide for current shows and my take on their worthiness for your hard-earned discretionary income…

With all of the productions that have come and gone in 2019, it’s tough to know what is playing, let alone what to see. This is the most complete list of titles I could compile as of 12/22/19. The guide includes only shows that I’ve actually seen, along with three categories to help you decide. Where possible, I’ve provided a link to my reviews, which can be accessed by clicking on the colored letters.

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DON’T MISS IT!!!!

ABSINTHE“Daring burlesque variety show continues to amaze in its 9th year”.

ATOMIC SALOON SHOW“You’ll laugh, you’ll cringe and you’ll most definitely be titillated.” 

AUSSIE HEAT – The ‘other’ Down-Under male revue is faster/hotter/better than you’d ever expect.” 

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BEATLES LOVE by Cirque do Soleil – “Remains one of the most spectacular and satisfying shows in town.”

BARRY MANILOW – “Try not to get choked up.”

BRONX WANDERERS –  “Handsome and talented collection of musicians and singers brings down the house with every performance.”

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CELESTIA“Beautifully mounted with snappy pacing, memorable costumes, and a very attractive athletic cast.”

CHIPPENDALES – “It’ll melt your inhibitions…and the ice in your glass.”

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DAVID COPPERFIELD

DRAG BRUNCH – “The perfect opportunity to lose your gender-bender virginity.”

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FANTASY – “If you’ve enjoyed FANTASY in the past, you’ll love it even more the next time.

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HANS KLOK – “A breakneck theatrical experience that will leave you slack-jawed and gasping in wonder.”

HUMAN NATURE: MOTOWN AND MORE – “will have you humming all night and dancing in the aisles.”

JEN KRAMER MAGICa collection of tried-and-true favorites delivered with a next-generation spin.”

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John Caparulo MAD CAP COMEDY- “an unforgettable evening of gut-busting hilarity.”

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LE REVE: The Dream – “manages to be both intimate and epic. It’s my personal favorite in the city.”

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MIKE HAMMER COMEDY MAGIC

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MISS BEHAVE GAMESHOW – “An experience that you can’t have anywhere else…and that’s what Las Vegas is all about.”

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MURRAY THE MAGICIAN

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MYSTERE by Cirque du Soleil

OPIUM – “will have you gasping for days. Don’t let ANYONE spoil the surprise.”

PURPLE REIGN

REDNECK COMEDY MAGIC

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SEX TIPS FOR STRAIGHT WOMEN FROM A GAY MAN – “a fast-paced evening for open-minded adults of all persuasions.”

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SEXXY 

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TENORS OF ROCK – “An international confection of rip-roaring vocals, boundless energy, and a live onstage band.”

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TOURNAMENT OF KINGS

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V- THE ULTIMATE VARIETY SHOW

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VEGAS! THE SHOW

WOW – THE LAS VEGAS SPECTACULAR“an unforgettable adventure through the oceans of time.”

ZOMBIE BURLESQUE

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DON’T DO IT!!!

BLACK MAGIC LIVE – a cheap, chaotic disaster unworthy of your time and money.”

CRISS ANGEL MINDFREAK – “continues to regurgitate up our collective pipes and spread noxious odors throughout the Vegas valley.”

MARIAH CAREY – “Santa didn’t hand out coal this year…he gave away tickets to Mariah.”

MAT FRANCO: Magic Reinvented NightlyMat Franco is about as dull as a dead rabbit.”

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R.U.N by Cirque du Soleil – “you’ll think you’ve wandered into a high school production of West Side Story”.

TERRY FATOR – “Terry Fator is a log jam that just won’t flush.”

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THUNDER FROM DOWN UNDER – “a great big middle finger to the audience.”

IF THE PRICE IS RIGHT

AUSTRALIAN BEE GEES

BLUE MAN GROUP 

CARROT TOP – “the exact same jokes and gags for over a decade”

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CHERRY BOOM BOOM – “Costuming is top-notch, the choreography is consistently impressive, and some sequences are downright breathtaking.”

CRAZY GIRLS

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GEORGE WALLACE

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LEGENDS IN CONCERT

MAC KING COMEDY MAGIC

MARC SAVARD COMEDY HYPNOSIS

MENOPAUSE THE MUSICAL

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NATHAN BURTON MAGIC

‘O’ by Cirque du Soleil

PENN & TELLER

POPOVICH COMEDY PET THEATER

POTTED POTTER – “a face-paced and humorous retelling of the wizarding-world saga.”

RAT PACK IS BACK

STEVE CONNOLLY – SPIRIT OF THE KING 

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X BURLESQUE

XAVIER MORTIMER’S MAGICAL DREAM – “technology blends with meticulous choreography and precision timing to jaw-dropping effect.”

ZUMANITY

More of my 2019 Round-up in the days ahead…

 

 

R.U.N For The Exit – Cirque du Soleil’s Latest is an EPIC DISASTER


Tone-deaf stunt show-cum-blockbuster confuses vulgarity and violence for action…

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UPDATE 3/8/20 I just attended the final performance of R.U.N, which was abruptly shuttered. I got the impression that the majority of the audience was comprised of friends and family. The show began about 15 minutes late. There was a lengthy cast/crew onstage farewell and the performers were snapping photographs with each other as the curtain lowered for the final time. 

Despite my absolute dislike for this production, I purchased tickets for third row, center section, to cheer on the performers, who carried no blame for this costly disaster. 

UPDATE 1/7/20 VitalVegas.com has reported that ticket sales for R.U.N have been suspended beyond 4/30/20. It is not known at this time whether the show is being permanently closed or shut down for retooling. But it’s worth noting that all other Cirque du Soleil shows in Las Vegas are currently offering tickets through the end of December 2020. This doesn’t bode well for R.U.N, but then again, the show must NOT go on in its current state of “fiasco”.

If we can applaud entertainment companies for expanding outside of their comfort zone, then we’re surely entitled to speak up when they cross the line. That’s what’s been happening since Cirque du Soleil premiered R.U.N: The First Live Action Thriller at Luxor a few weeks ago. The public reaction has been overwhelmingly negative.

The outcry towards R.U.N has gotten so strong that I was bashed on Twitter for penning an opinion-free article describing the structure and content of the show for a freelance gig:

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Just how bad is it when readers DEMAND a negative review? Well…pretty darn bad indeed. R.U.N could have easily fallen into the category of “So awful that you have to see it”. Which is amusing when you consider that those very words described the previous occupant of Luxor’s theater – Criss Angel BeLIEve. That smelly heap of garbage somehow made it through ten long and miserable years (and several major overhauls) before Cirque could bleach away the stench and move forward with their next offering.

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But this is what they came up with for their newest show? I couldn’t for the life of me recommend R.U.N to anyone in good conscience…not even an enemy. It’s an ugly, inconsistent, poorly-planned and sloppily-executed mess that lies there like a dead body in a ditch. That is, except when characters are shouting F-bombs, being wheeled through the audience strapped to a torture device, having a syringe of drugs pumped into their arm or suspended over the audience by a metal claw driven into the face.

Yes, those things really happen in a Cirque du Soleil show….and people get up and walk out during these revolting sequences night after night (or so I’ve been told). It certainly happened during a Saturday 7pm timeslot that I attended. It’s also worth noting that despite plenty of nationwide advertisements and billboards all over the city, the auditorium was shockingly empty…..perhaps 25 percent of the seats were taken, and that’s not counting the two upper sections that are blocked off and covered with canvas. Ouch.

So how could something so awful make it past a brainstorming session, let alone twice-a-night performances on the Vegas Strip? Your guess is as good as mine. But let’s be real here….Cirque‘s reputation as a top provider of entertainment isn’t what it used to be. Viva Elvis did so poorly for ARIA that they ripped out their gorgeous theater when replacement production ZARKANA tanked there, too.

There have been numerous other missteps in the past few years that have allowed Spiegelworld (Absinthe, Opium and Atomic Saloon Show) to take away and put a new shine on Cirque’s tarnished crown. And the failing attendance of Cirque’s six other resident productions has led to rumors of them pulling out of Vegas altogether in the next few years. That’s what happens when you glut the market on a worldwide scale. You’re forced to eat your own tail just to survive.

Does anyone remember IRIS, the $100 million Cirque du Soleil resident show in Hollywood that closed after only 16 months? How about Paramour, the New York-based musical which did so poorly that Broadway’s LYRIC Theater paid Cirque $23 million just to close up and leave? There were other high-profile flops like Zaia in Macau, Zed in Tokyo, Banana Schpeel (New York/Chicago) and the first attempt to launch BAZ in Las Vegas (yes, it was Cirque that brought BAZ to Mandalay Bay before pulling out mere weeks into the run).

For some reason, Cirque du Soleil has been obsessed with Hollywood as of late. They seem to think that people want to pay over $100 to see a movie salute…at a time when people are skipping the cinemas and doing Netflix-and-chill at home. Besides film-centric IRIS and Paramour, they collaborated with director James Cameron on Worlds Away, a fantasy film that barely made a blip at the 2012 box office. Then Cirque produced TORUK – The First Flight, a poorly-reviewed touring show (based on Cameron’s AVATAR) that one magazine called “A troubling, redface spectacle”.

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                 R.U.N has guns, cars, drug dealers and LOTS of cardboard boxes…

Cirque even considered doing a Quentin Tarantino musical, but chose BAZ instead…because Tarantino films are so dark and violent! In an interview for Los Angeles Magazine in 2015, Cirque Theatrical‘s Scott Zeiger had this to say:

For the Record: Tarantino was going to be playing in Montreal. I went and loved it. I brought all of the top dogs from Cirque parent to see it. While all of them liked it, they were afraid for Cirque to get involved with this brand because the content of [Tarantino’s] films is pretty violent and deals with subject matter that might not be on the same wavelength with Cirque du Soleil’s more spiritual, love-oriented, happier themes.”

Yet here we are with a brand new $63 million production written by film director Robert Rodriguez, the man behind super-violent films like Planet Terror, Machete, Machete Kills and From Dusk Til Dawn. Somehow the company that once brought you glorious productions like Mystere and The Beatles LOVE thinks you want to spend an evening…and your hard-earned cash…watching the kind of show you’d slip into at Universal Studios for free to get out of the heat.

And as the photo below shows, people just didn’t care about the characters or what was going on all around them in the theater.

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                  Some people would rather stare at their phones than watch R.U.N…

That in itself shows just how tone-deaf Cirque has become to our current culture. And R.U.N lacks any kind of wink-wink fun that audiences might expect from the show’s advertisements. People are depicted as being tortured, killed and burned alive. One character has his arms and legs pulled out of joint and broken (with the sound of bone cracks amplified by Luxor’s megawatt sound system).

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Speaking of the sound system, this show is absolutely deafening. About five minutes in, my ears were literally hurting and my head began to throb. Fortunately, I’d read some online reviews warning about the extreme decibel level and brought along a pair of earplugs that stayed in place until the lights came up.

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So can this show be saved? Yes, it can. When Le Reve premiered at WYNN back in 2006, it was received so poorly that performances were cut and the production received a major retooling. Now it’s considered one of the best shows on the Strip…because audience reaction was analyzed and changes were made. And that HAS to happen with R.U.N, too.

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                   You’d have more fun playing a video game in a dark, creepy alley….

I predict a full closure for this show and a massive gutting. Costumes and sequences will be tossed out and the torture depictions have to go. Right now. There is no charismatic leading man to cheer for, no emotional investment in the fates of the characters, and even the plot (“retrieve a necklace to win” belongs in a video game, not a stage) will need to be refashioned into something people care about. A kidnapped child, perhaps? A damsel in distress? Anything but a pendant holding some secret data.

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The opening sequence, which is an actual film, goes on for far too long. From the get-go, people will be wondering “Did I just pay $300 to take my date to a movie?”. When flesh-and-blood characters actually appear, their performances and stunts will have you shrugging. Gang fights are so choreographed and punches so fake that you’ll think you’ve wandered into a high school production of “West Side Story”, despite silvery mylar costumes and moon boots that belong in a 90’s boyband video.

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Imagine if this show was built around an actual, heroic movie star! How cool would it be to watch the likes of Van Damme, Stallone, Chris Pratt or Dwayne Johnson doing their best stunt work before your eyes?  Even a live-action version of a familiar movie would be a cool idea…perhaps Rodriguez’s own SIN CITY, a hit film based on the works of Frank Miller. Now THAT is something I might recommend, not this violent, rambling and ugly excuse for a show.

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And yes, there were children in attendance despite a disclaimer stating that the material is intended for mature audiences 13 and up. I questioned a box office attendant as to whether they enforce this policy and she told me that they do not…it is a recommendation, not a restriction.

R.U.N is not a show for kids. Or teens. Or adults…or anyone, for that matter. Run as far away from R.U.N as you can…and don’t look back. Sorry, Cirque, but you’ve lost it…and heads are certainly going to roll.

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Normally I’d put ticketing information and showtimes here, but that’s not going to happen this time. See anything else (except for Mariah Carey or Criss Angel) but skip this bomb.

Photos: Sam Novak

‘Celestia’ Comes to Earth By Way of the Vegas Strip


New astral-themed production opens at the STRAT…

Anticipation’s been as high as the massive tent erected on its behalf. An announced January premiere came and went, as did competing tent show Fuerza Bruta. But after many delays and hoopla galore, CELESTIA has finally come to Earth…and landed on the Las Vegas Strip.

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CELESTIA is the first large-scale entertainment offering under the STRAT’s new ownership and name. As the iconic hotel casino continues its evolution from Stratosphere into a decidedly more hip and relevant offering, CELESTIA has become an inadvertent keystone of their new image and business model. Naturally, a lot hinges on its success.

Last week’s official premiere was flashy and epic in scope. Celebrities like BMX pro Ricardo Laguna and entertainers from all over the city enjoyed signature cocktails and delicious bites at a pre-show reception. Then guests grabbed boxes of popcorn before heading into the main tent.

The cavernous performance space, which is beautifully landscaped on the exterior, looks even larger thanks to colorful motion projections of the cosmos. Stars twinkle in every direction and colorful astral bodies spin and glow. The stage is arranged proscenium-style, an unusual departure from the typical circus-in-the-round.

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But CELESTIA is more than the traditional three-ring spectaculars of your childhood memories. As a live band pumps out the arresting opening number, a large international cast appears from all directions. Still more plunge downward from unseen platforms, filling the air and stage with wonder.

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A threadbare premise follows central character “Celestia”, a star who’s taken the physical form of a young woman. Hoping to learn about artistry and human emotions, Celestia journeys through our world accompanied by a pair of comical sidekicks. Of course, this story line is just an excuse to present a variety of colorful and jaw-dropping acts.

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The fledgling production is beautifully mounted with snappy pacing, memorable costumes and a very attractive athletic cast. Contortionists, aerial artists, archers and knife-throwing wizards fill every square foot of the wide, neon-lit stage. Performers run through the aisles and leap onto platforms scattered throughout the audience, making for great photo-ops along the way (the show is flash-free picture-friendly).

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Fans of The Greatest Showman will enjoy seeing Russian Bar athletes The Sandou Trio. America’s Got Talent finalists Sergey and Sascha bring their stunning head-to-head balancing act to Vegas crowds as well. A spectacular sequence on the Wheel of Death will have you alternately hiding your eyes and raising your voice with cheers. Mounted of a massive scale, this finale rivals anything Cirque du Soleil can offer.

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Speaking of Cirque, you may wonder where CELESTIA fits into an already crowded entertainment landscape. Click here to continue reading… 

Photos: CELESTIA, Sam Novak

 

 

 

 

WAYNE SKIVINGTON OF ‘ZUMANITY’ TALKS FATHER-SON BONDING, VEGAS-STYLE


Cirque du Soleil performer and young son inspire others through fitness…

Click HERE to read this article via BestOfVegas.com…

Raising a child in any large city can be a challenge. You want to be a great role model, provide for your children yet still make their formative years memorable, fun and happy. Now imagine being a single father in “Sin City”…and you’re a performer working late nights in an adult-themed production. That’s the reality of ZUMANITY heartthrob Wayne Skivington.

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Skivington was born in a British Military Hospital in Germany. He began formal gymnastics instruction at the age of four and his natural talents were quickly recognized. When his family returned to Great Britain in 1994, Wayne performed in many exhibitions. While representing the nation at an international competition in Palm Springs, his troupe stopped in Las Vegas, visited Treasure Island’s Mystere….and Wayne’s love affair with Cirque du Soleil began.

Mesmerized by the renowned Alexis Brothers’ balancing act, Wayne sent his show reel to Cirque du Soleil along with an employment application. In 2008, as he was about to turn twenty-one, the handsome athlete was invited to join the Montreal-based entertainment company.Screenshot 2019-06-10 at 1.02.12 PM.png

To his surprise, Wayne was hired for their Las Vegas division and placed him in Mystere, the very show that had inspired him to apply. Accepting the position required leaving his sports coaching/conditioning studies at University of Leeds, but it’s a decision that Wayne has never regretted.

After his stint at MYSTERE, Skivington became the coach for Criss Angel BeLIEve and joined the cast onstage as a fellow performer. Now thirty-one, he’s a fitness coach at Rebound Vigour during the day and ZUMANITY’s sexy Scotsman at night. His sensual acrobatic routine raises temperatures ten times each week at New York NY Hotel Casino.

Fatherhood has taken Skivington’s personal life to greater heights than a trapeze. Six-year-old son Rowan shares Wayne’s blonde hair and gift for gymnastics and acrobatics. The two have become a worldwide sensation thanks to a series of father/son workout videos that Wayne shared on social media platforms.

                                      Photos: Marco Poker via IP FIT Facebook page…

Being a single parent with two jobs, I don’t have a great deal of spare time. So, my son is always with me. It was by sheer fluke that one day whilst videoing, like most parents do, I realized my son was copying me working out. He loves attempting to do what daddy does!

Wayne stresses that his time with Rowan isn’t what he considers to be a formal exercise regime. He saves that for personal training sessions, garage and gym workouts…and of course, rehearsals at the theater with show partner Katerina. When Rowan and his dad do their amazing feats, it’s just father-and-son fun.

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I think my videos have become popular because I am including my son in my active lifestyle, demonstrating the possibilities that lie with the greatest tool we own… our bodies! They can also see the trust my son has in me and the confidence I am building in him, all achieved through bonding during our playtime.

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There’s no question that raising a little one in a city-wide adult playground poses its own challenges. Wayne has the unique added complexity of being in a production meant for mature eyes only. But this son of a military officer grew up quickly on a worldwide stage. He’s gained a lifetime of practical experience that most parents would never have exposure to.

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Now Wayne is sharing his knowledge and perspectives by bringing fitness to families. He’s created a program called IP FIT FUN, which combines time-management principals with exercises that utilize your most valuable equipment – your own body.

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IP FIT FUN helps parents teach basic fundamentals of movement (to their children) through interaction and bonding. (They learn) to work out at home using body-weight exercises. Kids just soak up everything they see and realize anything is possible with a little dedication.

I want to encourage people to be a good role model, live a healthier lifestyle whilst having fun with the family, enriching relationships and memories that will last a lifetime.

As for the possibility of a father-son acrobatics act? Only time will tell if Rowan follows his dad’s footsteps into acrobatics and performance. But for now, he’s off to an amazing start. And his father will be there every step of the way.

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                “You are my motivation, my inspiration and my drive! I do it all for you”…

                                                                                           – Wayne Skivington

UPDATE 5/25/20 – Wayne is currently competing on the NBC show The Titan Games, Mondays on NBC. Click this link for more information.

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Pics courtesy Wayne Skivington social media, individual photographers credited there…

 

 

Fuerza Bruta Is a Sin City Game Changer



Spectacular production poised to redefine entertainment on the Strip….

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Every decade or so, a show comes along that changes the face of Las Vegas entertainment. First Mystere brought Montreal’s Cirque du Soleil to the desert. Then Celine Dion’s record-breaking Coliseum residency paved the way for other top-tier headliners. The last truly innovative production we’ve seen is Absinthe, the bawdy acrobatic tribute to burlesque. That is until Fuerza Bruta arrived on the scene. And this high-energy production is one phantasmagorical thrill you won’t want to miss.

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Like Absinthe, Fuerza Bruta is located in a tent outside of a major casino (in this case, Excalibur). That’s about the only thing these two productions have in common. You’ll know you’re in for something unusual when you step inside the entrance and receive a short briefing by a staffer. He or she will explain that you’ll be required to stand during the entire performance and follow crew instructions to move as set pieces and cast members move through and around the performance space.

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Once inside, you’ll notice that the cavernous area is entirely black and dimly-lit, except for a neon sign displaying the show’s title. The anticipation will be palpable as you try to decide where to congregate and which direction to focus your attention. But don’t waste your time wondering, as you and the rest of the audience literally ARE the stage 360-degree, 3-dimensional.

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Once the lights go down and the cast appears, you’ll be swept away into the most immersive production the city has going. Wind, rain, sound effects, lasers, flying objects, moving sets, live musicians, singers and special effects on an epic scale combine to   envelope you in a way that Las Vegas has never seen.

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Well, that last statement isn’t entirely true. A previous incarnation, entitled De La Guarda, ran for about a year at Rio Hotel Casino. Somewhat ahead of its time back in 2001, the current version is exactly what Las Vegas needs. Not only does it avoid the “sameness” of most new roll-outs, Fuerza Bruta raises the bar for every show in the city.

Trying to describe Fuerza Bruta is a bit of a challenge. There’s no story line or discernible theme. What the Argentinian production does offer is an onslaught of imagery, mind-boggling segments and a daring assault on the senses. The music is fantastic, the cast is extremely attractive and the atmosphere evokes a secret rave.

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How long has it been since you attended a show and your jaw literally dropped? That’s sure to happen when the audience is surrounded by a massive mylar wall that begins to rotate like a horizontal hamster wheel. Performers jog along this enormous silver road,  suspended at a right angle and reaching out to the audience below.

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If you’ve been fascinated by the aqua-stages at “O” and “Le Reve”, wait until you see what Fuerza Bruta does. A transparent swimming pool appears from high above, slides over the audience and descends until you can reach out and touch it. Cast members swim, flip and swoosh through water that’s lit from above, creating a swirling collage of colors and patterns.

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A favorite sequence involves a white-suited young man on a stroll that suddenly turns into a soaking windstorm. He encounters flying furniture, a spinning room and breakaway walls that sail through the air….all while never losing his rhythm to the techno beat. A truly avante-garde sequence that’ll have you cheering, dancing…and perhaps scratching your head.

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“WOW” is Wet Outlandish Whimsy on a Grand Scale


Rio’s water-themed production salutes the heyday of Vegas variety….

If you’ve read my show reviews and columns through the years, you’re probably aware that I’m not a fan of the direction the Vegas entertainment has headed. You know the kind I mean…manufactured talents clogging up enormous venues with their auto-tune warbling. Has-been “divas” sleep-walking and lip-syncing through high-ticket residencies for an enormous paycheck. So-called “celebrity DJs” with their creepy mugshot-style billboards peppering the main roads of the city. It’s all garbage!

Sorry, folks, but Vegas was built on the backs of real talent. If you don’t know or don’t remember what that is, you can check out the amazing musical BAZ at Palazzo, where singers can dance and dancers can sing. And they combine their complex roles with superb acting, offering wide-spectrum talent from every member of the cast.

In recent years, an assortment of variety shows have sprung up that remind us of the glorious era of Vegas. Dancers, singers, circus acts and comics zipping on and off the stage in a constant barrage of whimsy to thrill and dazzle. WOW – World of Wonder is the latest of these, and it’s definitely on my list of must-see-again thrills.

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WOW is a rare commodity on the Sin City entertainment scene. It dares to be simultaneously silly, chaotic, retro and modern while offering high-tech amazement. WOW wears its randomness on its sleeve, starting here and jumping over there. You never know who will be coming onto the stage, creeping up behind you, descending from the ceiling or rising from the depths.

If some of that sounds a bit like Le Reve, you’re right. There are plenty of moments in WOW that resemble Wynn’s signature production, along with Absinthe, Mystere, Vegas! The Show and the sadly-defunct Vegas Nocturne at Cosmopolitan’s Rose.Rabbit.Lie. I offer those comparisons as compliments, as all have been personal favorites.

What differs with WOW is in the presentation, starting with the venue. Rio‘s refurbished Crown Theater will definitely elicit a “wow” from your lips. Not necessarily from the seating arrangements (which are a bit dated and not-quite-lush) but from the main stage and panoramic video panels, which are absolutely gorgeous and impeccably utilized.

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Dazzling moving images of waterfalls and intensely-colored landscapes resemble Wonder Woman’s “Paradise Island” and Ariel’s undersea kingdom. Atmospheric sound design adds to the effect, creating significant anticipation for the show to begin.

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The thin plot line involves a nerdy fisherman, badgered by a harpy’s voice into catching something for dinner. Hunkering down in his yellow slicker, he casts his line into the water.  Of course, his baited hook is just there to grab the audience and take them on a journey to the fantastic.

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What follows is a hodgepodge of circus acts, peculiar talents, humorous bits and large-scale production numbers. Some are familiar, like the skating act from Absinthe and V – The Ultimate Variety Show. Others offer talents you’ve surely never seen before.

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That in itself would work just fine…if the individual acts didn’t play to drastically different age groups. For instance, a sexy sequence with three lovelies swimming inside a clear glass bowl (similar to Zumanity but without the toplessness) is geared toward adults. But it’s preceded by a lengthy Pirates of the Caribbean spoof that’s best appreciated by children.

WOW World of Wonder Rio

WOW World of Wonder Rio

WOW follows the classic set-up of having smaller acts draw your attention while the big set pieces are setting up behind a curtain on the main stage. One moment an Italian chef is spinning plates on the streets of old Venice.

WOW World of Wonder Rio

WOW World of Wonder Rio

The next, a hot-bodied group of dancers is strutting their sexy stuff to popular and classic music. Just wait until you see the salute to Singing In The Rain, wherein the raindrops actually form the shape of umbrellas. Clever!

WOW World of Wonder Rio

WOW World of Wonder Rio

All of it is superbly done and most is highly enjoyable…and really, really random. But that’s what’s great about variety shows, especially in our era of short attention spans. As they say about San Francisco weather, if you don’t like what’s happening, just wait a moment.

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Perhaps that’s why Riviera’s SPLASH and Bally’s JUBILEE!, a pair of Vegas classics, lasted for decades.  The format also allows for frequent refreshing, so each visit is sure to yield a unique experience.

WOW World of Wonder Rio

WOW World of Wonder Rio

The epic production numbers were my favorite aspect of WOW, especially a jaw-dropping ballroom scene aboard the Titanic. Your entire field of vision is filled with the ship’s interior, rising waves seen through the windows and a cast of dancers that is suddenly engulfed in the deluge. This obvious nod to the legendary sequence in JUBILEE! takes the experience much, much farther. Hold onto your life preserver!

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WOW World of Wonder Rio

WOW World of Wonder Rio

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My least favorite act involves Guinness World Record holder Dickson Oppong of West Africa. This large fellow has the unique ability to guzzle huge amounts of water, then spray it as continuous stream from his mouth. Although fascinating, it’s also a bit disturbing. Germ-aphobes may wish to avoid sitting in the splash zone.

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WOW World of Wonder Rio

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More entertaining is a bit involving statues who become fountains too…in a funny, clever way. The gag builds layers of whimsy until it segues into another a trio of swimmers. I’d have like to have seen the statues go on a bit longer first.

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Sadly, the comic-relief character that opens the show has solo moments that go on way too long. He also gets worked into too many of the other acts. Mostly wordless, his child-like bits involving a clap-along and a series of boo-boos make for excellent bathroom breaks. But he’s still more entertaining than the creepy, annoying clowns of O.

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Some acts would be more at home in a traveling circus but don’t necessarily translate well to an evening Vegas production. Perhaps the fact that WOW comes from overseas (Israel, in fact) helps to explain why it feels so offbeat. The weirdness isn’t the same as Cirque du Soleil‘s French humor…nor is it as annoying. But a little fine-tuning for Vegas audiences might do WOW a whole lot of good.

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I also had issues with some clumsy sound cues and abrupt changes in volume that distracted from the performances of a uniformly excellent cast. As the show is relatively new (it opened just last month), things like this should eventually be worked out.

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But that’s a small complaint when compared to the scale of talent and visuals represented here. The 30-member international cast is beautiful and overflowing with skill. And they have one goal in mind – to leave you saying “WOW”.

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The success of any variety production depends largely on whether you’re drawn into the premise. WOW succeeds in capturing your imagination. It grabs you from the opening moments, twirls you around, lifts you up and doesn’t let go until the final bows.

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It’s classic Vegas variety entertainment on a grand scale.

WOW – World of Wonder performs Tuesday through Sunday at 7pm with an additional 9pm show Friday-Sunday. Tickets start at $49 (plus taxes/fees) and can be ordered here. Travelzoo currently has discount tickets from $39 with no additional taxes/fees. Click here to access this offer, good through 1/7/18.

Photos: Diane Lynn, Sammasseur