MGM Resorts Releases Re-opening Plans


Sin City’s biggest player announces steps to welcome back guests…

Can you smell that in the air? It’s still pretty faint, but very distinct. It’s the fragrance of hope, something that Las Vegas desperately needs. The aromas of bleach, peroxide, and other disinfectants are coming to your hotel-casino, and you’d better get used to them if you want to stay and play.

It’s hard to believe, but today marks the third consecutive day that I can publish good news. On Sunday I told you about Westgate CARES, a nationwide protocol in which the Orlando-based resort company shared their research and programs freely with the hospitality industry. Then yesterday came news of the reopening of Esther’s Kitchen, spearheading a wave of similar announcements.

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Vegas Unfiltered Blog reader “Dolores” had a question about Sunday’s piece, for which I had no answer. But today I offer a converse response regarding MGM Resorts‘ measures to address sanitation and operational procedure changes. Here it is as presented courtesy of Jenn Smulo of Kirvin Doak, the Vegas-based public relations firm that represents MGM Resorts, Westgate Las Vegas, Cirque du Soleil, and several charities in the valley.

(May 12, 2020) – MGM Resorts International (NYSE: MGM) today released a report outlining the comprehensive health and safety protocols the company is implementing prior to re-opening its domestic properties and resorts which were temporarily closed in March due to the COVID-19 pandemic. The report details MGM Resorts’ “Seven-Point Safety Plan” – a multi-layered set of protocols and procedures designed in conjunction with medical and scientific experts to deter the spread of the virus, protect customers and employees and rapidly respond to potential new cases. The full report can be found HERE.

“Preparing for the moment we can re-open our doors, MGM Resorts focused on developing a plan that puts health and safety at the center of everything we do. Our ‘Seven-Point Safety Plan’ is the result of months of consultations with public health experts and outlines our comprehensive approach to welcoming guests back safely,” said MGM Resorts Acting CEO and President Bill Hornbuckle. “Our properties will not look the way they used to for a while, and that’s not only okay, it’s critically important. We will continue providing the hospitality experiences we are known for, but we must do so safely. We will continue working with experts and following guidance from the World Health Organization, Centers for Disease Control and Prevention (CDC), and government officials and regulators as we evolve these protocols based on the latest information.”

EXPERT GUIDANCE

MGM Resorts Lead Health and Safety Advisor: Dr. Shannon Magari, Vice President of Health Sciences for Colden Corporation 

MGM Resorts is working with Dr. Shannon Magari, ScD, MPH, MS as its lead health and safety advisor for this process. Dr. Magari is the Vice President of Health Sciences for Colden Corporation, an occupational health, safety and environmental firm. Dr. Magari obtained her Master of Science from the Thayer School of Engineering at Dartmouth College and received her doctoral training and served as a postdoctoral research fellow at the Harvard School of Public Health – specializing in Occupational Epidemiology. 

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OVERVIEW: MGM RESORTS’ SEVEN-POINT SAFETY PLAN

The full report, including detailed protocols, procedures and operational enhancements can be found HERE.

These protocols and procedures focus on balancing the customer service guests have come to expect from MGM Resorts with the urgent need to apply knowledge about COVID-19 and adapt environments accordingly. This plan is being implemented at MGM Resorts’ properties throughout the United States, with additions and changes being made based on local jurisdictions.

MGM Resorts’ Seven-Point Safety Plan is as follows:

  1. Screening, Temperature Checks and Employee TrainingMGM Resorts has implemented employee-screening measures to assess signs and symptoms of infection and whether the employee resides or cares for someone who has recently been diagnosed with the virus. Employees are currently and will continue to go through temperature checks before entering properties.

Guests will be asked to abide by a similar self-screening protocol prior to arriving and during their stay. Guests who have reason to believe they may have been exposed to the virus are strongly urged to follow CDC guidelines for self-quarantine and not travel. We will look forward to welcoming those guests once the self-quarantine period is complete.

  1. Mandatory Masks and Personal Protective Equipment (PPE)All MGM Resorts employees will be provided and required to wear an approved mask when on our properties. We will also strongly encourage guests to wear masks in public areas and offer masks to any guests who need one, free of charge. Gloves will continue to be worn by employees who require them to do their jobs, such as food handlers and employees who clean public areas. Additional categories of employees required to wear PPE will be identified by medical experts.
    • Drink service: We will ask guests to minimize the amount of time masks are removed when drinking on the casino floor.
    • Eating: We will ask guests to refrain from eating on the casino floor to minimize the amount of time masks are removed.
  1. Physical Distancing: Six-foot physical distancing policy will be in place, wherever feasible, with floor guides serving as reminders throughout MGM Resorts properties. From time-to-time, six-foot distancing will be challenging – and in those cases, reasonable mitigating protocols will be implemented, such as plexiglass barriers or eye protection for employees. Plexiglass barriers will be installed in areas throughout casinos and lobbies, where appropriate, for the safety of guests and employees. Signage will be installed throughout properties to guide employees and guests on how to safely practice physical distancing.
  1. Handwashing and Enhanced Sanitization: Prior to property closures in March, MGM Resorts implemented increased and enhanced routine cleaning, based on CDC guidelines, with a focus on high-touch surfaces in common areas. We will continue using proven cleaning products in accordance with EPA guidelines for coronaviruses, bacteria and other infectious pathogens. Electrostatic sprayers will be used in many large areas to allow us to apply disinfectant more efficiently.

In addition, custom-built handwashing stations with soap and water, along with hand-sanitizing stations, will be readily available in high-traffic areas and with a visible presence. Signage will be installed to guide and remind employees and guests of the importance of proper handwashing protocols.

  1. Heating Ventilation and Air Conditioning (HVAC) Controls and Air Quality: MGM Resorts has always placed a high priority on air quality for our guests and has reviewed the operation of HVAC systems to identify additional opportunities to enhance their effectiveness. Rigorous measures in accordance with established guidelines to help mitigate the risk of virus transmission have been taken throughout our properties.

As scientific information becomes available about the virus, and as additional guidance from state and local authorities and our medical experts evolve, we will continue to review and adjust the operation of our HVAC systems, fully recognizing the important role they have in keeping employees and guests healthy and safe.

  1. Incident Response Protocols: MGM Resorts has protocols in place aimed at reducing the chance infection will spread. In the unfortunate event a guest or employee tests positive for the virus, we will activate incident response protocols to ensure the infected individual has access to medical treatment, exposed areas are thoroughly sanitized and, when possible, notify those who may have come in close, prolonged contact with the infected individual. MGM Resorts has medical and security personnel on staff to respond quickly in the event of an incident.
  1. Digital Innovations: MGM Resorts is reimagining several aspects of the guest experience through technology to transition current processes into contactless options for guests that eliminates or reduces the need for waiting in line.
    • Contactless Check-In: Guests will have the ability to complete the check-in process entirely themselves through the MGM Resorts mobile app. This includes the ability to process payment, verify identification and obtain a digital room key, all through a mobile device. If preferred, physical keys will be available through self-serve key encoders. Employees will be available for guests who prefer check-in without using their mobile device, while still maintaining a line-reduced environment.
    • Food & Beverage: Digital menus will be available to view on personal mobile devices via QR code. Virtual queues will be in place for guests when immediate seating is unavailable. Guests will receive a text message notification when their table is ready.

 

Do you know of any positive actions being taken by Vegas-centric corporations related to the pandemic shutdown? Feel free to tell us about it in the “COMMENTS” section or drop me an email – Sam@VegasUnfiltered.blog. Be safe. Be smart. Be strong – Sam Novak

Photos: MGM Resorts

Bring the Excitement of Vegas to Your Home with ‘Virtual Experiences’


‘Titanic: The Artifact Exhibition’ and ‘Chippendales’ are just two of many Sin City favorites to enjoy under your own roof…

So, you’ve binge-watched every Netflix series and reruns of “FRIENDS” are making you want to hit the “unfriend” button. What’s a quarantined Vegas junkie to do? Well, if you saw yesterday’s article on the Mondays Dark Live Stream Telethon, you know that Sin City is doing its best to make you happy…while keeping its own artistic muscles in shape for an eventual ramp-up.

As efforts to assist furloughed entertainers are underway, you’re undoubtedly going through your own form of Sin City withdrawal. Now you can gather your fellow Vegas fans (following social-distancing guidelines, of course) and organize a virtual party for honest-to-goodness Las Vegas experiences. They’re brought to you by the same people who make your in-person visits so memorable.

TRAVEL BACK IN TIME AT TITANIC: THE ARTIFACT EXHIBIT

Followers of my contributions to Las Vegas Magazine and BestOfVegas.com know that I’ve penned several articles on TITANIC: The Artifact Exhibition. This self-guided attraction is the biggest collection of recovered articles in this world. Inside are splendid recreations of the decks, staterooms, cabins and more. Immersive special effects allow you to experience the freezing air, feel the throb of the massive engines, and listen to voices from the past.

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TITANIC: The Virtual Experience, is a newly-launched 3-dimensional tour of Luxor‘s 25,000 square foot attraction. It’s accessible on computers, tablets, and mobile devices. The virtual experience is available at two price levels – the Light Version for $5 and the Full Version for $15. Both price levels are accessible for one week and can be renewed at the point of purchase. Options include these benefits:

Light Version – $5

  • Virtual walkthrough of the 13 galleries inside the 25,000 square feet exhibition
  • Detailed information and photos of each artifact on display
  • View what life was like aboard the “Ship of Dreams” through full-scale room re-creations of the Grand Staircase, Promenade Deck, Veranda Café, and more
  • View the largest piece ever recovered, a 15-ton portion of the Ship’s hull
  • Learn about conservation and recovery efforts of the artifacts recovered from the ocean floor

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Full Version – $15

  • All offerings of the basic tour experience
  • Audio tour available in multiple languages
  • Exclusive video content
    • Dive Expedition 2010 – Video of artifacts as they are being recovered from the wreck site at the ocean floor
    • Dive Expedition 2010 – Video of curators on board the recovery ship discussing the artifacts immediately after they were pulled from the ocean floor
    • Dive Expedition 2010 – Video from Titanic’s wreck site, including underwater footage of the Ship’s bow, stern, vast debris field, and more
  • Animated timeline of Titanic from the point of striking the iceberg to the sinking
  • Additional facts and information about Titanic, the wreck site, artifacts, personal stories of her passengers and crew

For more information, visit Titanic.live.

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If you’re looking for something a little less “educational” and a lot more “titillating”, then perhaps you might want to investigate Chippendales@Home, a new interactive virtual experience. Chippendales@Home allows you and your squad to hang out and party with the world-famous hunks live in your own homes.

Chat, flirt, play games, get or give a virtual lap dance – you’ll get to know the Chippendales performers in your own intimate group setting as they host your party making sure your night is special and memorable. Each 30-minute party will feature at least two Chippendales cast members and utilizes the streaming platforms ZOOM, House Party, FaceTime, and Google Hangout.

In addition to Chippendales@Home, the brand has been cranking out online experiences as people are urged to stay inside. Recent digital offerings include at-home workouts with cast members, Instagram Live chats with alumnus of the brand, and light-hearted digital content such as one of its current cast members performing a lap dance for a 12-pack of toilet paper.

As a limited-time thank-you to those who are keeping us safe and healthy, Chippendales is offering Chippendales@Home free to health care workers and first responders. Ticket-holders whose shows were postponed also receive the experience free of charge. For more info or to arrange your own virtual party, visit this link or call 866-CHIPP999.

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If you’re a fan of the long-running SUPERNATURAL series on CW Network, you were probably excited for the annual convention at RIO Las Vegas in March. Sadly, the virus was just beginning to spread and some of you might have opted to avoid the crowds and wait for next year’s star-studded gala.

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Now in an innovative move, Creation Entertainment has scheduled a virtual SUPERNATURAL convention with the participation of three fan favorites. Beginning Saturday, April 18th and running through Saturday, April 25th, director Richard Speight, Jr. and stars Lisa Berry (Billie) and Ruth Connell (Rowena) will host a series of Q & A sessions, chats, tarot card readings, invocations and more.

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What makes this event unique is that a portion of proceeds will go to charities and non-profits like Meals On Wheels, St. Michaels Hospital (Toronto) and Random Acts. For some sessions, participants are asked to pay what they can. Auctions will be held to join in on events designed for a limited number of fans.

To register for the SUPERNATURAL Virtual-Con, click HERE. Participants should create user accounts on the platforms ZOOM and StageIt in advance. Creation Entertainment also brings the official Star Trek Convention to Rio Las Vegas each year.

Whitney Phoenix Strikes a Chord at Bellagio Las Vegas

In addition to these large-scale offerings, there is a wide variety of concerts, intimate performances and live chats being broadcast, as well as the at-home workouts and dance classes I told you about right here.

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Bellagio‘s beloved lounge pianist Whitney Phoenix and singer/actress/comedienne wife Marianne LeMoine Phoenix (50 Pounds From Stardom) shared this marvelous evening recently.

Whitney also took to the keyboard for a solo set while Marianne fielded requests from viewers:

The smooth and classy Craig Canter has been giving regular performances from his own virtual lounge that he calls  “The Piano Room”:

Westgate‘s favorite crooner Mark O’Toole brought us some big band highlights. He sent video clips and updates from the cruise ship he was “stranded” on for an extended time, hoping for a port to disembark at and return to the States. Combine that with canceled flights and missing luggage, and it’s safe to say that poor Mark endured the kind of adventure that movies are made about.

Despite weeks of madness and uncertainty, Mark took a break from relaxing to assist in beloved artist Neal Portnoy‘s efforts to raise funds for out-of-work performers. Portnoy created a collection of custom mugs, each featuring a local entertainer immortalized in the artist’s unique style. Get yours by clicking here, and check out this extremely funny video:

The marvelous David Goldrake, whose IMAGINARIUM magic production at Tropicana garnered my “Best New Show of 2018”, has been entertaining internet audiences with a series of tricks and lessons:

If you know of any other Vegas virtual experiences, online entertainment or events that you’d like to be added to this article, please leave a comment or email me: Sam@VegasUnfiltered.blog

R.U.N For The Exit – Cirque du Soleil’s Latest is an EPIC DISASTER


Tone-deaf stunt show-cum-blockbuster confuses vulgarity and violence for action…

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UPDATE 3/8/20 I just attended the final performance of R.U.N, which was abruptly shuttered. I got the impression that the majority of the audience was comprised of friends and family. The show began about 15 minutes late. There was a lengthy cast/crew onstage farewell and the performers were snapping photographs with each other as the curtain lowered for the final time. 

Despite my absolute dislike for this production, I purchased tickets for third row, center section, to cheer on the performers, who carried no blame for this costly disaster. 

UPDATE 1/7/20 VitalVegas.com has reported that ticket sales for R.U.N have been suspended beyond 4/30/20. It is not known at this time whether the show is being permanently closed or shut down for retooling. But it’s worth noting that all other Cirque du Soleil shows in Las Vegas are currently offering tickets through the end of December 2020. This doesn’t bode well for R.U.N, but then again, the show must NOT go on in its current state of “fiasco”.

If we can applaud entertainment companies for expanding outside of their comfort zone, then we’re surely entitled to speak up when they cross the line. That’s what’s been happening since Cirque du Soleil premiered R.U.N: The First Live Action Thriller at Luxor a few weeks ago. The public reaction has been overwhelmingly negative.

The outcry towards R.U.N has gotten so strong that I was bashed on Twitter for penning an opinion-free article describing the structure and content of the show for a freelance gig:

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Just how bad is it when readers DEMAND a negative review? Well…pretty darn bad indeed. R.U.N could have easily fallen into the category of “So awful that you have to see it”. Which is amusing when you consider that those very words described the previous occupant of Luxor’s theater – Criss Angel BeLIEve. That smelly heap of garbage somehow made it through ten long and miserable years (and several major overhauls) before Cirque could bleach away the stench and move forward with their next offering.

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But this is what they came up with for their newest show? I couldn’t for the life of me recommend R.U.N to anyone in good conscience…not even an enemy. It’s an ugly, inconsistent, poorly-planned and sloppily-executed mess that lies there like a dead body in a ditch. That is, except when characters are shouting F-bombs, being wheeled through the audience strapped to a torture device, having a syringe of drugs pumped into their arm or suspended over the audience by a metal claw driven into the face.

Yes, those things really happen in a Cirque du Soleil show….and people get up and walk out during these revolting sequences night after night (or so I’ve been told). It certainly happened during a Saturday 7pm timeslot that I attended. It’s also worth noting that despite plenty of nationwide advertisements and billboards all over the city, the auditorium was shockingly empty…..perhaps 25 percent of the seats were taken, and that’s not counting the two upper sections that are blocked off and covered with canvas. Ouch.

So how could something so awful make it past a brainstorming session, let alone twice-a-night performances on the Vegas Strip? Your guess is as good as mine. But let’s be real here….Cirque‘s reputation as a top provider of entertainment isn’t what it used to be. Viva Elvis did so poorly for ARIA that they ripped out their gorgeous theater when replacement production ZARKANA tanked there, too.

There have been numerous other missteps in the past few years that have allowed Spiegelworld (Absinthe, Opium and Atomic Saloon Show) to take away and put a new shine on Cirque’s tarnished crown. And the failing attendance of Cirque’s six other resident productions has led to rumors of them pulling out of Vegas altogether in the next few years. That’s what happens when you glut the market on a worldwide scale. You’re forced to eat your own tail just to survive.

Does anyone remember IRIS, the $100 million Cirque du Soleil resident show in Hollywood that closed after only 16 months? How about Paramour, the New York-based musical which did so poorly that Broadway’s LYRIC Theater paid Cirque $23 million just to close up and leave? There were other high-profile flops like Zaia in Macau, Zed in Tokyo, Banana Schpeel (New York/Chicago) and the first attempt to launch BAZ in Las Vegas (yes, it was Cirque that brought BAZ to Mandalay Bay before pulling out mere weeks into the run).

For some reason, Cirque du Soleil has been obsessed with Hollywood as of late. They seem to think that people want to pay over $100 to see a movie salute…at a time when people are skipping the cinemas and doing Netflix-and-chill at home. Besides film-centric IRIS and Paramour, they collaborated with director James Cameron on Worlds Away, a fantasy film that barely made a blip at the 2012 box office. Then Cirque produced TORUK – The First Flight, a poorly-reviewed touring show (based on Cameron’s AVATAR) that one magazine called “A troubling, redface spectacle”.

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                 R.U.N has guns, cars, drug dealers and LOTS of cardboard boxes…

Cirque even considered doing a Quentin Tarantino musical, but chose BAZ instead…because Tarantino films are so dark and violent! In an interview for Los Angeles Magazine in 2015, Cirque Theatrical‘s Scott Zeiger had this to say:

For the Record: Tarantino was going to be playing in Montreal. I went and loved it. I brought all of the top dogs from Cirque parent to see it. While all of them liked it, they were afraid for Cirque to get involved with this brand because the content of [Tarantino’s] films is pretty violent and deals with subject matter that might not be on the same wavelength with Cirque du Soleil’s more spiritual, love-oriented, happier themes.”

Yet here we are with a brand new $63 million production written by film director Robert Rodriguez, the man behind super-violent films like Planet Terror, Machete, Machete Kills and From Dusk Til Dawn. Somehow the company that once brought you glorious productions like Mystere and The Beatles LOVE thinks you want to spend an evening…and your hard-earned cash…watching the kind of show you’d slip into at Universal Studios for free to get out of the heat.

And as the photo below shows, people just didn’t care about the characters or what was going on all around them in the theater.

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                  Some people would rather stare at their phones than watch R.U.N…

That in itself shows just how tone-deaf Cirque has become to our current culture. And R.U.N lacks any kind of wink-wink fun that audiences might expect from the show’s advertisements. People are depicted as being tortured, killed and burned alive. One character has his arms and legs pulled out of joint and broken (with the sound of bone cracks amplified by Luxor’s megawatt sound system).

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Speaking of the sound system, this show is absolutely deafening. About five minutes in, my ears were literally hurting and my head began to throb. Fortunately, I’d read some online reviews warning about the extreme decibel level and brought along a pair of earplugs that stayed in place until the lights came up.

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So can this show be saved? Yes, it can. When Le Reve premiered at WYNN back in 2006, it was received so poorly that performances were cut and the production received a major retooling. Now it’s considered one of the best shows on the Strip…because audience reaction was analyzed and changes were made. And that HAS to happen with R.U.N, too.

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                   You’d have more fun playing a video game in a dark, creepy alley….

I predict a full closure for this show and a massive gutting. Costumes and sequences will be tossed out and the torture depictions have to go. Right now. There is no charismatic leading man to cheer for, no emotional investment in the fates of the characters, and even the plot (“retrieve a necklace to win” belongs in a video game, not a stage) will need to be refashioned into something people care about. A kidnapped child, perhaps? A damsel in distress? Anything but a pendant holding some secret data.

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The opening sequence, which is an actual film, goes on for far too long. From the get-go, people will be wondering “Did I just pay $300 to take my date to a movie?”. When flesh-and-blood characters actually appear, their performances and stunts will have you shrugging. Gang fights are so choreographed and punches so fake that you’ll think you’ve wandered into a high school production of “West Side Story”, despite silvery mylar costumes and moon boots that belong in a 90’s boyband video.

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Imagine if this show was built around an actual, heroic movie star! How cool would it be to watch the likes of Van Damme, Stallone, Chris Pratt or Dwayne Johnson doing their best stunt work before your eyes?  Even a live-action version of a familiar movie would be a cool idea…perhaps Rodriguez’s own SIN CITY, a hit film based on the works of Frank Miller. Now THAT is something I might recommend, not this violent, rambling and ugly excuse for a show.

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And yes, there were children in attendance despite a disclaimer stating that the material is intended for mature audiences 13 and up. I questioned a box office attendant as to whether they enforce this policy and she told me that they do not…it is a recommendation, not a restriction.

R.U.N is not a show for kids. Or teens. Or adults…or anyone, for that matter. Run as far away from R.U.N as you can…and don’t look back. Sorry, Cirque, but you’ve lost it…and heads are certainly going to roll.

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Normally I’d put ticketing information and showtimes here, but that’s not going to happen this time. See anything else (except for Mariah Carey or Criss Angel) but skip this bomb.

Photos: Sam Novak

Everything You Need to Know About ‘R.U.N by Cirque du Soleil’



Breaking down the high-octane elements of Cirque’s new spectacle…

Strap yourself in tight and prepare for the ride of your life at R.U.N, the latest offering from Cirque du Soleil. R.U.N is a high-octane thriller that’s part action movie, part stunt show and totally unlike anything you’ve ever seen.

 

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Billed as “The First Live Action Thriller”, Luxor’s new production blurs the line between performance art and cinema in mind-bending fashion. Written by cutting-edge film director Robert Rodriguez (“Sin City”, “Predators”, “Alita: Battle Angel”), R.U.N envelops you in a hyper-stylized vision of Las Vegas filled with gritty thugs, warring gangs, warehouse battles, and a hero on a quest to save the city.

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So how does a movie come alive? With the ultimate in technology and theatrical tricks, of course. Cirque du Soleil has always been at the forefront of entertainment innovation. Their employment of electronics, projection, and practical effects has been heavily integrated into productions ranging from The Beatles LOVE to . R.U.N represents the next step in Cirque’s evolution, and the results are stunningly effective.

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Imagine a chase across the Mojave desert recreated right before your eyes. Drivers engage in hand-to-hand combat while their cars spin, soar and race to avoid a speeding freight train. Motorcycles burst from the screen and soar up the aisles.

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Click HERE to continue reading via ShowTickets.com.

R.U.N performs Wednesday through Sunday at 7 pm and 9:30 pm. It is recommended for mature audiences 13 and up. 

 

 

 

 

 

 

FANTASY Prepares to Celebrate Its 20th Anniversary In Style


The Strip’s biggest tease prepares to enter its third decade…

In most states, the legal age of consent is 18 years old. Using that guideline, FANTASY, the topless revue at Luxor, is barely an adult. Yet in the realm of Vegas production shows, twenty years definitely ranks as “senior status”. With expensive start-up costs and high overhead, new productions that aren’t instant hits often become forgotten in a matter of months. And yet, Fantasy continues to entice men, women and couples seven nights a week.

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Producer/Director/Creator Anita Mann is very proud of the longevity of her show. She proudly shares credit with the many who have contributed to FANTASY from its inception:

I own and produce FANTASY. When I created it the show was originally called  MIDNIGHT FANTASY as it started at midnight. When MGM took over the property we all agreed to drop the “Midnight” since we were no longer a midnight show. Beverly Jeanne has remained executive producer since its inception and Mariah Riviera has now joined the production team as Associate Producer.

We have been blessed to have several different choreographers over years. Tiger Martina was the very first, we have had Cris Judd and most recently Mandy Moore. I have also choreographed throughout the run along with several of our dancers including the most current, Yesi Burgess.

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Naturally the cast is the main reason that guests choose to explore their fantasies at Luxor’s Atrium Theater each evening. An alluring group that runs the gamut from girl-next-door Abby to sultry Mariah, the ladies of FANTASY appeal to just about every taste. Members hail from all over the world, like Geraldine of France, Isabella from South Africa and Alex from England. Of course there are plenty of all-American girls like Alabama’s Jennifer and California-born Soolin.

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California is also where host Lorena Peril hails from. Born in San Francisco, Ms. Peril is an electrifying singer with a solid history of Sin City entertainment. Formerly of Vegas! The Show and Sin City Bad Girls, Lorena stunned audiences at American Superstars with her impersonation of Christina Aguilera. She left FANTASY in 2013 after being cast as “Sandy” in the European tour of Grease. Now she’s back and entrancing audiences with her powerful voice and engaging style.

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FANTASY is much more than a sexy dance spectacular. There is plenty of singing, audience interaction and loads of fun. Comedic impersonator Sean E. Cooper has been with the show for most of its run. As the sole male cast member, Cooper can’t help boasting that he has the best job in the world.

Click HERE to continue reading via BestOfVegas.com. 

Blue Man Group – Fresh and Vibrant as Ever


Guest author Kristopher Kidd of discount ticketing site VegasFool.com grabs the reins for a review of the latest iteration of a long-running favorite…

If you’ve been visiting Las Vegas for any amount of time, there is no doubt that the colorful Blue Man Group have at least piqued your interest. Their Las Vegas journey began years ago at Luxor, followed by a move to Venetian, then Monte Carlo and now back again to Luxor.

Being one of the longest-running shows in the city is quite the accomplishment. Having seen the show before (and blown away), I was wondering if the Blue men had anything new up their sleeves. I was not disappointed.

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From the Blue Man-themed box office to the paper streamers before the show, we already knew we were about to experience something unique and fun. With so many new and re-imagined acts, it felt like I was seeing something familiar yet also somehow new.

The smoke drums are now one of my favorite parts of BMG. You’ll even be treated to the Big Drum, which is only found in the Las Vegas version of the show (Blue Man Group performs in New York, Chicago, Boston, Orlando, and Berlin as well).

Have no fear, many of your favorite Blue Man moments are still a part of the show. This includes catching marshmallows in their mouths from across the stage, the drum-bone, embarrassing late arrivals and the iconic paint drums.

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Yes, Blue Man is still loud, still hilarious, still in your face, and still the masters of sound using unconventional items for instruments. Who knew that three blue men with no ears could be such brilliant musicians?

On top of being a visual comedy concert, Blue Man also makes you think. They are better philosophers than they get credit for. Staying culturally relevant by exposing our obsession with smartphones gives the audience a chance to remind themselves to live in the moment.

The atrium-level theater at Luxor is one of the coziest you will find. With the show being so massive and the theater being so well laid out, you will literally feel the vibrations of the PVC pipe percussion.  If you’re brave enough to grab seats up front, parts of the show might land in your lap…in the form of paint and Twinkies.

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Don’t worry, ponchos are provided for those sitting in the appropriately named ‘poncho’ seats. Even sitting in the second half of the theater, you will still likely be within a few feet of a Blue Man at some point in the show. The interaction and audience involvement is all part of the fun.

Las Vegas shows sometimes struggle at simultaneously being entertaining for kids, teens, and adults. It’s hard for a show to appeal to all ages, but Blue Man Group is entertaining for everyone. It’s worth belaboring the point that it’s wildly entertaining even if your group consists of only adults.

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What’s so brilliant about BMG is their ability to entertain in many ways. It’s not just funny. It’s not just musical. It’s not just visual…it’s all of the above. You could even say it’s physically exhausting, not just for the performers, but for the audience.

Keeping up with so much activity at once is quite the accomplishment, so much so that you may be tempted to see the production again for anything you may have missed. From start to finish, the guys in blue will keep you entertained and engaged. The end of the show is as unexpected and hysterical as ever.

Blue Man Group is way too much fun!

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Blue Man Group performs nightly at 7 p.m. and 9:30 p.m. at Luxor Hotel Casino. Tickets can be purchased here. Deals for all other Las Vegas shows can be found by clicking here. The author of this article can be reached via email at KKidd@vegasfool.com

Photos: Blue Man Group, Kristopher Kidd