R.U.N For The Exit – Cirque du Soleil’s Latest is an EPIC DISASTER


Tone-deaf stunt show-cum-blockbuster confuses vulgarity and violence for action…

20191116_182132

If we can applaud entertainment companies for expanding outside of their comfort zone, then we’re surely entitled to speak up when they cross the line. That’s what’s been happening since Cirque du Soleil premiered R.U.N: The First Live Action Thriller at Luxor a few weeks ago. The public reaction has been overwhelmingly negative.

The outcry towards R.U.N has gotten so strong that I was bashed on Twitter for penning an opinion-free article describing the structure and content of the show for a freelance gig:

Screenshot 2019-11-28 at 6.10.18 PM

Just how bad is it when readers DEMAND a negative review? Well…pretty darn bad indeed. R.U.N could have easily fallen into the category of “So awful that you have to see it”. Which is amusing when you consider that those very words described the previous occupant of Luxor’s theater – Criss Angel BeLIEve. That smelly heap of garbage somehow made it through ten long and miserable years (and several major overhauls) before Cirque could bleach away the stench and move forward with their next offering.

RUN2

But this is what they came up with for their newest show? I couldn’t for the life of me recommend R.U.N to anyone in good conscience…not even an enemy. It’s an ugly, inconsistent, poorly-planned and sloppily-executed mess that lies there like a dead body in a ditch. That is, except when characters are shouting F-bombs, being wheeled through the audience strapped to a torture device, having a syringe of drugs pumped into their arm or suspended over the audience by a metal claw driven into the face.

Yes, those things really happen in a Cirque du Soleil show….and people get up and walk out during these revolting sequences night after night (or so I’ve been told). It certainly happened during a Saturday 7pm timeslot that I attended. It’s also worth noting that despite plenty of nationwide advertisements and billboards all over the city, the auditorium was shockingly empty…..perhaps 25 percent of the seats were taken, and that’s not counting the two upper sections that are blocked off and covered with canvas. Ouch.

So how could something so awful make it past a brainstorming session, let alone twice-a-night performances on the Vegas Strip? Your guess is as good as mine. But let’s be real here….Cirque‘s reputation as a top provider of entertainment isn’t what it used to be. Viva Elvis did so poorly for ARIA that they ripped out their gorgeous theater when replacement production ZARKANA tanked there, too.

There have been numerous other missteps in the past few years that have allowed Spiegelworld (Absinthe, Opium and Atomic Saloon Show) to take away and put a new shine on Cirque’s tarnished crown. And the failing attendance of Cirque’s six other resident productions has led to rumors of them pulling out of Vegas altogether in the next few years. That’s what happens when you glut the market on a worldwide scale. You’re forced to eat your own tail just to survive.

Does anyone remember IRIS, the $100 million Cirque du Soleil resident show in Hollywood that closed after only 16 months? How about Paramour, the New York-based musical which did so poorly that Broadway’s LYRIC Theater paid Cirque $23 million just to close up and leave? There were other high-profile flops like Zaia in Macau, Zed in Tokyo, Banana Schpeel (New York/Chicago) and the first attempt to launch BAZ in Las Vegas (yes, it was Cirque that brought BAZ to Mandalay Bay before pulling out mere weeks into the run).

For some reason, Cirque du Soleil has been obsessed with Hollywood as of late. They seem to think that people want to pay over $100 to see a movie salute…at a time when people are skipping the cinemas and doing Netflix-and-chill at home. Besides film-centric IRIS and Paramour, they collaborated with director James Cameron on Worlds Away, a fantasy film that barely made a blip at the 2012 box office. Then Cirque produced TORUK – The First Flight, a poorly-reviewed touring show (based on Cameron’s AVATAR) that one magazine called “A troubling, redface spectacle”.

20191116_181907

                 R.U.N has guns, cars, drug dealers and LOTS of cardboard boxes…

Cirque even considered doing a Quentin Tarantino musical, but chose BAZ instead…because Tarantino films are so dark and violent! In an interview for Los Angeles Magazine in 2015, Cirque Theatrical‘s Scott Zeiger had this to say:

For the Record: Tarantino was going to be playing in Montreal. I went and loved it. I brought all of the top dogs from Cirque parent to see it. While all of them liked it, they were afraid for Cirque to get involved with this brand because the content of [Tarantino’s] films is pretty violent and deals with subject matter that might not be on the same wavelength with Cirque du Soleil’s more spiritual, love-oriented, happier themes.”

Yet here we are with a brand new $63 million production written by film director Robert Rodriguez, the man behind super-violent films like Planet Terror, Machete, Machete Kills and From Dusk Til Dawn. Somehow the company that once brought you glorious productions like Mystere and The Beatles LOVE thinks you want to spend an evening…and your hard-earned cash…watching the kind of show you’d slip into at Universal Studios for free to get out of the heat.

And as the photo below shows, people just didn’t care about the characters or what was going on all around them in the theater.

RUN9

                  Some people would rather stare at their phones than watch R.U.N…

That in itself shows just how tone-deaf Cirque has become to our current culture. And R.U.N lacks any kind of wink-wink fun that audiences might expect from the show’s advertisements. People are depicted as being tortured, killed and burned alive. One character has his arms and legs pulled out of joint and broken (with the sound of bone cracks amplified by Luxor’s megawatt sound system).

73286000_2461138307305014_6027795873323286528_n

Speaking of the sound system, this show is absolutely deafening. About five minutes in, my ears were literally hurting and my head began to throb. Fortunately, I’d read some online reviews warning about the extreme decibel level and brought along a pair of earplugs that stayed in place until the lights came up.

20191116_184655 (1)

So can this show be saved? Yes, it can. When Le Reve premiered at WYNN back in 2006, it was received so poorly that performances were cut and the production received a major retooling. Now it’s considered one of the best shows on the Strip…because audience reaction was analyzed and changes were made. And that HAS to happen with R.U.N, too.

RUN3

                   You’d have more fun playing a video game in a dark, creepy alley….

I predict a full closure for this show and a massive gutting. Costumes and sequences will be tossed out and the torture depictions have to go. Right now. There is no charismatic leading man to cheer for, no emotional investment in the fates of the characters, and even the plot (“retrieve a necklace to win” belongs in a video game, not a stage) will need to be refashioned into something people care about. A kidnapped child, perhaps? A damsel in distress? Anything but a pendant holding some secret data.

RUN4

The opening sequence, which is an actual film, goes on for far too long. From the get-go, people will be wondering “Did I just pay $300 to take my date to a movie?”. When flesh-and-blood characters actually appear, their performances and stunts will have you shrugging. Gang fights are so choreographed and punches so fake that you’ll think you’ve wandered into a high school production of “West Side Story”, despite silvery mylar costumes and moon boots that belong in a 90’s boyband video.

RUN10

Imagine if this show was built around an actual, heroic movie star! How cool would it be to watch the likes of Van Damme, Stallone, Chris Pratt or Dwayne Johnson doing their best stunt work before your eyes?  Even a live-action version of a familiar movie would be a cool idea…perhaps Rodriguez’s own SIN CITY, a hit film based on the works of Frank Miller. Now THAT is something I might recommend, not this violent, rambling and ugly excuse for a show.

20191116_181921

And yes, there were children in attendance despite a disclaimer stating that the material is intended for mature audiences 13 and up. I questioned a box office attendant as to whether they enforce this policy and she told me that they do not…it is a recommendation, not a restriction.

R.U.N is not a show for kids. Or teens. Or adults…or anyone, for that matter. Run as far away from R.U.N as you can…and don’t look back. Sorry, Cirque, but you’ve lost it…and heads are certainly going to roll.

20191116_182459 (1)

Normally I’d put ticketing information and showtimes here, but that’s not going to happen this time. See anything else (except for Mariah Carey or Criss Angel) but skip this bomb.

Photos: Sam Novak

Everything You Need to Know About ‘R.U.N by Cirque du Soleil’



Breaking down the high-octane elements of Cirque’s new spectacle…

Strap yourself in tight and prepare for the ride of your life at R.U.N, the latest offering from Cirque du Soleil. R.U.N is a high-octane thriller that’s part action movie, part stunt show and totally unlike anything you’ve ever seen.

 

20191116_182459

Billed as “The First Live Action Thriller”, Luxor’s new production blurs the line between performance art and cinema in mind-bending fashion. Written by cutting-edge film director Robert Rodriguez (“Sin City”, “Predators”, “Alita: Battle Angel”), R.U.N envelops you in a hyper-stylized vision of Las Vegas filled with gritty thugs, warring gangs, warehouse battles, and a hero on a quest to save the city.

67377231_2280784845340362_8393856252467216384_o.jpg

So how does a movie come alive? With the ultimate in technology and theatrical tricks, of course. Cirque du Soleil has always been at the forefront of entertainment innovation. Their employment of electronics, projection, and practical effects has been heavily integrated into productions ranging from The Beatles LOVE to . R.U.N represents the next step in Cirque’s evolution, and the results are stunningly effective.

73342390_2454684497950395_5458250821525307392_n.jpg

Imagine a chase across the Mojave desert recreated right before your eyes. Drivers engage in hand-to-hand combat while their cars spin, soar and race to avoid a speeding freight train. Motorcycles burst from the screen and soar up the aisles.

st-novak-run-600

Click HERE to continue reading via ShowTickets.com.

R.U.N performs Wednesday through Sunday at 7 pm and 9:30 pm. It is recommended for mature audiences 13 and up. 

 

 

 

 

 

 

FANTASY Prepares to Celebrate Its 20th Anniversary In Style


The Strip’s biggest tease prepares to enter its third decade…

In most states, the legal age of consent is 18 years old. Using that guideline, FANTASY, the topless revue at Luxor, is barely an adult. Yet in the realm of Vegas production shows, twenty years definitely ranks as “senior status”. With expensive start-up costs and high overhead, new productions that aren’t instant hits often become forgotten in a matter of months. And yet, Fantasy continues to entice men, women and couples seven nights a week.

AVSMftiQ.jpeg

Producer/Director/Creator Anita Mann is very proud of the longevity of her show. She proudly shares credit with the many who have contributed to FANTASY from its inception:

I own and produce FANTASY. When I created it the show was originally called  MIDNIGHT FANTASY as it started at midnight. When MGM took over the property we all agreed to drop the “Midnight” since we were no longer a midnight show. Beverly Jeanne has remained executive producer since its inception and Mariah Riviera has now joined the production team as Associate Producer.

We have been blessed to have several different choreographers over years. Tiger Martina was the very first, we have had Cris Judd and most recently Mandy Moore. I have also choreographed throughout the run along with several of our dancers including the most current, Yesi Burgess.

LkhXCypg

Naturally the cast is the main reason that guests choose to explore their fantasies at Luxor’s Atrium Theater each evening. An alluring group that runs the gamut from girl-next-door Abby to sultry Mariah, the ladies of FANTASY appeal to just about every taste. Members hail from all over the world, like Geraldine of France, Isabella from South Africa and Alex from England. Of course there are plenty of all-American girls like Alabama’s Jennifer and California-born Soolin.

43024853_10156673342746303_8303137218801696768_n

California is also where host Lorena Peril hails from. Born in San Francisco, Ms. Peril is an electrifying singer with a solid history of Sin City entertainment. Formerly of Vegas! The Show and Sin City Bad Girls, Lorena stunned audiences at American Superstars with her impersonation of Christina Aguilera. She left FANTASY in 2013 after being cast as “Sandy” in the European tour of Grease. Now she’s back and entrancing audiences with her powerful voice and engaging style.

Screenshot 2019-04-07 at 7.34.39 AM

FANTASY is much more than a sexy dance spectacular. There is plenty of singing, audience interaction and loads of fun. Comedic impersonator Sean E. Cooper has been with the show for most of its run. As the sole male cast member, Cooper can’t help boasting that he has the best job in the world.

Click HERE to continue reading via BestOfVegas.com. 

Blue Man Group – Fresh and Vibrant as Ever


Guest author Kristopher Kidd of discount ticketing site VegasFool.com grabs the reins for a review of the latest iteration of a long-running favorite…

If you’ve been visiting Las Vegas for any amount of time, there is no doubt that the colorful Blue Man Group have at least piqued your interest. Their Las Vegas journey began years ago at Luxor, followed by a move to Venetian, then Monte Carlo and now back again to Luxor.

Being one of the longest-running shows in the city is quite the accomplishment. Having seen the show before (and blown away), I was wondering if the Blue men had anything new up their sleeves. I was not disappointed.

thumbnail_lg_bmg_slideshow24

From the Blue Man-themed box office to the paper streamers before the show, we already knew we were about to experience something unique and fun. With so many new and re-imagined acts, it felt like I was seeing something familiar yet also somehow new.

The smoke drums are now one of my favorite parts of BMG. You’ll even be treated to the Big Drum, which is only found in the Las Vegas version of the show (Blue Man Group performs in New York, Chicago, Boston, Orlando, and Berlin as well).

Have no fear, many of your favorite Blue Man moments are still a part of the show. This includes catching marshmallows in their mouths from across the stage, the drum-bone, embarrassing late arrivals and the iconic paint drums.

thumbnail_lg_bmg_slideshow11

Yes, Blue Man is still loud, still hilarious, still in your face, and still the masters of sound using unconventional items for instruments. Who knew that three blue men with no ears could be such brilliant musicians?

On top of being a visual comedy concert, Blue Man also makes you think. They are better philosophers than they get credit for. Staying culturally relevant by exposing our obsession with smartphones gives the audience a chance to remind themselves to live in the moment.

The atrium-level theater at Luxor is one of the coziest you will find. With the show being so massive and the theater being so well laid out, you will literally feel the vibrations of the PVC pipe percussion.  If you’re brave enough to grab seats up front, parts of the show might land in your lap…in the form of paint and Twinkies.

lg_4-bmg-2015

Don’t worry, ponchos are provided for those sitting in the appropriately named ‘poncho’ seats. Even sitting in the second half of the theater, you will still likely be within a few feet of a Blue Man at some point in the show. The interaction and audience involvement is all part of the fun.

Las Vegas shows sometimes struggle at simultaneously being entertaining for kids, teens, and adults. It’s hard for a show to appeal to all ages, but Blue Man Group is entertaining for everyone. It’s worth belaboring the point that it’s wildly entertaining even if your group consists of only adults.

thumbnail_lg_bmg_slideshow28

What’s so brilliant about BMG is their ability to entertain in many ways. It’s not just funny. It’s not just musical. It’s not just visual…it’s all of the above. You could even say it’s physically exhausting, not just for the performers, but for the audience.

Keeping up with so much activity at once is quite the accomplishment, so much so that you may be tempted to see the production again for anything you may have missed. From start to finish, the guys in blue will keep you entertained and engaged. The end of the show is as unexpected and hysterical as ever.

Blue Man Group is way too much fun!

39900408_363933317482213_6619408789210660864_n

Blue Man Group performs nightly at 7 p.m. and 9:30 p.m. at Luxor Hotel Casino. Tickets can be purchased here. Deals for all other Las Vegas shows can be found by clicking here. The author of this article can be reached via email at KKidd@vegasfool.com

Photos: Blue Man Group, Kristopher Kidd