‘CELESTIA’ Is Poised To Rise Again

Classic-style circus seeks new venue for its glorious tent extravaganza…


In the realms of media and show business, one of the most gratifying phrases you can use is “I told you so”. And this particular writer is looking forward to announcing in the near future that Intrigue Shows has found a new home for CELESTIA, the wonderfully-entertaining spectacle that launched at The STRAT during the summer of 2019.

When the pandemic swept through Sin City, its impact was devastating. Companies filed for bankruptcy, long-established productions announced permanent closure, and cast and crew from all facets of entertainment scattered like petals in the wind.

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At one point I was compelled to assemble a list of the shows I felt were most and least likely to return….along with a bunch that could topple to either side of the fence. I may have swung a bit broadly on some, but others were home runs. On my “Most Likely To Return” collection was the fledgling CELESTIA. Here’s what I said on April 13th of last year:


My insiders at CELESTIA assure me that the fledgling big-top production is on solid ground. STRAT Hotel Casino has a strong financial stake. which seems to be a common thread in the current make-or-break environment. Four-wallers (independent contractors) will suffer while casino-owned shows are likely to last. It all comes down to money.


EVERYTHING YOU NEED TO KNOW ABOUT THE NEW ‘CELESTIA’ STAR VIP EXPERIENCE

While the reason for my faith in CELESTIA‘s return might not have been correct (The STRAT is now willing to part with the tent-based production), there’s no denying that a family-friendly circus with a desirable price point has built-in appeal for post-COVID Vegas. That’s why the show’s General Manager Kim Scott (formerly of Cirque du Soleil) has dedicated every available resource to making sure the CELESTIA tent reaches towards Vegas skies once more.

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Here’s the letter that Ms. Scott sent out to all 88 cast members, technicians, ushers, front-of-house and other crew just this afternoon. The email was motivated by an article from one of my colleagues, who yesterday announced the show’s permanent closure despite the lack of a formal statement:


Hello Everyone with Celestia,

I hope this finds you all well and enjoying the reopening of Las Vegas.

I want to give you an update on the status of Celestia and its future in Las Vegas. As you know, COVID hit many businesses hard and our company ownership has tasked me with finding new ownership for the tent and show.

I have been working nonstop to source a buyer for the tent and a company interested in running the show. I want you to know that finding a new home for Celestia has been my only priority during the shutdown.

We do have a few companies interested in the tent and a potential company interested in operating Celestia.  While I cannot guarantee that Celestia will return to the stage, I can ensure you that I am working to make that happen for all of you.  I can confirm that Celestia and the tent will not remain at The STRAT and will be relocated until a new owner can be identified. The move will happen within the next few weeks.  

I want to sincerely thank all of you for your patience as I work to navigate the next steps focus and your courage and commitment to Celestia during this past year.

Please don’t fall into the rumor mill of Las Vegas. If you have any questions, please reach out to me directly.

Kim Scott

General Manager Intrigue Shows, Inc.


Regular readers will remember that I’ve published a number of articles about CELESTIA, from a stellar original review to an insider’s view via their STAR VIP EXPERIENCE (with onstage seating) and a profile of their latest electrifying cast addition, DUO TRANSCEND from America’s Got Talent.

As an avid supporter of every hard-working individual who dedicates their talents both behind the scenes and onstage, I’m excited for the possibilities awaiting those involved with CELESTIA.

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Support from large corporations and casinos may come and go with wildly unpredictable results. But Intrigue Shows, and Kim Scott in particular, have years of experience behind them. They know the do’s, the don’t’s, and B.S. that get tossed around by big-talkers. They’re independent thinkers with a passionate desire to put on an old-fashioned spectacle….just what we need in today’s turbulent environment.

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Photo by Cipriano Moreno Aparicio

Don’t count out CELESTIA just yet. You might be in for a pleasant surprise.

Photos: Sam Novak, Intrigue Shows, Cipriano Moreno Aparicio

‘APÉRO’ is a Sexy New Way to Get Your Vegas On

European-influenced acrobatic production packs a lot of flirtation into a gorgeously lush showroom…


“Love comes from the most unexpected places.” – Barbra Streisand

It was inevitable. With Cirque du Soleil on an ongoing hiatus and both ZUMANITY and Le Reve – The Dream shuttering forever, it was only a matter of time before some of their top-level talent came together to create something new. And as I’ve said many times before, COVID-19 has had an ancillary effect of spurring creativity. Combine those two elements, drop them into a stunning cabaret and you have APÉRO, a delightful new show at Baobab Stage in Town Square.

APÉRO‘s premise is built around aperatif, the oh-so-French tradition of early-evening libations and nibbles (something you’re invited to partake of at Baobab Cafe adjacent to the showroom). An ultra-hot cast of three men and three women meet, greet, flirt, switch around…and try to impress each other with feats of grace and strength. A threadbare concept to be sure, but who cares when the antics are this sexy?

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APÉRO is geared towards adults, but there’s no nudity (the guys do get shirtless, thank goodness) or anything overtly sexual. Just a bunch of charming young people strutting their impressive bodies skills and having a great time.

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The sensual atmosphere and strikingly-appointed Baobab Stage create a total escape from reality. You’ll believe that you’re in a vintage European cabaret. I was hard-pressed to look away from the stunning wall coverings, overstuffed love seats, ornate light fixtures and artwork. A 20-minute intermission allows you to drink in the settings and indulge in another aperatif or share a bottle of wine with your companion.  But….back to the show.

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The cast of APÉRO is a veritable who’s who of the athletic arts. Towering Damir Mouzdybaev is 6 feet, 3 inches of chiseled muscle who opens the production. Lithe, God-like, and sensual, he guides the cast through their various interactions…and has his own adventures along the way. Damir was most recently in Le Reve – The Dream, and has performed in Ringling Brothers and “Marvel Universe Live”

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Damir Mouzdybaev (with Angelique Janowski), photography by @benjaminhphoto

Aerial hoop artist/dancer/choreographer Angelique Janowski spent several years at ZUMANITY until the pandemic clipped the show’s wings. Undeterred, she and a few colleagues formed Visionary Pack Collective, which produces APÉRO. A graduate of two art schools in France,. Ms. Janowski performed hundred of hours for audiences in Paris before coming to Las Vegas. 

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Angelique Janowski

Dazzling Natsumi Miyazaki performed in Le Reve alongside Damir Mouzdybaev, where the two of them soared through the air and danced on water. APÉRO finds the award-winning synchronized swimmer airborne once more, this time via an amusing pole sequence. Her charming character is a little sassy, a little sweet, and a whole lotta “wow”.

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Natsumi Miyazaki, photo by Charles Lohman

Beefy, brooding Roman Tomanov is the “bad boy” of the cast. Decked out in a leather jacket and ribbed tank shirt, he performs gymnastic feats, then takes flight for the aerial straps. Roman has been in the casts of ABSINTHE and   (by Cirque du Soleil), along with Cirque’s KURIOS and LE NOIR in Tokyo.

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Roman Tomanov strikes a pose in APÉRO

Mongolian contortionist Tsatsral Erdenebileg will have you gasping with her stunning flexibility. That’s certainly what occurred when the audience I was a part of saw her abilities. You’ll be awed, amazed, and perhaps even cringing when you witness what this Guinness World recordholder can achieve. Tsatsral also comes to APÉRO by way of ZUMANITY.

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Tsatsral Erdenebileg is APÉRO’s stunning contortionist…

Is it possible for juggling to be sexy? If the performer is Vladislav Miagkostoupov, then the answer is a resounding “Yes”! Part clown, part underdog, and the “nice boy” of the troupe, Vladislav combines dancing and juggling into a hysterical mixture which defines his signature style. The European acrobat entertained Vegas audiences in ZOMBIE BURLESQUE and V: The Ultimate Variety Show before landing on his feet at Baobab Stage.

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Vladik Miagkostoupov will juggle his way to your funnybone…

There is plenty of DNA from ZUMANITY behind the scenes of APÉRO, too. Niccole Dunn, co-founder of Visionary Pack Collective, spent seventeen years at Cirque‘s first adults-only show. Skilled at backstage duties and wardrobe design, Niccole created the costumes for APÉRO and is entrenched in making the public aware of their new production.

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Pavel Gurov…

Pavel Gurov serves as Artistic Director/Acrobatic Advisor, and Jorge Salomone (Niccole Dunn’s husband) is Technical Director. Salmone was involved in the video elements of ZUMANITY, and Gurov is a performing artist himself.

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The Baobab Cafe, Boutique and Showroom are all operated by Wassa Coulibaly, who spent several years as a dancer at New York NY‘s resident Cirque show. In some ways, she seems to have become the de facto “mom” of this ambitious endeavor, and shares the Collective’s enthusiasm.

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Wassa Coulibaly

The fact that APÉRO was born from the shockwaves of an international pandemic isn’t forgotten by the cast and creative team. All performers wear masks during the show, the audience is capped out within legal limits, and there’s even a COVID-19 protocols/procedures page on the show’s official website.

Final bows after a recent performance…

With live entertainment just now ramping up after almost a year of darkened stages, the producers knew they had to work long-term sustainability into their model:

Visionary Pack Collective was born of a small group of artists and industry professionals eager to create something sustainable and beautiful in this unprecedented time. The Baobab Stage is a cool small theatre and we wanted to make a show that would feel huge in this space, and give the audience the feeling of seeing something truly extraordinary in a way they could not have in the past. The show combines extraordinary talent and all the trappings of a
production usually seen on grand stages and in arenas playing to thousands.

So when you’re ready to rediscover the magic of sensual circus artistry, head to Town Square on South Las Vegas Boulevard and immerse yourself in an evening with APÉRO.

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APÉRO performs Friday, Saturday and Sunday at 7pm. The show runs approximately 90 minutes with intermission. Tickets are $50.00 (plus tax/fees) and can be ordered here

Photos: Sam Novak, APÉRO, cast members via Facebook

 

 

 

 

 

 

Rant: I Don’t Need Your Approval To Have An Opinion


There’s always a price to pay for being honest…

For the past two years, I’ve had the opportunity to write for a couple of different publications. One is an online ticketing site that publishes show articles and helpful visitor information (currently it’s in limbo). The other is a well-regarded print magazine found in the majority of Las Vegas hotel rooms, pre-COVID. It’s only available online for now.

When the pandemic upheaval is over and tourists return en masse (with luck), I hope to regain those freelance positions. They gave me the opportunity to learn, reach larger audiences, research unfamiliar artists and discover subjects that might otherwise have dodged my radar. They were also gainful employment, since this blog is a passion project, not a revenue generator.

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Please read all precautions before proceeding…

Before accepting those jobs, I made it clear that I would continue maintaining Vegas Unfiltered Blog, which doesn’t always present things through rose-colored glasses. It felt necessary to make one thing clear: as a hired writer, I’d be wearing a different hat for them, separate from my personal site. When I’m paid to write for you, I work for you.

Seems simple, doesn’t it? Well, not so fast. The arrangement was working well for all involved (at least to my knowledge) until Cirque du Soleil decided to follow Criss Angel – Mindfreak Live with an even worse abomination called R.U.N. It premiered in Luxor‘s showroom in the fall of 2019 to horrendous reviews from critics and audiences alike.

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As the fates would have it, I  was assigned articles on R.U.N. for each of my paid gigs. Having seen this travesty, I decided to delay my own review until the others were submitted. The paid pieces didn’t require my opinion…just descriptions, what the production involved, types of acts, specifics on the plot, where it was located, etc.

The funny thing about this is the subsequent negative feedback I received. For instance, some dim bulb going by the name of @butterpunker tweeted “I’ll be honest. After reading the online reviews and then reading your review, I’m less inclined to trust anything you write about shows anymore.”

Guess what, genius…they weren’t reviews!

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Then I published an actual opinion piece, which you can see here. And yes, it was so scathing that I called R.U.N. “an epic disaster. An ugly, inconsistent, poorly-planned and sloppily-executed mess that lies there like a dead body in a ditch.”

So, my question to you is this…are people so stupid that they can’t tell the difference between a review and a so-called “puff piece”? A tourism magazine/website is there to present you with vacation options, then YOU decide what to spend your money on. A blog is a whole different ball of wax. But in this day of internet courage, emboldened armchair critics can hop onto Yelp and eviscerate a business from the safety of their laptop. Or call a critic out for doing the very thing he/she is meant to do.

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After that stupid scene went down, a marvelous and professional editor at one of the freelance outlets expressed concern. He/she asked a few sensible questions and we discussed shows/celebrities/subjects to avoid in order to prevent future backlash. Very considerate and supportive, they were. And it felt wonderful.

There have been many times when I’ve been confronted, either online or in person, after publishing an unflattering review. I’ve been accused of causing harm to livelihoods, putting people out of work, and threatening the security of entire productions. Somehow the blame for a bad show often gets put on little old me.

Show business is one of high risk. The chances of being a part of something successful are very slim. For every thirty or so television programs that debut each fall, only a handful get a second season. Movie studios can spend upwards of $300 million on a film that ends up playing to empty theater auditoriums. Nothing is a guaranteed hit. That’s just the way show business works.

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In Las Vegas, it’s not unusual for twenty or more shows to give their final bows in any given year (2020 was a bloodbath, but that was different). When a production shuts down, it’s not the fault of the actors, set designers, lighting technicians or costumers. But small-scale blogger Sam Novak often gets the blame.

Yesterday, a colleague in the entertainment industry attacked me for my opinions on the terrible Star Trek: Discovery television series. He accused me of causing harm to the industry, the actors, the directors and the entire CBS All-Access platform. Wow, who knew I was this powerful? Yeah, right…

His next words were what got to me the most: “You better hope that you don’t rely on Paramount, Warner Bros, or CBS for anything, because they won’t like what you wrote”. To which I responded “Don’t put out shit, and you won’t get shit from me. Especially on a fledgling, failing pay site that’s already in its death throes and about to be re-branded.”

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Apparently, I upset the cast and crew of Star Trek: Discovery…

I won’t compromise my integrity to please people in the entertainment industry. There are plenty of critics in Las Vegas who already do that. Most of them are high-profile names that attend nearly every function, often get onto the microphone themselves, and walk the line between journalist and celebrity. And they RARELY give an unflattering review.

I personally don’t care if people like my published critiques. They’re honest and brutal, whether favorable or not. I like what I like, hate things that suck to me, and I speak out to praise or warn. It’s my responsibility as an entertainment writer to share the emotions, reactions, and thought processes experienced from a meal/hotel stay/performer/activity.

In 2017, I was offered a position at an established tourism site. I accepted on the condition of full autonomy, so that I could be truthful about subjects that personally mattered and would hopefully have value to my readers. The webmaster agreed to that condition, yet of my first three articles, two were considered “too controversial” and she refused to publish them.

“We supposed to be encouraging people to come here and spend money” this Pollyana told me. My response was something along the lines of “You also have a responsibility to paint an authentic picture…and to honor your arrangement with your writers.” She scoffed, I walked, and within two hours, VegasUnfilteredBlog was born.

When I relocated from Oregon to Las Vegas, I promised to continue this column from the perspective of a visitor. Your discretionary income is too hard to come by, and you deserve to spend it wisely. I have no problem saying that The Vegas Room is an awesome supper club, The Garage is the best value for your cocktail budget, and Magic Mike Live is the worst pile of feces since….R.U.N. 

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“Hey, over here! We’re the worst show on the Strip” – MAGIC MIKE LIVE

The late media personality Robin Leach was guilty of publishing lots of flattery and fluff in his final years. Public relations firms knew to give Robin an “exclusive” when they needed a boost for their client. I’m not Robin, although I certainly appreciated his flair when it came to arm candy. The guy never went anywhere without a babe on each arm. A cool and iconic man, but not an objective critic. May he rest in peace.

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Robin referred to me as “The gay guy from Oregon”. Funny man…

No amount of money is going to make me switch to autopilot. If you want your reviews and opinions to be thoroughly researched, deeply detailed and backed up by facts, Vegas Unfiltered Blog is the place to be. Thanks for being a loyal reader. Best wishes in 2021.

The Remarkable Life of Roman Mokrenko


Ukrainian aerialist’s gravity-defying career path will astound you…

Sometimes the pressure of our daily routine makes us say “I just want to run away and join the circus”. But have you ever known someone who actually has? Well, meet a man who ditched his white-collar career for a chance at Sin City’s newest big tent spectacular.

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Roman Mokrenko is a 29-year-old Ukrainian from the port city of Odessa. Known as the “Pearl of the Black Sea”, Odessa boasts amazing architecture and a renowned Opera and Ballet Theater. The natural beauty of the Ukraine is as much a part of Roman as his love for physical arts. A longtime athlete, he studied acrobatics before pursuing a career in law. While attending the National University Odessa Law Academy, he simultaneously became a Junior Lieutenant in Military School.  

Being both a lawyer and a military officer didn’t extinguish Roman’s desire to accomplish something artistic:

One moment I just realized that this office life is not for me. I cannot live without a “scene”. Thank God I have a background in acrobatics and artistic gymnastics…I almost never stop training. There is too much energy in my head and body that I have to “splash” somewhere.

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If you’re going to make a splash, what better pool than the Las Vegas entertainment scene? There are countless productions here that incorporate aerialists, gymnasts, acrobats, and contortionists. So when Roman discovered a casting call for the new circus-style show CELESTIA at The STRAT, he decided to take the plunge.

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I applied for the casting without much hope. Here you can see the best artists of the world. I thought it was impossible, but now I’m here! This is my favorite part of life in Las Vegas. I have seen almost every show.

Roman arrived in Las Vegas on Valentine’s Day 2018. You might say that this was the beginning of a love affair with Sin City’s desert. Although he misses life by the sea, the excitement of performing in Vegas has allowed Roman to reach new heights. He just had to learn how to deal with the scorching climate.

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Air conditioning saves us from extreme heat. But sometimes when I have practice in the afternoon it just helps to warm up and train without a shirt. On stage, the artist must look divine. Not for nothing that I train every day and stay on these diets. If you have something to show off, then why not?

He may joke about flaunting his chiseled abs, but Roman’s physique has landed him several modeling gigs…some of them a bit unusual.

Roman Mokrenko

I was a sketch model several times in New York City when the show was being revised. People sit in circles, have drinks and make sketches while you’re almost naked. I’ve had several shoots with photographers…one was for a foot fetish site, haha!

That Ukrainian sense of humor came through in Roman’s character work for CELESTIA, but it’s his physical abilities that stand out. He hopes that audiences will be inspired by his feats and channel that into their own fitness journey.

We’re on our phones all the time, but we can do it with some “profit”. Keeping in shape is much easier than going in and out of form. For ordinary people (not performers), 30 minutes a day will be enough. Just walk on a treadmill and watch a movie or play a game.  

When not entertaining crowds, Roman still finds himself in the company of fellow artists. After a massage and hearty breakfast at Omelet House, he heads to a very unique school:

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I like Nevada Rhythmic Academy. It’s a place where I can train, invent new acts, meet artists from other shows and try something new together. There is a real aura of the gym in which I grew up.

Mokrenko is considering buying a home here in Las Vegas, but there are a few dreams overseas yet to realize:

One day I’d like to be live on a stage with Ludovico Einaudi, Max Richter, Olafur Arnalds or Hans Zimmer. They are my favorites. And I want to perform with Nederlands Dans Theater. It will be an amazing mix between ballet and aerial performance…like dancing in the air!

As is quite often the case in the Vegas entertainment environment, Roman’s time at CELESTIA abruptly came to an end. Fortunately, his talents and great looks led him to other exploits, like joining the myriad of hot guys in Sahara‘s Blanc de Blanc and Atomic Saloon Show at Palazzo.

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Since the pandemic’s city-wide shutdown of live performances, he’s spent much of the spring and summer focusing on photography. Not one to shy away from showing off his hot body, the former soldier is often in front of the lens as well. And he’s wisely taken advantage of the quiet streets and sidewalks to obtain some incredible shots.

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Roman agrees that now is the best time to get in shape and document your results with a terrific collection of portraits and landscape shots. To see more of his gorgeous work, visit the official Instagram gallery. If you’d like to know more or to schedule a shoot, contact him directly through Facebook messenger via this link.

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Photos and video: Roman Mokrenko, Sam Novak

MGM Resorts Releases Re-opening Plans


Sin City’s biggest player announces steps to welcome back guests…

Can you smell that in the air? It’s still pretty faint, but very distinct. It’s the fragrance of hope, something that Las Vegas desperately needs. The aromas of bleach, peroxide, and other disinfectants are coming to your hotel-casino, and you’d better get used to them if you want to stay and play.

It’s hard to believe, but today marks the third consecutive day that I can publish good news. On Sunday I told you about Westgate CARES, a nationwide protocol in which the Orlando-based resort company shared their research and programs freely with the hospitality industry. Then yesterday came news of the reopening of Esther’s Kitchen, spearheading a wave of similar announcements.

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Vegas Unfiltered Blog reader “Dolores” had a question about Sunday’s piece, for which I had no answer. But today I offer a converse response regarding MGM Resorts‘ measures to address sanitation and operational procedure changes. Here it is as presented courtesy of Jenn Smulo of Kirvin Doak, the Vegas-based public relations firm that represents MGM Resorts, Westgate Las Vegas, Cirque du Soleil, and several charities in the valley.

(May 12, 2020) – MGM Resorts International (NYSE: MGM) today released a report outlining the comprehensive health and safety protocols the company is implementing prior to re-opening its domestic properties and resorts which were temporarily closed in March due to the COVID-19 pandemic. The report details MGM Resorts’ “Seven-Point Safety Plan” – a multi-layered set of protocols and procedures designed in conjunction with medical and scientific experts to deter the spread of the virus, protect customers and employees and rapidly respond to potential new cases. The full report can be found HERE.

“Preparing for the moment we can re-open our doors, MGM Resorts focused on developing a plan that puts health and safety at the center of everything we do. Our ‘Seven-Point Safety Plan’ is the result of months of consultations with public health experts and outlines our comprehensive approach to welcoming guests back safely,” said MGM Resorts Acting CEO and President Bill Hornbuckle. “Our properties will not look the way they used to for a while, and that’s not only okay, it’s critically important. We will continue providing the hospitality experiences we are known for, but we must do so safely. We will continue working with experts and following guidance from the World Health Organization, Centers for Disease Control and Prevention (CDC), and government officials and regulators as we evolve these protocols based on the latest information.”

EXPERT GUIDANCE

MGM Resorts Lead Health and Safety Advisor: Dr. Shannon Magari, Vice President of Health Sciences for Colden Corporation 

MGM Resorts is working with Dr. Shannon Magari, ScD, MPH, MS as its lead health and safety advisor for this process. Dr. Magari is the Vice President of Health Sciences for Colden Corporation, an occupational health, safety and environmental firm. Dr. Magari obtained her Master of Science from the Thayer School of Engineering at Dartmouth College and received her doctoral training and served as a postdoctoral research fellow at the Harvard School of Public Health – specializing in Occupational Epidemiology. 

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OVERVIEW: MGM RESORTS’ SEVEN-POINT SAFETY PLAN

The full report, including detailed protocols, procedures and operational enhancements can be found HERE.

These protocols and procedures focus on balancing the customer service guests have come to expect from MGM Resorts with the urgent need to apply knowledge about COVID-19 and adapt environments accordingly. This plan is being implemented at MGM Resorts’ properties throughout the United States, with additions and changes being made based on local jurisdictions.

MGM Resorts’ Seven-Point Safety Plan is as follows:

  1. Screening, Temperature Checks and Employee TrainingMGM Resorts has implemented employee-screening measures to assess signs and symptoms of infection and whether the employee resides or cares for someone who has recently been diagnosed with the virus. Employees are currently and will continue to go through temperature checks before entering properties.

Guests will be asked to abide by a similar self-screening protocol prior to arriving and during their stay. Guests who have reason to believe they may have been exposed to the virus are strongly urged to follow CDC guidelines for self-quarantine and not travel. We will look forward to welcoming those guests once the self-quarantine period is complete.

  1. Mandatory Masks and Personal Protective Equipment (PPE)All MGM Resorts employees will be provided and required to wear an approved mask when on our properties. We will also strongly encourage guests to wear masks in public areas and offer masks to any guests who need one, free of charge. Gloves will continue to be worn by employees who require them to do their jobs, such as food handlers and employees who clean public areas. Additional categories of employees required to wear PPE will be identified by medical experts.
    • Drink service: We will ask guests to minimize the amount of time masks are removed when drinking on the casino floor.
    • Eating: We will ask guests to refrain from eating on the casino floor to minimize the amount of time masks are removed.
  1. Physical Distancing: Six-foot physical distancing policy will be in place, wherever feasible, with floor guides serving as reminders throughout MGM Resorts properties. From time-to-time, six-foot distancing will be challenging – and in those cases, reasonable mitigating protocols will be implemented, such as plexiglass barriers or eye protection for employees. Plexiglass barriers will be installed in areas throughout casinos and lobbies, where appropriate, for the safety of guests and employees. Signage will be installed throughout properties to guide employees and guests on how to safely practice physical distancing.
  1. Handwashing and Enhanced Sanitization: Prior to property closures in March, MGM Resorts implemented increased and enhanced routine cleaning, based on CDC guidelines, with a focus on high-touch surfaces in common areas. We will continue using proven cleaning products in accordance with EPA guidelines for coronaviruses, bacteria and other infectious pathogens. Electrostatic sprayers will be used in many large areas to allow us to apply disinfectant more efficiently.

In addition, custom-built handwashing stations with soap and water, along with hand-sanitizing stations, will be readily available in high-traffic areas and with a visible presence. Signage will be installed to guide and remind employees and guests of the importance of proper handwashing protocols.

  1. Heating Ventilation and Air Conditioning (HVAC) Controls and Air Quality: MGM Resorts has always placed a high priority on air quality for our guests and has reviewed the operation of HVAC systems to identify additional opportunities to enhance their effectiveness. Rigorous measures in accordance with established guidelines to help mitigate the risk of virus transmission have been taken throughout our properties.

As scientific information becomes available about the virus, and as additional guidance from state and local authorities and our medical experts evolve, we will continue to review and adjust the operation of our HVAC systems, fully recognizing the important role they have in keeping employees and guests healthy and safe.

  1. Incident Response Protocols: MGM Resorts has protocols in place aimed at reducing the chance infection will spread. In the unfortunate event a guest or employee tests positive for the virus, we will activate incident response protocols to ensure the infected individual has access to medical treatment, exposed areas are thoroughly sanitized and, when possible, notify those who may have come in close, prolonged contact with the infected individual. MGM Resorts has medical and security personnel on staff to respond quickly in the event of an incident.
  1. Digital Innovations: MGM Resorts is reimagining several aspects of the guest experience through technology to transition current processes into contactless options for guests that eliminates or reduces the need for waiting in line.
    • Contactless Check-In: Guests will have the ability to complete the check-in process entirely themselves through the MGM Resorts mobile app. This includes the ability to process payment, verify identification and obtain a digital room key, all through a mobile device. If preferred, physical keys will be available through self-serve key encoders. Employees will be available for guests who prefer check-in without using their mobile device, while still maintaining a line-reduced environment.
    • Food & Beverage: Digital menus will be available to view on personal mobile devices via QR code. Virtual queues will be in place for guests when immediate seating is unavailable. Guests will receive a text message notification when their table is ready.

 

Do you know of any positive actions being taken by Vegas-centric corporations related to the pandemic shutdown? Feel free to tell us about it in the “COMMENTS” section or drop me an email – Sam@VegasUnfiltered.blog. Be safe. Be smart. Be strong – Sam Novak

Photos: MGM Resorts

Cirque du Soleil Marches Forward with ‘One Night for One Drop’


Clean-water benefit show gets reinvented amidst the pandemic shutdown…

The annual One Night for One Drop has become quite an anticipated event. For just one evening each year, acrobat, artists, and alumni from several Cirque du Soleil productions come together for a spectacular gala. The purpose is to raise money for One Drop Foundation, an organization whose goal is to provide “sustainable access to safe water and sanitation for the most vulnerable communities through innovative partnerships, creativity and the power of art.”

While that mission statement is quite a mouthful, what it boils down to this: a reliable source of clean water for regions desperately in need of such. One Drop Foundation makes that happen by raising funds through performance arts, most notably Cirque du Soleil.

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It seems only fitting that Las Vegas, a haven in the middle of the desert, would focus this amount of intensity on the importance of water resources. So each year the entertainment community of Sin City rallies around One Drop Foundation to draw attention to that vital necessity.

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Since its inception in 2013, One Night for One Drop has raised over $40 million. While prior entries had assembled talent from the various resident Vegas productions under one roof, 2020 was slated to be a bit different. Instead of a uniquely-created event, the organizers decided to showcase R.U.N (Cirque’s abominable new production at Luxor) with a special performance. Alas, a critical drubbing and anemic ticket sales of the now-shuttered stunt show jettisoned those plans.

December 5, 2019 – One Night for One Drop is not a traditional fundraising event. The evening begins with an intimate pre-show cocktail reception followed by a blue carpet filled with celebrities and guests. Prior to the R.U.N performance, a live auction spotlighting once-in-a-lifetime experiences and unique luxury items will be presented in the R.U.N Theater.

R.U.N‘s moment in the spotlight was chased away in favor of a single-night edition of The Illusionists. That existing product was acquired by Cirque through a 2019 purchase of The Works Entertainment. The plan was for The Illusionists to use R.U.N‘s theater at Luxor, a choice that hinted at the permanent closure of their mega-flop a short while later. And now that all theaters are shuttered thanks to the pandemic, The Illusionists had to retreat with their rabbits and top hats as well.

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Undeterred, Cirque and One Drop are soldiering forward with a virtual offering of their annual event. Previously-filmed footage has been edited into a one-hour presentation that will be available for you to view at home. (Click THIS LINK for my article on other Vegas-inspired virtual offerings.)

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Here is the official press release with details on how you can experience the spectacle of Vegas-style Cirque du Soleil from the comfort of your living room:

On May 1 at 12 p.m. PDT / 3 p.m. EDT,  the One Drop Foundation and Cirque du Soleil will premiere a 60-minute special featuring unforgettable moments from previous editions of One Night for One Drop, the annual fundraiser to benefit international water foundation One Drop™ showcasing Cirque du Soleil artists alongside celebrity guest performers.

Taking place annually since 2013 around World Water Day, One Night for One Drop imagined by Cirque du Soleil and presented by MGM Resorts International recently had to be canceled in the wake of the COVID-19 pandemic. The unparalleled livestream episode, available on the CirqueConnect platform, will highlight the impressive collaborative work between One Drop and Cirque du Soleil over the years and will feature surprise guest appearances.

United by the power of art, One Drop and Cirque du Soleil are proud to connect their creativity to provide entertainment when it may be most needed, while making a commitment towards a better world. Moved by a desire to stay connected, the CirqueConnect content hub provides a source of high-quality entertainment for fans to enjoy from the comfort of their homes, as safety measures to combat the Coronavirus (COVID-19) have suspended live entertainment across the globe.

“As we face this unprecedented pandemic, One Drop’s mission of providing access to safe water and sanitation has never been more critical,” said Marie-Anne Tawil, Chief Executive Officer of the One Drop Foundation. “The world may seem to be apart right now, but coming together to safeguard the vulnerable communities on this planet where water is scarce has never been more important. Everyone should have access to water, soap, and adequate conditions for a healthy life, but also to properly prevent and reduce the spread of COVID-19 on a global scale.”

This One Night for One Drop 60-minute special will be the sixth edition of the CirqueConnect weekly series, and will remain available after its premiere at cirquedusoleil.com/cirqueconnect.

 How to watch the special?  

On May 1 at 12 p.m. PDT / 3 p.m. EDT, tune in to the 60-minute One Night for One Drop special at cirquedusoleil.com/cirqueconnect.  

So, despite a number of hiccups and obstacles along the way, One Night for One Drop will make its mark on 2020 after all. With Vegas live entertainment facing a frightening and uncertain future, this is a golden opportunity to witness the marriage of Cirque du Soleil and Sin City in a unique format. So, be sure to tune in and contribute if you can.

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Learn more about One Drop’s safe water access and sanitation projects and how to support here: https://www.onedrop.org/en/events/special/. To bid on an amazing item/experience on their online auction, visit Charitybuzz at http://www.charitybuzz.com/onenightonedrop

Photos: Cirque du Soleil, One Night for One Drop via Facebook

‘Mondays Dark’ to Host/Stream Telethon for Vegas Entertainment Community


UPDATE 4/21/20 – The official entertainment line-up was released today and is posted immediately below. Expect even more performers to be added in the days leading up to the event.

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“When Vegas goes dark, the Stars come out.” That statement takes on a deeper meaning in our harsh, new reality. Now thanks to the team at Mondays Dark and The Actors Fund, Sin City’s entertainment community will be on the receiving end of founder Mark Shunock‘s charitable organization for the first time.

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Mondays Dark variety show at The Space has donated to dozens of charitable organizations since its inception six years ago, raising over one million dollars in total. Every event benefits a different organization/cause and presents a unique theme. Performers from all over the city have gathered on a bi-weekly basis, offering their time and talents. Now they’re the ones in need of assistance.

      Perpetually shirtless Colin Cahill will join wife Makenzie Fly for “Mak and the Cheese”

Since the COVID-19 pandemic, all performance venues in Las Vegas have been shut down. Thousands of entertainers, artists and support crew are without work, and very few are receiving temporary compensation to get by. The Actors Fund, best known in Los Angeles and New York City, has partnered with Mondays Dark to help raise money for the Vegas entertainment community during this desperate time.

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                                     Mark Shunock and comedian Brad Garrett…

With all of the joy that these special people have given us, along with the pain and sacrifices inherent in their profession, now is the best time to show our appreciation and support. Beginning 5pm PST on April 27th, local and national entertainers will take to the virtual stage. The six-hour event features Brad Garrett, Joey Fatone, Dot Marie Jones, Jon Taffer, Clint Holmes, John DiDomenico, Bucky Heard (The Righteous Brothers), Colin Cahill & Makenzie Fly (aka “Mak and the Cheese“), cast members from Cirque Du Soleil and more. A complete lineup of entertainers for the evening will be announced in the coming weeks.

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The Live Stream Telethon will be broadcast free of charge on the Mondays Dark website and all their social platforms. Mondays Dark will donate 100 percent of funds raised to the local entertainment community through The Actors Fund.

In addition to the telethon, Mondays Dark has been selling the FUCOVID hat, an extremely unique baseball cap to benefit the same effort. So far the project has raised more than $5,000.00 for struggling entertainers. Hats are just $20 and proceeds go to the Mondays Dark Performers Fund – dedicated to helping performers who have been affected by the pandemic. Get yours by following this link.

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President Trump” aka John Di Domenico, tells you how to get yours in this amusing clip:

It’s clear from events of the past decade that when people of Las Vegas are hard-hit, they come together and push back with twice as much force. Sin City will rebound…it may take a long time and there will be tough moments along the way. Please show your appreciation for the people who’ve made our lives so joyful and contribute to this special cause.

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Members of the Las Vegas entertainment community seeking assistance are encouraged to visit The Actors Fund website at www.theactorsfund.orgThose interested in donating may visit www.mondaysdark.com. If you’d like to send funds in advance of the telethon, you can do so by clicking on this link

Photos: Mondays Dark, The Actors Fund, Mark Shunock, The SPACE via Facebook, Vin A., Andrea Dupper, Jim McCoy

 

COVID-19 Aftermath – Shows Most Likely (and Least Likely) To Return


Taking a hard and painful look at the Vegas entertainment landscape as Sin City’s quarantine drags on…

As a devoted enthusiast of Sin City entertainment, it pains me to think of the hundreds of gifted performers currently out of work during the pandemic shutdown. Devoted to a volatile industry in which success is never guaranteed, many artists work multiple jobs and/or share living expenses just to get by. Combine this with a lack of adequate health care and spotty unemployment compensation, and it wouldn’t be surprising if many struggling entertainers decide to leave the city…or the industry altogether.

Sadly, there’s a likelihood that numerous residencies and production shows will decide to fold (or have their lifeline unceremoniously yanked) once the ramp-up begins. How this plays out is anyone’s guess, but I’ve been doing my own pondering on what changes lie ahead. Keep in mind that my conclusions aren’t in any way a reflection of quality…or lack thereof. Instead, I’ve considered factors such as pre-virus buzz, operation overhead (costs), post-virus marketability, name recognition, longevity, and brand loyalty.

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I might be completely wrong on these predictions or right on the money. Your guess is as good as mine. We won’t know until it actually happens, but here’s my list of shows that might weather the storm. And those that I believe will most certainly blow away.

Very Likely To Return –

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David Saxe Productions – the long and colorful list produced by David Saxe amounts to a well-oiled machine. His self-named theater inside Planet Hollywood’s Miracle Mile Shops and nearby V Theater churn out hits like Vegas! The Show, Zombie Burlesque, V – The Ultimate Variety Show and many more. Saxe is a master of efficiency and knows how to run and market his business. His children will survive just fine.

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ABSINTHE – (Update – reopened on October 28th with vastly reduced seating)

Spiegelworld‘s naughty alternative to Cirque du Soleil is an instant hit that would have celebrated its ninth anniversary on April 1st. The bawdy burlesque ABSINTHE has spun off two successful companion productions and shows no sign of slowing down. Relatively low overhead (an outdoor tent, pre-recorded music, and simple props) should help it to last through a sluggish restart (if that’s how things play out, that is).

Other Spiegelworld titles OPIUM and ATOMIC SALOON SHOW might not have it so easy. Their out-of-the-way locations inside expensive Cosmopolitan and Venetian/Palazzo might prove to be a bigger challenge in the long run. Cosmo‘s costly parking fees make OPIUM an easy pass for locals, too. (Update 5/19/20 – Cosmopolitan has announced its intentions to discontinue parking fees)

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“O” at Bellagio – Despite a mountain of debt that Cirque du Soleil is carrying, it’s unlikely that they’ll allow their highest-profile Vegas production to fold. Since “O” is synonymous with the Bellagio image (just like its outdoor fountains and seasonal conservatory displays) it’s easy to envision the resort taking ownership of the show if it came down to that (Steve Wynn did that with Le Reve). “O” is still a very popular draw despite two decades and thousands of performances. Not my cup of tea, but for many tourists, it’s a must-see.

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CELESTIA – my insiders at CELESTIA assure me that the fledgling big-top production is on solid ground. STRAT Hotel Casino has a strong financial stake. which seems to be a common thread in the current make-or-break environment. Four-wallers (independent contractors) will suffer while casino-owned shows are likely to last. It all comes down to money.

Sex Tips For Straight Women from a Gay Man – This is an easy one to envision continuing. An extremely Vegas-y premise, an attractive local cast and very low overhead within an intimate theater setting. What’s not to love?

Solo and Lounge Acts – Our deeply-fractured economy is going to have a ripple effect on both consumers and the products they offer. Returning guests with limited discretionary income will most likely avoid the high-ticket attractions. That’s where one-man/woman shows come to the rescue.

With low overhead and a simple format, solo acts can offer solid entertainment and a retro vibe while passing the savings onto their audiences. Look for returning favorites like Mike Hammer, Murray Sawchuck, Carrot Top, Xavier Mortimer, Jen Kramer and maybe even the once-popular Gordie Brown to shine brighter in the spotlight. I anticipate that bloated, self-serving star vehicles like Criss Angel – Mindfreak Live and Mariah Carey‘s endless residencies will go down in flames, though. Darn.

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Expensive mega-residencies could also feel the same heat. Last year people were forking over a grand or more to StubHub for Lady Gaga tickets. Who has that kind of money now? Even though Paula Abdul‘s lip-syncing stomp-fest at the Flamingo couldn’t warrant a $49 price tag last fall, her short-lived residency now seems like a million years ago. Look for a glut of similar shows (like Derek Hough: No Limit), along with the resurgence of intimate lounge acts, to tide us over until the economy…and Vegas…rebounds.

Say Farewell –

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Blue Man Group (Update 6/30/20 The cast of Blue Man Group has been laid off by parent company Cirque du Soleil)

They’re old, tired, and as cliched as the fanny pack strapped around your cargo shorts. The trio of silent weirdos known as Blue Man Group is as annoying as those outdoor escalators that are constantly “under service”. Luxor‘s long-running production returned to the pyramid a few years ago, after more than a decade at Venetian and Monte Carlo. Now they’re in a much smaller venue and it’s easy to forget that they’re still around. Maybe COVID-19 will be the nudge that gets them to squeeze their final Twinkie.

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Human Nature (Update – permanent closure announced 6/10/20) –

It really upsets me to have this one on the list, but the Aussie quartet known as Human Nature appears to have been struggling for a while. I’ve been to the show a number of times in the past twelve months, and attendance has been anemic during each and every visit. Their live band has been downsized as a cost-cutting measure and the dancers were given a pink slip before that. They’ve also jettisoned the “Jukebox” format and returned to the Motown sound that put them in the U.S. limelight.

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Magic Mike Live (Update – Sahara opening postponed once again to August 2021) –

                               We can wait even longer for this execrable slop to return….

The movie-inspired male revue received a scathing write-up from me upon its debut (deservedly so). Yet, the man-bashing mess, hosted by a shrill, leather-clad harpy who never shuts her f*cking mouth, somehow managed to become a hit. Still, the closure of Hard Rock Hotel sent the strippers dancers off into the sunset last year.

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Audiences were promised a spring relaunch at the newly-rebranded Sahara Hotel, yet an official debut date was never set and tickets have yet to go on sale. The 360-degree format requires a custom-built arena that Sahara didn’t have, so costly construction was required. Alas, an insider told me that the venue’s build-out was halted many weeks before the shutdown, suggesting that the bump-and-grind may actually be over. Today’s visit to the official website reveals that the word “spring” was removed, most likely due to the shutdown. Or are revised negotiations holding things back?

During the interim, MML has gone global with residencies in London, Berlin, Sydney, and Melbourne, so a pricey Vegas space is no longer a top priority for the franchise. Sahara Hotel has yet to prove itself as a hip destination, as demonstrated by the premature shuttering of similar-themed Blanc de Blanc. Combine that with the perpetual postponements of nearby Fontainebleau/The Drew and Resorts World, and things are looking pretty dead for Magic Mike Live.

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Cirque du Soleil 

Update 6/30/20 – Cirque du Soleil announced today that they have filed for bankruptcy protection and have eliminated 3,500 jobs…

I know what you’re thinking – “But you just said that “O” was safe?!?!?!?!”. True enough. But in our new reality, Vegas cannot sustain six (already down from eight) of what is basically the same show…especially at $150 and up for decent seats.

According to FinancialPost.com, Cirque owes more that $1.25 billion to creditors. MGM Resorts operates five of their six Vegas shows and is known to brutally slice away expenses wherever and whenever possible. So who gets their trapezes pulled? I’m looking at KA, The Beatles LOVE, and maybe Michael Jackson ONE.

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Hanging In The Balance/Probably Safe –

MYSTERE – the longest-running Vegas Cirque show follows its own set of rules since Treasure Island operates separately from MGM Resorts. MYSTERE is smaller in scale and has the lowest ticket prices. The others have massive sets, live musicians, huge casts and expensive automation that requires an entire team of technicians to operate and maintain. SO…..overhead…

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ZUMANITY – (Update 11/16/20 permanent closure announced)

Never a critical darling or fan favorite, but this one might not be in real jeopardy. It has many of the advantages that MYSTERE enjoys (smaller cast, intimate venue, lower ticket prices), and has already trimmed back its musicians and singers. But despite the adult-skewing format, ZUMANITY now pales in comparison to raunchy offerings from Spiegelworld. So once again, your guess is as good as mine.

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Le Reve – (Update 8/14/20 permanent closure announced)

Wynn‘s signature production was never an out-and-out hit (some still believe it’s part of Cirque du Soleil fifteen years in), but it’s a critical darling and those who know it, love it. Le Reve is also owned by Wynn/Encore, which has deep pockets and an image to protect. When Steve Wynn’s own SHOWSTOPPERS was shuttered, massive shockwaves rippled through the entertainment community. That’s unlikely to happen again.

‘WOW: The Las Vegas Spectacular’ Celebrates Two Years on the Strip

WOW: The Vegas Spectacular – another budget-friendly production that hung in there despite the competition, WOW could in fact raise its profile and attendance numbers in the months ahead. Room rates at host hotel RIO start at a ridiculously-cheap $10 (plus resort fees/taxes) for the first half of May, so if the city actually opens, expect a pilgrimage to the aging off-Strip resort.

Sister production EXTRAVAGANZA missed its debut date at Bally’s last month and could possibly be in jeopardy. The cast of performers came from Israel and has yet to log a single hour in front of a paying audience. Housing the entire cast during quarantine is no doubt chipping away at the show’s reserves. Whether that could bring WOW down as well involves legalities that aren’t known to me. But from the outside looking in, it’s a pretty grim picture for EXTRAVAGANZA.

What are your thoughts, predictions and opinions? Feel free to add your comments or email me at Sam@VegasUnfiltered.blog.

‘Duo Transcend’ Poised to Electrify CELESTIA at The STRAT


TV talent show’s breakout stars add thrills and emotional heft to STRAT’s circus extravaganza…

transcend –

1: to be greater, better, or stronger than

2: to go beyond the limit of

3. to triumph over the negative or restrictive aspects of 

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The Las Vegas Strip is a beacon for fledgling performers hoping to succeed in the entertainment industry. One young couple known as Duo Transcend has longed for the applause of a captivated Vegas audience. Now that dream is about to come true under the Big Top of CELESTIA, Sin City’s newest, boldest and brightest circus-themed extravaganza.

‘Celestia’ Comes to Earth By Way of the Vegas Strip

When you perform for a nationwide television audience under the name “Duo Transcend”, you’ve already set the bar pretty high. Fortunately for viewers of America’s Got Talent, the husband and wife team of Mary Wolfe and Tyce Nielsen delivered sexy thrills and heart-stopping chills that brought down the house.

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Much like CELESTIA, The STRAT‘s award-winning production that they recently joined, the duo’s story is fraught with determination, wonder, and a passion to entertain. It’s also one of overcoming near-impossible odds in the face of a debilitating medical condition – one that threatened to permanently end their career.

The couple began their collaboration at a stunt show in Salt Lake City. Performing together for the first time, they fell in love and decided to create their own solo project. The result was a jaw-dropping trapeze and skating act that catapulted Duo Transcend to fame on America’s Got Talent…and most recently, its global face-off known as AGT: The Champions.

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Due to quarantine restrictions, I was unable to meet with Duo Transcend in person for this article. Through email, Mary had this to say about their origins:

We began our performance career as cliff divers in a stunt show. That’s where we met and decided to put a duo act together so that we could stay together and not have to take separate contracts.

In the first year, we lived on saved money so that we could focus on training. In 2013 we were hired for our first trapeze contract and since then, performing has been our only job. We slowly worked our way into companies and were able to support ourselves one hundred percent by performing.

Despite all of the planning that went into their career path, one variable was completely out of their hands. Tyce suffers from keratoconus, a progressive eye disease that affects the corneas. With their skills dependent upon precision and timing, Duo Transcend faced the very real possibility of having to withdraw from show business.

A medical procedure called cross-linking can often help victims of the disease, but for Tyce, that option appeared to be out of the question.

When I first met Tyce, the doctors in Utah said that his corneas were too thin to get cross-linking done. We were told the only option would be to get a cornea transplant, maybe in his 40’s or 50’s depending on how it progressed. Tyce’s older brother and younger sister also have keratoconus. We don’t know why. – Mary

The decision was made to continue performing, and eventually, the duo became three with the birth of son Jaxx. Being new parents was challenging enough, but a life on the road made it especially tough. So the couple aligned with the venerable Cirque du Soleil, who provided flexibility for them and their young progeny.

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It was hard to leave Jaxx home so much. Luckily we have a supportive family who we could leave Jaxx with. Sometimes we could take him with us, like when we would do gigs with Cirque (du Soleil). For a lot of gigs, it was just too expensive to fly him with us. We have performed with Cirque Du Soleil since 2017 in their special event traveling shows. They were very accommodating to have Jaxx with us. – Mary

Duo Transcend then decided to take their next big leap of faith by auditioning for America’s Got Talent. The star-making competition has been at the forefront of new Vegas acts for over a decade. Headliners like Terry Fator, Shin Lim, and Mat Franco all have AGT to thank for their successful residencies on the Strip. And while the series has launched numerous careers into the stratosphere, it’s also an intimidating option that opens you to criticism…and the potential for crushing disappointment.

The decision to try out for America’s Got Talent wasn’t an easy one:

Auditioning on TV is a huge gamble. Circus people like us have already been training and working professionally for years, then go on TV with little stage practice time and have a judge hate you. Art is subjective. Some people will like you, some won’t, and having that happen on TV can be devastating for an artist. – Mary

Those fears were never realized, though, as Duo Transcend‘s audition brought three of the AGT judges to their feet. Throughout the competition, they continued to up their game, captivating voters and the panel week after week. Despite numerous standing ovations, the couple didn’t win but was invited to return this year for AGT: The Champions. This time they placed second overall, then unveiled their plans to join CELESTIA in Las Vegas just a few weeks later.

  Don’t have weights? Use your partner! 😂 Hope you all are staying safe. – Duo Transcend

Once again, fate has intervened. After only a handful of performances, CELESTIA and all other productions in Las Vegas have been shut down amid COVID-19 coronavirus quarantine precautions. Mary tells me that they are using their free time to stay in shape and help others in doing the same.

Right now during the shutdown we have been focusing on creating at-home workouts for our social media followers.

Here Mary and Tyce get physical with “Contortion Sisters“, who are currently laid off from Cirque du Soleil. The Nielsens have been sharing their home with the acrobatic siblings during the pandemic. They’ve also been posting regular updates on their social media pages and YouTube, offering hope and positive thoughts for fans and other out-of-work performers.

Since their national television exposure, something incredible has happened regarding Tyce’s eye condition. He credits AGT with getting him the help that he desperately needed:

When we first auditioned, it wasn’t of a question of “if” I would go blind…but “when”. Because of AGT, we had one of the most successful eye surgeons in the country reach out to us personally. And he was able to do a procedure where he stopped the progression of the disease. So, I will no longer go completely blind. Now there’s a future that looks completely different, and I would have never known if it wasn’t for AGT. – Tyce via AGT

It’s clear that when Las Vegas reopens for business, it will be a very different place. Expensive shows will undoubtedly need to scale back (some are likely to disappear altogether). Very serious financial troubles for Cirque du Soleil were hinting at possible closures for at least a few of their Vegas shows even before the virus outbreak.

Fortunately for fans of CELESTIA, the production presents a large-scale spectacle at an extremely friendly price (tickets start at only $29 plus taxes/fees). Plus it’s financially supported by host hotel The STRAT, which is rare in the current “four-wall” climate (see my article HERE to learn more on that subject). In the current economic crisis, that offers job security that bodes well for the cast and crew.

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This year we were super happy to get a job offer with CELESTIA. We had been wanting to settle down in one place. We love touring but now that Jaxx is getting older we want him to be able to go to preschool and make friends. We’re thankful for the journey that AGT has brought us and thankful for all of you.  – Mary Wolf

Photos: Duo Transcend, CELESTIA, Sam Novak, America’s Got Talent screencaps via YouTube

EVERYTHING YOU NEED TO KNOW ABOUT THE NEW ‘CELESTIA’ STAR VIP EXPERIENCE


Cosmic circus production invites guests to be a part of the show…

CLICK HERE TO READ THIS ARTICLE VIA THE AWESOME BESTOFVEGAS.COM WEBSITE…

BestOfVegasIn today’s era of heightened reality, the world of entertainment continues to become more immersive. From 3-D movies to interactive video games, audiences yearn to be a part of the action. Now The STRAT Hotel Casino invites you to ascend to the cosmos of CELESTIA with ‘VIP Star Experience’.

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CELESTIA fondly harkens back to the days of pure circus artistry that many of us grew up with. Live music, death-defying acts, dazzling lighting and a large cast of international talent come together under a glorious Big Top that is unlike anything Las Vegas has ever seen. The interior of the tent is awash in astral projections that transport the audience beyond the planets and to the furthest reaches of the galaxy.

                                         CELESTIA is appropriate for all ages…

Star VIP Experience allows up to eight guests at a time to witness the magic of CELESTIA right on stage with the performers. You will feel the heat as flaming batons fill the starry sky and gasp in awe as acrobats sail through the air, mere inches from your seat. Surrounded by musicians, dancers, aerialists, and contortionists, you’ll be drawn into the show in a way never before possible.

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The journey of CELESTIA‘s characters culminates in the Wheel of Death, a massive spinning structure on which two daredevils run, jump, skip rope and flip. As a VIP Star, you’ll feel the rush of air as the Wheel of Death spins faster and faster. Your seats will rumble from the shockwave created by the giant device, and your heart will skip a few beats as you witness this amazing climax closer than ever before.

CELESTIA‘s new VIP Star Experience is more than an artist’s-eye view of the performance. As a participant, you’ll be welcomed into the Big Top through a dedicated entrance, where you’ll receive a commemorative laminate, hot fresh popcorn, and a cocktail or beverage. Members of the cast will greet you before the show begins and personally escort you to your onstage vantage point for 70 minutes of award-winning excitement.

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Individual photo opportunities wrap up the Experience, including onstage pics with artists in front of the famed Wheel of Death. Then you’ll receive a tote bag filled with CELESTIA merchandise before returning to the Earth-bound confines of your everyday world.

Since opening, CELESTIA has set itself apart from its Vegas counterparts in numerous ways. The Big Top’s north-Strip location makes CELESTIA a unique gateway to the city’s Arts District. Late last year, the show’s outdoor courtyard began hosting Artists’ Square, a weekend showcase provided free-of-charge to local artists. Performance pieces and stationary exhibits will greet visitors each Friday, Saturday and Sunday evening.

Every Friday and Sunday at 4pm, CELESTIA hosts an Open House inside their 30,000 square foot tent. Also complimentary, these 30-minute forums give new visitors and returning fans alike the rare opportunity to meet performers and learn what it takes to be a part of the circus. You can witness their challenging training techniques and enjoy awe-inspiring demonstrations of their amazing skills.

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                 CELESTIA is perfect for groups of friends. Tickets start at only $29…

CELESTIA performs Wednesday through Sunday at 7pm with an additional 9pm performance on select weekend nights. The show is appropriate for all ages. Click HERE to order tickets through BestOfVegas.com. 

Photos: Sam Novak, Bobby Watson, CELESTIA via Facebook