BEHIND THE CURTAIN: KIM SCOTT OF CIRQUE DU SOLEIL

 


Excerpts from my article for Best Of Vegas…

There’s a memorable scene in 1977’s Annie Hall in which Woody Allen says “Those who can’t do…teach. And those who can’t teach…teach gym.” In the acrobatic world of Cirque du Soleil, that statement couldn’t be further from the truth.

Behind the curtain of every Cirque show is an army of skilled technicians and a highly trained supporting cast. Step further back to discover a collection of individuals who work as a team to make the magic possible.

One such person is Kim Scott, Senior Manager of Sourcing and Partnerships for Cirque du Soleil Resident Division. Working from an impressive headquarters in western Las Vegas, Kim serves many key roles.

“I am responsible for ensuring the continued sourcing of qualified technicians to support our upcoming creations and current productions. I am also responsible for maintaining our position in the industry as a leader in live entertainment safety standards, and position(ing) Cirque du Soleil as an employer of choice.”

Read the rest by clicking here

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Wynn’s LE REVE Makes New Waves With Major Revision


Detailing major updates to Wynn’s long-running signature production…

NOTE: This article previously appeared on another site in February 2017. There have been additional revisions to the show since then. I will be revisiting Le Reve very soon and will share those updates with you at a later time.

The aquatic show Le Reve – A Small Collection of Imperfect Dreams opened at Wynn Resort in May of 2005. It was an eerie tale told through acrobatics and a blend of water and aerial ballet. Sets were adorned with skulls and skeletons, while the ceiling was layered with actual casts of human bodies. The dream of an “everyman” protagonist caught both audiences and critics off-guard. It was surprisingly dark for a night out in Vegas and became a bit of a PR nightmare for the newly-opened resort.

Le Reve

Despite the fact that this writer was blown away (I saw it on my first Vegas trip), the production was quickly retooled. A lengthy process of reinvention took place over the next several years, much in keeping with the “fluid” nature of its setting. Le Reve was lightened and brightened, transformed from a sinister nightmare into a sweeping adventure filled with romance, dance….and lots of flowers.

The reinvention worked. Le Reve – The Dream (its second official name) became a must-see…and winner of Best Production Show for six consecutive years (Southern Nevada Hotel Concierge Association). Throughout its run, additional artistic and technological elements have been added to keep audiences returning. My personal tally is twenty-seven as of this writing (you can read all about my previous experiences by visiting an archived VegasChatter article here).

Le Reve

Perhaps it was a reflection of the times that a happy version of Le Reve soared while the economy was tanking. Failed projects continue to surround the Wynn/Encore property, reminders of a time when the future of Las Vegas growth suddenly seemed bleak. But for fans of Le Reve, all was sunny and bright.

Now that tourists are pouring back into Vegas in record numbers and money is flowing once more, the folks at Wynn Entertainment have once again retooled their namesake show (Wynn resort was originally to be called “Le Reve”). And surprise…the production has gone back to the beginning and restored a bit of the darkness.

Le ReveLe Reve

Why would an established show embrace an approach that didn’t work so well the first time around? Perhaps we can credit this to the current crop of Vegas enthusiasts. Younger crowds that make Sin City their go-to destination these days don’t generally attend this type of production. But they do indulge in imagination-based entertainment like gaming, martial artistry, sci-fi, and superheroes.

Le ReveLe Reve

Le Reve version 2017 has tapped into the burgeoning fantasy culture and brought heroes and villains to the center of Le Reve’s aqua-stage. A romantic triangle that forms the core of its storyline has been amped up, with characters and costumes having a new sense of familiarity to genre fans. Elements of AVATAR and Ridley Scott’s LEGEND, sword/sorcery visuals and graphic novel sensibilities have been woven into the plotline, along with a dashing prince-like hero (in a billowy romance-cover shirt) and a bald, muscular challenger in black leather pants.

Le ReveLe Reve

As you might expect, Le Reve is much less of a musical now. The live singing doesn’t kick in until the second third of the show. Most of the ballroom dancing has been jettisoned, along with three angels who served as comic relief. In their place are two impish sidekicks who serve a staff-wielding Dream Master. That ominous character sends the dreamer into her adventure and leads her from one experience to the next before returning her to our world.

Le ReveLe Reve

Certain acts remain relatively unchanged, like a wild sequence with giant fishing nets and another with three female acrobats inside of a sphere. Natural elements like rain, snow, and fire have been amped up. A new effect features globes made entirely of water that descend from an enormous domed ceiling….while flames swirl around inside of them. It’s hard to describe, but absolutely breathtaking.

Le ReveLe Reve

As you might expect, not all is perfect in the new Le Reve. The happy-ending finale is set to a horribly cheesy song that would be more at home in Disney’s Parade of Lights. The Piece Montee set, a multi-tiered fountain from which high-divers leap and spin, is now adorned with Day-Glo accents that resemble a child’s aquarium. In fact, the entire sequence feels like a deleted scene from The Little Mermaid or Finding Nemo.

Le ReveLe Reve

A source connected with the show told me (on condition of anonymity) that the current finale is a remnant from a different failed revision that Steve Wynn halted (Wynn has had a hands-on role since purchasing the rights from creator Franco Dragone in 2006 and provides a voice-over in the latest rollout).

Apparently, this jettisoned re-imagining was only performed twice for audiences before being packed up and tossed into the dead pool. For whatever reason, the “get-happy” conclusion from the discarded reworking remains. It could easily be excised until another one is created and the show would still feel complete.

The source went on to say that original composer Benoit Jutras has been working on a new score to balance the overall tone and that a lyricist will be adding songs back into the production soon. So Le Reve will continue to be fluid, at least in the weeks and months ahead.

Le Reve

As I stated in my review of the Beatles LOVE update, retooling a successful show can be a risky proposition. But like the artists of Cirque du Soleil, Wynn’s entertainment group has stayed true to the source material while making it feel brand new.

Le ReveLe Reve

Comparisons to Cirque du Soleil will most likely follow The Dream throughout its run, which in unfortunate. Le Reve – The Dream sets itself apart in ways too numerous to mention. Unlike Bellagio’s O, the show at Wynn manages to be both intimate and epic. It’s my personal favorite in the city.

Le Reve – The Dream is a spectacle on a massive scale. It’s incredible entertainment…and one hundred percent pure “Las Vegas.”

Le Reve – The Dream performs Friday through Tuesday at 7 pm and 9:30 pm. Tickets start at $115.00 plus taxes/fees and are available by clicking here. Our friend at VegasFool.com is running a special with Grandview seating for $99 plus taxes/fees (regular $145) by following this link.

Photos: Sam Novak

 

 

LOVE 2.0 Merges Tech, Heart…and Lots More Beatles


“The Beatles: LOVE” remains one of the most spectacular and satisfying shows in town…

When Cirque du Soleil unveiled “The Beatles: LOVE” twelve years ago at Mirage, it was a first in many ways. The custom-designed 360-degree theater had an immersive sound system with speakers built into the seats. Intricate stage platforms quickly transformed the set from one sequence into another. Hi-tech projections created the illusion of a unique concert experience that couldn’t be seen anywhere else.

And the biggie of them all…the Montreal-based acrobatic company had built their first-ever show around an existing musical property – the Fab Four. Dozens of works by the Beatles were intricately woven into a musical tapestry that defies explanation. It was lovingly created for LOVE by Sir George Martin (aka “the fifth Beatle”) and his son Giles with the blessings of Ringo StarrPaul McCartneyJohn Lennon‘s wife Yoko Ono and Olivia Harrison, widow of George.

A lot has changed in the ensuing years, especially in the relationship between Cirque and Las Vegas. Further collaborations resulted in productions featuring Michael Jackson (hit), Elvis Presley (fail) and Criss Angel (where do we start?). With the closure of Zarkana two years ago (the second of their shows to fail in the Aria theater), it’s fair to question whether CDS has over-extended their brand on the Strip. Still… LOVE started out…and remains…a critically-acclaimed crowd-pleasing hit.

The Beatles: LOVE

        May 5th, 2016 – Massive crowds lined up to see “Beatles: LOVE” at Mirage

For the tenth anniversary of LOVE, Cirque took on the challenge of revising, updating and fine-tuning what many already consider to be the best show in the city. A risky proposition, but with Giles and original artistic director Dominic Champagne at the helm, the updating was nearly flawless…and quite beautiful.

Those unfamiliar with the show…or who haven’t seen it multiple times (this writer clocks in at 14 and counting) will be oblivious to the more subtle tweaks. But the new sound system, updated video elements, and three-dimensional projections stand out as clearly state-of-the-art.

LOVE’s pacing is also much tighter in this new incarnation. What once began from an incredibly slow build to explosive action, then back to a more solemn World War II sequence now drives continuously forward, thanks to the addition of Twist and Shout.

There’s less focus on the Beatles as children (in fact, during the media event that I attended for the tenth anniversary, only three child actors were present, but their downplayed roles hardly made it noticeable). Another absence, seemingly permanent, was the “Eleanor Rigby” character (portrayed by beloved Brazilian actress Silvia Aderne since the beginning).

The Beatles: LOVE

It seems as though the re-sequenced songs and staging are now meant to represent an emotional interpretation of the Beatles’ cultural impact, more so than just a chronological depiction of their rise. LOVE has always been quite a bit on the dreamy side, with surreal visuals and characters.

Now the show is even more trippy, with wildly colorful costumes and props that are vivid and vibrant. Whimsical touches, like characters and sea creatures from Yellow Submarine and Octopus’s Garden, permeate every corner of the massive arena.

Two significant numbers have been re-imagined by replacing marionettes with projections. Lady Madonna has jettisoned the dancing yellow galoshes. The once-black floor now comes alive with moving multi-colored spots that turn the surface into a living Twister game board.

While My Guitar Gently Weeps has done away with the giant marionettes made of letters. In their place, a sole female character now dances with an animated sketch of a man that moves, morphs, and flies from one screen to another throughout the auditorium. The scene and staging are hard to describe, but their beauty brought tears to my eyes.

The Beatles: LOVE

The biggest sequence – and a fan favorite – is the enormous mushroom-cloud bedsheet that spreads over the audience during Within You Without You/Tomorrow Never Knows. That set piece remains, but it was unclear from my seating position whether anything going on above the canvas had been updated (that statement might only make sense if you’ve seen LOVE in the past).

Check out the YouTube video below for a brief look at this mind-blowing segment.

Speaking of the previous version, it’s worth noting that the four band members were once only shown in silhouette until the final moments. Now their faces are front and center, sometimes using archival footage that syncs with the soundtrack. That effect and a few others might need a little tweaking (the show was briefly interrupted on the night I attended, due to a glitch) in the weeks leading up to the official tenth-anniversary celebration.

The Beatles: LOVE

That gala on July 14th 2016, presented the return of Ringo, McCartney, and the widows of John and George for a formal event. It was truly an epic night and one for my personal Hall of Memories.

It’s terrific to know that one of my favorite Vegas shows is just as wonderful as ever. Whether you’re a fan of the Liverpool quartet, Cirque du Soleil or just great productions, The Beatles: LOVE remains one of the most spectacular and satisfying shows in town. Don’t miss it.

The Beatles LOVE performs Tuesday through Saturday at 7 pm and 9:30 pm. Tickets and information on behind-the-scenes tours and VIP  experiences are available through this link. Our friend at VegasFool.com has tickets starting at $75 (plus taxes/fees) by clicking here.

Editor’s Note: This article previously appeared on another site. It has since been updated.

Photos: Sam Novak

NEON DREAMS – RENO: Where “Old Vegas” Went To Thrive


Yours truly visits Sin City’s sister and re-discovers treasures you thought had long disappeared….

Reno Old Vegas

Last week, three downtown Boyd properties quietly began charging resort fees. Popular Main Street Station, California and Fremont hotels were three of the last four to avoid the reviled mandatory daily charges. Now only Four Queens remains as the sole truly value-laden destination in what was once considered a refuge for those avoiding Strip-style gouging.

To make today’s Vegas seem even more frustrating, our friend Scott Roeben of VitalVegas.com recently exposed a sneaky, expensive trick being played on patrons at nightclubs like Tao, Omnia, Hakkasan and Wynn’s XS. It’s not unlike the bogus CNF charge he warned us about two years ago. And yet, Sin City continues to find new ways to rip you off.

You’d think that all this bull-shittery would have pushed Vegas fans passed the tipping point long ago…yet they continue to flock in. Those of us who are savvy and sick of being gouged may be seeking out more value-laden destinations for our Vegas fix, and rightly so. It never hurts to discover new places…or in my case, to rediscover an old one.

Nearby Laughlin, an easy two-hour drive from the Strip, boasts an old-time atmosphere you may be craving. Smokey casinos, cornball shows, sticky slot machines, cheap buffets and oceans of blue hair vie for your attention.

Reno Old Vegas

Hotels with familiar names like Golden Nugget, Tropicana and Harrah’s still have that out-of-the-seventies feel (brass, glass and tacky carpeting). Alas, Laughlin’s version of the Strip is quite small, with only nine hotels to choose from. In its favor, they all line up along a scenic riverside location.

Reno Old Vegas

Reno, on the other hand, is a full city of adventure. Nicknamed “The Biggest Little City In The World”, it’s very much like the Las Vegas I discovered over a decade ago….right before everything started to go to shit for the sake of “upscale” improvements.

Once downtrodden and decaying, Reno still carries a sad reputation. Some of it is deserved, as certain sections of the city remain sketchy and unattractive. Yet at its heart, “Little Vegas” is alive and thriving. And lots more fun these days than you’d expect.

My most recent visit to Reno was last weekend after a three year hiatus. The experience was positive from arrival to check-out time. There was an intense feeling of deja-vu during the entire stay. It felt as though I’d been transported to my first Vegas visit…and all of that excitement of discovering Sin City came flooding back.

Reno Old Vegas

Even if you’ve never been to Reno, you’re likely to feel right at home immediately. The local airport is small but efficient and well-equipped and it’s an easy drive to the heart of the city. You’ll recognize familiar names like El CortezCircus Circus and Harrah’s. In fact, the current Caesars Entertainment Corporation began life right here in Reno.

Reno Old Vegas

        Cool, overcast days are part of the seasonal weather variety in Reno…

For this stay, my hubby and I decided to try Whitney Peak Hotel, a newly-renovated building that was once known as Fitzgerald’s Casino Hotel. Yes, the same as THAT Fitzgerald’s on Fremont Street (now known as The D – a stupid rebranding that I still can’t make myself say out loud). Despite being less-than-impressed with the Whitney Peak website, we were curious to finally see the inside of this long-shuttered tower, so we took a chance. And what a breath of fresh air it was.

Reno Old Vegas

Reno Old Vegas

Reno Old Vegas

Before getting into details of Whitney Peak, I want to focus on what made Reno such a great alternative. First off, the ambiance was fantastic…very much like “lost Vegas”. The neon is bright and blinding, the tackiness is more atmospheric than literal (things in every major casino appeared to be polished and well-maintained) and employees were uniformly pleasant if not outright endearing.

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Reno10

Reno Old Vegas

Reno Old Vegas

When I first started visiting in 2011, Reno was in a really sad state. Casinos were shuttered, businesses were boarded up and vagrants lined the sidewalks. These days, those elements are disappearing at a rapid pace…and in their place are fun new restaurants, shops and hotels. Street fairs and events are commonplace and an eclectic vibe has moved into the area.

Reno Old Vegas

After storing our luggage at the Whitney Peak reservation desk (we had driven overnight from northern Oregon and arrived around breakfast time), it was off to the casinos to play while waiting to be notified of early check-in availability.

Reno Old Vegas

Hubby quickly ate through a few twenties at the slots (as is his norm), but I quadrupled my cash while enjoying some very tasty Bloody Marys at Eldorado Casino. And yes, just like in Vegas, your cocktails are free as you play.

Reno Old Vegas

Reno Old Vegas

Reno Old Vegas

Reno Old Vegas

Silver Legacy is Downtown Reno’s most popular hotel. Blame the Bloody Marys…

Next we strolled through adjacent Silver Legacy, a spacious and slightly more luxurious offering than its neighbor. Cocktail service was speedy here as well and the Bloody Marys were abundant with celery stalks, green beans, olives and lime. While scoping out dining and entertainment options for the weekend, we realized we were quite hungry. So, it was back the way we came for lunch at the Club Cal-Neva.

Reno Old Vegas

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Reno Old Vegas

The Cal-Neva originally opened in 1962 and is one of the longest-running and most historic casinos in the downtown area. For a while it also operated the adjacent Virginian Hotel. The sixteen-story Virginian had 125 rooms that were shuttered in 2004. In that way and many others, the casino’s history and resemblance to Binion’s Gambling Hall on Fremont Street are remarkable.

Reno Old VegasReno Old Vegas

Along with a large and popular William Hill Sportsbook, the biggest draw at Cal-Neva appears to be the Top Deck diner. If you’re a fan of the former Binion’s Original Coffee Shop in Vegas, (the basement location, not the current casino cafe) you’ll love Top Deck.

Reno Old Vegas

Reno Old Vegas

The interior design is all hunter green and brass…very reminiscent of the Paradise Buffet at Fremont Hotel in Vegas. Open 24 hours on Fridays and Saturdays and from 6am to whenever the rest of the week, Top Deck has portions and prices that are insane.

If you’re a fan of Hash House a Go Go, you can get your Sage Fried Chicken Benedict fix at Harrah’s Reno. That hotel casino also has their own buffet named Carvings. While similar in size and quality to Flavors of Harrah’s Vegas, the prices are way lower (dinner is $20 vs. up to $33.99). There’s also Bavarian World for you Hofbrauhaus aficianados.

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Reno Old Vegas

Reno Old Vegas

                    La Strada Italian Restaurant is an outstanding choice…

If fine dining is your thing, there are plenty of steakhouses and higher-end international options. We chose La Strada inside Eldorado Casino for our anniversary/Saturday-night pre-show meal. Ranked as one of the top ten Italian restaurants in the country with an award-winning wine list, La Strada was definitely a top-notch experience. And our tickets to Cirque Paris in the main showroom entitled us to 50% off our entrees.

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Speaking of the show, Cirque Paris is a new variety production at Eldorado that can give nearly any similar Vegas show a run for its money. A brilliant cast, excellent acts and clever production design was a little Zumanity, a slice of BAZ and a whole lot of Absinthe.

Reno Old Vegas

Reno Old Vegas

Cirque Paris evokes a turn-of-the-century Parisian cabaret. Sexy courtesans and muscular ushers help guests to their seats and mingle with patrons at a full-service circular bar in front of the main stage. If you’re lucky, one of them might slap a gold seal on your shoulder, which upgrades you to front-row seating that magically appears when the bar transforms into part of the stage.

Reno Old Vegas

Reno Old Vegas

It turns out that the ushers and bar staff are actually performers. They bring in a row of lounge chairs to surround the stage before taking their places on the set. The effect is dazzling, as is the show itself.

Reno Old Vegas

Reno Old Vegas

Former members of Cirque du Soleil, along with other world-class acrobats and comedy acts, mix sexy flirtation with astounding athleticism. And at $59.99 for top-tier seats (which include champagne), Cirque Paris is one of the most outstanding entertainment deals you can find.

Reno Old Vegas

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Reno Old Vegas

Today’s Las Vegas seems intent to scrub away or tear down its own history, but Reno casinos embrace it. Walls are festooned with plaques commemorating legendary performances. The Cal-Neva is celebrating 56 years of operation by charging its customers even LESS than normal. And hotels don’t strip away their themes but boast about them.

Reno Old Vegas

Whitney Peak may be a newly-opened hotel but it dares to have a theme of its own. Unlike the office-building blandness of Aria, Whitney Peak offers a unique theme that appeals to sports enthusiasts of the literal kind. Armchair quarterbacks might feel at home in the city’s sportsbooks, but adventurous Spiderman wannabees are encouraged to climb right up the side of Whitney Peak’s exterior wall.

Reno Old Vegas

Reno Old Vegas

The second floor of the new hotel is home to Base Camp Climbing Gym, an indoor rock-climbing facility and workout center. Guests of all ages can challenge their abilities with boulders in varying degrees of difficulty, all in a safe and monitored environment. Group workout classes, climbing instruction, fitness center and steam room/sauna combine into one unique experience.

Reno Old Vegas

Reno Old Vegas

Reno Old Vegas

The rooms at Whitney Peak have been gloriously refitted and decorated with modern yet rugged appeal. We were kindly upgraded to a top-floor suite that included a top-of-the-line Keurig coffee maker, kitchen with microwave oven and fridge, dining counter and expansive seating area. Wi-fi is included in all rooms, it’s pet-friendly, purified water dispensers are located on each floor and the entire resort is smoke-free. And the most innovative thing of all? NO RESORT FEES!

Reno Old Vegas

Whitney Peak doesn’t have a casino…but it does have its own excellent restaurant called Roundabout Grill. Despite the top-notch service, excellent ambiance, live music and delicious cuisine, the prices aren’t a dollar more than you’d expect to pay in your own home town. And I dare say that Whitney Peak is LGBTQ-friendly, as we were treated with the utmost respect.

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Reno Old Vegas

The hotel offers a selection of Club Level rooms on the fifteenth floor. An accompanying lounge provides a small breakfast buffet, private sitting areas, computer access, board games and a happy hour every evening.

Reno Old Vegas

Reno Old Vegas

   Atlantis Casino (above) evokes an underwater city theme with large domes…

Reno Old Vegas

Reno Old Vegas

Reno Old Vegas

   Peppermill is Reno’s most luxurious resort and features a rich Tuscany flavor…

If bigger resorts are your thing, the town is surrounded by modern, larger casino hotels. The Atlantis rivals most anything you can find on the Vegas Strip. Reno does Sin City one better by turning Peppermill Restaurant into an epic casino resort. The signature bright pinks, purples and ultra-high-def visuals of the popular north-Strip diner are amplified to the Nth degree at Peppermill Reno. It’s blinding, dazzling…and delicious.

Reno Old Vegas

For nostalgic moviegoers, the beloved West Wind 6 Drive-in Theater of Las Vegas has its own twin in Reno. Operated by the same company, West Wind El Rancho 4 offers four screens of first-run double-features (yes, two new films back-to-back) for only $7.50 per person ($5.50 on Tuesdays). Compare that to the typical price of a film at Century Theaters Orleans Casino, where a single evening movie costs $11.00 or higher.

Reno Old Vegas

Reno Old Vegas

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If watching films, enjoying great shows or gambling aren’t your thing, Reno has plenty of outdoor activities to relish like skiing, boating, hiking, camping, golfing, mountain biking and more. Gorgeous and glorious Lake Tahoe is a short day trip away and Tahoe has its own collection of hotel casinos like Harvey’s, Hard Rock, Biltmore and of course, another Harrah’s.

With all these positives, it’s no surprise that Reno is starting to get renewed media attention…and population growth. Vegas ABC affiliate KTNV-TV recently reported that the city outranks Las Vegas as a great place to live, citing cultural events, outdoor activities and job opportunities.

As you can see, there’s a whole lot to enjoy in Reno. A vacation there won’t drag your wallet through the mud and you’re sure to have a blast. There’s still nothing to replace the actual Las Vegas. But as the city you love continues to re-invent itself ad nauseam, you can still get your nostalgic “old Vegas” fix in Nevada’s other Sin City.

Reno Old Vegas

You may find yourself returning to Reno again and again.

Photos: Sammasseur, LaughlinNevada.net, WhitneyPeaks.com

 

 

 

 

 

 

 

 

 

 

 

The Many Sides of Savannah Cross


Palazzo’s infectious dancer brings razzle-dazzle to BAZ: A Musical Mash-up

Ever since its humble beginnings inside a small Los Angeles nightspot, BAZ: A Musical Mash-up has boasted a fluid cast. Performers and celebrity guests regularly step into and out of six iconic and several supporting roles. They often swap characters and lines…sometimes within the same performance, making each night a unique experience.

The genre-bending BAZ musical, a creation by LA-based For The Record, recently celebrated its 500th performance inside a custom-designed venue at Palazzo Resort. Although its tradition of rotating casts continues, one performer has been there through four different dance partners. Her name is Savannah Cross…and she’s someone you’ll want to experience on your next trip to the Strip.

Savannah Cross BAZ Dancer Palazzo

Savannah grew up in Sandy, Utah, just south of Great Salt Lake. She spent her earliest years learning to dance at several studios around her home state.

I started dancing at the age of 6.  Watching my older cousin compete is really what drew me into dance.  I remember thinking to myself, this is it, this is what I want to do.  From the time I started training at 6, I just never stopped and got even more immersed into dance.

During my first couple years of dancing, I saw the movie Center Stage and fell in love.  I loved the idea that dance was something I could make a career out of and watching this movie made it all even more real.  I also loved the work, energy and sacrifice that the dancers in the movie put into this crazy art form.

During high school, the ambitious teen traveled around the country with Hollywood Connection, a company dedicated to preparing dancers for their commercial careers. Despite her young age, Savannah performed in a variety of productions that displayed skills in hip-hop, contemporary and ballroom styles.

Savannah Cross BAZ Dancer Palazzo

Savannah Cross BAZ Dancer Palazzo

After graduating from high school, the dynamic young lady enrolled at the University of Utah‘s College of Fine Arts. While there, Savannah was member of their Performing Dance Company, which gave her the opportunity to work with several famed choreographers. As a result of her hard work and the enormous potential she displayed, Savannah received the prestigious Dizzy Feet Foundation Scholarship for her 2014-2015 year.

Savannah Cross BAZ Dancer Palazzo

While less ambitious college students were spending their summers sipping margaritas on Mexican beaches, Ms. Cross was in Leeds, England, receiving intensive training at the Northern School of Contemporary Dance. And somewhere in those college years she managed to become a finalist on Paula Abdul‘s Live To Dance and appeared in a music video for singer Shaun Barrowes.

Savannah Cross BAZ Dancer Palazzo

After earning a Bachelor of Fine Arts degree in Modern Dance, Savannah became an instructor at Utah’s Elite Academy, a unique dance studio that teaches children as young as preschool age.  There she inspired other up-and-coming dancers and shared the knowledge she’d gained from an already extensive background.

Aside from dancing, I have really found a passion in teaching.  I started teaching dance when I was 18 and instantly fell in love. I was so lucky to have such incredible and diverse teachers growing up and because of this I felt very informed when I first started teaching.

Savannah Cross BAZ Dancer Palazzo

It was obvious that the girl from a small town in Utah was destined to accomplish great things. With the unending support of her loving mom…and her father as a faithful companion/escort to countless auditions, Savannah’s determination would soon pay off.

Savannah Cross BAZ Dancer Palazzo

I have the most amazing support system and especially wouldn’t be where I am today without my mom and dad. They sacrificed so much to let me follow my dreams.  Every vacation we ever took as a family was always for dance.  A large part of me sticking with this art that can be so hard and grueling is because of those two.  They never gave up on me and every second of everyday, they believed in me.

I have one sibling, a 12 year old sister named Dylann.  She is now starting to dance and train heavily and it makes my heart so happy.  Watching her flourish makes me want to be the absolute best version of myself each day.

As with so many other promising artists, Savannah Cross decided to try her luck in New York City. Although she had success there, a turn of luck would lead her to the bright lights and neon of the Las Vegas Strip.

Savannah Cross BAZ Dancer Palazzo

The innovative Los Angeles-based cabaret troupe For The Record Live was catching on like wildfire. Their musical interpretations of the film works from directors  Quentin Tarantino and John Hughes were drawing raves…and crowds. Their biggest hit so far was For the Record: BAZ, built around the scenes and music of avante-garde Aussie filmmaker Baz Luhrmann.

The production, interweaving love stories from Luhrmann’s contemporary re-imaginings of The Great Gatsby, Moulin Rouge and Romeo & Juliet was given a short stint at Mandalay Bay’s LIGHT Nightclub. Plagued by problems with the venue and its relationship with Cirque du Soleil, BAZ closed prematurely…but refused to die.

In 2016, Palazzo Resort announced a relaunch of the newly-named BAZ: Star Crossed Love. Cirque was now out of the picture and Venetian/Palazzo pledged full support of the acclaimed musical. This latest version of the long-evolving production would open with a mostly-new cast, a reworking of songs and scenes and a custom theater designed to showcase its cabaret-style roots.

What would eventually become my 2017 Best Production Show in Las Vegas was about to gain a brand-new ballroom star. This time, Savannah would be required to sing, act and play characters in addition to swirling around the stage. Here’s how she became a part of BAZ…in her own words:

I really never imagined I would be a part of a show like BAZ. Before I joined the cast, I was dancing for two contemporary companies in New York and I really thought that was my path. When I initially joined the show, I was somewhat hesitant having to sing and act, but now have come to realize that I have such a passion for the two. I do strongly believe that my background in dance and immense training that I did all over the world and in different styles, informed and directed me as a strong actor.  

Savannah Cross BAZ Dancer Palazzo

My initial start into the show was such a whirlwind! I received a phone call from a fellow dancer/friend who I hadn’t heard from in years. She started the conversation totally casual, and a few minutes into the conversation asked me if I would be interested in BAZ. I fell in love with the structure of the show and the incredible talent she described to me. Within days, I got a phone call that I was chosen for the role of Fran! I felt so incredibility lucky to be cast in the show without For the Record and the management team ever seeing me in person.

Savannah Cross BAZ Dancer Palazzo

Everything happened so quickly, with only 3 days to learn the entire show, I became the first new cast member to come into BAZ. I instantly knew that I was meant to be here doing this amazing show. As of now, Scorsese: American Crime Requiem (based on the mafia films of Martin Scorcese) is the only other For the Record show I have seen, but it absolutely blew me away!!! I saw the show in Los Angeles with some others members of BAZ and I sat there thinking to myself, how lucky am I to be part of such an insanely talented family.

Savannah Cross BAZ Dancer Palazzo

I have now had four different partners in the show and I will say that I have really been lucky with each boy. Two of the four partners are also from Utah and we actually grew up dancing together, which made the transition pretty simple. But I will say that there is an emotional toll when a partner leaves.

You end up building such a connection and relationship with each other in which you fully trust each other. I do think that it often feels like a “break up” to some extent and can take a minute to rebuild an entirely new connection with someone else.

Being able to build a connection between herself and others is definitely one of Savannah’s gifts. Whether it’s with her fellow performers, the people in the audience or her own students, Miss Cross is magnetic, energetic and completely mesmerizing.

Savannah Cross BAZ Dancer Palazzo

This writer was fortunate enough to have once been Savannah’s student…for a day. As a member of the media, I was invited to participate in BAZ Boot Camp last summer, an event that allowed members of the press to live a day as a performer at the Palazzo Theater.

Savannah Cross BAZ Dancer Palazzo

Savannah Cross BAZ Dancer Palazzo

  Savannah (center, rear) keeps a watchful eye on yours truly during rehearsal…

Despite my having two left feet and a pair of wobbly legs, Savannah and her dance partner Marcquet Hill rallied and turned us into dancers in a few short hours. Savannah’s positive reinforcement and patience were especially memorable.

Savannah Cross BAZ Dancer Palazzo

Savannah Cross BAZ Dancer Palazzo

Fortunately, the next round of students Savannah and cast mate Patrick Ortiz shared the BAZ experience with were fledgling local youth performers. During the past two years, the show’s team has partnered with Positively Arts Foundation to provide mentorship, collaboration and inspiration for students intent on pursuing a career in performance.

Savannah Cross BAZ Dancer Palazzo

The cast of BAZ also put on the Positively Arts Holiday Spectacular at the Palazzo Theater last December. Featuring more than sixty Positively Arts students, the show brought performances of seasonal songs like “Silent Night,” “All I Want for Christmas Is You,” “This Christmas,” “Carol of the Bells” and “Let There Be Peace on Earth” to the stage with all proceeds benefiting the Foundation. For Savannah, teaching and performing on the same stage is something she will no doubt always relish:

I think its beyond amazing that I get to share something I love so dearly with others and help them find their own passion within the art.  Watching my students grow is the most inspiring and informative lesson for myself.

Now that BAZ: A Musical Mash-up has surpasseded the 500th-performance mark and is about to celebrate its two-year anniversary on the Strip, it’s clear that something special is going on inside the Palazzo Theater. With people like Savannah Cross to teach, inspire and entertain, here’s hoping that she and the cast of BAZ reach for the stars with five hundred more…and beyond.

Savannah Cross BAZ Dancer Palazzo

BAZ: A Musical Mash-up performs Tuesdays through Sundays at 8 pm. Tickets start at $64 (plus taxes/fees) and can be ordered here. VegasFool is currently offering discounted seats starting at $39(plus taxes/fees). Access that offer by clicking here.

Photos: Whitney Lauren Photography, Richard Brusky, Post Productions Photography, Marc Reynolds, Abe Larmas Photography, Erik Kabik, KTNV Morning Blend, Sands Corp.

After The Fall – “Le Reve” Acrobat Ryan Lyons

Chronicling the pain, suffering and risks that Vegas acrobats endure to entertain you.


Last weekend, former Le Reve performer Yann Arnaud suffered a fatal fall while performing in Cirque du Soleil’s VOLTA in Tampa. Fellow Le Reve acrobat Ryan Lyons suffered a shockingly similar accident during a live performance at Wynn Las Vegas several years ago.

Since this article was published on another site in August of 2015, Lyons has gotten married and relocated to Australia. He now works, among other things, as an aerial choreographer for singer Pink. What follows is a reprint of how the article originally appeared.

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Ryan Lyons is a “generalist” in Le Reve – The Dream.  Five nights a week he flips, flies, dances and dives for thousands of people. He has done so ever since the show opened more than ten years ago. While he considers his experience at Wynn Las Vegas to be a dream come true, for a short while it became something much darker.

Le Reve

One evening during the finale, Lyons suffered a traumatic injury that echoes the one that occurred at MGM Grand/Cirque du Soleil’s KA. Performer Sarah Guyard-Guillot, who also fell during the final sequence, died as a result of her injuries.  That production was shut down for nearly weeks as safety protocols were re-examined. It reopened with a greatly altered finale (which has since been restored).

Ryan Lyons was much luckier than Guyard-Guillot.  After a hospital stay and physical rehabilitation, he returned to Le Reve for another five years.  Complications, pain, and the occasional surgery became a way of life, and he still deals with the physical and psychological aftermath of that accident.

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Now in his eleventh year with Le Reve, Lyons has reached the “What next?” phase of his career.  It’s a question that all performers must face when their bodies are maxed out but the soul still yearns to perform. As he ponders his options, Lyons has begun sharing his journey in a personal blog, which he calls “The Anchors Project”.  In it, he hopes to motivate, inspire creativity and ultimately help others to find what their personal anchors are.

Here are a few excerpts from “The Anchors Project”:

“The finale act comes around, and I jump onto my porters to set up my second trick of (the) act.  As they are launching me into the air, my left foot slips and everything just crumbles from there.  In mid-air, I only hope to have enough rotation that I don’t land head first upside down.  I end up landing back on the dry stage, taking all the force to my face and chest…and slide unconscious into the water.   

I wake up on a spinal board with several athletic trainers and rescue personnel around me.  I learn that I have shattered my nose, fractured some ribs and have multiple contusions to my lungs.”

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You might think the life of a Vegas performer is all glitz and glam.  It’s not bad by any means. We get paid to do what we love, and it often doesn’t feel like a job.  What people don’t realize is how short-lived our career is (I certainly didn’t). They don’t see the ugly side of the job, fighting for contracts, pushing through each show with an ache here and an ache there.  

The “show must go on” mentality of the corporate setting, or the fear of losing your next contract.  We dance and flip around on stage, but we often struggle to “play the game” as we try to find a balance that will keep our passion alive. It is often truly the passion to perform that keeps us going.

Le Reve

Plagued by injuries, overuse of our bodies and sometimes not feeling valued for the risk we take with each performance, you are challenged to make decisions on what is important to you.

What is important to me now, as I reflect on this journey, is my health and well being. I often joke to my friends and say “I want to be able to walk when I’m 40!”. 

I’ve learned that even despite many setbacks, I was still able to live my dream.  That my strength and courage helped me move past my injuries and the obstacles that were placed in front of me.  That my tenacity to keep going, always gets me to where I want to go. I now find myself motivating others to share their passion and to reach beyond their wildest dreams.

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You can read more about Ryan Lyons by visiting his website The Anchors Project.

Photos: Ryan Lyons, Sammasseur

“WOW” is Wet Outlandish Whimsy on a Grand Scale


Rio’s water-themed production salutes the heyday of Vegas variety….

If you’ve read my show reviews and columns through the years, you’re probably aware that I’m not a fan of the direction the Vegas entertainment has headed. You know the kind I mean…manufactured talents clogging up enormous venues with their auto-tune warbling. Has-been “divas” sleep-walking and lip-syncing through high-ticket residencies for an enormous paycheck. So-called “celebrity DJs” with their creepy mugshot-style billboards peppering the main roads of the city. It’s all garbage!

Sorry, folks, but Vegas was built on the backs of real talent. If you don’t know or don’t remember what that is, you can check out the amazing musical BAZ at Palazzo, where singers can dance and dancers can sing. And they combine their complex roles with superb acting, offering wide-spectrum talent from every member of the cast.

In recent years, an assortment of variety shows have sprung up that remind us of the glorious era of Vegas. Dancers, singers, circus acts and comics zipping on and off the stage in a constant barrage of whimsy to thrill and dazzle. WOW – World of Wonder is the latest of these, and it’s definitely on my list of must-see-again thrills.

WOW World of Wonder Rio

WOW is a rare commodity on the Sin City entertainment scene. It dares to be simultaneously silly, chaotic, retro and modern while offering high-tech amazement. WOW wears its randomness on its sleeve, starting here and jumping over there. You never know who will be coming onto the stage, creeping up behind you, descending from the ceiling or rising from the depths.

If some of that sounds a bit like Le Reve, you’re right. There are plenty of moments in WOW that resemble Wynn’s signature production, along with Absinthe, Mystere, Vegas! The Show and the sadly-defunct Vegas Nocturne at Cosmopolitan’s Rose.Rabbit.Lie. I offer those comparisons as compliments, as all have been personal favorites.

What differs with WOW is in the presentation, starting with the venue. Rio‘s refurbished Crown Theater will definitely elicit a “wow” from your lips. Not necessarily from the seating arrangements (which are a bit dated and not-quite-lush) but from the main stage and panoramic video panels, which are absolutely gorgeous and impeccably utilized.

WOW World of Wonder Rio

Dazzling moving images of waterfalls and intensely-colored landscapes resemble Wonder Woman’s “Paradise Island” and Ariel’s undersea kingdom. Atmospheric sound design adds to the effect, creating significant anticipation for the show to begin.

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The thin plot line involves a nerdy fisherman, badgered by a harpy’s voice into catching something for dinner. Hunkering down in his yellow slicker, he casts his line into the water.  Of course, his baited hook is just there to grab the audience and take them on a journey to the fantastic.

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What follows is a hodgepodge of circus acts, peculiar talents, humorous bits and large-scale production numbers. Some are familiar, like the skating act from Absinthe and V – The Ultimate Variety Show. Others offer talents you’ve surely never seen before.

WOW World of Wonder Rio

That in itself would work just fine…if the individual acts didn’t play to drastically different age groups. For instance, a sexy sequence with three lovelies swimming inside a clear glass bowl (similar to Zumanity but without the toplessness) is geared toward adults. But it’s preceded by a lengthy Pirates of the Caribbean spoof that’s best appreciated by children.

WOW World of Wonder Rio

WOW World of Wonder Rio

WOW follows the classic set-up of having smaller acts draw your attention while the big set pieces are setting up behind a curtain on the main stage. One moment an Italian chef is spinning plates on the streets of old Venice.

WOW World of Wonder Rio

WOW World of Wonder Rio

The next, a hot-bodied group of dancers is strutting their sexy stuff to popular and classic music. Just wait until you see the salute to Singing In The Rain, wherein the raindrops actually form the shape of umbrellas. Clever!

WOW World of Wonder Rio

WOW World of Wonder Rio

All of it is superbly done and most is highly enjoyable…and really, really random. But that’s what’s great about variety shows, especially in our era of short attention spans. As they say about San Francisco weather, if you don’t like what’s happening, just wait a moment.

WOW World of Wonder Rio

Perhaps that’s why Riviera’s SPLASH and Bally’s JUBILEE!, a pair of Vegas classics, lasted for decades.  The format also allows for frequent refreshing, so each visit is sure to yield a unique experience.

WOW World of Wonder Rio

WOW World of Wonder Rio

The epic production numbers were my favorite aspect of WOW, especially a jaw-dropping ballroom scene aboard the Titanic. Your entire field of vision is filled with the ship’s interior, rising waves seen through the windows and a cast of dancers that is suddenly engulfed in the deluge. This obvious nod to the legendary sequence in JUBILEE! takes the experience much, much farther. Hold onto your life preserver!

WOW World of Wonder Rio

WOW World of Wonder Rio

WOW World of Wonder Rio

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My least favorite act involves Guinness World Record holder Dickson Oppong of West Africa. This large fellow has the unique ability to guzzle huge amounts of water, then spray it as continuous stream from his mouth. Although fascinating, it’s also a bit disturbing. Germ-aphobes may wish to avoid sitting in the splash zone.

WOW World of Wonder Rio

WOW World of Wonder Rio

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More entertaining is a bit involving statues who become fountains too…in a funny, clever way. The gag builds layers of whimsy until it segues into another a trio of swimmers. I’d have like to have seen the statues go on a bit longer first.

WOW World of Wonder Rio

Sadly, the comic-relief character that opens the show has solo moments that go on way too long. He also gets worked into too many of the other acts. Mostly wordless, his child-like bits involving a clap-along and a series of boo-boos make for excellent bathroom breaks. But he’s still more entertaining than the creepy, annoying clowns of O.

WOW World of Wonder Rio

Some acts would be more at home in a traveling circus but don’t necessarily translate well to an evening Vegas production. Perhaps the fact that WOW comes from overseas (Israel, in fact) helps to explain why it feels so offbeat. The weirdness isn’t the same as Cirque du Soleil‘s French humor…nor is it as annoying. But a little fine-tuning for Vegas audiences might do WOW a whole lot of good.

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I also had issues with some clumsy sound cues and abrupt changes in volume that distracted from the performances of a uniformly excellent cast. As the show is relatively new (it opened just last month), things like this should eventually be worked out.

WOW World of Wonder Rio

But that’s a small complaint when compared to the scale of talent and visuals represented here. The 30-member international cast is beautiful and overflowing with skill. And they have one goal in mind – to leave you saying “WOW”.

WOW World of Wonder Rio

The success of any variety production depends largely on whether you’re drawn into the premise. WOW succeeds in capturing your imagination. It grabs you from the opening moments, twirls you around, lifts you up and doesn’t let go until the final bows.

WOW World of Wonder Rio

It’s classic Vegas variety entertainment on a grand scale.

WOW – World of Wonder performs Tuesday through Sunday at 7pm with an additional 9pm show Friday-Sunday. Tickets start at $49 (plus taxes/fees) and can be ordered here. Travelzoo currently has discount tickets from $39 with no additional taxes/fees. Click here to access this offer, good through 1/7/18.

Photos: Diane Lynn, Sammasseur