Jeffrey DeBarathy, The Ultimate “Go-To” Entertainer


“…this innovative young man is putting a very unique stamp on Las Vegas”.

EDITOR’S NOTE: This article previously appeared on another site in April of 2016. Jeffrey has gone on to work with many other artists and shows, including costume design for INFERNO at Paris Hotel Casino. He continues to be a featured performer at V Theater’s ZOMBIE BURLESQUE.

It’s pretty common for a performer or celebrity to be described as “chameleon-like”. Some entertainers can step into a wide variety of roles and fully command them. But a real show-biz chameleon can do just about anything, whether it be singing, dancing, acting, acrobatics…or choreography and costume design?

Yes, it’s possible. Say hello to Vegas multi-hyphenate Jeffrey DeBarathy.

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If you’ve attended any Vegas shows in the past several years, chances are that you’ve experienced the talents of Jeffrey DeBarathy. This 35-year-old Montana native has had involvement in the widest variety of productions that this writer has ever seen. It’s not unusual to encounter Jeffrey himself at least once on each of my trips to Sin City. The guy is EVERYWHERE.

Jeffrey began training in the arts when he was only three years old. He studied jazz, tap, and gymnastics in his hometown of Butte until the age of 19 when he was offered a chance to join Celebrity Cruise Lines as part of the Molyneux-Musick Entertainment Company. Those three years literally opened up a whole world of opportunities which saw DeBarathy performing in China, the Caribbean, Tahiti, Europe, Hawaii, and Alaska.

From there, Jeffrey made the decision to try his luck in Las Vegas. He was only 22 at the time but dove headfirst into action by joining the cast of the notorious STORM at Mandalay Bay and Charo‘s Spanish variety show BRAVO. His unconventional good looks and wild mane no doubt made an impression on casting directors, but it was Jeffrey’s talents that brought him to the front.

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               Jeffrey (upper right) with the cast of “Alice – A Steampunk Concert Fantasy.”

It wasn’t long before Jeffrey was taking charge behind the scenes, too, as dance captain for FASHIONISTAS. That erotically-charged fantasy played at KRAVE nightclub for four years. Numerous other shows followed, most notably Rio‘s final incarnation of SHOW IN THE SKY, the iconic attraction which closed permanently in 2013.

It was during a period of modeling in special events and print ads that Jeffrey discovered a flair for costume and fashion design. His talent for blending unusual and outrageous fantasy elements into his designs has made DeBarathy the go-to designer for many shows in the city. Jeffrey eventually launched his own specialty line of costumes, clothing and accessories called Jd Fashion Design.

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                             Jeffrey’s daring designs adorn The Men Of Steele

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Jeffrey (foreground) makes adjustments to a costume during rehearsals for 53X at Chateau Nightclub

In just the past month, Jeffrey has added three new productions to his resume, as costume designer for The Men Of Steele male revue and 53X (the sexy new show at Paris) and as a performer/designer for ALICE: A Steampunk Concert Fantasy at The Linq. That wild musical interpretation of Alice In Wonderland has been drawing crowds…and critical raves…during its monthly performances at Brooklyn Bowl.

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                                    As Zombie Burlesque’s “Johnny Wifemauller.”

Jeffrey is also the dance captain and a regular performer at V Theater‘s ZOMBIE BURLESQUE, the risque comedy-horror musical that we mentioned awhile back (in a profile of costar Aaron Lucey). AND, he’s the personal stylist/dance captain/dancer for songstress Kristine W., who’s launching another tour this summer.

Check out this music video they shot together at the Las Vegas Life Cube:

As Jeffrey’s talents allow him to reach and expand, it’s easy to imagine seeing his visionary work in major motion pictures, Broadway productions, and shows throughout the world. But for the time being, this innovative young man is putting a very unique stamp on Las Vegas.

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Jeffrey with Zombie Burlesque host Enoch Augustus Scott and castmate April Leopardi…

Photos: Jeffrey DeBarathy/Shannon M. Hardin-Oteyza via Facebook, Sammasseur, Zombie Burlesque, Alice – A Steampunk Concert Fantasy

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“Racy Magazine” Protest Exposes Sin City Parents as Hypcocrites


Outraged residents object to publication’s presence near libraries…

You know, there are certain subjects that push my buttons…REALLY HARD. Judgmental parents with conveniently-fluctuating standards of morality is certainly one of those matters. Something of that nature was brought to my attention recently. I want to tell you about it. And why I feel the way I do.

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My frustrations regarding this complaint are actually two-fold. On the surface, my skin crackles at the behavior of parents who feel that having children somehow grants them the position of Moral Compass Overseer. And deep down, my stomach knots up at the notion that anyone would find sexy material unacceptable in a place known as Sin City.

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Last evening I attended a performance of Zombie Burlesque with a friend who recently moved here. During a striptease number, he leaned over and commented at how odd it was that ladies were required to wear pasties during the show. He clearly was under the impression that “anything goes” in Las Vegas. But that is far from the truth, which he’ll continue to learn as he settles into the community.

In 2018’s corporation-run Las Vegas, you never know when the next “adult” behavior will be frowned upon, restricted…or eliminated altogether. For instance, a 2014 law was passed to prohibit drinking booze from open cans and bottles on the Fremont Street pedestrian mall.

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The move was made to supposedly protect everyone from injuries related to fights and such. But would this really have come to pass if so many parents hadn’t decided in recent years to bring their little ones to “Glitter Gulch”? You can still get drunk and dance in front of the stages, but now you’ve got to watch out for those four-year-olds who are right there by your knees at one in the morning. Because, you know, every tourist destination has to cater to children.

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You may recall how incensed I was recently when Palms Casino deemed it unacceptable for a group of athletic male show performers to gather at their poolside cafe for lunch…because they’d be shirtless most of the time (for photos and such). What a ridiculous stance, especially in a town that promises sin, smut, excess and discretion for all types of adult activities. #LasVegasHypocrisy, if you will.

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Don’t promise debauchery then pull your panties high and tight, Las Vegas. That statement is targeted at specific residents of the city…those who choose to raise their children here. There are fifty states in our Union and thousands of cities and small towns across the nation. But YOU chose to raise your little ones here. You know, the place where mobile billboards offer women directly to your room. So why are you suddenly so prim, proper, conservative and offended when an adult-skewing magazine is found on the racks in public places?

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“I’m shocked. It shouldn’t be here. There’s a school right across the street”. So says Phillip Castillo, a resident speaking on-camera to KTNV, the local ABC affiliate that’s stoking the fires on this non-controversy. Joining him with her expressions of revulsion was Angelica Torres, whose seven-year-old comes to the library to learn about life on this big blue marble.

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Well, Ms. Torres, your little daughter is in luck. The issue you’re so worked up over hails the talents of Noel Dahl, a highly-respected local photographer. If your child happened to be scouring, unsupervised, through the racks of magazines near the door of the county library and picked up that January issue of Las Vegas Night Beat, she might have learned all about this amazing man and his philanthropic work for the community you live in.

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      Noel Dahl (in tuxedo) is inadvertently at the center of a controversy….

While I researched the TV segment for this article, Mr. Dahl was in the process of donning his tuxedo to host a fundraiser for Golden Rainbow. That’s an organization providing housing, education and direct financial assistance to men, women and children living with HIV/AIDS in Southern Nevada.

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          Photographer Noel Dahl and others serving food to the homeless…

No doubt Mr. Dahl’s heart was a little heavy after having been metaphorically dragged through the mud right before bedtime on his own television set. Nevertheless, the day after the fundraiser, he was back to business as usual. While those parents were probably rinsing out their offspring’s eyes with peroxide and painting picket signs for a protest march at the library, Noel was spending his Valentine’s Day distributing meals to the homeless in one of the city’s parks.

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I myself am no stranger to Noel Dahl’s work. Last year I purchased and proudly displayed a calendar that he annually photographs and distributes to raise funds for AFAN (Aid for AIDS of Nevada). Noel donates 100 percent of the proceeds to this cause.

Throughout my years as a photographer, I have had the privilege of shooting countless men for my own portfolio, but I have always strived to find a way of utilizing my photography skills to give back to the Las Vegas community. I hope to make a change with this project. I hope to bring together local talent, the photographer community, and with the help of a few graciously supportive company sponsorships, I hope to rally support for the HIV/AIDS community and unite the LGBT community in Las Vegas.

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Here’s the kicker – it features sexy men in provocative poses. And that’s what these up-in-arms parents aren’t taking the time to absorb or acknowledge…that sex appeal can be channeled for great purposes. While Ms. Torres was on camera exclaiming “I see a lot of nudes. And flesh…skin…crack!”, she was simultaneously suggesting that the human body is something to be reviled…and completely misses the point.

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      A Vegas parent readies “Bobby” for an afternoon at the local playground…

I can’t help wondering if Mr. Castillo, the outraged father, ever visits Erotic Heritage Museum where the Golden Rainbow fundraiser was held this week. Does he drive around town with his daughter in the car? What exactly do Vegas parents do with all of this provocative material facing them from every direction? They’re even on billboards that line the roads and highways.

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Racy Magazine Library Protest

Or should I scratch even deeper to ponder whether these frazzled mothers and fathers…and KTNV-TV by extension…are really just upset that these magazines are geared towards the LGBTQ community? If so, that’s just another form of judgmental, bigoted behavior being justified under the guise of “protecting our little ones”, i.e. suggesting that homosexuality is synonymous with pedophilia.

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I’m not sure what makes people think that, because they’ve procreated, they’re immediately granted a higher position in society. It takes no special gifts or skills to make babies. If it did, there wouldn’t be over seven billion of us on this planet. Creating offspring doesn’t make you smarter, more educated or a more worthy person. In fact, it shouldn’t entitle you to anything that parent-free people don’t have.

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It can get unnecessarily ugly when folks protest the freedoms of others within their own community, especially when they do so in public forums like television. We’re living in dangerous times, my friends, and you never know when something you say or do will be misconstrued or used against you down the road.

Thank goodness that the people at Las Vegas-Clark County Library District maintained their heads. A spokesperson addressed the complaint in a fair, professional statement that should hopefully bring this non-issue to a close:

The Library District collects, gathers, and makes available a wide variety of information and we understand that some people may occasionally find these materials offensive or inappropriate. The public library is a First Amendment public institution.

Yes, the Library District is aware of various magazines that are displayed in our lobbies. Our Display Policy, adopted by the Library Board in 1999, allows for free community-based publications that contain news and feature articles relevant to either segments of a district-wide population or to smaller geographic areas within the Library District to be circulated.

The presence of these materials in the Library District is not a form of endorsement. We encourage individuals to form their own opinion about what they choose the read or view.

In this case, the simple act of recognizing the talents and contributions of a gifted photographer has put an entire subculture under the microscope. I have no idea if Noel Dahl and his models are homosexuals…and it’s none of my business. But before citizens of this community…and the media outlets who cover it…decide to vilify other members of society, it might be worth their time to do some research. And a whole lot of self-examination.

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One final thought…if you’re so worried about what your child might pick up around the public areas of Sin City….then keep a better eye on them. It’s YOUR job…nobody else’s.

Photos: Sammasseur, Noel Dahl Studio, Oscareando Vegas, KTNV.com

 

 

 

 

 

 

Pride, Prejudice and a “Pitchfork”


Choreographer Glenn Douglas Packard redefines coming-out dramas with a genre-bending slasher film…

People who run on creative energy frequently have a passion project tucked away deep inside their mind. It lives there, growing and taking shape until it finally breaks free and becomes reality. For Emmy-nominated dance man Glenn Douglas Packard, that secret desire has been the creation of his own horror epic.

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Glenn and I first connected in the cyber-world a few years back when a mutual friend posted a review of a movie thriller. As my longtime Florida buddy (who also happens to be named Glenn) and I were discussing the merits and shortcomings of the film, Packard chimed in…and I was like “Hey…aren’t you the guy from Men of the Strip?”.

Being a fan of MOTS frontman Jeff Timmons (98 Degrees), I’d had the good fortune to pen numerous Vegas Chatter articles about the show. Packard and crew had just wrapped up their splashy showcase at Mandalay Bay’s House of Blues and it seemed surreal that we were now debating slasher films from far-flung corners of the country.

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Packard, Timmons and Foland at Men of the Strip rehearsal…             

Fast forward to summer 2017, and once again I’m in Las Vegas, shadowing Timmons, show financier “Money” Mike Foland and Packard for a relaunch of Men of the Strip. One evening after rehearsals, Glenn and I (along with his associate and right-hand man David Mayorga) headed over to LGBTQ locals’ gem The Garage for cocktails…and to discuss how they turned Packard’s imagination into a silver-screen reality.

Pitchfork was created in the spirit of 70’s and 80’s franchises that, like their titular villains, refuse to stay dead. But the film’s tagline “Every Generation Has Its Monster” cuts a bit deeper. In our era of political turmoil, where LGBTQ citizens view the White House with concern and suspicion, one might ask who the true monster is.

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At the home of main character “Hunter”, that answer is even more complex. Returning to his family’s sprawling rural dairy farm and estate, Hunter is about to face a stern father who recently learned of his son’s homosexuality. Hunter’s not coming back alone though, as his art-school classmates have packed into a van for the weekend to throw him a coming-out party of sorts.

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Sexual dynamics are front and center in most slasher films. Those barn-loft trysts and back-seat hookups inevitably lead to a bloody demise. In Pitchfork, sex and sexual subtext permeate nearly every sequence, especially as the story reaches its outrageous climax.

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It’s no accident that Pitchfork‘s maniac is a muscular, shirtless man…abs and pecs on display as he slices his way through the cast of characters. Under other circumstances he might be considered hot…in a kinky kind of way. But there’s the issue of a farm tool in place of his left hand. That’s one detail you’d probably leave out of your Grindr profile.

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Both Hunter and “Pitch” have daddy issues and highly involved mothers. Each views himself as an outsider, desiring acceptance from his respective family. How they deal with being different, the way they were raised…and how they turn out as adults…offer a strong metaphor for “growing up gay” in today’s volatile and ever-changing society.

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When dreaming up the concept for Pitchfork, it’s unlikely that Packard envisioned he’d one day be acting as its producer, director, casting supervisor and choreographer, too. Yes…choreographer. Would you seriously expect a bunch of vacationing art students to NOT have a barn dance on their gay buddy’s farm?

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Did someone say “Barn Dance”?                         

Despite this being his directorial debut, Packard fills Pitchfork with plenty of style and memorable imagery. The camera swoops in and around each scene, accentuated with glorious aerial shots and starkly-lit night sequences by cinematographer/editor Rey Gutierrez. It boggles the mind that the film was recorded with a single camera in 21 days on the director’s own family farm.

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                  Men of the Strip’s Keith Webb gets a sticky facial…                                              

Like most passion projects, family and friends offered their time and energy to make Pitchfork a reality. Dancer Keith Webb, who also worked with Packard on Men of the Strip, amps up the cast’s hunk quotient as an ill-fated jock.

Plenty of Sin City DNA infuses the heart and soul of Pitchfork. Vegas resident Mayorga from Zombie Burlesque and Men of the Strip served as Assistant Director. Darryl F. Gariglio of Grand Adventures Tours Las Vegas was its Executive Producer/writer. Chris Arrendondo, who creates the eerie creatures and characters for Circus Circus Fright Dome, did the stunning make-up work.

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Packard and David Mayorga (back row) clown around with the cast….                         

During filming, Packard revealed a rather moving detail in the film’s making-of documentary: the lair where “Pitch” brings his victims is the actual shack that the director retreated to when he was bullied as a child.

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Growing up as a gay person, especially in a rural community, can leave scars that never disappear. In Packard’s case, he used his own safe haven as a symbol for the damage that society can inflict on a developing psyche. His courage to face those memories and channel them into something positive is echoed in a soul-baring “It Gets Better” video from 2010.

Packard told me in our conversations that the effort that went into filming Pitchfork was crazy and intense, yet everyone seemed to have a great time. One would assume that the cast of eager young actors found it cool to be in a horror movie.

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Since its release, Pitchfork has won accolades and awards throughout the horror-film universe. Now that Halloween season has arrived it’s finding a new legion of fans, especially within the LGBTQ community.

Glenn continues to promote the film via conventions and screenings. And there’s even a new comic-book novelization by actor/artist Andrew Dawe-collins (“Pa Hollister” in the film) that you can check out here.

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Any worthwhile slasher entry teases a sequel, even when the killer seems to be dead and dismembered. In Pitchfork, the unpredictable left-field denouement will leave you gasping…and clamoring for more. Luckily, Glenn told me that ideas for Pitchfork 2 and 3 are already swirling in his semi-twisted mind.

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That’s great news for chiller-thriller fans, because every generation needs its monster-movie king. Like John Carpenter and Wes Craven before him, Glenn Douglas Packard is on his way to becoming the next Master of Horror.

Pitchfork is available on a Special Edition Blu Ray/DVD and streaming services like REVRY, YouTube Movies and Amazon Prime.

Photos: Pitchfork, David Mayorga