INFERNO’s Magician Goes Up In Flames

Visually-spectacular production is a victim of its own star performer…

A few years back, the handlers for Britney Spears were faced with an unusual dilemma…what to do when the star of your production is a washed-up tabloid punchline with an inexplicably-strong fan base. Their answer was simple yet effective: launch her residency with a circus of hoopla, stick her onstage with all the pyrotechnics and distractions that money could buy and hope for the best.

As fate would have it, Britney: Piece of Me was indeed an unqualified hit. The mentally-troubled pop tart flapped her arms and silently moved her lips while a small army of gorgeous dancers did the heavy lifting, both literally and figuratively. They carried her around like a mannequin accompanied by prerecorded audio tracks and propped her up in whatever area of the stage that the choreography required. Think of it as “Weekend at Bernie’s: The Musical”.


                         Joe Labero thanks Britney Spears for her #1 idea…

The minds behind INFERNO: The Fire Spectacular (now playing at Paris Hotel Casino) seem to have taken a similar route. Their featured performer is Joe Labero, an obscure illusionist (at least to American audiences) who’s apparently a big name in Europe. He’s also a former recipient of Illusionist of the Decade. Raise your hand if you’ve heard of him.


Labero’s version of smoke-and-mirrors distractions comes courtesy of a London pyrotechnic troupe known as The Fuel Girls. You may know them from the UK tour of rock group Fall Out Boy….or maybe not. The resultant pairing is the most uncomfortable seen on a Vegas stage since Criss Angel crawled into bed with Cirque du Soleil nearly a decade ago.


On their own, The Fuel Girls could easily warrant their own show. Stunts, flame throwers, explosions, choreography and visual effects are all top notch. Ramped up and fleshed out, INFERNO could be to fire what Le Reve and WOW – World of Wonder are to water.


Alas, the show is hostage to Labero and his magic routines. The illusionist does everything he can to remain front and center, despite being the weak link. Like an annoying uncle who laughs at his own jokes then repeats the punchline a second time, Labero attempts to milk every last clap from the audience.


Walking to the edge of the stage after each bit, Labero stretches out his arms in a “Ta Dah!” pose that he holds far too long…before dashing into the audience to repeat it in the aisles. There were frequent snickers from people seated all around me. Yes, it’s that embarrassing.


Labero’s stage presence is hampered by a strong Swedish accent that makes it quite difficult to understand what he’s saying much of the time. Also distracting is that the 54-year-old host is frequently out of breath, heaving heavily and sweating…even in the quieter moments of the show.


As for the illusions themselves, expect the requisite “person sliced into pieces”, sleight of hand, card tricks and people disappearing/reappearing. Two illusions that do have merit are one where Labero seems to walk right through a person stretched between two supports and another where he passes through a mirror.

Aside from that, there isn’t anything truly special about the magic acts in INFERNO: The Fire Spectacular. With the likes of David Copperfield, David Goldrake, Masters of Illusions, Criss Angel, Matt Franco and many more filling the Strip showrooms with this type of entertainment, was there really a need for another? Of course not, especially when one European import in particular is already doing it so much better (David Goldrake’s IMAGINARIUM was my choice for Best New Production of 2017).


What makes the show worthy of your consideration are all the sequences without Labero. Pyrotechnics are always jaw-dropping in any medium, but feeling the heat, hearing the sizzle and being bombarded with loud blasts are a visceral experience. In this case, the flames are deftly used through aerial stunts, physically-demanding choreography and handling of fiery objects like batons, whips and an umbrella frame.


Other saving graces are the elaborate production design and costumes. Stylist collaborators Georgia Richardson and Jeffrey DeBarathy (ALICE: A Steampunk Concert Fantasy) bring a distinctive “Mad Max” look to the performers that’s a perfect match for the Fuel Girls’ visuals. The character of “Animal” is clearly inspired by The Road Warrior.


Unfortunately, Labero’s attempt to associate his magic acts with the far superior fire aspect are truly cringe-inducing. The two just do not overlap well. It’s clear that the magician has taken his existing acts and awkwardly grafted them onto this new production with wildly uneven results.

Joe frequently breaks from what he’s doing to grab a large vase on the side of the stage and dump its contents into a nearby barrel. “We need more gasoline. Lots and LOTS of GAS O LEEEEEEN!” he exclaims time after time before returning to the business at hand.


Amidst more hushed chuckling from nearby patrons (several of whom had walked out at this point), my companion leaned in and said “Am I missing something here?”. No, my friend…it’s just the sound of another expensive Strip production going up in flames.

INFERNO: The Fire Spectacular performs Wednesday through Sunday inside the Paris Theater. Tickets start at $65.77 (plus taxes/fees) and can be ordered here. is offering a $20 discount on INFERNO by following this link. Discounts on additional shows and hotels can be combined/increased by visiting here.

Photos: INFERNO: The Fire Spectacular, Joe Labero

Anne Martinez Can’t Slow Down To Be “The Next Big Thing”

Meet a talent who’s equally at home in Gatsby’s world and Alice’s Wonderland…

Some performers set their sights on Las Vegas and dream of one day ruling the stage. Anne Martinez must have missed that memo about “someday”. You see, she came to Sin City four years ago and immediately began her Vegas reign.

Anne Martinez

You may not know Anne Martinez by name, but chances are that you’ve seen her perform at least once..and heard her glorious voice rattling the rafters. From Luxor‘s sexy Fantasy to Steve Wynn’s classy ShowStoppers. Dripping with blood at Zombie Burlesque or adorned with dazzling jewels in BAZ – A Musical Mash-up. There’s seemingly nothing that Anne cannot do.

Anne Martinez

Anne and her husband John Martinez came to Vegas in 2013. John’s expertise in rigging and scuba diving made him a perfect fit for Cirque du Soleil‘s water production “O”. While hubby was getting his feet wet at Bellagio, Anne was putting her own skills into play on various stages…while simultaneously working with a team of gifted colleagues to establish her own production company. BBR, like Anne, quickly made a name for itself with the genre-bending Alice: A Steampunk Concert Fantasy (more on that in a bit).

Anne Martinez

Despite her short time in the city, Anne dove headfirst into a wide variety of gigs, charitable functions and community events. Belting out hits at House of Blues Music Forward Foundation, joining Mondays Dark to benefit AFAN, singing the National Anthem during March Madness, saluting Amy Winehouse at Brooklyn Bowl‘s The Setlist late-night concert series…the list truly is endless.

Earning a BFA in acting no doubt explains Anne’s ability to step into a wide variety of song styles and characters, but her Masters of Fine Arts degree in Theatre Practice (aka show creation) is how Alice: A Steampunk Concert Fantasy sprang to life. Taking the darker elements of Lewis Carroll’s “Alice In Wonderland” and weaving them into a hard-rocking opera set in a retro-futuristic sci-fi world, Alice is sheer brilliance. Even Tim Burton didn’t try something so audacious for his interpretation.

Anne Martinez

Anne credits a great deal of Alice‘s success to other ambitious young artists like Jeffrey DeBarathyAdolfo BarretoLora KelseyAshley FullerClaudia MitriaApril Leopardi and co-director Ryan Kelsey. Having such a gifted ensemble almost guaranteed a show unlike anything Vegas had ever seen.

Naturally, Martinez wanted to see her baby become a resident production. Having outgrown its early days at Hard Rock Hotel‘s VinylAlice quickly became the must-see monthly event at Brooklyn Bowl…for locals and tourists alike. Even when the show was on hiatus last summer, she re-assembled the cast for a one-off at Las Vegas Pride.

Since then, Rocks Lounge at Red Rock Casino has become the permanent home for Alice. One Monday each month, the cast gathers for another epic performance. Their next show date is November 13th with guest performance by Cirque du Soleil artist Michelle DiTerlizzi as the Red Queen.

Anne Martinez

Compounding the challenge of short preparation time was the fact that her predecessors have gone on to major high-profile productions. Returning BAZ star Ruby Lewis finished her Daisy run at Light before the titular role in Broadway’s Paramour. Last fall, Joanna Alexis Jones left Palazzo Theater‘s production for the NBC broadcast of Hairspray Live. Her abrupt departure required Martinez to step into the star-making character.

Despite being an understudy for only a few short weeks, Anne’s version of Daisy was nothing short of breathtaking. She subsequently took on the lead role of “Satine”, made famous by Nicole Kidman in the film Moulin Rouge:

As if her schedule wasn’t already busy enough, Anne currently does double-duty as one half of the duo HEART in Stratosphere’s World’s Greatest Rock Show. She literally finishes her BAZ performance at Palazzo and high-tails it down the Strip to roar onstage and belt out high-powered anthems like this:

Before a performance of BAZ, I sat down with this dynamo outside of the Palazzo Theater to talk about her background, her inspirations, and of course, plans for her future in Las Vegas.

When asked what it felt like to join For The Record‘s innovative, genre-busting, star-making troupe, the Rochester NY native had this to say:

I think For the Record is a brilliant company that has only just begun on their road to amazing success! They have a keen sense of entertainment and are completely fearless in their journey of storytelling. It’s incredible to be a part of and magical to watch.

Despite the difficulties that entertainment productions aced in Sin City during 2016 (over 30 closures), Anne is optimistic that quality shows will continue to thrive on Las Vegas stages:
I think Vegas is an ever-changing amoeba that will always take us by surprise. As artists, we are always working toward entertaining our patrons and how exactly to do that. Experimentation is the key to growing as an artist and as a business. Keeping an open mind and trying new things will allow projects to grow and flourish. As new generations come forward, we can (hopefully) create entertainment that they will enjoy!
When asked how challenging it was to join an established cast then quickly step into a central role, Anne seemed grateful and confident at the same time:
My primary talent is willingness to learn. Everything can always be improved as a performer…but you have to be willing to jump. I love music with meaning. Listening to QUEEN and the BEATLES as a child really informed the sense of using music to speak…to color…to paint with your musicality….to speak your truth or to find the truth in others.

Martinez confided that coming down from the show each night is a bit difficult. The emotional energy required to take on a production like BAZ is also evident in her personal life and passions:

I love NSPCA. I have rescue cats myself and it breaks my heart to think they were hurt in the past. Adopting a pet or donating to NSPCA can save so many lives of innocent animals. I also have a yearly holiday show for Nevada Partnership for Homeless Youth. There are so many teens and children in need of protection, education and opportunity.
 Anne Martinez
Every year, pianist Kenny Davidsen and I gather numerous vocalists in Las Vegas who donate their talents for a night of music. Our next one is December 19th at Tuscany Resort. It’s so important to remember that everyone deserves a chance.

The morning after the recent shooting tragedy in Vegas, Anne and husband John were the first people I saw on social media delivering food, water and assistance to first responders operating out of the Las Vegas Convention Center. They were broadcasting live via Facebook and urging people to come down and do the same.

Later that month, she and her fellow castmates formed “Team BAZ” for last month’s Walk to End Alzheimer’s, the largest such event dedicated to fighting that dreaded disease.

Screenshot 2017-11-08 at 5.11.17 AM

Just this past Sunday (November 5th), Anne appeared with many other entertainers at Venetian Hotel for the Vegas Cares Benefit Concert to support both victims of and first responders to the tragedy.

It’s clear that Anne Martinez has truly found happiness in the city she calls home. Her love for its people is as strong as the passion she delivers in her performances. I look forward to many more hours of enjoying this boundless talent in darkened theaters throughout Las Vegas.

BAZ – A Musical Mash-up performs Tuesday through Saturday at 7pm at Palazzo Theater. Tickets start at $65 and can be ordered by clicking here

World’s Greatest Rock Show performs Tuesday through Sunday at 9pm at Stratosphere. Tickets tickets start at $73 and are available here.

ALICE: A Steampunk Concert Fantasy performs one Monday each month at Rocks Lounge inside Red Rock Resort. Tickets are $25 and can be ordered here.

This article previously appeared elsewhere in another version. It has been updated with new information.

Photos:  Jake Klein, Patrick Rivera, Elaine Wilkinson, Richard Brusky, Bill Hiltz, BBR and Anne Martinez via Facebook. Videos by Sammasseur