Crazy Jay Shakes Up Vegas with “ROCKING COMEDY SHOW”


Long-running radio program raises a glass to mayhem and music…

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Update 8/25/20 – Radio Vegas Rocks is offering discount advertising to readers of Vegas Unfiltered Blog. Save up to $100.00 on select packages. Contact the station directly by following this link, and be sure to mention that you heard about it here. 

Video didn’t kill the radio stars, no matter what you’ve heard. They just evolved, changed the rules and came at you from a different direction. Unencumbered by those pesky FCC regulations, internet broadcasting has freed deejays and programmers to do things the way they’ve always wanted to. That’s why everyone loves RadioVegas.rocks and its featured program The Rocking Comedy Show.

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Taking over the world one laugh at at time, The Rocking Comedy Show is three hours of nonstop “cray cray”, if you can still use that expression without sounding lame. Just how nutty do things get? Imagine yours truly is co-hosting an episode where an indie musician (Scott Willians) and a healthcare worker are barfing up their contributions to the “Death Nuts Challenge” right outside the studio door.

It may sound like madness, but it’s just another day at the office for Jason Bird, aka “Crazy Jay”. The dedicated host and creator of The Rocking Comedy Show seemingly lives and breathes the party-hearty chatfest, which has deposited more than 1,100 episodes into the vault. That’s no small feat for a show that’s been running in one form or another since 2000…which is like a century in “radio years”.

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Jay began broadcasting RadioVegas.rocks from a brand-new custom-built Kicker Studio earlier this year. He shares the space with two pups, a big desert tortoise and an ancient cat named “Hank Williams”. His dad is usually on hand to great visitors and keep Jay on his toes.

Guests play trivia games and get to compete for cool gifts….or the opportunity to strip the top off their competitor (relax….it was comedian Myles Weber, a dude with abs and a toned man-rack worth flaunting). Manly-man sponsors like Spunk Lube, Nut Rub, Dr. Squatch and local food favs Pinches Tacos and Jessie Rae’s BBQ supply the prizes…and in-studio muchies (yes!).

Since arriving in Las Vegas twenty years ago, Jay has had plenty of up-and-coming talent behind the microphone, and an impressive list of household names, too. He’s worked with Tommy Chong, Bill Cosby, Sinbad, Lily Tomlin, Weird Al Yankovic, and Bill Engval, among others. And there was that time when iconic actor Wesley Eure kicked off an appearance at The Golden Tiki for a Land of the Lost reunion.

Vegas celebs like Mike Hammer, Murray SawChuck, Elvis impersonator Steve Connolly, George Wallace, Colin Cahill (Atomic Saloon Show), Makenzie Fly and Louis D’Aprile (Sex TIps) have been know to drop by for their own brand of on-air mayhem.

Jay has demonstrated his love for the city with charitable events and epic halloween parties, where he gets to show off his passion for horror films. Then there was that time in 2014 when he broke a world record for the longest marathon broadcast (80 hours and one minute).

Lots of creative people have helped to evolve the show through the years. Some have gone on to create their own programs, and Jay’s invited newbies like myself to pop their broadcast cherries and share happenings, views…and maybe a sip of Tito’s.

Then of course there’s the music, like classic hits, underground finds and new songs….like the debut of Know Where (To Begin), the lastest from Bronx Wanderers bad boy Vin A:

This week I asked Jay to step onto the other side of the spotlight for a change…and answer a few questions. Here’s what he had to say:

What sets The Rocking Comedy Show apart from similar programs?

The content nowadays everyone has an online radio show or a podcast, but its the content that has to grab you and keep bringing you back. We are currently at 1,121 episodes and you don’t get there by doing the same stuff over and over. You have to be dedicated to do it, and that’s not just the show. It’s the prep, the social media, the website updates and more. If you don’t have the time to tell anyone about it or how to find it, why are you doing it?

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Is anything ever too outrageous?

Yes, we have hit that a few times. At first it may be funny, but you listen back, or listeners hit you up. I don’t regret any show I have done, and I don’t apologize for a bad one, I just move on and don’t discuss it.

Tell me about a guest stint that derailed, and one that you wished didn’t have to end.

Over 1k shows and I don’t think any of our stints have derailed. Most of the guests who come on are aware of the show and what it’s all about. We have done some killer interviews that maybe started slow, or off to a weird start, but then it took off. Sometimes it’s the guest, or their PR person telling us what we can’t ask them.

This happened with Vince Neil and also Lita Ford but then they brought up what we were told not to, and boom! magic. Also had comedian Sinbad on the show…he was scheduled for 30 we had him for over 2 hours and we never stopped laughing.

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Your favorite part of being a host?

Some would say the control. To me it’s the uncertainty of what can happen. If you’re on your toes and have a good ear, you can grab a sound effect or a song that goes with what your talking about, driving the train keeping it rolling, and keeping the timing of the show perfect. I don’t like to stay on one topic for too long. Get a big laugh, move on, don’t beat that joke to death, maybe revisit it later if you can.

What’s more fun…..discovering fresh talent or slamming tired celebs?

I love finding new talent and maybe pair them up with someone who does the show a lot and get them to do a song. Vegas has so much un-noticed local talent it’s amazing what I have found.

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Mariah, Britney and Criss Angel are sinking in quicksand and you only have one lifeline. What’s your move?

I am assuming if I see them sinking I have also put myself in jeopardy with this quicksand. So, I would use the lifeline on myself because I have more shows to do.

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RadioVegas.Rocks is the home station for The Rocking Comedy Show. It airs Monday Nights 6:00pm -9:00pm, Tuesdays 3:00pm -6:00pm. To learn more or contact the station for advertising rates or guest opportunities, see the information below and tell Jay that Sam from VegasUnfilteredBlog sent you.
http://www.radiovegas.rocks
http://www.rockingcomedyshow.com
Twitter @rockingcomedy
@radiovegasrocks
@crazyjay44
702-600-4204
702-793-4441

 

 

 

Get ‘Portnoyed’ With Sin City’s Philanthropic Artist


Famed caricaturist Neal Portnoy donates talent and funds to furloughed Las Vegas performers…

Update 7/12/20 – In addition to the wonderful effort that Portnoy Gallery has put forth to assist entertainers in the community, this year it will be hosting a benefit for St. Jude Ranch for Children. The announcement from Dorothy Cannata Portnoy is as follows:

We are excited to announce our Annual Christmas in July event and Raffle Fund Raiser. Limited tickets for social distancing during event and unlimited virtual tickets available. The day will be broken down to 4 sessions each having different raffle prizes and one grand prize at last session including all who bought tickets Pick the group you like best or all. The virtual tickets are set up the same way. Click here for full details. Looking forward to a great day of supporting St Jude’s Ranch for Children.

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Donations of household items are also being accepted – you can request a copy of the wish list from Dorothy Cannata Portnoy by clicking here.

UPDATE5/17/20 –  Neal Portnoy messaged me to let me know that my oversized mug had been “Portnoyed”, too. The honor is overwhelming…and I’m thrilled that he made the decision to include me in this illustrious collection. You can obtain yours and help the unemployed entertainers of Las Vegas by clicking here.

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                                                         Hey, my mug is on a mug! 


For many entertainers, the benchmarks of success are seeing their name in lights and perhaps, someday, a star on the Hollywood Walk of Fame. But you’ll know that you’ve really made it when your likeness has been “Portnoyed”.

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Neal Portnoy is a successful artist who specializes in caricatures (or “cartoon portraits”) of famous performers and sports figures. His Portnoy Gallery in Las Vegas is a veritable shrine to pop culture and the entertainment world. Its centerpiece is the Wall of Honor, a collection of Portnoy’s most revered work.

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Once a year, the Gallery holds a red carpet induction ceremony that’s attended by public figures, prominent athletes, celebrities and one very special doggie. Neal’s background as a baseball player and sleight-of-hand entertainer gives him a unique insight that few artists possess. His portraits, most often created with felt markers, capture the dedication of his subjects along with their humor, talent, and charisma.

Working with felt markers is a unique and challenging medium. As Neal explains it:

Markers…unlike oils, unlike acrylics, unlike water colors…is a stain. You can change colors in water colors, acrylics and oils, and kind of put what you want down. But with marker, every line you put down, stays down.  If I make a mistake, I make it into something else…’cause every line is an expression.

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When it comes to being charismatic, the Massachusetts native exudes a wonderful degree of warmth and confidence. It’s easy to understand why some of the most powerful names in entertainment have entrusted their images to Neal. From members of the Las Vegas Raiders to Barry Manilow, Freddy Mercury to Aretha Franklin, each work of art is timeless and unforgettable.

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My first opportunity to chat with Neal was earlier this year. It was at the Summerlin birthday party of influential power-player Mark Messina, where I shared a table with the artist and his charming wife, former New Yorker Dorothy Cannata Portnoy. During our conversation, Dorothy told me that she is the gallery’s Director. She also tirelessly assists her husband in his efforts to support the local community.

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The Portnoys invited me to their studio to check out Neal’s collection. Alas, a certain pandemic became headlines soon after, placing my visit on a to-do list for when life returns to normal. In the interim, I’ve researched the gallery via websites and social media. There I learned about a heartwarming effort that the couple and Mark Messina have created to assist out-of-work Vegas entertainers.

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As you may recall from last week’s article on the Mondays Dark Live Stream Telethon, the residents of Sin City are unparalleled when it comes to taking care of their own. That’s why Portnoy Gallery has decided to donate 50 percent of sales from Portnoyed.com:

Las Vegas has been hit particularly hard due to quarantines and venue closures.  Our entertainers have been among the hardest hit.  We would like to give back to the community, by providing our out of work entertainers 50% of proceeds from our current online products.  Please browse our store for your favorite Las Vegas entertainer, and together we can help them get through this period.

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Up for grabs are 76 uniquely-designed coffee mugs, each featuring a beloved Vegas celebrity. Musicians like the Bronx Wanderers, Niki Scalera, David Tatlock, Mark O’Toole, Michael Shapiro, and Zowie Bowie can join your coffee break, along with comedians Carrot Top, Mike Hammer, and John Di Domenico. Even Messina and my colleagues Gabe Ginsberg, Chet Buchanan and Johnny Katsilometes have their mugs committed to a mug.

To obtain one or more of these uniquely Vegas collectibles (while simultaneously fueling the movement to keep Las Vegas entertainment alive) visit this link. Until the gallery reopens, you can browse and purchase prints of Neal’s creations by clicking HERE.

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Portnoy Gallery is located at 1537 W Oakey Blvd, Las Vegas, NV 89102. Phone 702.685.2929 for more information.

Photos: Neal Portnoy, Dorothy Cannata Portnoy, David Orlov, Dianne Davis, Jonathan Scott

 

COVID-19 Aftermath – Shows Most Likely (and Least Likely) To Return


Taking a hard and painful look at the Vegas entertainment landscape as Sin City’s quarantine drags on…

As a devoted enthusiast of Sin City entertainment, it pains me to think of the hundreds of gifted performers currently out of work during the pandemic shutdown. Devoted to a volatile industry in which success is never guaranteed, many artists work multiple jobs and/or share living expenses just to get by. Combine this with a lack of adequate health care and spotty unemployment compensation, and it wouldn’t be surprising if many struggling entertainers decide to leave the city…or the industry altogether.

Sadly, there’s a likelihood that numerous residencies and production shows will decide to fold (or have their lifeline unceremoniously yanked) once the ramp-up begins. How this plays out is anyone’s guess, but I’ve been doing my own pondering on what changes lie ahead. Keep in mind that my conclusions aren’t in any way a reflection of quality…or lack thereof. Instead, I’ve considered factors such as pre-virus buzz, operation overhead (costs), post-virus marketability, name recognition, longevity, and brand loyalty.

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I might be completely wrong on these predictions or right on the money. Your guess is as good as mine. We won’t know until it actually happens, but here’s my list of shows that might weather the storm. And those that I believe will most certainly blow away.

Very Likely To Return –

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David Saxe Productions – the long and colorful list produced by David Saxe amounts to a well-oiled machine. His self-named theater inside Planet Hollywood’s Miracle Mile Shops and nearby V Theater churn out hits like Vegas! The Show, Zombie Burlesque, V – The Ultimate Variety Show and many more. Saxe is a master of efficiency and knows how to run and market his business. His children will survive just fine.

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ABSINTHESpiegelworld‘s naughty alternative to Cirque du Soleil is an instant hit that would have celebrated its ninth anniversary on April 1st. The bawdy burlesque ABSINTHE has spun off two successful companion productions and shows no sign of slowing down. Relatively low overhead (an outdoor tent, pre-recorded music, and simple props) should help it to last through a sluggish restart (if that’s how things play out, that is).

Other Spiegelworld titles OPIUM and ATOMIC SALOON SHOW might not have it so easy. Their out-of-the-way locations inside expensive Cosmopolitan and Venetian/Palazzo might prove to be a bigger challenge in the long run. Cosmo‘s costly parking fees make OPIUM an easy pass for locals, too. (Update 5/19/20 – Cosmopolitan has announced its intentions to discontinue parking fees)

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“O” at Bellagio – Despite a mountain of debt that Cirque du Soleil is carrying, it’s unlikely that they’ll allow their highest-profile Vegas production to fold. Since “O” is synonymous with the Bellagio image (just like its outdoor fountains and seasonal conservatory displays) it’s easy to envision the resort taking ownership of the show if it came down to that (Steve Wynn did that with Le Reve). “O” is still a very popular draw despite two decades and thousands of performances. Not my cup of tea, but for many tourists, it’s a must-see.

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CELESTIA – my insiders at CELESTIA assure me that the fledgling big-top production is on solid ground. STRAT Hotel Casino has a strong financial stake. which seems to be a common thread in the current make-or-break environment. Four-wallers (independent contractors) will suffer while casino-owned shows are likely to last. It all comes down to money.

Sex Tips For Straight Women from a Gay Man – This is an easy one to envision continuing. An extremely Vegas-y premise, an attractive local cast and very low overhead within an intimate theater setting. What’s not to love?

Solo and Lounge Acts – Our deeply-fractured economy is going to have a ripple effect on both consumers and the products they offer. Returning guests with limited discretionary income will most likely avoid the high-ticket attractions. That’s where one-man/woman shows come to the rescue.

With low overhead and a simple format, solo acts can offer solid entertainment and a retro vibe while passing the savings onto their audiences. Look for returning favorites like Mike Hammer, Murray Sawchuck, Carrot Top, Xavier Mortimer, Jen Kramer and maybe even the once-popular Gordie Brown to shine brighter in the spotlight. I anticipate that bloated, self-serving star vehicles like Criss Angel – Mindfreak Live and Mariah Carey‘s endless residencies will go down in flames, though. Darn.

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Expensive mega-residencies could also feel the same heat. Last year people were forking over a grand or more to StubHub for Lady Gaga tickets. Who has that kind of money now? Even though Paula Abdul‘s lip-syncing stomp-fest at the Flamingo couldn’t warrant a $49 price tag last fall, her short-lived residency now seems like a million years ago. Look for a glut of similar shows (like Derek Hough: No Limit), along with the resurgence of intimate lounge acts, to tide us over until the economy…and Vegas…rebounds.

Say Farewell –

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Blue Man Group (Update 6/30/20 The cast of Blue Man Group has been laid off by parent company Cirque du Soleil)

They’re old, tired, and as cliched as the fanny pack strapped around your cargo shorts. The trio of silent weirdos known as Blue Man Group is as annoying as those outdoor escalators that are constantly “under service”. Luxor‘s long-running production returned to the pyramid a few years ago, after more than a decade at Venetian and Monte Carlo. Now they’re in a much smaller venue and it’s easy to forget that they’re still around. Maybe COVID-19 will be the nudge that gets them to squeeze their final Twinkie.

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Human Nature (Update – permanent closure announced 6/10/20) –

It really upsets me to have this one on the list, but the Aussie quartet known as Human Nature appears to have been struggling for a while. I’ve been to the show a number of times in the past twelve months, and attendance has been anemic during each and every visit. Their live band has been downsized as a cost-cutting measure and the dancers were given a pink slip before that. They’ve also jettisoned the “Jukebox” format and returned to the Motown sound that put them in the U.S. limelight.

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Magic Mike Live (Update – Sahara opening postponed until 2021) –

                               We can wait even longer for this execrable slop to return….

The movie-inspired male revue received a scathing write-up from me upon its debut (deservedly so). Yet, the man-bashing mess, hosted by a shrill, leather-clad harpy who never shuts her f*cking mouth, somehow managed to become a hit. Still, the closure of Hard Rock Hotel sent the strippers dancers off into the sunset last year.

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Audiences were promised a spring relaunch at the newly-rebranded Sahara Hotel, yet an official debut date was never set and tickets have yet to go on sale. The 360-degree format requires a custom-built arena that Sahara didn’t have, so costly construction was required. Alas, an insider told me that the venue’s build-out was halted many weeks before the shutdown, suggesting that the bump-and-grind may actually be over. Today’s visit to the official website reveals that the word “spring” was removed, most likely due to the shutdown. Or are revised negotiations holding things back?

During the interim, MML has gone global with residencies in London, Berlin, Sydney, and Melbourne, so a pricey Vegas space is no longer a top priority for the franchise. Sahara Hotel has yet to prove itself as a hip destination, as demonstrated by the premature shuttering of similar-themed Blanc de Blanc. Combine that with the perpetual postponements of nearby Fontainebleau/The Drew and Resorts World, and things are looking pretty dead for Magic Mike Live.

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Cirque du Soleil 

Update 6/30/20 – Cirque du Soleil announced today that they have filed for bankruptcy protection and have eliminated 3,500 jobs…

I know what you’re thinking – “But you just said that “O” was safe?!?!?!?!”. True enough. But in our new reality, Vegas cannot sustain six (already down from eight) of what is basically the same show…especially at $150 and up for decent seats.

According to FinancialPost.com, Cirque owes more that $1.25 billion to creditors. MGM Resorts operates five of their six Vegas shows and is known to brutally slice away expenses wherever and whenever possible. So who gets their trapezes pulled? I’m looking at KA, The Beatles LOVE, and maybe Michael Jackson ONE.

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Hanging In The Balance/Probably Safe –

MYSTERE – the longest-running Vegas Cirque show follows its own set of rules since Treasure Island operates separately from MGM Resorts. MYSTERE is smaller in scale and has the lowest ticket prices. The others have massive sets, live musicians, huge casts and expensive automation that requires an entire team of technicians to operate and maintain. SO…..overhead…

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ZUMANITY – never a critical darling or fan favorite, but this one might not be in real jeopardy. It has many of the advantages that MYSTERE enjoys (smaller cast, intimate venue, lower ticket prices), and has already trimmed back its musicians and singers. But despite the adult-skewing format, ZUMANITY now pales in comparison to raunchy offerings from Spiegelworld. So once again, your guess is as good as mine.

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Le ReveWynn‘s signature production was never an out-and-out hit (some still believe it’s part of Cirque du Soleil fifteen years in), but it’s a critical darling and those who know it, love it. Le Reve is also owned by Wynn/Encore, which has deep pockets and an image to protect. When Steve Wynn’s own SHOWSTOPPERS was shuttered, massive shockwaves rippled through the entertainment community. That’s unlikely to happen again.

‘WOW: The Las Vegas Spectacular’ Celebrates Two Years on the Strip

WOW: The Vegas Spectacular – another budget-friendly production that hung in there despite the competition, WOW could in fact raise its profile and attendance numbers in the months ahead. Room rates at host hotel RIO start at a ridiculously-cheap $10 (plus resort fees/taxes) for the first half of May, so if the city actually opens, expect a pilgrimage to the aging off-Strip resort.

Sister production EXTRAVAGANZA missed its debut date at Bally’s last month and could possibly be in jeopardy. The cast of performers came from Israel and has yet to log a single hour in front of a paying audience. Housing the entire cast during quarantine is no doubt chipping away at the show’s reserves. Whether that could bring WOW down as well involves legalities that aren’t known to me. But from the outside looking in, it’s a pretty grim picture for EXTRAVAGANZA.

What are your thoughts, predictions and opinions? Feel free to add your comments or email me at Sam@VegasUnfiltered.blog.

THE BEST VEGAS SHOWS FOR $59 (OR LESS) TO SEE NOW


Click HERE to read the BestOfVegas version of this article and buy tickets to these shows and more at sale prices of $59 or less…

BestOfVegasEveryone loves a bargain, especially when it comes to stretching your entertainment dollar. Those deals become even better when you know how to get the most bang for your buck. Fortunately, we at BestOfVegas are constantly attending the latest and greatest productions and can help you choose the best shows, all at a discount that will make you say “Cheers!”.

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Here are our top five selections in Las Vegas entertainment, each at $59 or less. Reserve your tickets now while sale prices are in effect!

Top Comedy – Carrot Top at Luxor ($49)

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Luxor‘s “King of Laughter” has been packing them into the pyramid for over 15 years…with no end in sight. The fuzzy orange funnyman with a penchant for props skewers musicians, pop culture, airline travel and NASCAR fans in a nonstop barrage of gags, guffaws, and sidesplitting characterizations. If you haven’t seen Carrot Top, you’re missing a true Sin City institution. (adult audiences only)

More Comedy Top ChoicesJohn Caparulo’s MAD CAP COMEDY ($51), Mike Hammer Comedy Magic ($30)

Top Family-Friendly – CELESTIA at The STRAT ($40) 

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CELESTIA may be one of the best bargains in Las Vegas right now. An epic circus of wonders without the lofty prices of its better-known counterparts, CELESTIA presents amazing feats, dancing, and acrobatics under an incredible tent that’s equal parts “old school Big Top” and “hi-tech amazement”. A large cast of talented athletes, physical comedians, and musicians will leave you gasping, laughing and cheering long after the final bows.

More Family-Friendly Top ChoicesWOW – The Vegas Spectacular ($49), Popovich Comedy Pet Theater ($39)

Top Adult Production – Atomic Saloon Show at Venetian ($48) 

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Atomic Saloon Show is the lastest (and maybe greatest) treat from Spiegelworld, the team that brought you ABSINTHE and OPIUM. Set in a wild west brothel overseen by the villainous madame “Boozy Skunkton”, Atomic Saloon Show invites you to a bottle-smashing bar brawl that will have you blushing, laughing and questioning your own powers of sight. To tell you any more might spoil the surprises, but don’t miss this nuclear blast of high-powered fun.

More Adult Production Top Choices – Zombie Burlesque ($49), Sex Tips ($40)

Top Concert – The Bronx Wanderers at Harrah’s ( $59)

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The Bronx Wanderers is a family band with a penchant for the music of Jersey Boys, Stray Cats, The Beatles, and Neil Diamond. Their expanding popularity has necessitated moving into ever-larger theaters. Now featured at Harrah’s main showroom, the multi-talented troupe is overseen by patriarch Vinny Adinolfi. Dad’s recording-industry background provides the backdrop for a marvelous collection of hits both classic and current. A must-see production that touches the heart, The Bronx Wanderers will lift you higher and send your soul dancing into the streets.

More Band/Concert Top ChoicesTenors of Rock ($43), The JETS – ’80s and ’90s Experience ($44)

Top Sexy Revue (tie)Chippendales at Rio ($38), FANTASY at Luxor ($43)

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We’ll split this category right down the middle and give both Chippendales and FANTASY our top rating. The daring pair of skin-baring revues is considered to be the gold standard in their class of provocative entertainment. Delivering equal parts titillation, elegance, style, and sass, the one-two punch of Chippendales and FANTASY is all you’ll need to satisfy your thirst for sexy guys or girls. It’s worth mentioning that both genders are equally welcome at these shows, so don’t leave your other half behind…unless that’s part of your plan.

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More Sexy Revue Top ChoicesCrazy Girls ($45), Australia’s Thunder From Down Under ($50)

For discount tickets to all of these shows and more, follow THIS LINK to BestOfVegas.com

 

2019 – The Year in Review: See It or Skip It?


A quick-reference guide for current shows and my take on their worthiness for your hard-earned discretionary income…

With all of the productions that have come and gone in 2019, it’s tough to know what is playing, let alone what to see. This is the most complete list of titles I could compile as of 12/22/19. The guide includes only shows that I’ve actually seen, along with three categories to help you decide. Where possible, I’ve provided a link to my reviews, which can be accessed by clicking on the colored letters.

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DON’T MISS IT!!!!

ABSINTHE“Daring burlesque variety show continues to amaze in its 9th year”.

ATOMIC SALOON SHOW“You’ll laugh, you’ll cringe and you’ll most definitely be titillated.” 

AUSSIE HEAT – The ‘other’ Down-Under male revue is faster/hotter/better than you’d ever expect.” 

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BEATLES LOVE by Cirque do Soleil – “Remains one of the most spectacular and satisfying shows in town.”

BARRY MANILOW – “Try not to get choked up.”

BRONX WANDERERS –  “Handsome and talented collection of musicians and singers brings down the house with every performance.”

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CELESTIA“Beautifully mounted with snappy pacing, memorable costumes, and a very attractive athletic cast.”

CHIPPENDALES – “It’ll melt your inhibitions…and the ice in your glass.”

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DAVID COPPERFIELD

DRAG BRUNCH – “The perfect opportunity to lose your gender-bender virginity.”

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FANTASY – “If you’ve enjoyed FANTASY in the past, you’ll love it even more the next time.

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HANS KLOK – “A breakneck theatrical experience that will leave you slack-jawed and gasping in wonder.”

HUMAN NATURE: MOTOWN AND MORE – “will have you humming all night and dancing in the aisles.”

JEN KRAMER MAGICa collection of tried-and-true favorites delivered with a next-generation spin.”

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John Caparulo MAD CAP COMEDY- “an unforgettable evening of gut-busting hilarity.”

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LE REVE: The Dream – “manages to be both intimate and epic. It’s my personal favorite in the city.”

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MIKE HAMMER COMEDY MAGIC

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MISS BEHAVE GAMESHOW – “An experience that you can’t have anywhere else…and that’s what Las Vegas is all about.”

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MURRAY THE MAGICIAN

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MYSTERE by Cirque du Soleil

OPIUM – “will have you gasping for days. Don’t let ANYONE spoil the surprise.”

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REDNECK COMEDY MAGIC

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SEX TIPS FOR STRAIGHT WOMEN FROM A GAY MAN – “a fast-paced evening for open-minded adults of all persuasions.”

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SEXXY 

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TENORS OF ROCK – “An international confection of rip-roaring vocals, boundless energy, and a live onstage band.”

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TOURNAMENT OF KINGS

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V- THE ULTIMATE VARIETY SHOW

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VEGAS! THE SHOW

WOW – THE LAS VEGAS SPECTACULAR“an unforgettable adventure through the oceans of time.”

ZOMBIE BURLESQUE

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DON’T DO IT!!!

BLACK MAGIC LIVE – a cheap, chaotic disaster unworthy of your time and money.”

CRISS ANGEL MINDFREAK – “continues to regurgitate up our collective pipes and spread noxious odors throughout the Vegas valley.”

MARIAH CAREY – “Santa didn’t hand out coal this year…he gave away tickets to Mariah.”

MAT FRANCO: Magic Reinvented NightlyMat Franco is about as dull as a dead rabbit.”

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R.U.N by Cirque du Soleil – “you’ll think you’ve wandered into a high school production of West Side Story”.

TERRY FATOR – “Terry Fator is a log jam that just won’t flush.”

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THUNDER FROM DOWN UNDER – “a great big middle finger to the audience.”

IF THE PRICE IS RIGHT

AUSTRALIAN BEE GEES

BLUE MAN GROUP 

CARROT TOP – “the exact same jokes and gags for over a decade”

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CHERRY BOOM BOOM – “Costuming is top-notch, the choreography is consistently impressive, and some sequences are downright breathtaking.”

CRAZY GIRLS

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GEORGE WALLACE

KA by Cirque du Soleil

LEGENDS IN CONCERT

MAC KING COMEDY MAGIC

MARC SAVARD COMEDY HYPNOSIS

MENOPAUSE THE MUSICAL

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NATHAN BURTON MAGIC

‘O’ by Cirque du Soleil

PENN & TELLER

POPOVICH COMEDY PET THEATER

POTTED POTTER – “a face-paced and humorous retelling of the wizarding-world saga.”

RAT PACK IS BACK

STEVE CONNOLLY – SPIRIT OF THE KING 

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X BURLESQUE

XAVIER MORTIMER’S MAGICAL DREAM – “technology blends with meticulous choreography and precision timing to jaw-dropping effect.”

ZUMANITY

More of my 2019 Round-up in the days ahead…

 

 

Hanging By A Thread – Sin City’s Huge Entertainment Dilemma


Fuerza Bruta’s shocking failure suggests a troubling future for large-scale productions….

Several years ago I penned a two-parter for Vegas Chatter entitled “Four Walls and a Dream”. In it I explored the difficulties involved in launching a new show in today’s corporation-run Vegas. Gone are the days when casinos supported their own entertainment. It’s up to productions themselves to “pay the rent” via an arrangement known as four-walling. And that quite simply is why most new shows are gone before you’ve ever even heard of them.

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That article was inspired by Jeff Civillico, a dynamic young entertainer whose star was already on the rise. His “Comedy In Action” afternoon show at Linq Hotel (then known somewhat absurdly as The Quad) was working hard to make a name for itself. Yet the resort where he rented showroom space had little interest in helping “Comedy In Action” to succeed.

Civillico was on the hook not only for the room and production costs, but also for supplying the advertising materials to display around the property. Yet Jeff had little control over where they’d be displayed….if at all. I’m not sure if he ever worked out his issues with parent company Caesars Entertainment, but Comedy in Action still performs once a week at Paris Hotel Casino.

I learned a lot about the current state of Vegas entertainment while researching that piece. There was plenty of response from performers, producers, directors and public relations people when it ran, too. But after the shocking announcement that Fuerza Bruta would be shuttering only four weeks into a six-month stint, I realized two valuable facts:

  1.  There is no magic formula to ensure that a show will be a hit.
  2.  The current state of Vegas entertainment is more volatile than ever before.

If you haven’t heard of Fuerza Bruta, then congratulations. I’ll pretend to make a check-mark in the air and we can continue on down the list. But first, allow me to say that less than one week ago in my rave review for Fuerza Bruta for BestOfVegas.com, I called it a “Sin City game changer”. I also inaccurately claimed that it was “poised to redefine entertainment on the Strip”. Oh, my… (click HERE to read the original review).

 

 

Just after I’d sent the piece off to the editor, I received an email from Fuerza Bruta’s public relations firm regarding the Vegas run.

FUERZA BRUTA will perform its final show at Excalibur Hotel & Casino on Sunday, April 7, 2019. The acclaimed production, which has been seen by more than six million spectators in more than 34 countries and 58 cities since its launch in 2003, will continue to impress audiences from around the world as it prepares to make the move from Las Vegas to MGM Cotai in Macau in June 2019.
Tickets for the remaining Las Vegas performances of FUERZA BRUTA are now on sale and available at any MGM Resorts International box office, online at Excalibur.com or by calling (702) 597-7600. Refunds for tickets purchased for shows at Excalibur after April 7 will be available at the point of purchase.

It took awhile for the shock of this announcement to subside. I could have been embarrassed that I’d been so far off in my predictions. Instead I was angry that the so-called “City of Entertainment” had chewed up and spit out yet another piece of great entertainment.

 

 

All but one of my friends who had seen the show were absolutely dazzled by the balls-to-the-walls audacity of it. During three separate viewings, I’d stood alongside (and chatted afterwards with) cast members from shows like Chippendales, Le Reve, Zumanity and Donny & Marie. They’d come as I had to see if the enthusiastic pre-opening buzz was deserved. And every one of them was delirious, if not downright envious, of the incredible visuals and creative sequences that Fuerza Bruta was able to pull off inside a tent erected on a parking lot.

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That positive word-of-mouth alone should have been enough to bolster tickets sales. If performers from some of the top shows in Vegas loved it, then it was a must-see, right? Not so fast. Depending on who you ask, it turns out that paid tickets for the show were averaging 50-80 sales per performance with the rest comped (freebies). But if all of those people love it, then they’ll recommend it to friends and attendance will build, right? Well, that would take time….which the powers that be weren’t about to grant.

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Fuerza Bruta was located just outside of Excalibur, which is owned by MGM Resorts. MGM runs nearly half of the major resorts on the Strip. So why weren’t they supplying the capital to help fund operations and allow for attendance of this remarkable show to grow? Four-walling, of course! If Fuerza Bruta failed, all Excalibur would have to do is pull down the advertisements and sweep away any remaining evidence of where the tent had been.

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Realizing that readers and friends who’d planned on seeing the show would never get that opportunity to do so made me angry. I took to social media to vent my frustrations. “What the Hell is wrong with Vegas? Nothing worthwhile stands a chance anymore!”

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Well, thank goodness for the reach of Facebook and Twitter, because my steam-valve post brought out lots of sensible responses from performers in and around the Strip. Mike Hammer of Mike Hammer Comedy Magic at Four Queens was the first to chime in:

You can blame it on this city all you want but they didn’t understand the fundamentals of running a show in this town. It comes down to poor marketing strategy. First of all the show has a name that is not memorable. I live here and can’t even pronounce the name. No way most people from the Midwest are even going to know what the show is. Also, it’s pretty hard to sell a show when you can’t even describe it. Everyone I know that has seen it, including has never described it in one sentence. They didn’t even leave enough time to build up a buzz.

Bad timing of when they opened too. Slower time of the year with March madness and spring break. Again, this a producers decision. They weren’t even selling 50 tickets so how can you blame it on this city?

Again, people that don’t get the VEGAS market. If they didn’t plan enough money to survive six months of marketing, they just were not ready. I wish the best of luck elsewhere where they know what they’re doing. I love VEGAS and it’s been a home to me for 16 years. I’ve seen shows come and go and most of the time it’s the producers or management fault.

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Enoch Augustus Scott, host of long-running hit Zombie Burlesque at Planet Hollywood’s V Theater also took exception to my finger-pointing at Vegas:

There are a million possible reasons besides fat Americans to account for this. Injury. Bad accounting. Or it could be the standing up. People stand and walk around Las Vegas all day along. Sometimes the only chance they get to sit is dinner or a show. Also the Las Vegas show demo skews older. Also people from all over the world come to Vegas. Cirque has been able to grow as big as they are by catering to and attracting an international market base. So you really can’t blame fat Americans on a show not running. Clearly the producers did not understand the landscape or have enough capital to go the 6 months. Happens all the time. Producers come here with a hope and dream and without a business plan or the necessary investment to run a show long enough for it to become a success. It is poor craftsman who blames his tools and even poorer performer who blames his audience. Literally.

While I agree on much of what Enoch says, he also had added “It was always meant to be a limited run. Calm down everybody.” Correct, but that limited run was for six months with the hope of an extension. Four weeks was clearly a failure with deeper implications.

 

See, that’s the problem with having so many choices in one city. Without brand recognition, a famous headliner or a simple-to-explain concept, your middle-American Vegas visitors just won’t make the time for it. Hence we’re inundated with magic shows, impersonators, topless revues and lots of “Circus Day Solay”.

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It’s interesting to note that Fuerza Bruta played in New York City from 2007 through 2016. That’s over 3,000 performances! But we’re talking about an entirely different demographic over there. Visitors to NYC book their tickets to Broadway hits months…and sometimes a year or more…in advance. They’re also a more sophisticated crowd that makes Broadway entertainment part of an elegant evening that includes fine dining while wearing tasteful and carefully-selected outfits.

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But in Las Vegas we’ve got 1) no backing from the host hotels, 2) no opportunity to build brand awareness….and 3) a group of visitors not exactly looking for high art to go along with their yard-long daiquiris.

I went poking around other social media outlets to see how people were reacting to the news of Fuerza Bruta’s sudden shuttering. Always-reliable VitalVegas.com had quickly published an article announcing the closure, and it was a comment from reader ExVegasLocal that caught my eye:

I was “this close” to buying tickets to see Fuerza Bruta for an upcoming trip. It looked like a really cool show, but I was on the fence because I wasn’t sure I wanted to be jostled in a crowd from one side of the room to the other for an hour. In the end, I decided not to bite.

No matter what Vegas thinks about itself, it’s not really that forward thinking/avant garde. Neither are its visitors. Hence the constant replication of one thing that works until it’s completely overdone. Another Cirque show/night club with one syllable name/shopping arcade in front of a hotel/pool party/CVS pharmacy anyone? Now that’s more like it.

Vin A., one of The Bronx Wanderers, had a humorous reaction to my post…one that was also deeply insightful:

Well THAT was obnoxiously fast 😢 i didn’t even get to see the freaking thing! Wtf? Need a low low overhead to survive out here. Why all the one man shows live on forever and a few small cast things barely squeak by. It’s tough as hell out here. You play here for the prestige, and you tour for the money that carries you through your losses out here. That’s the future.

Raja Rahman of the musical magic duo Jarrett and Raja added his own thoughts to the situation:

It’s never about the quality of the show. It’s the $$$ behind it. Ugh. The cycle continues. After our experience, I’m convinced this business model is crap. Any business needs time to ramp up.

“Our experience” no doubt refers to the troubles Jarrett and Raja encountered at various showrooms throughout the city. They’ve had to deal with four-wall scenarios and abrupt closures at downtown’s Plaza Hotel, Hooters Casino and Stratosphere. Even though these gentlemen are residents of Las Vegas, they often find it sensible and more lucrative just to take their talents on the road.

Actually, it’s a pretty common thing for Vegas shows to go on tours. And often they never return. A few years ago I shadowed a production as it searched for a suitable venue on the Strip. After months of meetings and hassles, they decided on a major casino with a troubled showroom history. Sadly, their production would just be another casualty in a long list at the historic south-Strip hotel.

An opening date was chosen, tickets were sold, sets were constructed and advertisements went up throughout the casino and outside. But after being frustrated by resistance and lack of support from the hotel’s regime, the producers abruptly decided to throw up their hands, walk out the door and take the show on the road without doing a Vegas residency.

It makes no sense. It’s like they don’t want you here. Why should I put up money and then fight with the people who I’m paying rent to? After all that, if I’m lucky I’ll sell two hundred tickets a night in Las Vegas. We could take this show to other places where entertainment like this isn’t available and sell out two THOUSAND seats a night. And those places roll out the red carpet for us.

And that’s exactly what he did. A show designed for the Vegas Strip had to leave the city in order to survive. And the showroom they walked away from still remains empty two years later.

It doesn’t have to be that way, but greed always puts short-term profit ahead of long-term goals. Let’s use BAZ as an example. That innovative musical was brought to Mandalay Bay from Los Angeles by none other than Cirque du Soleil. The launch occurred during an awkward time frame in which ownership and business models at Cirque were being radically altered. Cirque abandoned BAZ in no time and without their support it closed after only six weeks.

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      BAZ was the perfect blend of sass, class and contemporary pop culture…

That’s when the Sands Corporation stepped in. Recognizing the many benefits of having a fantastic and unusual show on their property, they forked over the money to retro-fit the Palazzo Theater and supported BAZ’s run for two years. BAZ was never going to be a huge hit, but it was a prestigious project that brought a great deal of class and pride to the Venetian/Palazzo family.

So on one side we’ve got performers stating from personal experience that the four-wall business model doesn’t work. And on the other we’ve got these huge corporations that just don’t care. Working within the confines of the current system, what can be done to help a show succeed?

Well, if there was an answer to that, then at least a few of the dozens of shows that died in 2017 and 2018 might still be around. And that theoretical answer still wouldn’t apply to an existing property like Fuerza Bruta. So should it have been the responsibility of the PR firm to suggest “Hey, your show isn’t going to work here without a bit of overhaul”? Unlikely….they’re a third-party agency being hired by the show to spread awareness and buzz….nothing more. And who tells their boss on the first day that people might not even want their product?

Besides, public relations firms work mostly within the industry, reaching out to people like yours truly and much larger outlets such as TV networks, magazines and newspapers. They can tailor an existing ad campaign to make it Vegas-centric, but a risky top-to-bottom re-do for one stop of a tour? Not gonna happen…and we’ve already decided that there’s no magic formula for success, so why even try to change what’s worked everywhere else on the planet?

Should the PR firm have at least suggested a name revision for the show? Again, that would have understandably been met with resistance from a product that’s already a worldwide brand. And yet, a temporary re-naming to “Fuerza Bruta – Brute Force” might have eliminated some confusion and put a few more arses in those non-existent seats. Even the wise folks at Wynn eventually decided after several years to officially change the name of  Le Reve to “Le Reve – The Dream”. Because, you know, French is hard!

So just how much is in a name? Maybe the folks at the Strat should be asking that question right about now. No doubt they are sweating, because their delayed-delayed-delayed tent show Celestia, which was supposed to open on January 30th, is suddenly looking at an even more troubled future.

Celestia, now set for a May 1st debut (even though tickets are still not up for sale), may have an edge over Fuerza Bruta simply because it’s a show created specifically for Vegas. But we can justifiably counteract that advantage with the simple fact that it’s way at the troubled north end of the Strip and not the heavily-traveled Excalibur/MGM Grand/Tropicana/New York NY intersection where F.B. failed.

Celestia can also boast having some Cirque du Soleil DNA in its genes….and a few years ago that might have mattered. But now it’s time to recognize something really scary: Cirque du Soleil is facing genuine trouble here in Las Vegas. I’ve been told by people behind the scenes that MGM Resorts is quietly preparing to shut down all of their Cirque shows by the end of 2020.

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                             It’s my blog, I’ll be dramatic if I want to be…

While that might sound like absurd conjecture, there is plenty of evidence to back this rumor up. For one, huge productions like KA, ZUMANITY and Beatles LOVE are now advertising on Groupon. Yes, Groupon…the place where you go to buy discount Botox treatments and personalized make-up bags.

 

 

In my Vegas Chatter days, Groupon was a clear indicator that a Vegas attraction was struggling badly and would soon be gone. If you don’t believe me try to visit Eli Roth’s GORETORIUM. That’s not always the case anymore, but with must-see shows like LOVE, it’s an embarrassing way to put butts in seats.

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Hundreds of empty seats during a Friday performance of Cirque’s “Beatles LOVE” 

I recently attended a Friday-night performance of LOVE and was shocked that the massive auditorium was perhaps 40 percent filled. Hundreds upon hundreds of empty seats. And that’s apparently been the case for most of the Cirque shows for awhile now.

Vital Vegas stated in May of last year that Cirque’s 2017 capacity had been running at around 50 percent. With the removal of free parking to Nevada residents and a continued drop in tourism, that number would look even bleaker in the first quarter of 2019.

MGM Resorts numbers bear out rumors Cirque shows running at 50-60% capacity in Vegas: 3.6 million Cirque tickets sold in 2017, 9,890/week avg. per show. At 10 shows per week, that’s 989 sold with avg. capacity of 1,700.

Vital Vegas was also one of the first to report that Cirque Vegas was undergoing huge layoffs behind the scenes as part of a massive cost-cutting measure:

As they say in show business, “Holy crap!” Cirque du Soleil has reportedly informed all their Las Vegas shows (excluding “Mystere”) all department heads (lighting, sound, wardrobe, etc.) will be let go Apr. 17.

7:19 PM – 23 Mar 2019

He followed that up with an even more troubling tweet:

Hearing at least one well-known Cirque variety act was spotted auditioning at another (non-Cirque) show in town, presumably due to safety concerns related to Cirque layoffs.

12:48 PM – 31 Mar 2019

So, department heads have been axed, individual shows are being consolidated under one umbrella and performers are supposedly jumping ship to save their own skins. Does that sound like Cirque du Soleil will be around much longer to you?

In November I visited the Vegas Cirque du Soleil headquarters for a profile on Kim Scott, their Senior Manager of Sourcing and Partnerships. In her twelve years with the company, Scott had spearheaded shows like KA, Beatles LOVE and Criss Angel Believe.

During the interview, Kim had proudly spoken about being “responsible for maintaining our position in the industry as a leader in live entertainment safety standards, and position(ing) Cirque du Soleil as an employer of choice.” Yet one week after the article was published, Ms. Scott notified me that she was leaving Cirque to start her own consulting firm. I was astonished…and a little concerned.

Scott had also mentioned at the time that Cirque was busy creating a new show for Luxor in the theater vacated by Criss Angel’s Mindfreak. Raise your hand if you’ve heard anything about that one….I certainly haven’t.

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          Wanna go gaga over Gaga? It’ll set you back about a grand….

If a major brand like Cirque is struggling, new shows can’t afford to open and dozens of existing productions have disappeared, what will the future of Las Vegas entertainment look like? I have three answers: pricey headliner residencies, sports teams and celebrity DJ’s.

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       This….person…was just hired by Palms Resort to the tune of $60 million…

I don’t think anyone’s unaware of the Golden Knights or the new Raiders stadium. And who isn’t buzzing about Lady Gaga‘s two new shows at Park MGM Theater? Katy Perry, Janet Jackson, Christina Aguilera, Aerosmith and more are settling in for extended gigs. Throw in Marshmello/Calvin Harris and their ilk for the club kids and that’ll probably cover nearly every major kind of entertainment in the city.

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           1.8 billion dollars is the projected cost of the new Raiders stadium…

Oh, those little one-man shows will probably survive. And the strippers most likely will never run out of poles to swing from. But for productions shows, you’ll just have to head Downtown to the Smith Center. That venue for the performing arts will continue to host nationwide touring productions for short-term runs. Las Vegas will just be another stop on the schedule…no longer unique.

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               “Closed. Refunds will be available at the point of purchase.”

Clips and photos by Sam Novak. Except for a few from…wherever….

 

 

 

 

 

Inside “The NAKED MAGICIANS” at MGM Grand


Genre-bending illusionists reveal more than magic tricks….

Click HERE to read this article at BestOfVegas.com

There are some who say that Sin City doesn’t always live up to its name. Perhaps there is no such thing as shock value anymore? Well, don’t be so sure of that. A pair of bawdy Australian illusionists has arrived at MGM Grand and they plan to rip the roof off the resort by tearing away their top hats and tails.

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Unless you’re Mariah Carey, most performers would rather focus on their craft than how much skin they put on display But for Mike Tyler and Christopher Wayne, fans of The Naked Magicians wouldn’t have it any other way. These two handsome hunks are constantly goaded by audience members to “take it off”. And eventually, they do!

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Australian men are already recognized as some of the hottest on the planet – for proof, look no further than the success of Thunder From Down Under at the Excalibur. Add in the resurgence of the popularity of magic shows and Criss Angel’s sex appeal with the bawdiness of Absinthe and Opium, and it’s clear that the time is right for The Naked Magicians.

Let’s be clear about one thing: Despite a similar-sounding name, this is no Magic Mike LiveThe Naked Magicians actually have more in common with Mike Hammer’s Comedy Magic than any male revue. But where Hammer’s humor is insult-based, the Aussie boys’ focuses on sexual innuendo and in-your-face mayhem.

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Tyler and Wayne were perfecting jaw-dropping feats of illusion long before they decided to pair up and drop their trousers. When the boys went full-frontal and took their family jewels on the road, the response was unexpectedly overwhelming. Venues sold out in over two hundred cities around the world, and rave reviews poured in, ensuring that The Naked Magicians would eventually take their hit sensation to Sin City.

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If you haven’t already guessed, The Naked Magicians is an adults-only production. Brad Garrett’s Comedy Club blends the perfect amount of late-night intimacy to the proceedings – double entendre intended. An opening-night crowd on February 13th filled the venue, which is located at “The Underground” inside MGM Grand. A large percentage of attendees was gentlemen, a fact the duo joked about as they took to the stage.

Surprisingly, the magicians began their performance fully clothed, sporting flashy tailored suits that showed off their chiseled physiques. Despite a conservative entrance, their first illusion –  which involved a six-foot representation of male genitalia sailing through the crowd – shattered any concerns that these performers would play it safe.

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The rapid-fire performance is heavy on comedy, nearly all of it laced with some form of wink-wink humor. Bits involving a blow-up doll, cell phone hook-up apps, a crowd-made porno film, a “gay” straight jacket and other R-rated material fill the 90-minute show. It’s not long before the guys strip off their shirts, doing a little bump-and-grind to thaw out those chilly libidos.

As the guys’ off-the-chart charms electrify the crowd, more clothes fall away, and so do any apprehensions or uptight conventions. It’s safe to say that even straight-laced husbands in the crowd found this unusual form of entertainment to be “cool.”

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It’s worth noting that even though The Naked Magicians have gone “full-throttle” in places as tame as Salem, Oregon and Grand Rapids, Michigan, they’ve actually been forced to tone things down a bit for their Sin City run, as local laws prohibit total nudity in establishments that serve alcohol.

So, if encountering the “Full Monty” might have kept you from seeing the show, your worries have been covered. Just know that The Naked Magicians have found a new way to use a magician’s hat – and it doesn’t involve a rabbit.

To learn more about Mike Tyler’s magical talents, visit his website by clicking here

 

 

 

Hot Guys of Vegas – Humanitarians and the Humane


The latest of my series on the good-looking men who make Las Vegas a better place to live…

Hard to believe so much time has passed, but it’s been five whole months since my last entry in the “Hot Guys of Vegas” series! Since we’ve just come out of the “Season of Giving”, it only seems fitting to salute this current crop of hunks. One way or another, they’re all doing their part to make Las Vegas more live-able, either by promoting businesses, supporting worthy causes…or sharing their love for the animal kingdom.

Ricardo Laguna – Pro BMX rider/ TV personality

 

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                                                          Ricardo Laguna

Where you’ve seen him – sporting events, magazines, community functions

There are very few people in Las Vegas who haven’t encountered Ricardo Laguna. This stunning man has been a resident since the age of thirteen. When he’s not emceeing an event, helping with a charity or enjoying time with his family, he’s flying through the air on his BMX bikes. Sometimes he’s doing all of them at once.

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           Raising funds for the NSPCA at Vegas Indoor Skydiving Tunnel Jam…

Ricardo’s known for his charisma, community efforts and undying love for the city he calls home. He also owns an eye-catching wardrobe, thanks in part to friend Ricci Lopez-Hammargren at STITCHED Men’s Haberdashery (more on Ricci soon). But underneath those gorgeous clothes is an equally stunning body. In or out of a shirt, Ricardo Laguna is always dressed to impress.

Several children’s charities are close to Ricardo’s chest…er, “heart” . You may find him doling out ice cream at Ben & Jerry’s “Free Cone Day” to benefit CASA Foundation or fighting childhood obesity via Jump 4 Joy Foundation. But whatever he’s doing or how high he soars. Ricardo Laguna eventually ends up with his feet…and his wheels…firmly on the ground.

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Noteworthy traits – defiance of gravity, ability to great cheese on his abs

 

Mike Foland – entrepreneur/reality TV star/entertainer

 

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                                                          Mike Foland

Where you’ve seen him – E!’s Men of the Strip/FLO Advertising/Chippendales

Mike Foland might not be a household name…unless you’ve seen him as the smooth-talking “Money Mike” in E! Television’s Men of the Strip movie event. Nevertheless, Mike’s presence is felt in just about every corner of Sin City. He’s a man on the move, just like his awesome FLO Advertising mobile digital billboards that you may have seen this blog displayed on.

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Foland is one of those guys that everyone seems to know and love…and rightly so. He has his hands in so many operations and activities that it’s hard to describe exactly WHAT Mike does…or just how wide his interests are. Along with the advertising business, Foland works behind the scenes to create new Vegas entertainment, is a member of the National Addiction Center Treatment Alliance and owner of Sunshine Sober Home in Florida.

Mike’s remarkable background is just as varied. The West Palm Beach FL native began as a wrestler which segued into an MMA fighting career. Somehow along the way he managed to become a member of the world-famous Chippendales. No shortage of testosterone in this guy, that’s for sure.

Mike says his dancing days are far behind him now, but love for animals will always be a part of him. Very much a cowboy at heart, Mike enjoys farmer life and outdoor activities. Fishing, boating, hiking and diving are all part of what makes this rugged hunk a real “man’s man”. But deep down inside and underneath that ever-present cowboy hat, Mike Foland is a true softie.

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Noteworthy traits – gentle demeanor, major masculinity

 

Jeffrey Frischmann – showroom manager/animal rescuer

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                                                    Jeffrey Frischmann

Where you’ve seen him – Mike Hammer Comedy Magic/Spirit of the King

If you’ve had the good fortune to attend one of the two sterling shows at Four Queens Hotel Casino, chances are you’ve met young Jeffrey Frischmann. This handsome, soft-spoken boyish gentleman presents himself with a demeanor and elegance reminiscent of the showroom maitre d’s of yesteryear Vegas.

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                  Jeffrey joins Steve Connolly onstage at Spirit of the King

Jeffrey usually wears a wacky logo t-shirt under his dark blazer. which adequately represents the dual personality of this outstanding guy. Jeffrey’s quite formal on the outside but life-loving and adventure-filled within.

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You’d be hard pressed to find a photo of Mr. Frischmann by himself. He’s always with…or holding…someone or something he loves. Married to lovely Ayin with two-year-old daughter Farrah, this family shares their home with some other very special members.

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Jeffrey and Ayin are actively involved in providing homes for French bulldogs. As part of Nevada Frenchie Rescue, the couple has been instrumental in relocating pets from other areas into better situations…and have adopted several of them as well. Of course, they’ve experienced many tearful farewells along the way, but Jeffrey knows that the pain is worth the rewards.

This aficionado of all things retro-cool loves to hit up antique shops with his pal Carrot Top, listen to rock music on his vintage record changer and play pinball with pals. During the scorching Vegas summers, Jeffrey heads out to Lake Mead for swimming, boating and diving. In the winters, there’s snowboarding to keep him fit.

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Being Mike Hammer’s right hand man means that Jeffrey is ever-present at fundraisers and charity functions that Hammer hosts and attends. Most notable is a series of annual Mike Hammer Celebrity Go-Kart Races that have benefited a long list of charities.

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However Jeffrey spends his days, you can always find this great guy charming his guests at the Four Queens Showroom five nights a week. Making people smile comes naturally for Jeffrey. He represents his generation VERY well.

 

Notable traits – tough-guy tattoos, boyish grin

 

 

Vegas 2018 – Best of the Best, Worst of the Worst in Smaller Shows


Which one ones to rush to…and a few to steer clear of…

Earlier this week I put the spotlight on a few of the more spectacular resident productions on the Strip (read here). But for every grand-scale shows there are a dozen or more economical choices vying for your entertainment dollar. These little guys must survive without massive advertising budgets or big-name stars. The casts have to work that much harder to please their audience, often making for a surprisingly enjoyable experience.

Let’s take a look at a few of these lesser-known and more intimate shows…and sort out the gems from the lumps of coal.

MOST OUTRAGEOUS – Miss Behave Gameshow

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Sometimes you just need to do something a little crazy. And that madness is even more intoxicating when there are dozens of like-minded guys and girls taking the same trip down the rabbit hole with you.

Miss Behave Gameshow is offbeat, raunchy, free-wheeling fun from creator Amy Saunders. Accompanied by a curious fellow named Tiffany, Saunders (as Miss Behave) guides you through a game whose primary rule is “There Are No Rules”. It’s part improv, part avante-garde performance and a heaping helping of audience participation.

Miss Behave Gameshow earns every laugh in the best way possible…by being genuinely entertaining. And there’s a heartwarming philosophy at its core that will send you out into the casino with a smile on your face. For something you can’t do at home, put this one on your next Vegas “must-list”. Full review here.

Runner Up – Sex Tips for Straight Women from a Gay Man

MOST IN NEED OF A FACELIFT – Carrot Top at Luxor

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Let’s be clear right away…I’m referring to Carrot Top’s act, not his actual face. And while I adore the orange-haired comic both personally and professionally, his act has become quite stale. It’s still hysterical for those who haven’t seen it in the past, but he’s been performing the exact same jokes and gags for over a decade now.

When I first started visiting Vegas in 2006, Carrot Top at Luxor‘s Atrium Theater was a must. As the years wore on, so did the jokes. Even his props look old and dirty now. The Hooters application. Rosie O’Donnell’s buffet tray. A-Rod’s steroid-filled bat…all past their prime. We love ya dude, but give us something new. And once again, I’m not talking about your face.

BEST DOWNTOWN SHOW – Mike Hammer Comedy Magic

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Mike Hammer shares his name with a fictional detective character, but you don’t need to be a sleuth to figure out why he’s such a success. The Chicago-born multi-hyphenate is good-looking, suave, a little bit raunchy and a whole lotta funny.

You might be thinking “Great, another cheesy magic act” but Mike Hammer Comedy Magic is a lot more Don Rickles than David Copperfield. Sure, his illusions are sharp and frequently earn gasps from the audience, but it’s his jokes that you’ll remember long after you leave.

There’s a lot going on when you watch Mike Hammer. The guy is clearly at the top of his game, mixing topicality with wit, sarcasm, unforgettable facial expressions and wonderful sleight of hand. It doesn’t hurt that he’s ridiculously handsome, stylish and more fit than guys half his age, too.

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                                            Little guy. Big entertainment…

Dollar for dollar, you won’t find a better entertainment value Downtown…or anywhere else in Las Vegas. If you’re heading down to Fremont Street, be sure to start your adventure at the showroom of Four Queens. And be sure to stick around after the performance to chat (or flex) with Mike. Sometimes that’s the best part of the night.

Honorable mention – Spirit of the King (also at Four Queens)

BEST VINTAGE VEGAS VIBE – Cocktail Cabaret at Caesars Palace

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For awhile it seemed like this little treasure was gone for good, then it returned a few months ago to Cleopatra’s Barge at Caesars. Nobody seems to know exactly how or why, but what matters is that Cocktail Cabaret is back.

The concept here is simple…a traditional early-evening lounge act overflowing with superb local celebs doing their finest standards and witty repartee. Backed by the wonderful Philip Fortenberry band, this foursome strolls throughout the audience, encouraging you to imbibe as they dance, sing and tell jokes.

Of the three times I’ve attended Cocktail Cabaret, lovelies Maren Wade (The Morning Blend), Niki Scalera and Eric Jordan Young (Vegas! The Show) have been constants. Guest performers include Ron Remke (BAZ), Travis Cloer (Jersey Boys), Daniel Emmet (America’s Got Talent), Shai Yammanee (Jubilee) and James D. Gish.

Whatever the line-up, the talent will be top notch and you’re certain to be entertained. Cocktail Cabaret is the type of show that put Las Vegas entertainment on the map. It’s vintage Vegas at its finest. Don’t miss it.

BIGGEST SNOOZE – Mat Franco: Magic Reinvented Nightly

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Vegas has become a bit of a sanctuary for America’s Got Talent contestants. Some hit it big (Terry Fator), others fade away quickly (Paul Zerdin). In the case of Mat Franco, there was a lot at stake.

If the gossip is to be believed, NBC put a chunk of their own bucks into renovating the Linq Hotel showroom for their latest AGT winner. The desire to solidify their brand in Vegas caused a riff between the hotel and Frank Marino’s DIVAS, which was being pushed to the side in favor of Franco. Few know it, but the long-running DIVAS was already in the crosshairs before a financial scandal slammed the door on the drag queen’s closet.

As for Magic Reinvented Nightly, nothing could be further from the truth. Good luck trying to spot something that you haven’t seen before. The production relies heavily on the star’s charisma to make it exciting. Sadly, Mat Franco is about as dull as a dead rabbit. His boyish grin is the only thing the magician has to offer, so you’re left with…..well, not much else.

Tickets to Magic Reinvented Nightly should come with a complimentary dose of No Doz.

FAVORITE TOPLESS REVUE – Chippendales/SEXXY (tie)

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In this era of equality, why should beefcake and T&A be separated into their own categories? Not at Vegas Unfiltered, where I’ll crow about the assets of Rio’s Chippendales and Westgate’s SEXXY in equal measure. Both are held in small-ish cabaret venues, feature a nice blend of traditional and cutting-edge sequences…and have a broad range of ages and ethnicities. In other words, there’s something here to curl everyone’s toes.

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Despite their naughty nature, Chippendales and SEXXY casts are quite akin to angels. Tirelessly working to raise funds and awareness for charitable causes, the topless performers of Chipps and SEXXY are as admirable as they are breathtaking. Read about Chippendales’ charity work by clicking here.

Runner Up – Zombie Burlesque

MOST PROMISING NEWCOMER – Opium at Cosmopolitan

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I hesitated to include OPIUM in the small-production category, as it really could go either way. It may have the backing of Spiegelword entertainment group….and a huge financial push courtesy of a big marketing campaign. But at its heart, OPIUM is very much a quirky little independent production.

Using a re-purposed showroom and sets from their previous flop Vegas Nocturne, the folks at Spiegelworld have fashioned a balls-to-the-wall variety show that wears its cheapness on its sleeves. Not to say that the costumes themselves aren’t fantastic, but any production whose central prop is an old Mattel Simon game…well, I’m sure you catch my drift.

Drenched in the type of naughty nastiness that you might expect to find at an underground avante garde show, Opium will do anything to make you gasp and bellow with laughter. A live band and vocalists, up-close acrobatics, a horny android and the cutest dog act you’ll ever see make Opium a great addition to the Strip. Read my full review here.

SADDEST CAREER PATH – Gordie Brown (Hooters)

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Pity poor Gordie Brown, a textbook example of a career in free-fall. The one-time Venetian headliner has been on a downward slide for over a decade. After leaving the Strip, this singer/impersonator settled in nicely at his own Golden Nugget showroom. As tickets sales continued to dwindle, Brown was shown the door. That led to a series of continually-smaller showrooms at Planet Hollywood and now the little-known Night Owl Showroom at Hooters.

It doesn’t help that Gordie’s material is as weathered and shop-worn as his voice. He tries his best, working up a messy sweat while attempting to get the most out of tired George Burns, Nicholson and DeNiro bits…all between gasps of air. You know you’ve hit rock bottom when you have to identify the characters to your audience….but since they all sound the same, does it even matter?

It’s worth noting that Mr. Brown is quite a beloved member of the local community. He’s a fixture at just about every fundraiser you can mention. He’s well-respected by his colleagues and fellow performers.

But as for his career, the once-promising star on the rise is now just bargain-basement filler. Even at $24.99 via Groupon, you’ll still feel cheated. Give Gordie Brown a hard pass.

BEST LOCALS SHOW – Mondays Dark at The Space

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Mondays Dark gets its name from the fact that most ongoing shows are “dark” on Monday, the slowest day of the week in Sin City. That frees up performers to do their own thing…and many of them still long to be onstage.

With that in mind, creator Mark Shunock (Rock of Ages and the miserable Magic Mike Live) gathers his show-biz friends a couple of times a month to “put on a show”. Then they donate all the proceeds to charity. Each event is absolutely unique from the others…and so are the casts. Each December, stars and the year’s charity reps gather at The Joint inside Hard Rock Hotel to celebrate their success and announce the next year’s charities.

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A humble concept has grown into one of the biggest little secrets in Las Vegas. I’ll be publishing a full article on Mondays Dark in an upcoming piece for BestOfVegas.com. But if you’re interested in learning more right now, follow this link.

Stay tuned for my next entry in 2018’s “Best of/Worst of”. Thanks for being a reader in 2018 and I hope to see you around town.

Las Vegas and the Australia Connection


There’s a unique bond between Sin City and the Land Down Under…

Thanks to casino developer Sam Boyd and his trio of downtown properties, the people of Hawaii have forged a strong relationship with Las Vegas. The FremontMain Street and most especially California hotels are dependent on regular tourism from the Island State, and they cater to the culture in a variety of ways.

Restaurants serve Hawaiian favorites, staff wear island-style shirts, and Hawaiian retailers like ABC Stores and Lappert’s Ice Cream have locations Downtown. Signs throughout Boyd casinos even proclaim “Aloha Is Spoken Here”.

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        Olivia Newton-John at the opening party for her residency at the Flamingo…

On the other side of the equator, the continent of Australia has also formed a bond with Sin City. While not nearly as defined, there’s an undeniable connection between the folks from Down Under and the City of Entertainment. Let’s take a look at a few examples, and perhaps uncover why such distant locations are joined by an invisible highway of travelers…and why so many people relocate from one place to the other.

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   Perth’s Andrew Gill welcomes guests to the Mike Hammer Comedy Show at 4 Queens…

For Andrew Gill, it was the lure of magic that drew him to Vegas. Then 19 years old, this native of Perth flew across the Pacific to attend the World Magic Teen Mentoring Seminar by legendary Lance Burton. Things turned out so well that Gill remained and worked his way up to becoming production manager for Mike Hammer Comedy Magic.

Andrew stayed with Hammer’s team a few years until his work visa expired. Before returning, the ambitious young Aussie had developed relationships with fellow magicians Murray SawchuckDavid Copperfield and of course, Burton. Now a successful realtor (with his own magic act to keep things fun), Andrew returns annually for the MAGIC Live Convention at Orleans Hotel.

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     Human Nature gives Mike Tyson some love at the opening night of JUKEBOX…

Since this city thrives on sex appeal, it’s only natural that the legendary handsome men of Australia would come here to seek fame, fortune…and steaming hot billboards. Outback rancher Aaron Michael Lucey relocated here to become a successful choreographer and performer.

In addition to various other musical productions, Aaron was dance captain for Thunder From Down Under, the long-running Aussie-themed male revue at Excalibur. That was followed by Chippendales spin-off 53X and more recently Masters of Illusion.

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         Aaron Micheal Lucey traded a saddle for the excitement of the Strip…

Three years ago, the upstart Aussie Heat opened downtown, quickly expanding both the show and their audience in the larger V Theater at Planet HollywoodAussie Heat achieved the number one spot for Vegas productions on Yelp. Ninety-three percent of audience ratings are at five stars, so the risky plan for bringing a brand-new, er…brand to Las Vegas seems to have paid off.

Moving to Vegas Reality vs. Expectations                                       Tommy (far left) with the cast of Aussie Heat…

You may remember the guest article penned by former Aussie Heat dancer Tommy Harvey aka “Tommy Gun” (pictured above, first row far right). Tommy detailed what it was like to move here from Australia. Despite undergoing a bit of culture shock, it wasn’t long before the striptease artist/athlete was feeling right at home.

Former Aussie Heat CEO Jono Weinstock explained the appeal of Vegas stages to Australian entertainers:

“As a performer, this is the pinnacle of achievement…being able to perform so many nights and shows a week. Back home, maybe once a week if lucky. It’s the pinnacle of entertainment, too — a big bold fun adult playground. Parties, gaming, pools, DJ’s, shows…”.

Weinstock was also quick to point out a few of the many positives that Sin City offers for Australian tourism:

“It’s a 15 hour flight from L.A., so we only get big-name performers once every 20 years in their careers! (There’s) cheap shopping also. We pay three times as much for everything down there. The outlets are a winner..and the Aussie dollar at times has been very favourable…now not so much, but shopping is of huge value.”.

Chippendales joined the Aussie-hunk popularity wave by recruiting dancer Ryan Stuart, who was widely promoted as their first member from Down Under. Stuart’s looks, talent, and super-sexy accent aided in him becoming a regular host for the show. After an onstage injury, Stuart returned to Australia but takes back with him a lifetime of experiences.

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              Hit-maker Kylie Minogue cuddles with fellow Aussie Ryan Stuart…

Ironically, Ryan’s fellow Chippendale host Russel Francis chose the opposite path, leaving the stages of Vegas for those of Australia. The handsome singer/dancer from Jacksonville Florida, who had starred in Planet Hollywood‘s PIANO MAN and VEGAS! THE SHOW was riding a career high when he decided to make a big change.

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Former Vegas performers Russel Francis (center) and Ali Francis (far right) bring a little taste of Vegas to the Australian Olympic team in Queensland…

Francis won the affection of a Vegas! The Show audience…and his co-star/future bride Ali…when he proposed to her onstage at the end of a performance. After the honeymoon and lots of traveling, Russel decided to head to Australia for a chance to audition for Ricky Martin on their version of The Voice. A year after going through the audition process, he made it to the finals and worked with legendary singer Seal.

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                       Russel and myself after one of his Vegas performances

Russel sees a definite connection between Las Vegas and Australia:

“I’ve traveled for about five years straight, been to six continents and hundreds of countries. Australia is by far the closest country to the U.S. They actually call Brisbane ‘Bris-Vegas’.

I asked Russel if Australia’s similarity to the United States eased his transition…and if he was welcomed by native residents:

“They have welcomed me with open arms. Everyone has been so friendly and helpful. I’ve been booked on all kind of gigs because everyone loves that I’m here. If I get on the show (X Factor) and do well then we might be here for awhile”.

The people of Las Vegas clearly have open arms for Aussies as well. Take note when you attend a show here and the performers ask audience members “Where are you from?”. Chances are, there will be a large and rowdy group of Aussies, all having a great time together.

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              The Australian Bee Gees celebrate all things disco at Excalibur…

And why not? It’s great to feel welcome when you’re so far away from home. And Aussie visitors are bombarded by advertising for Australian Bee GeesHuman Nature, and previously for Olivia Newton-John. But if they ever feel lonely, there’s a community group dedicated to Australians who have relocated here.

Currently, no casino has followed the California‘s lead and dedicated their marketing directly to Australians (Excalibur comes close with the Thunder/Australian Bee Gees line-up). And this writer has yet to find a restaurant that specializes in lamington and pavlova.

But as the bond between these two cultures continues to grow and strengthen, don’t be surprised if someday the MGM Grand restores their Oz theme with a new twist….and the Rainforest Cafe re-opens as the “Koala Diner”.

Photos: Sammasseur, Russel Francis/Ryan Stuart/Tommy Harvey/Aaron Michael Lucey via Facebook, LIGHT Nightclub/Australian Bee Gees via Facebook