2019 – The Year in Review: ‘What The CL#@K!? – The Second Half-Dozen


A look back at the second half of a year filled with memorable and some truly bizarre happenings in Sin City…

In the first half of this column, I began the year at a vacant, frozen outdoor carnival and left you hanging with the world’s biggest buttcrack at a stadium that was beginning to resemble a giant toilet bowl. Brace yourself, though…things were just starting to get weird. This is going to be a long one…

When the intense heat of Vegas summers reaches its peak, residents often enjoy their own version of “snowbirding” by heading to milder climates. With this being my first July as a local, I took the cue and headed for a ranch in the mountains of Oregon. The cool, fresh air revived my spirits, but then it was time to return for July 4th festivities back at home.

July –

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July 3rd was when the world moved…literally. While sitting on my couch writing a column for BestOfVegas.com, I felt the house begin to rumble and sway. Wondering if I was having a stroke or seizure, I scanned the internet and read page after page of “Did we just have an earthquake?” postings on Facebook. Although the city was a little “shaken”, the day continued.

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The early part of July 4th came and went with the usual pool parties and firecrackers, then the sh*t really hit the fan. I was at AMC Town Square watching a horror film when the Big One hit. Halfway through the film, the seats started bucking and the rows of chairs were visibly moving. I captured a quick video of the theater evacuation (above) which was picked up by local TV stations, Telemundo and NBC News out of New York City.

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Evacuating the shopping complex in my car, I barely dodged a tree that fell onto the road, then braved the bridge over the interstate to get home. Neighbors were in a panic and my underground irrigation system was ruptured, but other than shaken nerves, there was no real damage. Nevertheless, some of us have been a little on edge ever since.

The LGBTQ community came out to witness the official opening of ICONIC Nightclub. The reborn party spot took over a venue once occupied by SHARE. Despite a strong start and plenty of effort to make it a great alternative to popular PIRANHA, the turnout wasn’t strong enough to cover expenses and ICONIC shuttered in just a few months.

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As a regular patron, I was really disappointed by the lack of support for ICONIC. Owner Adam Simmons went above and beyond to provide outstanding staffing and make everyone feel at home. ICONIC offered great cocktails (my favorite was “Cucumber Fantasy”), wild entertainment and what may be the most attractive crew this city has ever seen, all at very affordable prices. So kudos to Adam and husband Jason for what they brought to the scene.

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My trip to Oregon had caused me to miss the grand opening gala of FLIGHTS Restaurant at Planet Hollywood’s Miracle Mile Shops. Fortunately, owner Alex Hult welcomed me and allowed me to experience the establishment’s fantastic food and beverage options for this review. I’ve been a regular ever since. I’m just glad I wasn’t under that fuselage during the tremor. It must have been impressive to see the safely-secured airplane “taking flight” for a minute or two.

Monsoon season arrived by mid-July but was supposedly weak compared to previous years. It’s not unusual for the Las Vegas Strip to experience significant flooding during summer downpours.

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Remember to NEVER park on the ground level in the Linq/Harrah’s area, as that spot is prone to violently flooding.

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          Scott Roeben (VitalVegas.com) joined the gang on his first visit to Golden Tiki

As neighborhoods around the city cleaned up mud and debris, I took a watery trip of a different kind…down the rapids and over the falls to the Land of the Lost. Actors Wesley Eure (Will) and Kathy Coleman (Hollie) of the classic TV series paid a visit to The Golden Tiki, where the legendary TV siblings were presented with shrunken-head replicas of themselves, courtesy of Branden Powers and his ever-expanding Cabinet of Curiosities.

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On a whim, I invited Kathy and Wesley to join me for another rip-roaring ride…this time to Chippendales. The expressions on the faces of my childhood icons as the men of Chippendales strutted their stuff were priceless! Performer/host Jayson Michael gave the stars a rousing introduction and the crowd loved it. Talk about surreal!

Lest anyone forget, the biggest WTF of the year…and perhaps the decade, remains the Grasshopper Invasion of 2019. The final days of July made worldwide news as Sin City was covered in a blanket of billions of migratory grasshoppers. The swarms were so thick that they showed up on weather radar as thunderstorms. Luxor‘s light beam acted as a beacon, creating a scene straight from the Bible.

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Was Sin City being visited by one of the great plagues? The wrath of God, perhaps? Well, according to the scientists it was just a side effect of the valley’s unusually most spring. Those same experts also predicted that the invasion would last for several weeks, which it didn’t. So I’m sticking with the “Ten Commandments” explanation.

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Allegiant Raiders Stadium was just about to complete its frame-out, casting an impressive shadow along Interstate 15.

August –

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Rio Las Vegas seemed to constantly be in the news. Will it be sold? (It was.) Will it be leveled for a new stadium? (Time will tell). But for fans of all things Star Trek, what mattered was whether the annual Official Star Trek Convention would return for another year (it did).

Once again, thousands of fans from around the world flocked to the off-Strip resort, which was transformed into the USS Enterprise. Just about every square foot of the convention hall was utilized for lectures, interviews, broadcasts, photo ops, virtual reality exhibitions, vendor space and a recreation of Quark’s Bar (formerly located at Las Vegas Hilton).

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That same weekend, the Las Vegas Hilton, now known as Westgate Las Vegas, celebrated 50 years of history and rebirth with a massive gala. I was honored and excited to receive an invitation. The event was held in the Grand Ballroom with live entertainment, a spectacular dinner, and tributes by Mayor Carolyn Goodman and resort owner David Siegel.

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I learned that August is apparently the unofficial month of hangovers, thanks to nonstop parties in Las Vegas. First up was the Annual Black and White Gala, a benefit for AFAN (Aid for AIDS of Nevada). This year’s event returned to Hard Rock Hotel (soon to be Virgin Hotel) after a so-so outing to Mandalay Bay’s Daylight Beach Club in 2018.

The adults-only soiree’s attendees are encouraged to wear black and white (as much or as little as they dare) while enjoying live entertainment and a variety of bites and cocktails provided by sponsors. Attendees including an array of performers like the cast of Sex Tips, members of Tenors of Rock and my main girl Endia Abrante of ShowgirlArrivals.com.

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Much of the decor was provided by Michele Rothstein‘s Balloons With A Twist. Michele recently became engaged to comedian John Di Domenico, best known as the World’s Greatest Donald Trump Impersonator.

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John provided the laughs at last year’s Mondays Dark year-end celebration and had proven to be a perfect foil for Ester Goldberg and Anne Martinez at Totally Outrageous Brunch. Congratulations to one of Sin City’s happiest couples and thanks to Michele for making the colors black and white even more beautiful.

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The next party was a media launch at Sugar Factory’s Chocolate Lounge for burlesque performer/singer Melody Sweets‘ new single “Flavor of the Month“. Guests included Amy Saunders of Miss Behave Game Show, fitness competitor/health coach Mandy White Eskelin and husband Sami Eskelin (Chippendales, sports fitness entrepreneur). My prolific colleague Chris Yandek of CYInterview.com posted this interview with Ms. Sweets soon after.

More festivities followed at Silverton Casino‘s VEIL Pavilion with the CFO of the Year Awards, sponsored by VegasINC and City National Bank. Next up was Havana Nights: Top Men of Success hosted by MyVEGAS Magazine and Blue Martini at Town Square.

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As for the Stadium, it had now come full circle…..er, “oval”.

September –

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Labor Day signals the unofficial end of summer, where the pool lines start to thin out and tourism drops. If all of that August party-going didn’t exhaust you, the final holiday of the summer surely would.

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I spent the evening enjoying the sounds (and sights) of DJ Nick Ayler, whom you may remember from this profile piece. Nick and I had a great time chatting (and downing tequila) between his sets at AVANT Lounge inside Iconic Nightclub. The crowd was a bit thin but the fun was certainly memorable.

Over at OYO (the former Hooters Hotel Casino), master mixologist Eddie Perales was keeping things smoking with his longtime partner and fellow cocktail craftsman Bobby G. You may remember Eddie from his many contributions to the Rio, Paris, and Westgate hotels, among others. He is also a world record holder in cocktail creation and a longtime Sin City resident.

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The newly-rebranded Sahara Hotel held a bubbly premiere for their champagne-themed adult variety show Blanc de Blanc. The men of Aussie Heat joined celebrities like SEXXY‘s Jennifer Romas, magician David Goldrake (who’s been teasing a Vegas comeback), BMX pro Ricardo Laguna, mentalist Marc Savard and musician Vin A. from The Bronx Wanderers.

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A pre-show gathering was held at the brand-new CASBAR LOUNGE before moving to the main event. Cast members from Thunder From Down Under and FANTASY enjoyed the performance from their VIP Premium-seating hot tubs. Yes, you read that correctly. Hot-tub seating for a Vegas show….why not?

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Just like the Star Trek Convention, this year’s Olympia Fitness Expo and Competition lured in thousands of devotees. Celebrities like Mark Wahlberg enjoyed top billing while Tropicana‘s own Chef Robert Irvine peddled his products and posed for pics.

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No matter where you looked, hot bodies and healthy lifestyles were on display. Vegas nightclub favorite and romance-novel coverboy Nick Bennett was busting his sleeves while promoting CELSIUS fitness and energy drinks, taking over for rapper Flo Rida from the previous year. I was unsuccessful in getting his shirt off for a pose, but there’s always Olympia Expo 2020

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Community-driven venue The Space was host to special fundraising event The Power of Pink and Purple to benefit the American Cancer Society. Organized by the big-hearted Logan Seven, the evening gathered those same tireless performers from Aussie Heat, SEXXY and David Goldrake along with Swing It Girls and “Pink” illusionist Kenneth Rex.

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Even though Monsoon Season 2019 was about to officially come to a close, the skies above Vegas offered one final reminder to never become complacent.

October –

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The tenth month of the year began on a solemn note, as it will continue to do so for decades to come. October 1st marked the second anniversary of the mass shooting across from Mandalay Bay. I happened to capture the above photo from the hotel’s rooftop Foundation Room.  You can spot the location across Las Vegas Boulevard as a darkened area that was once home to Route 91 Harvest Music Festival.

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No city does Halloween the way that Las Vegas does. Things get an early kick-off here, too. October 2nd saw the debut of SCARE at Town Square, an immersive and expansive experience to be shared by young and old. And best of all, there was an adults-only nightclub area, too.

The charity-driven UNDEAD MAZE rose once again, this year at Tivoli Village in the northwest section of the city. A passion project by tireless entertainer Shaun Friedrichs with ample assist from big-hearted Heidi Elkhill, it’s rated as one of the top haunts in the city.

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Hofbrauhaus on Paradise Road continued their annual tradition of Oktoberfest celebrity keg-tappings. The line-up this year included Zowie Bowie‘s Chris Phillips, Chippendales, Australian Bee Gees and Ricardo Laguna. If you’ve never experienced an evening at Hofbrauhaus, you owe it to yourself to visit. BTW, the talk is true….the staff paddles patrons on their birthday.

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Historic Mansion 54 in the Arts District kicked off costume parties with The Shade Tree‘s 30th Anniversary Mask Off Gala. The Shade Tree is an organization that provides sanctuary and support to women in jeopardy along with their children and pets.

Entertainment during the fundraiser was provided by the cast of Le Reve. PHo headliner Christina Aguilera made a brief appearance to accept an award. Amazingly, I missed seeing the superstar, as it was blink-and-you’ll-miss-it brief. Thank goodness the food by sponsors like Evel Pie, VegeNation, PublicUS and Le Thai was so memorable.

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Campy horror-comedy EVIL DEAD: The Musical made a “splashy” return to Las Vegas, this time with a significant upgrade. The onetime hit at V Theater had a two-week run as The Evil Dead HD Tour at The Space.

The community-driven venue was draped in plastic and outfitted with immersive high-resolution video “sets” that were used to brilliant effect. Rabid fans of the “Deadites” clamored for the front sections, where they’d be soaked in a spray of gore. How often do you see audience members exiting the theater while wringing blood from their hair and clothing?

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             This fellow was so soaked in fake blood that he threw his shirt in the trash…

November –

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The penultimate month of the year was a mellow one by any standards. No swarms of insects, not a single earth-shaking event…just a few new openings, a haloed moon and the return of one very bright star.

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Once again, The Space was THE place to be for noteworthy activities. While the best little theater in the city had been serving up gore and body parts just a few weeks earlier, now it was dishing out good old southern cooking and a night of unforgettable vocals.

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Demonstrating a level of class and warmth rarely seen these days, songstress Ruby Lewis made a triumphant return to the Vegas stage. The star of BAZ and Marilyn: The New Musical brought her one-woman show for a single-night event that was treasured by fans. Offering a clever mixture of prose, memories, laughter and towering vocals, Ms. Lewis and her band reminded everyone that the best performers are never too great to lose their sincerity.

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Ruby greeted guests with a crock of her own black-eyed peas, turkey, and cornbread, then joined them after the show for pictures and hugs. Self-proclaimed “divas” like Mariah and Madonna could learn a vital lesson from this classy young woman – R.E.S.P.E.C.T.

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ARIA opened KALOLOGIE, the very first and only medspa located on the Strip. Housed within the hotel’s expansive spa, KALOLOGIE offers treatments like body contouring, laser skin treatments, injectables and get this…..IV hydration therapy.

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So if the effects of Vegas partying take their toll on your face and body, you can still return looking better than when you left home. We in the media were treated to a flashy shindig with free B12 shots and a bag of goodies to take home. I’m addicted to my FOREO sonic skin cleansing device.

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ARIA was also one of the first hotels to officially kick off the holiday season. Their culinary artists from Aria Patisserie created a life-size gingerbread house in the main lobby, along with a counter to purchase hot beverages and sweets. I happened to be there when the pastry chefs were gathering for official photos, and they seemed deservedly proud of their work.

Beloved charitable photographer Noel Dahl presented yet another beautiful fundraising calendar, this time to benefit Amor Peludo Animal Rescue. Featuring adorable kittens, pups and hot male celebs like Ryan Worley, Adam Barr, and Gerry Haro, the event took place at Lazy Dog Restaurant in Town Square.

Alas, Mr. Dahl was once again the victim of higher-than-thou patrons who found his artistry to be offensive. A few faint-hearted Sin City parents complained to management that photos of shirtless men were in view and demanded that the fundraising display be removed.

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You may recall this article that I penned detailing Noel’s work being dragged through the mud by parents on local television. These are the same hypocrites who choose to raise their children in a city where prostitution billboards roll down the streets. To them, I say “Go f*ck yourselves”.

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Speaking of billboards, this riotous monument to failure was spotted along I-15 and the Desert Inn overpass at the tail end of November. Apparently, the abrupt closing of KAOS right after Halloween left no contingency funds for pulling down the advertisements. That meant we had to continue looking at the smelly remnants (aka “Cardi B”). Don’t let her roofie and rob you, guys.

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The always colorful Golden Tiki brought the month to a memorable close with their annual Charlie Brown Thanksgiving. Traditional Peanuts favorites like jelly beans, pretzels, toast, and popcorn were served on a pingpong table while a pair of naughty parrots sang dirty limericks and farted overhead. Only in Vegas, friends….

December –

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The month of December was bitterly cold by Vegas standards. Just like in February, the snows arrived on a recurring basis. Roads to Mt. Charleston, the Red Rock scenic driveway and interstate to Los Angeles were closed to traffic, leaving thousands of motorists unable to reach their destination during the height of holiday travel. Luckily, the city has thousands upon thousands of extra hotel rooms in what is always the slowest tourist season of the year.

The days leading up to Christmas turn Sin City into a bit of a ghost town. The only real activity comes from the residents, who go about their business as usual. Shows and restaurants go on hiatus, casino workers use their vacation time and hotels drop their rates to the lowest of the year. For those looking for a quiet, affordable getaway, mid-December in Las Vegas is bliss.

While the resorts took advantage of the downtime to dive into construction projects and improvements, the tireless members of The Bronx Wanderers were adding more shows to the schedule. In addition to special Christmas performances of their residency at The Linq (moving soon to Harrah’s showroom), breakout star Vin A. was spearheading a collection of three holiday spectaculars around the valley.

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I was fortunate enough to attend A Very Swingin’ Christmas at M Resort on December 21st, where Vin was joined by studly guitarist David Braun and patriarch Vinny Adinolfi. A crackerjack band, members of the Beach Boys and other talented musicians made for an unforgettable night that I hope will return next year.

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One entertainer who won’t be back is funnyman Jeff Civillico. After a decade of shows on the Strip, Jeff has decided to step off his unicycle, put down the juggling balls and focus on other ventures. The handsome comedian has been outspoken with his frustration at casino management over lack of support for entertainers. So he’s decided to step away from the Vegas stage. We’ll miss him.

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Russ White of QLife Media and The Charity Gurus was able to provide me with one final photo of Allegiant Raiders Stadium construction for the year. He took it from his condo in Veer Tower, part of CityCenter complex on the Strip.

Over at Rio, WOW – The Las Vegas Spectacular celebrated two years and 1,000 performances. A post-show party at CHAYO was attended by cast, crew, publicist Michael Caprio and the creator Hanoch Rosènn, who flew in from Israel to attend. Mr. Rosènn was incredibly kind and complimentary regarding the article I’d published on the show a few weeks earlier. During the tumultuous times for live entertainment productions, it’s wonderful to see WOW‘s success.

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Venetian/Palazzo is gearing up for another success of their own. Continuing their tradition of opening new restaurants at the close of the year (Matteo’s, Mott 32), my favorite luxury resort gave a sneak peek at Majordomo Meat and Fish. The latest offering from Chef David Chang is a massive undertaking located on Palazzo casino’s northwest side.

The invitation-only gala was attended by my wonderful colleague Allison Duck, hunky FREEZONE bartender Ric James Naughton and KTNV personalities JJ Snyder, Jason Dinant and Micah Manalo along with talented singer Brandon Nix (Magic Mike Live, Rock of Ages, Velvet Elvis). Majordomo Meat and Fish is open daily from 5:30opm to 10:30pm.

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At last, New Year’s Eve was upon us, so it was back to Westgate Las Vegas for their annual gala. This year’s attendees included FOX5 Emmy-winning anchor Jason Feinberg, the cast of Soul of Motown and prolific go-to photographer Ira Kuzma accompanied by his lovely wife Marie.

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After an incredible dinner, dancing, east-coast ball drop and entertainment throughout the resort by classy crooner Mark O’Toole and David Perrico’s Pop Strings Orchestra, the party moved upstairs via private elevator to Westgate’s famous Versailles Sky Villa. The rooftop mansion’s outdoor deck provided the perfect location for fireworks viewing of both the Strip and nearby STRAT Skypod.

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From there it was off to Charlie’s, a country-western bar near Orleans Casino that has somehow become a destination for local drag queens. They hosted a costume contest into the wee hours that was as funny as it was outlandish. And that’s how 2019 came to a close…as oddly as it began. Because nothing says “New Year’s Eve in Las Vegas” like cross-dressers and barechested muscle boys. Happy 2020, everyone!

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This year-end wrap-up is dedicated to the memory of my little lady Daphne, who passed away on Christmas Day.

 

 

 

2019 – The Year in Review: Entertainment Highs and Lows


Taking a look back at the best, worst and notable in production shows of 2019….

As in recent years, the Las Vegas entertainment arena of 2019 was volatile, to say the least. Some headliners soared while others became a blip. Expensive new productions were met with skepticism or downright disdain. And still, those rotten brown logs known as Terry Fator, Mariah Carey, and Criss Angel continued to float in toilets of their own making.

Let’s take a closer look at some of the more notable examples of Sin City’s troubling trends in 2019 – The Year in Review: Entertainment Highs and Lows.

BEST NEW SHOW – Atomic Saloon Show at Venetian/Palazzo

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Spiegelworld hits and scores once more with Atomic Saloon Show. A bawdy in-your-face Wild West romp with hookers, cowboys, a horny minister, and his pair of twisted nuns, Atomic Saloon Show tosses the high points of Absinthe and Opium into a blender and pours out a perfect cocktail. Cast members Colin Cahill and Davide Zongoli receive bonus points for pushing the “hotness scale” to ten but the entire cast is uniformly excellent.

Runners Up: Blanc de Blanc, Blond Invasion, Fuerza Bruta, Hans Klok 

WORST NEW SHOW – R.U.N at Luxor

R.U.N For The Exit – Cirque du Soleil’s Latest is an EPIC DISASTER

Cirque du Soleil has definitely had their heyday on the Strip but they’ve swiftly fallen down the scale in terms of must-do entertainment. The famed acrobatic troupe somehow survived a nauseating ten years of BeLIEve/Mindfreak Live, Criss Angel’s abominable slop fest at Luxor. Then they replaced it with something far worse (how that’s even possible is a question for the ages).

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Nothing can prepare you for the awfulness of R.U.N (read my full review here). No matter how much you may be warned in advance, you’ll still leave feeling nauseated, perplexed, violated, repulsed and suffering from a throbbing headache.

When the company behind such beloved productions as Mystere and The Beatles LOVE pukes out a furball of this magnitude, there really is no way to recover. R.U.N will go down in the history books as one of the worst shows that Las Vegas has ever seen. And this is the city where Nudes On Ice was born.

Runner Up – Criss Angel Mindfreak Live at Planet Hollywood Same shit, same arrogant asshole, different theater. Enough said.

BIGGEST SURPRISE – Blond Invasion at V Theater

In a city filled with tribute shows, Blond Invasion (here’s my review) had no right to be this much fun. Spot-on impersonations of Britney Spears, Madonna, and Lady Gaga would already be entertaining, but mix in a quartet of hot male dancers, terrific choreography, spectacular costumes and live singing and you’ve got a perfect night out.  Things got even better when the trio came together for a once-in-a-lifetime medley that will sadly never happen in real life.

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             Swoon-worthy Adam D. Tucker as Tim McGraw in Vegas Gone Country

Unfortunately, Blond Invasion was one of two gems at V Theater that was never discovered by the audiences they deserved. Companion show Vegas Gone Country followed a similar formula and also suffered from anemic ticket sales. When the stars themselves have regular gigs a few blocks away, it seems that folks would rather pay more for the genuine article, no matter how lazy or rude they’ve become (I’m talking to you, Madonna). Which leads us to…

MAJOR HEADLINERS THAT SNORED AND SOARED – 

2019 was the year that fans went gaga over Lady Gaga. With two simultaneous productions playing at Park MGM Theater, the Star Is Born actress wowed sold-out audiences with classy Piano Jazz on some nights and Enigma‘s full-scale psychedelic pop on others.

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Britney Spears imploded on a personal level…yet again…and her February residency at Park MGM was quickly canceled and forgotten. The official explanation was a concern for her father’s health, then later the pop tart claimed that daddy dearest had forced her into rehab. Whatever they claim, poor ticket sales were being reported right up to the cancellation. You can only move your lips and flap your arms so many times before audiences cry out “Enough already!”.

Janet Jackson quickly moved into the Brit-bot’s vacated slot but barely managed to make a squeak. It seems like most of her fans remained behind the velvet rope, waiting for something better. Maybe it was her silence regarding LEAVING NEVERLAND, the HBO documentary detailing brother Michael’s fascination with little boys, that kept them away.

Perhaps it was the tabloid-worthy marriage/pregnancy/birth/divorce to a Qatari billionaire. Or her conversion to the Islam faith accompanied by uncomfortable photos in traditional Muslim garb…or the fact that the weight-troubled former hitmaker had canceled a 2016 tour then kept the money from advance ticket sales (fans sued and won) that pushed them over the edge. Whatever the reason, don’t expect a return from the money-grubbing Rhythm Nation songstress anytime soon. Sorry, Miss Jackson, but you’re nasty.

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Madonna turned out to be no lady for a trio of shows at Caesars Palace last month. Originally scheduled for 8;30 pm, the self-proclaimed diva pushed the start time to 10:30 pm after tickets were already sold, then had the nerve to show up three hours beyond THAT, going on stage way after midnight. Fans rebelled, hundreds of refunds were issued and of course, a lawsuit was filed by ticket buyers.

Arriving to a chorus of boos, Madonna remained unapologetic, saying “”There’s something that you all need to understand, and that is that a queen is never late.” Well, let’s hope this queen bitch tumbles from her throne and lands on her face. Maybe then she’ll finally get those teeth fixed and put that absurd eye patch to good use.

Shania Twain arrived late in the game for a series of shows at Zappos Theater, Planet Hollywood. Fans and non-fans alike gave the new production an enthusiastic thumbs-up with special mention to the energetic performance of its star…and some seriously steamy back-up dancers. Christina Aguilera and Gwen Stefani’s residencies in the same venue garnered a similar response.

Paula Abdul signed on for Flamingo‘s Donnie and Marie Theater and reviews have been decidedly mixed, leaning towards the negative. While I’ve yet to see the show (I was never a fan in the slightest, so she isn’t high on my list), those who have gone to it report that she lip-syncs the entire performance while being tossed around like a sack of potatoes.

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Since the one-time American Idol judge (oh, the irony of that) was always a horrible singer, perhaps her onstage fakery is a blessing in disguise. But who thought that Abdul was worthy of a residency, especially since her 2018 comeback tour crashed and burned? Apparently the thrifty folks at TravelZoo, where you can snag discounted tickets for as low as $49. Forever your girl, indeed.

Next year will see a residency by Kelly Clarkson that already promises to be a big hit. The initial response has been through the roof. If this seems like something you’d be interested in, snatch up your tix asap, or else you may be seeing Gaga-level resale prices very soon.

GONE AND FORGOTTEN – Gordie Brown

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Last year Gordie Brown was the unfortunate recipient of my “Saddest Career Path” award. Well, the new owners of Hooters Hotel Casino rebranded the place as OYO and quickly showed Mr. Brown the door. It certainly didn’t help that the one-time Venetian headliner slandered and criticized his own showroom and host hotel during performances, promising the audience that he’d rise again in a better place. Good luck with that, Gordie.

“THEY’RE STILL AROUND?” AWARD – Mariah Carey, Criss Angel, and Terry Fator

The unsinkable triad of Mariah Carey, Criss Angel, and Terry Fator is a log jam that just won’t flush. Maybe it’s just time to grab a plunger and force them down the drain. You already know my contempt for arrogant mouthpiece Mariah and douchebag Criss from last year’s summary. Those who’ve aligned themselves professionally with the faux-goth farce, in particular, have learned the hard way that they’ll eventually get stabbed in the back…and become a laughingstock in the eyes of colleagues. So the less said about them this time around, the better. Please, just go away.

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Terry Fator is new to the list but deserves a placing nonetheless. His stale attempts at comedy were tired ten years ago but have grown exponentially stale, with the offensiveness amped up to levels that have garnered reactions from both audience members and host hotel Mirage.

While Fator presented himself on America’s Got Talent as an awe-shucks kind of guy, those in the know are aware of the real details of his scheming, shocking personal life. Fator has been accused of scandalous treatment and abandonment of first wife Melinda, a skeevy relationship with half-his-age employee/wife #2 Taylor Makakoa (he proposed to wife #3 right in front of #2 during a performance…while still married), lawsuits with former managers and a very bizarre background (including being raised in a cult). Then there’s that mysterious death of his estranged sister in his home and the lawsuit that his mother brought against him, fearing for her personal safety. You can’t make this shit up.

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         Nothing says “Christmas” like your fist shoved deep inside a sexual predator doll…

The Mirage recently asked Fator to get rid of his controversial Donald Trump puppet “to avoid escalating the political divide in an already polarized country” as reported by the Las Vegas Review-Journal. Then Gary Costa, Executive Director of LGBTQ/AIDS charity Golden Rainbow sent a complaint letter to protest the show’s slandering of minorities and gays. Here is Mr. Costa’s public post via Facebook:

A few months ago I attended this offensive show at The Mirage Hotel and Casino and was horrified at the blatant racist, transphobic and homophobic content of the Terry Fator show. I contacted the management of The MGM including their diversity manager to formally lodge a complaint. While removing the offensive Trump puppet is a start it isn’t enough.

Blatant discrimination and public ridicule of Latinos and trans and LGBTQ individuals has no place on the Las Vegas strip disguised as “entertainment”. As long as the MGM corporation continues to allow this man to spew his hate under the guise of “family comedy” I will continue to boycott their company and keep pressuring their management to remove this outdated performer from their property permanently. There are literally a dozen or so ventriloquist acts in Las Vegas that are funny, entertaining, talented and enjoyable to watch. Terry Fator unfortunately is NOT one of them

My husband and I had a similar reaction when attending Fator’s sorry excuse for a show. We actually left the performance early and went to Le Reve instead. The fact that Fator is regularly listed on Groupon for $45 may be a sign that the wild, freaky ride is finally coming to a close. Then again, this is the same hotel that shuttered the Terry Fator Store in favor of Kardashian Khaos Boutique, so who can say? In any case, I urge you to boycott this hateful and revolting man, along with his nasty excuse for “entertainment”.

 

BIGGEST DISAPPOINTMENT – The Fate of FUERZA BRUTA 

The long-running international hit Fuerza Bruta had a chilly reception from Sin City patrons and was closed mere weeks into a proposed six-month run. A daring, innovative show, it should have been a slam-dunk on the Strip (see my review here). But Vegas audiences won’t buy tickets to something that isn’t a known quantity, much like at movie theaters, where sequels and reboots shove new ideas to the bottom of the box office tallies.

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Fuerza Bruta‘s quick shuttering inspired me to write what would turn out to be my most-read article of the year. If you haven’t taken the time to look at it, now would be a great opportunity. The in-depth piece analyzes the troubling future of the City of Entertainment and explains why so many shows have closed…and why others are on the chopping block.

International Hit ‘Blanc de Blanc’ Pops a Cork at Sahara

 

RUNNER-UP: Blanc de Blanc’s abrupt closure at Sahara

 

BITTERSWEET FAREWELL – Jeff Civillico Closes After A Decade

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It’s a well-known secret within the industry that Vegas performers often head to other cities on their days off (or take a Vegas hiatus) to supplement high overhead (and dwindling sales) on the Strip. Entertainers like Jason Tenner (PURPLE REIGN), The Bronx Wanderers, Criss Angel, and even Terry Fator hop onto planes (or busses) to fill much larger venues with significantly lower overhead.

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Jeff Civillico has been extremely candid with me through the years regarding his difficulties with the “Four Wall” method of running shows. It’s a business model that puts the responsibility and cost of performing on the entertainers instead of the old way when casinos supported their productions. And it seems like Jeff has had enough of the current system.

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Last Wednesday was Civillico’s final Vegas performance after a decade that saw him in places ranging from guest gigs with magician Nathan Burton to his first stint at Planet Hollywood (the restaurant, not the hotel) to residencies at Imperial Palace/The Quad/Linq Hotel, Flamingo and the Anthony Cools Showroom at Paris.

Jeff will continue to perform at corporate gigs around the country while focusing more time at Win-Win Entertainment, which matches performers with not-for-profit organizations. As a fan and personal friend who has followed Jeff’s journey from very humble beginnings to his current achievements, I will miss this handsome hunk of joy.

RUNNER UP – The Naked Magicians

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The cuddly, talented and adorable duo of Mike Tyler and Christopher Wayne enjoyed the prestige and opportunity (along with enthusiastic reviews like mine) to have their own Strip residency. Alas, the Naked Magicians experienced the same difficult reality that persuaded Jeff Civillico to say “I’m leaving Las Vegas”. Why fight an uphill battle when you can do financially better just about anywhere else in the world?

Stick with Vegas Unfiltered for more of 2019 – Year in Review in the days ahead.

Jeff Civillico – Physical Comedy At Its Best


Crowd-pleasing entertainer juggles his way into your hearts…

What do you get when you combine the rubber-faced madness of early Jim Carrey with the heart-stopping physical comedy of Buster Keaton and Jerry Lewis? Whatever your mind can conjure, it’s unlikely to resemble the reality of handsome headliner Jeff Civillico.

Vegas fans have been lining up for a decade to enjoy Jeff Civillico: Comedy In Action. He’s been on marquees from V Theater to the former Imperial Palace (now The Linq) to the Flamingo. What started out as a guest segment in variety and magic shows has evolved into a full-fledged production befitting the multi-talented star.

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In recent years, Jeff’s taken his all-ages show to audiences around the country. His contagious energy and outrageous antics elevate a wide variety of corporate functions and fundraising events, too. Still he manages to return each week to Las Vegas for filled-to-capacity performances at Paris Hotel Casino.

So, what exactly does Jeff Civillico do? Alas, the answer’s not so simple. You may as well try explaining Cirque du Soleil to a friend. But the simplest way to describe Comedy In Action is “It’s an interactive juggling improvisational prop-comedy marshmallow battle.” And Jeff’s co-stars are a plunger, Granny Smith apples, a straitjacket…and you.

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Tireless in his delivery and wildly spontaneous, Jeff fires off jokes so quickly that you’ll barely be able to catch your breath. He even makes wisecracks while balancing a massive construction ladder on his chin. Nobody is safe from Jeff’s humor, either. Children are props in an electrifying plate-spinning sequence and two unassuming dads become accomplices in the most unhinged unicycle ascent you’ll ever see.

Click HERE to continue reading…..

Photos: Sam Novak

 

 

 

 

 

Hanging By A Thread – Sin City’s Huge Entertainment Dilemma


Fuerza Bruta’s shocking failure suggests a troubling future for large-scale productions….

Several years ago I penned a two-parter for Vegas Chatter entitled “Four Walls and a Dream”. In it I explored the difficulties involved in launching a new show in today’s corporation-run Vegas. Gone are the days when casinos supported their own entertainment. It’s up to productions themselves to “pay the rent” via an arrangement known as four-walling. And that quite simply is why most new shows are gone before you’ve ever even heard of them.

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That article was inspired by Jeff Civillico, a dynamic young entertainer whose star was already on the rise. His “Comedy In Action” afternoon show at Linq Hotel (then known somewhat absurdly as The Quad) was working hard to make a name for itself. Yet the resort where he rented showroom space had little interest in helping “Comedy In Action” to succeed.

Civillico was on the hook not only for the room and production costs, but also for supplying the advertising materials to display around the property. Yet Jeff had little control over where they’d be displayed….if at all. I’m not sure if he ever worked out his issues with parent company Caesars Entertainment, but Comedy in Action still performs once a week at Paris Hotel Casino.

I learned a lot about the current state of Vegas entertainment while researching that piece. There was plenty of response from performers, producers, directors and public relations people when it ran, too. But after the shocking announcement that Fuerza Bruta would be shuttering only four weeks into a six-month stint, I realized two valuable facts:

  1.  There is no magic formula to ensure that a show will be a hit.
  2.  The current state of Vegas entertainment is more volatile than ever before.

If you haven’t heard of Fuerza Bruta, then congratulations. I’ll pretend to make a check-mark in the air and we can continue on down the list. But first, allow me to say that less than one week ago in my rave review for Fuerza Bruta for BestOfVegas.com, I called it a “Sin City game changer”. I also inaccurately claimed that it was “poised to redefine entertainment on the Strip”. Oh, my… (click HERE to read the original review).

 

 

Just after I’d sent the piece off to the editor, I received an email from Fuerza Bruta’s public relations firm regarding the Vegas run.

FUERZA BRUTA will perform its final show at Excalibur Hotel & Casino on Sunday, April 7, 2019. The acclaimed production, which has been seen by more than six million spectators in more than 34 countries and 58 cities since its launch in 2003, will continue to impress audiences from around the world as it prepares to make the move from Las Vegas to MGM Cotai in Macau in June 2019.
Tickets for the remaining Las Vegas performances of FUERZA BRUTA are now on sale and available at any MGM Resorts International box office, online at Excalibur.com or by calling (702) 597-7600. Refunds for tickets purchased for shows at Excalibur after April 7 will be available at the point of purchase.

It took awhile for the shock of this announcement to subside. I could have been embarrassed that I’d been so far off in my predictions. Instead I was angry that the so-called “City of Entertainment” had chewed up and spit out yet another piece of great entertainment.

 

 

All but one of my friends who had seen the show were absolutely dazzled by the balls-to-the-walls audacity of it. During three separate viewings, I’d stood alongside (and chatted afterwards with) cast members from shows like Chippendales, Le Reve, Zumanity and Donny & Marie. They’d come as I had to see if the enthusiastic pre-opening buzz was deserved. And every one of them was delirious, if not downright envious, of the incredible visuals and creative sequences that Fuerza Bruta was able to pull off inside a tent erected on a parking lot.

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That positive word-of-mouth alone should have been enough to bolster tickets sales. If performers from some of the top shows in Vegas loved it, then it was a must-see, right? Not so fast. Depending on who you ask, it turns out that paid tickets for the show were averaging 50-80 sales per performance with the rest comped (freebies). But if all of those people love it, then they’ll recommend it to friends and attendance will build, right? Well, that would take time….which the powers that be weren’t about to grant.

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Fuerza Bruta was located just outside of Excalibur, which is owned by MGM Resorts. MGM runs nearly half of the major resorts on the Strip. So why weren’t they supplying the capital to help fund operations and allow for attendance of this remarkable show to grow? Four-walling, of course! If Fuerza Bruta failed, all Excalibur would have to do is pull down the advertisements and sweep away any remaining evidence of where the tent had been.

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Realizing that readers and friends who’d planned on seeing the show would never get that opportunity to do so made me angry. I took to social media to vent my frustrations. “What the Hell is wrong with Vegas? Nothing worthwhile stands a chance anymore!”

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Well, thank goodness for the reach of Facebook and Twitter, because my steam-valve post brought out lots of sensible responses from performers in and around the Strip. Mike Hammer of Mike Hammer Comedy Magic at Four Queens was the first to chime in:

You can blame it on this city all you want but they didn’t understand the fundamentals of running a show in this town. It comes down to poor marketing strategy. First of all the show has a name that is not memorable. I live here and can’t even pronounce the name. No way most people from the Midwest are even going to know what the show is. Also, it’s pretty hard to sell a show when you can’t even describe it. Everyone I know that has seen it, including has never described it in one sentence. They didn’t even leave enough time to build up a buzz.

Bad timing of when they opened too. Slower time of the year with March madness and spring break. Again, this a producers decision. They weren’t even selling 50 tickets so how can you blame it on this city?

Again, people that don’t get the VEGAS market. If they didn’t plan enough money to survive six months of marketing, they just were not ready. I wish the best of luck elsewhere where they know what they’re doing. I love VEGAS and it’s been a home to me for 16 years. I’ve seen shows come and go and most of the time it’s the producers or management fault.

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Enoch Augustus Scott, host of long-running hit Zombie Burlesque at Planet Hollywood’s V Theater also took exception to my finger-pointing at Vegas:

There are a million possible reasons besides fat Americans to account for this. Injury. Bad accounting. Or it could be the standing up. People stand and walk around Las Vegas all day along. Sometimes the only chance they get to sit is dinner or a show. Also the Las Vegas show demo skews older. Also people from all over the world come to Vegas. Cirque has been able to grow as big as they are by catering to and attracting an international market base. So you really can’t blame fat Americans on a show not running. Clearly the producers did not understand the landscape or have enough capital to go the 6 months. Happens all the time. Producers come here with a hope and dream and without a business plan or the necessary investment to run a show long enough for it to become a success. It is poor craftsman who blames his tools and even poorer performer who blames his audience. Literally.

While I agree on much of what Enoch says, he also had added “It was always meant to be a limited run. Calm down everybody.” Correct, but that limited run was for six months with the hope of an extension. Four weeks was clearly a failure with deeper implications.

 

See, that’s the problem with having so many choices in one city. Without brand recognition, a famous headliner or a simple-to-explain concept, your middle-American Vegas visitors just won’t make the time for it. Hence we’re inundated with magic shows, impersonators, topless revues and lots of “Circus Day Solay”.

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It’s interesting to note that Fuerza Bruta played in New York City from 2007 through 2016. That’s over 3,000 performances! But we’re talking about an entirely different demographic over there. Visitors to NYC book their tickets to Broadway hits months…and sometimes a year or more…in advance. They’re also a more sophisticated crowd that makes Broadway entertainment part of an elegant evening that includes fine dining while wearing tasteful and carefully-selected outfits.

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But in Las Vegas we’ve got 1) no backing from the host hotels, 2) no opportunity to build brand awareness….and 3) a group of visitors not exactly looking for high art to go along with their yard-long daiquiris.

I went poking around other social media outlets to see how people were reacting to the news of Fuerza Bruta’s sudden shuttering. Always-reliable VitalVegas.com had quickly published an article announcing the closure, and it was a comment from reader ExVegasLocal that caught my eye:

I was “this close” to buying tickets to see Fuerza Bruta for an upcoming trip. It looked like a really cool show, but I was on the fence because I wasn’t sure I wanted to be jostled in a crowd from one side of the room to the other for an hour. In the end, I decided not to bite.

No matter what Vegas thinks about itself, it’s not really that forward thinking/avant garde. Neither are its visitors. Hence the constant replication of one thing that works until it’s completely overdone. Another Cirque show/night club with one syllable name/shopping arcade in front of a hotel/pool party/CVS pharmacy anyone? Now that’s more like it.

Vin A., one of The Bronx Wanderers, had a humorous reaction to my post…one that was also deeply insightful:

Well THAT was obnoxiously fast 😢 i didn’t even get to see the freaking thing! Wtf? Need a low low overhead to survive out here. Why all the one man shows live on forever and a few small cast things barely squeak by. It’s tough as hell out here. You play here for the prestige, and you tour for the money that carries you through your losses out here. That’s the future.

Raja Rahman of the musical magic duo Jarrett and Raja added his own thoughts to the situation:

It’s never about the quality of the show. It’s the $$$ behind it. Ugh. The cycle continues. After our experience, I’m convinced this business model is crap. Any business needs time to ramp up.

“Our experience” no doubt refers to the troubles Jarrett and Raja encountered at various showrooms throughout the city. They’ve had to deal with four-wall scenarios and abrupt closures at downtown’s Plaza Hotel, Hooters Casino and Stratosphere. Even though these gentlemen are residents of Las Vegas, they often find it sensible and more lucrative just to take their talents on the road.

Actually, it’s a pretty common thing for Vegas shows to go on tours. And often they never return. A few years ago I shadowed a production as it searched for a suitable venue on the Strip. After months of meetings and hassles, they decided on a major casino with a troubled showroom history. Sadly, their production would just be another casualty in a long list at the historic south-Strip hotel.

An opening date was chosen, tickets were sold, sets were constructed and advertisements went up throughout the casino and outside. But after being frustrated by resistance and lack of support from the hotel’s regime, the producers abruptly decided to throw up their hands, walk out the door and take the show on the road without doing a Vegas residency.

It makes no sense. It’s like they don’t want you here. Why should I put up money and then fight with the people who I’m paying rent to? After all that, if I’m lucky I’ll sell two hundred tickets a night in Las Vegas. We could take this show to other places where entertainment like this isn’t available and sell out two THOUSAND seats a night. And those places roll out the red carpet for us.

And that’s exactly what he did. A show designed for the Vegas Strip had to leave the city in order to survive. And the showroom they walked away from still remains empty two years later.

It doesn’t have to be that way, but greed always puts short-term profit ahead of long-term goals. Let’s use BAZ as an example. That innovative musical was brought to Mandalay Bay from Los Angeles by none other than Cirque du Soleil. The launch occurred during an awkward time frame in which ownership and business models at Cirque were being radically altered. Cirque abandoned BAZ in no time and without their support it closed after only six weeks.

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      BAZ was the perfect blend of sass, class and contemporary pop culture…

That’s when the Sands Corporation stepped in. Recognizing the many benefits of having a fantastic and unusual show on their property, they forked over the money to retro-fit the Palazzo Theater and supported BAZ’s run for two years. BAZ was never going to be a huge hit, but it was a prestigious project that brought a great deal of class and pride to the Venetian/Palazzo family.

So on one side we’ve got performers stating from personal experience that the four-wall business model doesn’t work. And on the other we’ve got these huge corporations that just don’t care. Working within the confines of the current system, what can be done to help a show succeed?

Well, if there was an answer to that, then at least a few of the dozens of shows that died in 2017 and 2018 might still be around. And that theoretical answer still wouldn’t apply to an existing property like Fuerza Bruta. So should it have been the responsibility of the PR firm to suggest “Hey, your show isn’t going to work here without a bit of overhaul”? Unlikely….they’re a third-party agency being hired by the show to spread awareness and buzz….nothing more. And who tells their boss on the first day that people might not even want their product?

Besides, public relations firms work mostly within the industry, reaching out to people like yours truly and much larger outlets such as TV networks, magazines and newspapers. They can tailor an existing ad campaign to make it Vegas-centric, but a risky top-to-bottom re-do for one stop of a tour? Not gonna happen…and we’ve already decided that there’s no magic formula for success, so why even try to change what’s worked everywhere else on the planet?

Should the PR firm have at least suggested a name revision for the show? Again, that would have understandably been met with resistance from a product that’s already a worldwide brand. And yet, a temporary re-naming to “Fuerza Bruta – Brute Force” might have eliminated some confusion and put a few more arses in those non-existent seats. Even the wise folks at Wynn eventually decided after several years to officially change the name of  Le Reve to “Le Reve – The Dream”. Because, you know, French is hard!

So just how much is in a name? Maybe the folks at the Strat should be asking that question right about now. No doubt they are sweating, because their delayed-delayed-delayed tent show Celestia, which was supposed to open on January 30th, is suddenly looking at an even more troubled future.

Celestia, now set for a May 1st debut (even though tickets are still not up for sale), may have an edge over Fuerza Bruta simply because it’s a show created specifically for Vegas. But we can justifiably counteract that advantage with the simple fact that it’s way at the troubled north end of the Strip and not the heavily-traveled Excalibur/MGM Grand/Tropicana/New York NY intersection where F.B. failed.

Celestia can also boast having some Cirque du Soleil DNA in its genes….and a few years ago that might have mattered. But now it’s time to recognize something really scary: Cirque du Soleil is facing genuine trouble here in Las Vegas. I’ve been told by people behind the scenes that MGM Resorts is quietly preparing to shut down all of their Cirque shows by the end of 2020.

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                             It’s my blog, I’ll be dramatic if I want to be…

While that might sound like absurd conjecture, there is plenty of evidence to back this rumor up. For one, huge productions like KA, ZUMANITY and Beatles LOVE are now advertising on Groupon. Yes, Groupon…the place where you go to buy discount Botox treatments and personalized make-up bags.

 

 

In my Vegas Chatter days, Groupon was a clear indicator that a Vegas attraction was struggling badly and would soon be gone. If you don’t believe me try to visit Eli Roth’s GORETORIUM. That’s not always the case anymore, but with must-see shows like LOVE, it’s an embarrassing way to put butts in seats.

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Hundreds of empty seats during a Friday performance of Cirque’s “Beatles LOVE” 

I recently attended a Friday-night performance of LOVE and was shocked that the massive auditorium was perhaps 40 percent filled. Hundreds upon hundreds of empty seats. And that’s apparently been the case for most of the Cirque shows for awhile now.

Vital Vegas stated in May of last year that Cirque’s 2017 capacity had been running at around 50 percent. With the removal of free parking to Nevada residents and a continued drop in tourism, that number would look even bleaker in the first quarter of 2019.

MGM Resorts numbers bear out rumors Cirque shows running at 50-60% capacity in Vegas: 3.6 million Cirque tickets sold in 2017, 9,890/week avg. per show. At 10 shows per week, that’s 989 sold with avg. capacity of 1,700.

Vital Vegas was also one of the first to report that Cirque Vegas was undergoing huge layoffs behind the scenes as part of a massive cost-cutting measure:

As they say in show business, “Holy crap!” Cirque du Soleil has reportedly informed all their Las Vegas shows (excluding “Mystere”) all department heads (lighting, sound, wardrobe, etc.) will be let go Apr. 17.

7:19 PM – 23 Mar 2019

He followed that up with an even more troubling tweet:

Hearing at least one well-known Cirque variety act was spotted auditioning at another (non-Cirque) show in town, presumably due to safety concerns related to Cirque layoffs.

12:48 PM – 31 Mar 2019

So, department heads have been axed, individual shows are being consolidated under one umbrella and performers are supposedly jumping ship to save their own skins. Does that sound like Cirque du Soleil will be around much longer to you?

In November I visited the Vegas Cirque du Soleil headquarters for a profile on Kim Scott, their Senior Manager of Sourcing and Partnerships. In her twelve years with the company, Scott had spearheaded shows like KA, Beatles LOVE and Criss Angel Believe.

During the interview, Kim had proudly spoken about being “responsible for maintaining our position in the industry as a leader in live entertainment safety standards, and position(ing) Cirque du Soleil as an employer of choice.” Yet one week after the article was published, Ms. Scott notified me that she was leaving Cirque to start her own consulting firm. I was astonished…and a little concerned.

Scott had also mentioned at the time that Cirque was busy creating a new show for Luxor in the theater vacated by Criss Angel’s Mindfreak. Raise your hand if you’ve heard anything about that one….I certainly haven’t.

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          Wanna go gaga over Gaga? It’ll set you back about a grand….

If a major brand like Cirque is struggling, new shows can’t afford to open and dozens of existing productions have disappeared, what will the future of Las Vegas entertainment look like? I have three answers: pricey headliner residencies, sports teams and celebrity DJ’s.

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       This….person…was just hired by Palms Resort to the tune of $60 million…

I don’t think anyone’s unaware of the Golden Knights or the new Raiders stadium. And who isn’t buzzing about Lady Gaga‘s two new shows at Park MGM Theater? Katy Perry, Janet Jackson, Christina Aguilera, Aerosmith and more are settling in for extended gigs. Throw in Marshmello/Calvin Harris and their ilk for the club kids and that’ll probably cover nearly every major kind of entertainment in the city.

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           1.8 billion dollars is the projected cost of the new Raiders stadium…

Oh, those little one-man shows will probably survive. And the strippers most likely will never run out of poles to swing from. But for productions shows, you’ll just have to head Downtown to the Smith Center. That venue for the performing arts will continue to host nationwide touring productions for short-term runs. Las Vegas will just be another stop on the schedule…no longer unique.

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               “Closed. Refunds will be available at the point of purchase.”

Clips and photos by Sam Novak. Except for a few from…wherever….