2019 – The Year in Review: Entertainment Highs and Lows


Taking a look back at the best, worst and notable in production shows of 2019….

As in recent years, the Las Vegas entertainment arena of 2019 was volatile, to say the least. Some headliners soared while others became a blip. Expensive new productions were met with skepticism or downright disdain. And still, those rotten brown logs known as Terry Fator, Mariah Carey, and Criss Angel continued to float in toilets of their own making.

Let’s take a closer look at some of the more notable examples of Sin City’s troubling trends in 2019 – The Year in Review: Entertainment Highs and Lows.

BEST NEW SHOW – Atomic Saloon Show at Venetian/Palazzo

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Spiegelworld hits and scores once more with Atomic Saloon Show. A bawdy in-your-face Wild West romp with hookers, cowboys, a horny minister, and his pair of twisted nuns, Atomic Saloon Show tosses the high points of Absinthe and Opium into a blender and pours out a perfect cocktail. Cast members Colin Cahill and Davide Zongoli receive bonus points for pushing the “hotness scale” to ten but the entire cast is uniformly excellent.

Runners Up: Blanc de Blanc, Blond Invasion, Fuerza Bruta, Hans Klok 

WORST NEW SHOW – R.U.N at Luxor

R.U.N For The Exit – Cirque du Soleil’s Latest is an EPIC DISASTER

Cirque du Soleil has definitely had their heyday on the Strip but they’ve swiftly fallen down the scale in terms of must-do entertainment. The famed acrobatic troupe somehow survived a nauseating ten years of BeLIEve/Mindfreak Live, Criss Angel’s abominable slop fest at Luxor. Then they replaced it with something far worse (how that’s even possible is a question for the ages).

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Nothing can prepare you for the awfulness of R.U.N (read my full review here). No matter how much you may be warned in advance, you’ll still leave feeling nauseated, perplexed, violated, repulsed and suffering from a throbbing headache.

When the company behind such beloved productions as Mystere and The Beatles LOVE pukes out a furball of this magnitude, there really is no way to recover. R.U.N will go down in the history books as one of the worst shows that Las Vegas has ever seen. And this is the city where Nudes On Ice was born.

Runner Up – Criss Angel Mindfreak Live at Planet Hollywood Same shit, same arrogant asshole, different theater. Enough said.

BIGGEST SURPRISE – Blond Invasion at V Theater

In a city filled with tribute shows, Blond Invasion (here’s my review) had no right to be this much fun. Spot-on impersonations of Britney Spears, Madonna, and Lady Gaga would already be entertaining, but mix in a quartet of hot male dancers, terrific choreography, spectacular costumes and live singing and you’ve got a perfect night out.  Things got even better when the trio came together for a once-in-a-lifetime medley that will sadly never happen in real life.

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             Swoon-worthy Adam D. Tucker as Tim McGraw in Vegas Gone Country

Unfortunately, Blond Invasion was one of two gems at V Theater that was never discovered by the audiences they deserved. Companion show Vegas Gone Country followed a similar formula and also suffered from anemic ticket sales. When the stars themselves have regular gigs a few blocks away, it seems that folks would rather pay more for the genuine article, no matter how lazy or rude they’ve become (I’m talking to you, Madonna). Which leads us to…

MAJOR HEADLINERS THAT SNORED AND SOARED – 

2019 was the year that fans went gaga over Lady Gaga. With two simultaneous productions playing at Park MGM Theater, the Star Is Born actress wowed sold-out audiences with classy Piano Jazz on some nights and Enigma‘s full-scale psychedelic pop on others.

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Britney Spears imploded on a personal level…yet again…and her February residency at Park MGM was quickly canceled and forgotten. The official explanation was a concern for her father’s health, then later the pop tart claimed that daddy dearest had forced her into rehab. Whatever they claim, poor ticket sales were being reported right up to the cancellation. You can only move your lips and flap your arms so many times before audiences cry out “Enough already!”.

Janet Jackson quickly moved into the Brit-bot’s vacated slot but barely managed to make a squeak. It seems like most of her fans remained behind the velvet rope, waiting for something better. Maybe it was her silence regarding LEAVING NEVERLAND, the HBO documentary detailing brother Michael’s fascination with little boys, that kept them away.

Perhaps it was the tabloid-worthy marriage/pregnancy/birth/divorce to a Qatari billionaire. Or her conversion to the Islam faith accompanied by uncomfortable photos in traditional Muslim garb…or the fact that the weight-troubled former hitmaker had canceled a 2016 tour then kept the money from advance ticket sales (fans sued and won) that pushed them over the edge. Whatever the reason, don’t expect a return from the money-grubbing Rhythm Nation songstress anytime soon. Sorry, Miss Jackson, but you’re nasty.

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Madonna turned out to be no lady for a trio of shows at Caesars Palace last month. Originally scheduled for 8;30 pm, the self-proclaimed diva pushed the start time to 10:30 pm after tickets were already sold, then had the nerve to show up three hours beyond THAT, going on stage way after midnight. Fans rebelled, hundreds of refunds were issued and of course, a lawsuit was filed by ticket buyers.

Arriving to a chorus of boos, Madonna remained unapologetic, saying “”There’s something that you all need to understand, and that is that a queen is never late.” Well, let’s hope this queen bitch tumbles from her throne and lands on her face. Maybe then she’ll finally get those teeth fixed and put that absurd eye patch to good use.

Shania Twain arrived late in the game for a series of shows at Zappos Theater, Planet Hollywood. Fans and non-fans alike gave the new production an enthusiastic thumbs-up with special mention to the energetic performance of its star…and some seriously steamy back-up dancers. Christina Aguilera and Gwen Stefani’s residencies in the same venue garnered a similar response.

Paula Abdul signed on for Flamingo‘s Donnie and Marie Theater and reviews have been decidedly mixed, leaning towards the negative. While I’ve yet to see the show (I was never a fan in the slightest, so she isn’t high on my list), those who have gone to it report that she lip-syncs the entire performance while being tossed around like a sack of potatoes.

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Since the one-time American Idol judge (oh, the irony of that) was always a horrible singer, perhaps her onstage fakery is a blessing in disguise. But who thought that Abdul was worthy of a residency, especially since her 2018 comeback tour crashed and burned? Apparently the thrifty folks at TravelZoo, where you can snag discounted tickets for as low as $49. Forever your girl, indeed.

Next year will see a residency by Kelly Clarkson that already promises to be a big hit. The initial response has been through the roof. If this seems like something you’d be interested in, snatch up your tix asap, or else you may be seeing Gaga-level resale prices very soon.

GONE AND FORGOTTEN – Gordie Brown

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Last year Gordie Brown was the unfortunate recipient of my “Saddest Career Path” award. Well, the new owners of Hooters Hotel Casino rebranded the place as OYO and quickly showed Mr. Brown the door. It certainly didn’t help that the one-time Venetian headliner slandered and criticized his own showroom and host hotel during performances, promising the audience that he’d rise again in a better place. Good luck with that, Gordie.

“THEY’RE STILL AROUND?” AWARD – Mariah Carey, Criss Angel, and Terry Fator

The unsinkable triad of Mariah Carey, Criss Angel, and Terry Fator is a log jam that just won’t flush. Maybe it’s just time to grab a plunger and force them down the drain. You already know my contempt for arrogant mouthpiece Mariah and douchebag Criss from last year’s summary. Those who’ve aligned themselves professionally with the faux-goth farce, in particular, have learned the hard way that they’ll eventually get stabbed in the back…and become a laughingstock in the eyes of colleagues. So the less said about them this time around, the better. Please, just go away.

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Terry Fator is new to the list but deserves a placing nonetheless. His stale attempts at comedy were tired ten years ago but have grown exponentially stale, with the offensiveness amped up to levels that have garnered reactions from both audience members and host hotel Mirage.

While Fator presented himself on America’s Got Talent as an awe-shucks kind of guy, those in the know are aware of the real details of his scheming, shocking personal life. Fator has been accused of scandalous treatment and abandonment of first wife Melinda, a skeevy relationship with half-his-age employee/wife #2 Taylor Makakoa (he proposed to wife #3 right in front of #2 during a performance…while still married), lawsuits with former managers and a very bizarre background (including being raised in a cult). Then there’s that mysterious death of his estranged sister in his home and the lawsuit that his mother brought against him, fearing for her personal safety. You can’t make this shit up.

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         Nothing says “Christmas” like your fist shoved deep inside a sexual predator doll…

The Mirage recently asked Fator to get rid of his controversial Donald Trump puppet “to avoid escalating the political divide in an already polarized country” as reported by the Las Vegas Review-Journal. Then Gary Costa, Executive Director of LGBTQ/AIDS charity Golden Rainbow sent a complaint letter to protest the show’s slandering of minorities and gays. Here is Mr. Costa’s public post via Facebook:

A few months ago I attended this offensive show at The Mirage Hotel and Casino and was horrified at the blatant racist, transphobic and homophobic content of the Terry Fator show. I contacted the management of The MGM including their diversity manager to formally lodge a complaint. While removing the offensive Trump puppet is a start it isn’t enough.

Blatant discrimination and public ridicule of Latinos and trans and LGBTQ individuals has no place on the Las Vegas strip disguised as “entertainment”. As long as the MGM corporation continues to allow this man to spew his hate under the guise of “family comedy” I will continue to boycott their company and keep pressuring their management to remove this outdated performer from their property permanently. There are literally a dozen or so ventriloquist acts in Las Vegas that are funny, entertaining, talented and enjoyable to watch. Terry Fator unfortunately is NOT one of them

My husband and I had a similar reaction when attending Fator’s sorry excuse for a show. We actually left the performance early and went to Le Reve instead. The fact that Fator is regularly listed on Groupon for $45 may be a sign that the wild, freaky ride is finally coming to a close. Then again, this is the same hotel that shuttered the Terry Fator Store in favor of Kardashian Khaos Boutique, so who can say? In any case, I urge you to boycott this hateful and revolting man, along with his nasty excuse for “entertainment”.

 

BIGGEST DISAPPOINTMENT – The Fate of FUERZA BRUTA 

The long-running international hit Fuerza Bruta had a chilly reception from Sin City patrons and was closed mere weeks into a proposed six-month run. A daring, innovative show, it should have been a slam-dunk on the Strip (see my review here). But Vegas audiences won’t buy tickets to something that isn’t a known quantity, much like at movie theaters, where sequels and reboots shove new ideas to the bottom of the box office tallies.

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Fuerza Bruta‘s quick shuttering inspired me to write what would turn out to be my most-read article of the year. If you haven’t taken the time to look at it, now would be a great opportunity. The in-depth piece analyzes the troubling future of the City of Entertainment and explains why so many shows have closed…and why others are on the chopping block.

International Hit ‘Blanc de Blanc’ Pops a Cork at Sahara

 

RUNNER-UP: Blanc de Blanc’s abrupt closure at Sahara

 

BITTERSWEET FAREWELL – Jeff Civillico Closes After A Decade

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It’s a well-known secret within the industry that Vegas performers often head to other cities on their days off (or take a Vegas hiatus) to supplement high overhead (and dwindling sales) on the Strip. Entertainers like Jason Tenner (PURPLE REIGN), The Bronx Wanderers, Criss Angel, and even Terry Fator hop onto planes (or busses) to fill much larger venues with significantly lower overhead.

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Jeff Civillico has been extremely candid with me through the years regarding his difficulties with the “Four Wall” method of running shows. It’s a business model that puts the responsibility and cost of performing on the entertainers instead of the old way when casinos supported their productions. And it seems like Jeff has had enough of the current system.

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Last Wednesday was Civillico’s final Vegas performance after a decade that saw him in places ranging from guest gigs with magician Nathan Burton to his first stint at Planet Hollywood (the restaurant, not the hotel) to residencies at Imperial Palace/The Quad/Linq Hotel, Flamingo and the Anthony Cools Showroom at Paris.

Jeff will continue to perform at corporate gigs around the country while focusing more time at Win-Win Entertainment, which matches performers with not-for-profit organizations. As a fan and personal friend who has followed Jeff’s journey from very humble beginnings to his current achievements, I will miss this handsome hunk of joy.

RUNNER UP – The Naked Magicians

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The cuddly, talented and adorable duo of Mike Tyler and Christopher Wayne enjoyed the prestige and opportunity (along with enthusiastic reviews like mine) to have their own Strip residency. Alas, the Naked Magicians experienced the same difficult reality that persuaded Jeff Civillico to say “I’m leaving Las Vegas”. Why fight an uphill battle when you can do financially better just about anywhere else in the world?

Stick with Vegas Unfiltered for more of 2019 – Year in Review in the days ahead.

Inside “The NAKED MAGICIANS” at MGM Grand


Genre-bending illusionists reveal more than magic tricks….

Click HERE to read this article at BestOfVegas.com

There are some who say that Sin City doesn’t always live up to its name. Perhaps there is no such thing as shock value anymore? Well, don’t be so sure of that. A pair of bawdy Australian illusionists has arrived at MGM Grand and they plan to rip the roof off the resort by tearing away their top hats and tails.

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Unless you’re Mariah Carey, most performers would rather focus on their craft than how much skin they put on display But for Mike Tyler and Christopher Wayne, fans of The Naked Magicians wouldn’t have it any other way. These two handsome hunks are constantly goaded by audience members to “take it off”. And eventually, they do!

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Australian men are already recognized as some of the hottest on the planet – for proof, look no further than the success of Thunder From Down Under at the Excalibur. Add in the resurgence of the popularity of magic shows and Criss Angel’s sex appeal with the bawdiness of Absinthe and Opium, and it’s clear that the time is right for The Naked Magicians.

Let’s be clear about one thing: Despite a similar-sounding name, this is no Magic Mike LiveThe Naked Magicians actually have more in common with Mike Hammer’s Comedy Magic than any male revue. But where Hammer’s humor is insult-based, the Aussie boys’ focuses on sexual innuendo and in-your-face mayhem.

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Tyler and Wayne were perfecting jaw-dropping feats of illusion long before they decided to pair up and drop their trousers. When the boys went full-frontal and took their family jewels on the road, the response was unexpectedly overwhelming. Venues sold out in over two hundred cities around the world, and rave reviews poured in, ensuring that The Naked Magicians would eventually take their hit sensation to Sin City.

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If you haven’t already guessed, The Naked Magicians is an adults-only production. Brad Garrett’s Comedy Club blends the perfect amount of late-night intimacy to the proceedings – double entendre intended. An opening-night crowd on February 13th filled the venue, which is located at “The Underground” inside MGM Grand. A large percentage of attendees was gentlemen, a fact the duo joked about as they took to the stage.

Surprisingly, the magicians began their performance fully clothed, sporting flashy tailored suits that showed off their chiseled physiques. Despite a conservative entrance, their first illusion –  which involved a six-foot representation of male genitalia sailing through the crowd – shattered any concerns that these performers would play it safe.

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The rapid-fire performance is heavy on comedy, nearly all of it laced with some form of wink-wink humor. Bits involving a blow-up doll, cell phone hook-up apps, a crowd-made porno film, a “gay” straight jacket and other R-rated material fill the 90-minute show. It’s not long before the guys strip off their shirts, doing a little bump-and-grind to thaw out those chilly libidos.

As the guys’ off-the-chart charms electrify the crowd, more clothes fall away, and so do any apprehensions or uptight conventions. It’s safe to say that even straight-laced husbands in the crowd found this unusual form of entertainment to be “cool.”

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It’s worth noting that even though The Naked Magicians have gone “full-throttle” in places as tame as Salem, Oregon and Grand Rapids, Michigan, they’ve actually been forced to tone things down a bit for their Sin City run, as local laws prohibit total nudity in establishments that serve alcohol.

So, if encountering the “Full Monty” might have kept you from seeing the show, your worries have been covered. Just know that The Naked Magicians have found a new way to use a magician’s hat – and it doesn’t involve a rabbit.

To learn more about Mike Tyler’s magical talents, visit his website by clicking here