MOSAIC THEATER – Everything Old Is New Again


A Historic Little Venue Shows the big boys how to safely Bring Live Entertainment Back to the Strip…

Don’t throw the past away
You might need it some rainy day
Dreams can come true again
When everything old is new again

It’s been eight long and painful months since the famed Las Vegas Strip went dark. Frightening images of lonely sidewalks and boarded-up casinos will forever haunt our memories. Now we’re crawling out of the darkness…a little uncertain and stumbling a bit along the way….and live shows are opening once again.

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Huge digital billboards at major casinos like ARIA and MGM Grand proclaim “LIVE ENTERTAINMENT IS BACK”, as if they’re the ones leading the charge. In actuality, it’s the relatively-unknown MOSAIC THEATER that’s making the most strides. The fully renovated venue, most recently known as TOMMY WIND THEATER, has become a shining beacon for performers, fun-starved visitors, and Las Vegas residents .

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Mosaic Theater follows the same, effective programming formula that made Planet Hollywood‘s V Theater such a success. Individual shows are scheduled with short turn-around times in between. Cleanup crews follow exiting patrons to sanitize and prepare the space for the next round. Behind the gorgeous red curtain, sets and cast move into position. And…..it’s showtime!

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MOSAIC THEATER currently offers three separate titles: QUEENS OF ROCK starring Elyzabeth Diaga, Kyle Martin‘s PIANO MAN (see review here) and long-running AUSSIE HEAT male revue. There’s more on the horizon, including MJ: The Evolution (a Michael Jackson tribute) and a return of the controversial A MOB STORY with Michael Franzese

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I predicted early on that V Theaters and affiliated Saxe Theater would be some of the first to reopen (see article here). Alas, all four auditoriums remain dark with no word on when they’ll be back. This gives Mosaic (and Downtown’s NOTORIETY) a distinct advantage in the current climate.

New ‘AUSSIE HEAT’ Show Debuts at MOSAIC ON THE STRIP

It’s worth noting that AUSSIE HEAT moved to MOSAIC in February after several years with David Saxe. The change was motivated in large part by a desire to have more control over their show. It’s well known in the industry that Saxe calls all of the shots in his domain. MOSAIC is clearly more of a collaborative effort.

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Some people consider MOSAIC‘s location to be a disadvantage. The structure is a bit back from Las Vegas Boulevard and not easily visible to passers-by. But once you know where it is, the positives become clear. A dedicated parking lot means that MOSAIC‘s entrance is mere steps from your car or the Strip. What other showroom in Las Vegas can boast that? (Take your time….I’ll wait).

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The theater’s dazzling, retro-cool lobby leads to a comfortable lounge with bar service. You can order up your favorite cocktail while waiting for curtain time.  The main auditorium is a throwback to NYC’s Studio 54, offering a wide proscenium stage and a main floor that can be used for show seating, dining or dancing (post-COVID, of course). Two balcony levels and an upper lounge are ideal for physical distancing and reduced-capacity requirements that are currently in effect.

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MOSAIC‘s rich history is reflected in its ability to host a wide variety of functions. The former Empire Ballroom, which also operated as Utopia, Metz, and KRAVE in the past, can handle award shows, fundraisers, lectures, weddings, podcast tapings, and corporate events.

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The venue is owned and operated by Dean Coleman of SPR & Promotions, a company with two decades of experience in promotion and production. Managing Partner Sophia Song is MOSAIC‘s Marketing Director. Together, they deliver fun, excitement, and a myriad of entertainment options designed to take on whatever 2021 throws their way.

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MOSAIC THEATRE is located at 3765 Las Vegas Blvd. S. Suite G., next to Red Palms and directly across from Park MGM Casino Resort. Click here for more information or to purchase tickets to shows. 

 

‘Piano Man’ at MOSAIC Theater Hits All The Right Notes


Tribute to Elton and Joel is way better than it has any right to be…

Tribute shows rarely get the respect that they deserve. It takes a massive amount of talent to physically transform into a well-known entertainer, then deliver spot-on performances in song and dance. Sometimes tribute shows are even better than the real thing…a joyous experience without the exorbitant prices, ego-fueled antics, or notorious late starts (I’m looking at you, Madonna). 

Celebrity impersonators have been a mainstay in Las Vegas for decades, and LEGENDS IN CONCERT is the longest-running show in the city. In 2019, I named V Theater‘s Gaga/Britney/Madonna tribute Blond Invasion as “the ultimate pop-diva experience” and “Biggest Surprise of the Year”.

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With all that’s happened this year, there’s no telling when concerts and superstar residencies will return. So imagine my joy, in this era of pandemic madness, in discovering a new show that delivers everything the biggest names can…except for a certificate of authenticity. That’s Kyle Martin’s PIANO MAN at Mosaic Theater on the Strip.

You might not be familiar with Mosaic Theater, but you should be. I’ll publish a dedicated column on this unique, COVID-conscious venue very soon. Mosaic has become a shining beacon for show-starved audiences. It currently offers three separate productions, including Queens of Rock and the sexy Aussie Heat, with more on the way.

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You might remember the short-lived PIANO MAN at Planet Hollywood‘s V THEATER. That version featured a quartet of singers that bopped and swayed through a lively medley of Elton John, Billy Joel, and Barry Manilow. Backed by a terrific seven-piece band, stars Brett Pruneau, Russel Francis, Savannah Smith and Sophia Monica winningly delivered the hits, but no actual piano. 

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Mosaic Theater‘s PIANO MAN takes quite a different approach. A grand onstage keyboard is the heart of this production, and star Kyle Martin delivers its soul. The former Californian cut his teeth on Disney stages and as Billy Joel in Broadway’s MOVIN’ OUT. He’s also covered the west coast with JOEL, his own tribute band.

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It’s to the show’s advantage that Martin isn’t necessarily familiar to Vegas audiences yet. He enters the stage in character, and his physical resemblance to the hitmaker is noteworthy. But it’s Martin’s remarkable keyboard skills that might fool you into thinking that you’re in the presence of stardom.

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Pounding out a rapid-fire “Angry Young Man”, Kyle launches on a high note followed by chart-toppers like “We Didn’t Start The Fire” and “Uptown Girl”. “Scenes from an Italian Restaurant” provides one of the few mellow moments…the Billy Joel parade rarely slows down.

After such a spot-on first set, I was skeptical that Martin could shift gears to the foppish whimsey of Elton John, but my concerns were unfounded. Donning a pair of flashy goggles and flashier shoulder pads, the beefy singer/songwriter brings the house down with “I’m Still Standing”, “Benny and the Jets” and “Tiny Dancer”.

Martin’s four-piece band is an excellent assemblage. Each member gets their turn in the spotlight. Percussionist Daniel Sia, bass player Steve Bonacci, saxophonist Jeff Teczon, and Liam Hemsworth lookalike Luke Randall on guitar are all flawless. Sexy dancers Sarah Le Clear-Domingo (see profile here) and Nadia Albulet dazzle in costumes created by legendary BAZ alumnus Blair Farrington, who also oversees visuals. The entire team appears to be having one hell of a good time. 

At just the right length, the 75-minute concert winds down with a segment that’s unusual for tribute shows. After two sets performing as the featured headliners, Martin addresses the audience as himself. A charismatic and humble “everyman”, he offers a little insight into his career and shares a few family photos. Then the whole thing comes together in an explosive finale.

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Nothing brings people together like live entertainment, and MOSAIC‘s new show is a labor of love that hits all the right notes. PIANO MAN will send you into the night with a smile on your face and a song or two in your heart.

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PIANO MAN performs Thursday through Monday at 8:30pm. Click here for tickets. MOSAIC THEATER is located at 3765 Las Vegas Blvd, just north of HARD ROCK LIVE and across from PARK MGM Hotel Casino.

COVID-19 Aftermath – Shows Most Likely (and Least Likely) To Return


Taking a hard and painful look at the Vegas entertainment landscape as Sin City’s quarantine drags on…

As a devoted enthusiast of Sin City entertainment, it pains me to think of the hundreds of gifted performers currently out of work during the pandemic shutdown. Devoted to a volatile industry in which success is never guaranteed, many artists work multiple jobs and/or share living expenses just to get by. Combine this with a lack of adequate health care and spotty unemployment compensation, and it wouldn’t be surprising if many struggling entertainers decide to leave the city…or the industry altogether.

Sadly, there’s a likelihood that numerous residencies and production shows will decide to fold (or have their lifeline unceremoniously yanked) once the ramp-up begins. How this plays out is anyone’s guess, but I’ve been doing my own pondering on what changes lie ahead. Keep in mind that my conclusions aren’t in any way a reflection of quality…or lack thereof. Instead, I’ve considered factors such as pre-virus buzz, operation overhead (costs), post-virus marketability, name recognition, longevity, and brand loyalty.

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I might be completely wrong on these predictions or right on the money. Your guess is as good as mine. We won’t know until it actually happens, but here’s my list of shows that might weather the storm. And those that I believe will most certainly blow away.

Very Likely To Return –

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David Saxe Productions – the long and colorful list produced by David Saxe amounts to a well-oiled machine. His self-named theater inside Planet Hollywood’s Miracle Mile Shops and nearby V Theater churn out hits like Vegas! The Show, Zombie Burlesque, V – The Ultimate Variety Show and many more. Saxe is a master of efficiency and knows how to run and market his business. His children will survive just fine.

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ABSINTHE – (Update – reopened on October 28th with vastly reduced seating)

Spiegelworld‘s naughty alternative to Cirque du Soleil is an instant hit that would have celebrated its ninth anniversary on April 1st. The bawdy burlesque ABSINTHE has spun off two successful companion productions and shows no sign of slowing down. Relatively low overhead (an outdoor tent, pre-recorded music, and simple props) should help it to last through a sluggish restart (if that’s how things play out, that is).

Other Spiegelworld titles OPIUM and ATOMIC SALOON SHOW might not have it so easy. Their out-of-the-way locations inside expensive Cosmopolitan and Venetian/Palazzo might prove to be a bigger challenge in the long run. Cosmo‘s costly parking fees make OPIUM an easy pass for locals, too. (Update 5/19/20 – Cosmopolitan has announced its intentions to discontinue parking fees)

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“O” at Bellagio – Despite a mountain of debt that Cirque du Soleil is carrying, it’s unlikely that they’ll allow their highest-profile Vegas production to fold. Since “O” is synonymous with the Bellagio image (just like its outdoor fountains and seasonal conservatory displays) it’s easy to envision the resort taking ownership of the show if it came down to that (Steve Wynn did that with Le Reve). “O” is still a very popular draw despite two decades and thousands of performances. Not my cup of tea, but for many tourists, it’s a must-see.

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CELESTIA – my insiders at CELESTIA assure me that the fledgling big-top production is on solid ground. STRAT Hotel Casino has a strong financial stake. which seems to be a common thread in the current make-or-break environment. Four-wallers (independent contractors) will suffer while casino-owned shows are likely to last. It all comes down to money.

Sex Tips For Straight Women from a Gay Man – This is an easy one to envision continuing. An extremely Vegas-y premise, an attractive local cast and very low overhead within an intimate theater setting. What’s not to love?

Solo and Lounge Acts – Our deeply-fractured economy is going to have a ripple effect on both consumers and the products they offer. Returning guests with limited discretionary income will most likely avoid the high-ticket attractions. That’s where one-man/woman shows come to the rescue.

With low overhead and a simple format, solo acts can offer solid entertainment and a retro vibe while passing the savings onto their audiences. Look for returning favorites like Mike Hammer, Murray Sawchuck, Carrot Top, Xavier Mortimer, Jen Kramer and maybe even the once-popular Gordie Brown to shine brighter in the spotlight. I anticipate that bloated, self-serving star vehicles like Criss Angel – Mindfreak Live and Mariah Carey‘s endless residencies will go down in flames, though. Darn.

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Expensive mega-residencies could also feel the same heat. Last year people were forking over a grand or more to StubHub for Lady Gaga tickets. Who has that kind of money now? Even though Paula Abdul‘s lip-syncing stomp-fest at the Flamingo couldn’t warrant a $49 price tag last fall, her short-lived residency now seems like a million years ago. Look for a glut of similar shows (like Derek Hough: No Limit), along with the resurgence of intimate lounge acts, to tide us over until the economy…and Vegas…rebounds.

Say Farewell –

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Blue Man Group (Update 6/30/20 The cast of Blue Man Group has been laid off by parent company Cirque du Soleil)

They’re old, tired, and as cliched as the fanny pack strapped around your cargo shorts. The trio of silent weirdos known as Blue Man Group is as annoying as those outdoor escalators that are constantly “under service”. Luxor‘s long-running production returned to the pyramid a few years ago, after more than a decade at Venetian and Monte Carlo. Now they’re in a much smaller venue and it’s easy to forget that they’re still around. Maybe COVID-19 will be the nudge that gets them to squeeze their final Twinkie.

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Human Nature (Update – permanent closure announced 6/10/20) –

It really upsets me to have this one on the list, but the Aussie quartet known as Human Nature appears to have been struggling for a while. I’ve been to the show a number of times in the past twelve months, and attendance has been anemic during each and every visit. Their live band has been downsized as a cost-cutting measure and the dancers were given a pink slip before that. They’ve also jettisoned the “Jukebox” format and returned to the Motown sound that put them in the U.S. limelight.

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Magic Mike Live (Update – Sahara opening postponed until March 2021) –

                               We can wait even longer for this execrable slop to return….

The movie-inspired male revue received a scathing write-up from me upon its debut (deservedly so). Yet, the man-bashing mess, hosted by a shrill, leather-clad harpy who never shuts her f*cking mouth, somehow managed to become a hit. Still, the closure of Hard Rock Hotel sent the strippers dancers off into the sunset last year.

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Audiences were promised a spring relaunch at the newly-rebranded Sahara Hotel, yet an official debut date was never set and tickets have yet to go on sale. The 360-degree format requires a custom-built arena that Sahara didn’t have, so costly construction was required. Alas, an insider told me that the venue’s build-out was halted many weeks before the shutdown, suggesting that the bump-and-grind may actually be over. Today’s visit to the official website reveals that the word “spring” was removed, most likely due to the shutdown. Or are revised negotiations holding things back?

During the interim, MML has gone global with residencies in London, Berlin, Sydney, and Melbourne, so a pricey Vegas space is no longer a top priority for the franchise. Sahara Hotel has yet to prove itself as a hip destination, as demonstrated by the premature shuttering of similar-themed Blanc de Blanc. Combine that with the perpetual postponements of nearby Fontainebleau/The Drew and Resorts World, and things are looking pretty dead for Magic Mike Live.

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Cirque du Soleil 

Update 6/30/20 – Cirque du Soleil announced today that they have filed for bankruptcy protection and have eliminated 3,500 jobs…

I know what you’re thinking – “But you just said that “O” was safe?!?!?!?!”. True enough. But in our new reality, Vegas cannot sustain six (already down from eight) of what is basically the same show…especially at $150 and up for decent seats.

According to FinancialPost.com, Cirque owes more that $1.25 billion to creditors. MGM Resorts operates five of their six Vegas shows and is known to brutally slice away expenses wherever and whenever possible. So who gets their trapezes pulled? I’m looking at KA, The Beatles LOVE, and maybe Michael Jackson ONE.

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Hanging In The Balance/Probably Safe –

MYSTERE – the longest-running Vegas Cirque show follows its own set of rules since Treasure Island operates separately from MGM Resorts. MYSTERE is smaller in scale and has the lowest ticket prices. The others have massive sets, live musicians, huge casts and expensive automation that requires an entire team of technicians to operate and maintain. SO…..overhead…

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ZUMANITY – (Update 11/16/20 permanent closure announced)

Never a critical darling or fan favorite, but this one might not be in real jeopardy. It has many of the advantages that MYSTERE enjoys (smaller cast, intimate venue, lower ticket prices), and has already trimmed back its musicians and singers. But despite the adult-skewing format, ZUMANITY now pales in comparison to raunchy offerings from Spiegelworld. So once again, your guess is as good as mine.

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Le Reve – (Update 8/14/20 permanent closure announced)

Wynn‘s signature production was never an out-and-out hit (some still believe it’s part of Cirque du Soleil fifteen years in), but it’s a critical darling and those who know it, love it. Le Reve is also owned by Wynn/Encore, which has deep pockets and an image to protect. When Steve Wynn’s own SHOWSTOPPERS was shuttered, massive shockwaves rippled through the entertainment community. That’s unlikely to happen again.

‘WOW: The Las Vegas Spectacular’ Celebrates Two Years on the Strip

WOW: The Vegas Spectacular – another budget-friendly production that hung in there despite the competition, WOW could in fact raise its profile and attendance numbers in the months ahead. Room rates at host hotel RIO start at a ridiculously-cheap $10 (plus resort fees/taxes) for the first half of May, so if the city actually opens, expect a pilgrimage to the aging off-Strip resort.

Sister production EXTRAVAGANZA missed its debut date at Bally’s last month and could possibly be in jeopardy. The cast of performers came from Israel and has yet to log a single hour in front of a paying audience. Housing the entire cast during quarantine is no doubt chipping away at the show’s reserves. Whether that could bring WOW down as well involves legalities that aren’t known to me. But from the outside looking in, it’s a pretty grim picture for EXTRAVAGANZA.

What are your thoughts, predictions and opinions? Feel free to add your comments or email me at Sam@VegasUnfiltered.blog.

5 Reasons To Revisit ‘VEGAS! The Show’


Epic production revisits decades of legendary Sin City superstars…

Click HERE to read this article and purchase discounted tickets through the awesome BestOfVegas site.BestOfVegas

Las Vegas earned its title as the City of Entertainment through years of world-class headliners. From Tom Jones and Tina Turner to Dean Martin and Gladys Knight…they all paved the way for the stars of today. And you can revisit every one of these legendary performances in VEGAS! The Show.

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The long-running VEGAS! The Show (at Saxe Theater inside Planet Hollywood’s Miracle Mile Shops) is as fresh as the day it opened nearly a decade ago. It’s a large-scale treat with massive sets, superb choreography, an outstanding setlist and much, much more. Whether you’re new to Vegas entertainment or a longtime devotee, VEGAS! The Show is a journey through the decades that’s not to be missed. Here are five reasons why:

THE PRODUCTION DESIGN IS UNRIVALED – The sets, costumes, and props for VEGAS! The Show have a wonderfully authentic feel. From the glamorous showgirl headdresses, tuxedos and top hats to the retro-cool chic of a 50’s soda shop, you’ll believe that you’re actually experiencing a trip through time.

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Various segments take you to the groovy days of Sonny and Cher, the gritty streets of Sinatra’s New York City, a naughty can-can at the Moulin Rouge and a visit to the candy store with Sammy Davis Jr. There are even a two-level bandstand and a mock-up of the Neon Boneyard, downtown’s final resting place for those iconic neon signs.

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A WHIRLWIND OF VARIETY ACTS – Following JUBILEE‘s well-established format, the larger sequences in VTS are punctuated by a collection of specialty acts. You’ll never know who will step out from behind the curtain, from acrobat Yasu Yoshikawa and juggler Michael Holly to the troupe of riotous physical comedians known as The Quiddlers. Each one is guaranteed to amaze, amuse and keep the show moving at a breakneck pace.

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LIVE BAND and SINGERS – Many of today’s productions have recently eliminated live musicians as a cost-saving measure. Not so at Vegas! The Show, where audiences are treated to a crackerjack eleven-piece band. Piano, horns, drums, and guitars bring you a musical experience that no pre-recorded track could ever emulate. VTS‘s amazing singers do double-duty, offering authentic recreations of familiar stars while delivering stunning vocalizations in their own style. Which brings us to…

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AN ALL-STAR CAST – Since the very beginning, Vegas! The Show has been a whos-who of Sin City stars, both current and in-the-making. Ballroom dancers Alejandro and Sarah Domingo became featured performers in Palazzo’s BAZ. Broadway star Josh Strickland (Disney’s Tarzan) was a lead singer for many years. Eric Jordan Young and Jaclyn McSpadden have gone on to outstanding musical productions like Cocktail Cabaret, BAZ and Postmodern Jukebox.

Today’s line-up is just as impressive. America’s Got Talent alumnus Samantha Johnson delivers stunning renditions of the hits of Gladys Knight, Lena Horne, and Tina Turner. Vocalist JT Seumalu belts out Wayne Newton‘s “Danke Schoen” then smoothly shifts gears to an Elvis gospel tune. Elijah Rock is wonderful as host “Ernie”, who takes you through the years while crooning Sammy’s “Candyman” and “Once In A Lifetime”. He and many more are accompanied by over a dozen stunning dancers.

NONSTOP HITS – Get ready for a rousing parade of timeless favorites. “Midnight Train To Georgia”, “I’ve Got You Babe”, “What’s New Pussycat”, “If I Can Dream” and “Shining Star”…they’re all here. Disco, funk, jazz, lounge standards and the big-band era get the VTS treatment in epic style. Seumalu brings the show to an emotional climax with “Rocketman” as videos of hotel implosions return us to present-day Sin City.

The Golden Era of Entertainment may have come and gone, but thanks to Vegas! The Show, the legacy will live on for a long time to come.

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VEGAS! The Show performs nightly at 7pm (dark Sunday) with an additional 9pm performance on select evenings. Tickets start at only $54 via BestOfVegas and can be purchased by clicking HERE

Photos: Sam Novak, Vegas! The Show, JT Seumalu/The Quiddlers via Facebook