Postmodern Jukebox Is A Musical Time Machine

 


The group’s vintage remixes are pitch-perfect for Vegas…

You may have heard of Postmodern Jukebox, the genre-busting collective of musicians and singers. But have you actually heard them? One song into Scott Bradlee’s Postmodern Jukebox Hideway, their new production at The Mirage, and you’ll become a lifelong fan.

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Postmodern Jukebox is a brilliantly entertaining concept. An ever-changing line-up of performers and songs, PMJ (as they’re affectionately known) has become a sensation thanks to the power of YouTube. Founded in Queens just eight years ago by pianist Scott Bradlee, Postmodern Jukebox takes your favorite contemporary songs, puts them into a time-machine blender and gives them a whole new spin.

Imagine hearing a familiar rap single performed in a roaring 20’s style. How about an electronica dance hit re-imagined as swing or Motown? Perhaps a country ballad doled out as a cool jazz session or a doo-wop ditty? That’s what PMJ does…and they do it oh so well.  Every song is a thrill to experience, and you’ll marvel at how well it all works.

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PMJ has been enjoying a love affair with Sin City for quite some time. Their short-term gigs around the city and in a 2016 New Year’s Eve performance at Cosmopolitan were such successes that it was only a matter of time before they landed a residency here. And why not? Las Vegas attracts music lovers of all generations and tastes, as does the group itself.

The new Hideaway stint has already been hailed by Mark Shunock (Rock of Ages, voice of Las Vegas Golden Knights) as “The best show in Las Vegas right now…period!”. Presented as an evening at an early 1900’s nightclub, Hideaway gathers the best singers, dancers and musicians you may ever see on a stage. And each performance is unique to that particular evening.

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Fans of Palazzo’s glorious BAZ: A Musical Mash-up will be thrilled by the return of its stars Nicci Claspell and Jaclyn McSpadden. Revisiting BAZ’s infectious vintage-pop fusion, Claspell delivers and cool and bouncy take on Portugal The Man’s “Feel It Still”. Dazzling Vegas local McSpadden brings down the house with a torch rendition of Radiohead’s “Creep”.

Lead vocalist/host Ariana Savalas (daughter of Kojak actor Telly Savalas) and award-winning tap dancer Aaron Turner (son of Vegas legend Earl Turner) rip up the floor with a stunning “Bad Romance”. They’re supported by an electrifying five-piece band and a hot cast of dancers that take the excitement to every corner of the club.

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LOVE 2.0 Merges Tech, Heart…and Lots More Beatles


“The Beatles: LOVE” remains one of the most spectacular and satisfying shows in town…

When Cirque du Soleil unveiled “The Beatles: LOVE” twelve years ago at Mirage, it was a first in many ways. The custom-designed 360-degree theater had an immersive sound system with speakers built into the seats. Intricate stage platforms quickly transformed the set from one sequence into another. Hi-tech projections created the illusion of a unique concert experience that couldn’t be seen anywhere else.

And the biggie of them all…the Montreal-based acrobatic company had built their first-ever show around an existing musical property – the Fab Four. Dozens of works by the Beatles were intricately woven into a musical tapestry that defies explanation. It was lovingly created for LOVE by Sir George Martin (aka “the fifth Beatle”) and his son Giles with the blessings of Ringo StarrPaul McCartneyJohn Lennon‘s wife Yoko Ono and Olivia Harrison, widow of George.

A lot has changed in the ensuing years, especially in the relationship between Cirque and Las Vegas. Further collaborations resulted in productions featuring Michael Jackson (hit), Elvis Presley (fail) and Criss Angel (where do we start?). With the closure of Zarkana two years ago (the second of their shows to fail in the Aria theater), it’s fair to question whether CDS has over-extended their brand on the Strip. Still… LOVE started out…and remains…a critically-acclaimed crowd-pleasing hit.

The Beatles: LOVE

        May 5th, 2016 – Massive crowds lined up to see “Beatles: LOVE” at Mirage

For the tenth anniversary of LOVE, Cirque took on the challenge of revising, updating and fine-tuning what many already consider to be the best show in the city. A risky proposition, but with Giles and original artistic director Dominic Champagne at the helm, the updating was nearly flawless…and quite beautiful.

Those unfamiliar with the show…or who haven’t seen it multiple times (this writer clocks in at 14 and counting) will be oblivious to the more subtle tweaks. But the new sound system, updated video elements, and three-dimensional projections stand out as clearly state-of-the-art.

LOVE’s pacing is also much tighter in this new incarnation. What once began from an incredibly slow build to explosive action, then back to a more solemn World War II sequence now drives continuously forward, thanks to the addition of Twist and Shout.

There’s less focus on the Beatles as children (in fact, during the media event that I attended for the tenth anniversary, only three child actors were present, but their downplayed roles hardly made it noticeable). Another absence, seemingly permanent, was the “Eleanor Rigby” character (portrayed by beloved Brazilian actress Silvia Aderne since the beginning).

The Beatles: LOVE

It seems as though the re-sequenced songs and staging are now meant to represent an emotional interpretation of the Beatles’ cultural impact, more so than just a chronological depiction of their rise. LOVE has always been quite a bit on the dreamy side, with surreal visuals and characters.

Now the show is even more trippy, with wildly colorful costumes and props that are vivid and vibrant. Whimsical touches, like characters and sea creatures from Yellow Submarine and Octopus’s Garden, permeate every corner of the massive arena.

Two significant numbers have been re-imagined by replacing marionettes with projections. Lady Madonna has jettisoned the dancing yellow galoshes. The once-black floor now comes alive with moving multi-colored spots that turn the surface into a living Twister game board.

While My Guitar Gently Weeps has done away with the giant marionettes made of letters. In their place, a sole female character now dances with an animated sketch of a man that moves, morphs, and flies from one screen to another throughout the auditorium. The scene and staging are hard to describe, but their beauty brought tears to my eyes.

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The biggest sequence – and a fan favorite – is the enormous mushroom-cloud bedsheet that spreads over the audience during Within You Without You/Tomorrow Never Knows. That set piece remains, but it was unclear from my seating position whether anything going on above the canvas had been updated (that statement might only make sense if you’ve seen LOVE in the past).

Check out the YouTube video below for a brief look at this mind-blowing segment.

Speaking of the previous version, it’s worth noting that the four band members were once only shown in silhouette until the final moments. Now their faces are front and center, sometimes using archival footage that syncs with the soundtrack. That effect and a few others might need a little tweaking (the show was briefly interrupted on the night I attended, due to a glitch) in the weeks leading up to the official tenth-anniversary celebration.

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That gala on July 14th 2016, presented the return of Ringo, McCartney, and the widows of John and George for a formal event. It was truly an epic night and one for my personal Hall of Memories.

It’s terrific to know that one of my favorite Vegas shows is just as wonderful as ever. Whether you’re a fan of the Liverpool quartet, Cirque du Soleil or just great productions, The Beatles: LOVE remains one of the most spectacular and satisfying shows in town. Don’t miss it.

The Beatles LOVE performs Tuesday through Saturday at 7 pm and 9:30 pm. Tickets and information on behind-the-scenes tours and VIP  experiences are available through this link. Our friend at VegasFool.com has tickets starting at $75 (plus taxes/fees) by clicking here.

Editor’s Note: This article previously appeared on another site. It has since been updated.

Photos: Sam Novak