Mend Your Broken Heart with The Timeless Sounds of “Australian Bee Gees Show”

Top-level tribute delivers the Best Music when we need it the most…


If you saw the 2021 Grammy Awards and happen to have the slightest bit of good taste, you’ve realized that contemporary “music” is being dredged up from the smelliest bowels of Hell. When “WAP” aka “Wet A** P*ssy” is performed live on network television, there’s no place to go but up.

Yes, our nation is in a deep dive. We’re hurting and need something to lift us up. So we look back at the fantastic music of the 70’s and 80’s…songs that defined several generations and will last for years to come. That might explain why we’re dusting off our vinyl records for another go-round.  And who better to exemplify that era than the Bee Gees?

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A year after COVID’s mandatory shutdown , The Australian Bee Gees are back at Excalibur‘s remodeled second-level showroom, and they’re resonating like never before. Is it because of the music and warm lyrics? Perhaps it’s our yearning for better times. Or maybe we just need a little positivity in our lives. When you hear live performances of “To Love Somebody”, “ONE” and “How Deep Is Your Love”, those questions are moot.

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This past December, while we were stuck at home instead of visiting family or enjoying holiday vacations, HBO presented the documentary “The Bee Gees: How Can You Mend A Broken Heart”. Directed by Frank Marshall (producer for POLTERGEIST, RAIDERS OF THE LOST ARK, GREMLINS and the BACK TO THE FUTURE trilogy), the lovingly-created chronicle touched people around the world. It reminded us of the hearts behind the music, and left very few dry eyes.

There’s so much more to the brothers Gibb than the disco era. The Australian Bee Gees Show covers the gamut of their discography, opening with the 90’s, jumping back to the beginning, then culminating in a veritable dance party of Saturday Night Fever proportions.

There are medleys dedicated to every significant decade of their lengthy career. Along the way the trio visits youngest brother Andy‘s “Shadow Dancing”, Frankie Valli‘s “Grease”, Dolly and Kenny‘s “Islands in the Stream”, and a very familiar collaboration with Barbra Streisand (“Guilty”). Montages of vintage videos create a perfect backdrop to the performances.

The gentlemen behind the characters are a wildly-gifted trio of musicians in their own right. They’ve been delivering variations of this production across the globe for over two decades. Guitarist Michael Clift (“Barry”) founded the group in 1996. David Scott hits all the right notes and bears an uncanny resemblance to falsetto “Robin”. Handsome keyboardist Wayne Hosking lives and breathes Robin’s twin brother “Maurice”. They’re joined by bassist Tony Richards and percussionist Rick Powell, two powerhouse musicians with their own impressive resumes.

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It’s been several years since I last saw Australian Bee Gees. At the time, it was a two act, two-era show with a costume change in between. Hosking tells me that the production will continue to develop and grow once COVID restrictions have been eliminated:

Unfortunately some of the best additions to our new show are still absent under the distancing guidelines. We had to drop the second set costume change, the medley around one microphone and a lot of the audience interaction and dance floor. Still…just happy to be back on stage at this point!

I’d be perfectly content if A.B.G. maintained one continuous set. The current iteration is an authentic, in-character concert retrospective, as though all of the boys still remained alive (alas, only eldest brother Barry survives).  Much like Jason Tenner‘s PURPLE REIGN tribute to Prince, this is the closest thing you’ll ever get to an actual Bee Gees concert.

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Hosking also said that a big-screen biopic of the legendary group is in the works from Paramount and actor/director Kenneth Branagh. With the box office success of BOHEMIAN RHAPSODY and PIANO MAN, perhaps this was inevitable, and that’s just fine. As the HBO documentary showed, there’s a lot more to the story than you know.

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Las Vegas tribute shows rarely get the respect that they deserve. It takes plenty of effort to sing, dance, and channel iconic artists. Imagine how tough it is to maintain that illusion for an entire 75 minute production.

The Australian Bee Gees Show is overflowing with authenticity. You’ll be on your feet and feeling the fever way after the mirror ball stops spinning.

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The Australian Bee Gees Show performs at 6 pm (and 4pm on select dates) at Excalibur Hotel Casino. Prices start at $50.95 plus taxes/fees. Click here for complete schedule and to order tickets. 

Photos: Sam Novak, The Australian Bee Gees

5 Reasons to Party with ‘Tenors of Rock’


The all-hits classic rock show at Planet Hollywood brings down the house…

From lounge lizards of the Golden Era to the headliners of today, music has always been at the heart of Sin City entertainment. And nowhere does that heart beat stronger than with the dynamic stylings of Tenors of Rock.

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An international confection of rip-roaring vocals, boundless energy and a live onstage band, Tenors of Rock has evolved from a group of X-Factor hopefuls into a world-renowned brand with two touring groups and their own chart-topping hits. Now in their third year of Las Vegas success, the boys recently landed a new home at Planet Hollywood’s Sin City Theater.

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Whether you’ve seen their previous residency at Harrah’s or are discovering them for the very first time, here are some great reasons to spend the evening with Tenors of Rock.

Classic Rock Anthems – the popularity of classic rock is at an all-time high. Tenors of Rock brings you American favorites like “Sweet Child of Mine”,” Shook Me All Night Long”, “Desperado”, “More Than A Feeling” and British hits including “Pinball Wizard”, “Satisfaction” and “Back in Black”, all delivered in their signature style.

Intimate Venue –  Rock shows often get caught up in bombast and pyrotechnics, rarely offering the subtleties of lush harmony and complex vocals. Sin City Theater provides a rare personal experience with a band that has played to upwards of 100,000 at a time. Percussionist Nannette Fortier and guitarist Chris Cicchino also benefit from the smaller space, allowing the musicians to absolutely shine.

Dynamic Personalities – Vegas audiences immediately fell in love with members Dai Richards and Jonathan Williams (Wales), Daniel Shumann (Melbourne), Tommy Sherlock (Liverpool) and kilt-clad extrovert Jimmy Denning (Scotland). Onstage chemistry makes every performance an electrifying concert experience. Newest members Andrew Freeman (Raiding the Rock Vault) and BAZ alumnus Paul Johnson (Las Vegas) are injecting a healthy dose of American DNA into the mix.

Amazing Talent – The level of experience behind Tenors is world class. Williams excelled as Les Miserables lead “Jean Valjean” in London’s West End. Shumann has a background in TV, opera, cabaret and musicals. Richards is a founding member who…

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Photos: Tenors of Rock

Blond Invasion – The Ultimate Pop-Diva Experience


New production gathers pop’s biggest female superstars for the dream concert that never was…

Superstar headliner residencies are the biggest draw on the Strip right now. We’ve got Mariah, Janet, Gwen and more with Christina on the way (Pink and Katy Perry are rumored to be eyeing gigs as well). Can you imagine how awesome it would be if Madonna, Lady Gaga and Britney Spears somehow teamed up for the megawatt show of a lifetime? Now you can stop dreaming, because Blond Invasion is here.

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Blond Invasion is the latest show to open at V Theater inside Planet Hollywood’s Miracle Mile Shops. A stunningly clever yet simple concept, Blond Invasion is a beautifully executed salute to the ladies who keep us dancing. Unlike other tribute shows you may have seen, Blond Invasion doesn’t have lip-syncing or a rotating roster of celebrity acts. It’s a live performance created especially for fans of Madonna/Britney/Gaga by people who adore them.

In the crazy world of entertainment, you never know if or when you’ll ever get the chance (or finances) to see your favorite headliner. Britney lovers were blind-sided last November when her upcoming Park MGM residency was abruptly cancelled. Things turned even more dire just this month when the troubled pop tart’s manager stated that she may never perform again.

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Britney’s devoted fan base will be thrilled when performer Katie Murdock blasts through the Planet Hollywood ceiling with uncanny live vocals and spot-on Britney moves. Flanked by an explosive male dance troupe, Katie opens with the fabulous “Circus”, followed by sensational interpretations of “Toxic”, “Womanizer” and of course, “Work B*tch”.

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At the grand opening celebration, guests literally gasped when Ms. Murdock strolled into the party…the likeness was absolutely breathtaking. I later learned that Katie has already wowed thousands through her portrayal of Spears in the record-setting Legends In Concert. With fourteen years of Britney experience and a lifetime of singing and performing, Murdock’s act alone is worth the price of admission. But she’s just one of three powerhouse performances that make Blond Invasion such a treat.

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The 90-minute production opens with Coty Alexander striking a pose to Madonna’s “Vogue”, followed by “Into The Groove”, “Papa Don’t Preach”, “Human Nature” and more. A multi-faceted artist who’s also a Legends in Concert alumnus, Alexander has thrilled with her interpretations of Gwen Stefani and Lady Gaga, too.

Speaking of Gaga, prepare to be floored when Philadelphia native Christina Shaw and the boys let loose with “Bad Romance”. Clad in a blue wig and glittery spandex, Christina shows off her own real keyboard skills at a lush red piano for a ballad-style rendition of “Poker Face”.  She and the boys celebrate diversity with “Born This Way”, bring the party directly to your seat for “Just Dance” and wrap up with a fabulous round of “Applause”.

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                Christina Shaw’s Lady Gaga raises the roof with “Applause”…

Along with their individual sets, Blond Invasion‘s three stars come together for something you’ll never see anywhere else…Madonna, Britney and Lady Gaga on one stage. Together they unleash a career-spanning medley that’s a concert event like no other.

 

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ELVIS IS BACK IN VEGAS WITH ‘HEARTBREAK HOTEL IN CONCERT’


Concert-style Elvis retrospective is satisfying, solid entertainment…

Just when you thought there couldn’t be any new ways to celebrate the life and music of Elvis Presley, along comes Heartbreak Hotel In Concert. The new production at Harrah’s Las Vegas is an extravaganza of swiveling hips, legendary blues and rock-a-billy guitar hits that will have you rising from your seats with cheers.

Unlike other Elvis tribute shows, Heartbreak Hotel In Concert isn’t a typical impersonation act. Instead, its talented cast of singers and a live band present a chronological journey of The King’s career in word, song and style. A carefully-crafted set list visits his earliest church gospel days to recordings in Memphis through his army stint and Hollywood breakout, culminating in that historic record-setting residency at the International Hotel (now Westgate Las Vegas).

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Bursting onstage with “All Shook Up”, front man Eddie Clendening is an accomplished rock-a-billy powerhouse. His personal love for Presley’s music shines through with every chord of “That’s Alright”, “Baby Let’s Play House” and the title tune. Having previously portrayed the late superstar on Broadway in Million Dollar Quartet as well as touring around the world with his Blue Ribbon Boys band, Eddie knows instinctively how to channel Presley’s persona and style. Rather than mimicking Elvis, the Denver Colorado native allows the music to flow through him, infusing his vocals and body language with Presley’s signature heart and soul.

Musical director Colte Julian tickles the ivories and has a great time as Jerry Lee Lewis in a sequence saluting the Million Dollar Quartet jam sessions. Julian’s spot on, having played the wild piano man in several productions of the long-running hit based on that gathering. He’s also hysterical in a “White Pop” medley that dramatically emphasizes how daring Presley’s “black” music was perceived by listeners of the day.

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Once a two-act musical drama, Heartbreak Hotel has been re-imagined for Vegas audiences by Ivan Menchell and staged by Jeff Calhoun as a concert experience. Each performer gets their moment to recount a historic milestone and share personal reflections of The King’s songbook. Lovely singers Jackie Wiatrowski, Tymara Walker and Fana Hughes take center stage (and the keyboards) for “Handyman”, “Love Me Tender” and “Can’t Help Falling In Love With You”. Broadway vet Geno Henderson (guitarist for B.B King and Ike Turner) captivates the audience with a soul-filled rendition of “Are You Lonesome Tonight”.

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In addition to lush costumes, precise staging and slick choreography, Heartbreak Hotel has invaluable and unprecedented access to thousands of rare photographs and video footage through Elvis Presley Enterprises.

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