Wynn’s LE REVE Makes New Waves With Major Revision


Detailing major updates to Wynn’s long-running signature production…

NOTE: This article previously appeared on another site in February 2017. There have been additional revisions to the show since then. I will be revisiting Le Reve very soon and will share those updates with you at a later time.

The aquatic show Le Reve – A Small Collection of Imperfect Dreams opened at Wynn Resort in May of 2005. It was an eerie tale told through acrobatics and a blend of water and aerial ballet. Sets were adorned with skulls and skeletons, while the ceiling was layered with actual casts of human bodies. The dream of an “everyman” protagonist caught both audiences and critics off-guard. It was surprisingly dark for a night out in Vegas and became a bit of a PR nightmare for the newly-opened resort.

Le Reve

Despite the fact that this writer was blown away (I saw it on my first Vegas trip), the production was quickly retooled. A lengthy process of reinvention took place over the next several years, much in keeping with the “fluid” nature of its setting. Le Reve was lightened and brightened, transformed from a sinister nightmare into a sweeping adventure filled with romance, dance….and lots of flowers.

The reinvention worked. Le Reve – The Dream (its second official name) became a must-see…and winner of Best Production Show for six consecutive years (Southern Nevada Hotel Concierge Association). Throughout its run, additional artistic and technological elements have been added to keep audiences returning. My personal tally is twenty-seven as of this writing (you can read all about my previous experiences by visiting an archived VegasChatter article here).

Le Reve

Perhaps it was a reflection of the times that a happy version of Le Reve soared while the economy was tanking. Failed projects continue to surround the Wynn/Encore property, reminders of a time when the future of Las Vegas growth suddenly seemed bleak. But for fans of Le Reve, all was sunny and bright.

Now that tourists are pouring back into Vegas in record numbers and money is flowing once more, the folks at Wynn Entertainment have once again retooled their namesake show (Wynn resort was originally to be called “Le Reve”). And surprise…the production has gone back to the beginning and restored a bit of the darkness.

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Why would an established show embrace an approach that didn’t work so well the first time around? Perhaps we can credit this to the current crop of Vegas enthusiasts. Younger crowds that make Sin City their go-to destination these days don’t generally attend this type of production. But they do indulge in imagination-based entertainment like gaming, martial artistry, sci-fi, and superheroes.

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Le Reve version 2017 has tapped into the burgeoning fantasy culture and brought heroes and villains to the center of Le Reve’s aqua-stage. A romantic triangle that forms the core of its storyline has been amped up, with characters and costumes having a new sense of familiarity to genre fans. Elements of AVATAR and Ridley Scott’s LEGEND, sword/sorcery visuals and graphic novel sensibilities have been woven into the plotline, along with a dashing prince-like hero (in a billowy romance-cover shirt) and a bald, muscular challenger in black leather pants.

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As you might expect, Le Reve is much less of a musical now. The live singing doesn’t kick in until the second third of the show. Most of the ballroom dancing has been jettisoned, along with three angels who served as comic relief. In their place are two impish sidekicks who serve a staff-wielding Dream Master. That ominous character sends the dreamer into her adventure and leads her from one experience to the next before returning her to our world.

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Certain acts remain relatively unchanged, like a wild sequence with giant fishing nets and another with three female acrobats inside of a sphere. Natural elements like rain, snow, and fire have been amped up. A new effect features globes made entirely of water that descend from an enormous domed ceiling….while flames swirl around inside of them. It’s hard to describe, but absolutely breathtaking.

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As you might expect, not all is perfect in the new Le Reve. The happy-ending finale is set to a horribly cheesy song that would be more at home in Disney’s Parade of Lights. The Piece Montee set, a multi-tiered fountain from which high-divers leap and spin, is now adorned with Day-Glo accents that resemble a child’s aquarium. In fact, the entire sequence feels like a deleted scene from The Little Mermaid or Finding Nemo.

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A source connected with the show told me (on condition of anonymity) that the current finale is a remnant from a different failed revision that Steve Wynn halted (Wynn has had a hands-on role since purchasing the rights from creator Franco Dragone in 2006 and provides a voice-over in the latest rollout).

Apparently, this jettisoned re-imagining was only performed twice for audiences before being packed up and tossed into the dead pool. For whatever reason, the “get-happy” conclusion from the discarded reworking remains. It could easily be excised until another one is created and the show would still feel complete.

The source went on to say that original composer Benoit Jutras has been working on a new score to balance the overall tone and that a lyricist will be adding songs back into the production soon. So Le Reve will continue to be fluid, at least in the weeks and months ahead.

Le Reve

As I stated in my review of the Beatles LOVE update, retooling a successful show can be a risky proposition. But like the artists of Cirque du Soleil, Wynn’s entertainment group has stayed true to the source material while making it feel brand new.

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Comparisons to Cirque du Soleil will most likely follow The Dream throughout its run, which in unfortunate. Le Reve – The Dream sets itself apart in ways too numerous to mention. Unlike Bellagio’s O, the show at Wynn manages to be both intimate and epic. It’s my personal favorite in the city.

Le Reve – The Dream is a spectacle on a massive scale. It’s incredible entertainment…and one hundred percent pure “Las Vegas.”

Le Reve – The Dream performs Friday through Tuesday at 7 pm and 9:30 pm. Tickets start at $115.00 plus taxes/fees and are available by clicking here. Our friend at VegasFool.com is running a special with Grandview seating for $99 plus taxes/fees (regular $145) by following this link.

Photos: Sam Novak

 

 

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LOVE 2.0 Merges Tech, Heart…and Lots More Beatles


“The Beatles: LOVE” remains one of the most spectacular and satisfying shows in town…

When Cirque du Soleil unveiled “The Beatles: LOVE” twelve years ago at Mirage, it was a first in many ways. The custom-designed 360-degree theater had an immersive sound system with speakers built into the seats. Intricate stage platforms quickly transformed the set from one sequence into another. Hi-tech projections created the illusion of a unique concert experience that couldn’t be seen anywhere else.

And the biggie of them all…the Montreal-based acrobatic company had built their first-ever show around an existing musical property – the Fab Four. Dozens of works by the Beatles were intricately woven into a musical tapestry that defies explanation. It was lovingly created for LOVE by Sir George Martin (aka “the fifth Beatle”) and his son Giles with the blessings of Ringo StarrPaul McCartneyJohn Lennon‘s wife Yoko Ono and Olivia Harrison, widow of George.

A lot has changed in the ensuing years, especially in the relationship between Cirque and Las Vegas. Further collaborations resulted in productions featuring Michael Jackson (hit), Elvis Presley (fail) and Criss Angel (where do we start?). With the closure of Zarkana two years ago (the second of their shows to fail in the Aria theater), it’s fair to question whether CDS has over-extended their brand on the Strip. Still… LOVE started out…and remains…a critically-acclaimed crowd-pleasing hit.

The Beatles: LOVE

        May 5th, 2016 – Massive crowds lined up to see “Beatles: LOVE” at Mirage

For the tenth anniversary of LOVE, Cirque took on the challenge of revising, updating and fine-tuning what many already consider to be the best show in the city. A risky proposition, but with Giles and original artistic director Dominic Champagne at the helm, the updating was nearly flawless…and quite beautiful.

Those unfamiliar with the show…or who haven’t seen it multiple times (this writer clocks in at 14 and counting) will be oblivious to the more subtle tweaks. But the new sound system, updated video elements, and three-dimensional projections stand out as clearly state-of-the-art.

LOVE’s pacing is also much tighter in this new incarnation. What once began from an incredibly slow build to explosive action, then back to a more solemn World War II sequence now drives continuously forward, thanks to the addition of Twist and Shout.

There’s less focus on the Beatles as children (in fact, during the media event that I attended for the tenth anniversary, only three child actors were present, but their downplayed roles hardly made it noticeable). Another absence, seemingly permanent, was the “Eleanor Rigby” character (portrayed by beloved Brazilian actress Silvia Aderne since the beginning).

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It seems as though the re-sequenced songs and staging are now meant to represent an emotional interpretation of the Beatles’ cultural impact, more so than just a chronological depiction of their rise. LOVE has always been quite a bit on the dreamy side, with surreal visuals and characters.

Now the show is even more trippy, with wildly colorful costumes and props that are vivid and vibrant. Whimsical touches, like characters and sea creatures from Yellow Submarine and Octopus’s Garden, permeate every corner of the massive arena.

Two significant numbers have been re-imagined by replacing marionettes with projections. Lady Madonna has jettisoned the dancing yellow galoshes. The once-black floor now comes alive with moving multi-colored spots that turn the surface into a living Twister game board.

While My Guitar Gently Weeps has done away with the giant marionettes made of letters. In their place, a sole female character now dances with an animated sketch of a man that moves, morphs, and flies from one screen to another throughout the auditorium. The scene and staging are hard to describe, but their beauty brought tears to my eyes.

The Beatles: LOVE

The biggest sequence – and a fan favorite – is the enormous mushroom-cloud bedsheet that spreads over the audience during Within You Without You/Tomorrow Never Knows. That set piece remains, but it was unclear from my seating position whether anything going on above the canvas had been updated (that statement might only make sense if you’ve seen LOVE in the past).

Check out the YouTube video below for a brief look at this mind-blowing segment.

Speaking of the previous version, it’s worth noting that the four band members were once only shown in silhouette until the final moments. Now their faces are front and center, sometimes using archival footage that syncs with the soundtrack. That effect and a few others might need a little tweaking (the show was briefly interrupted on the night I attended, due to a glitch) in the weeks leading up to the official tenth-anniversary celebration.

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That gala on July 14th 2016, presented the return of Ringo, McCartney, and the widows of John and George for a formal event. It was truly an epic night and one for my personal Hall of Memories.

It’s terrific to know that one of my favorite Vegas shows is just as wonderful as ever. Whether you’re a fan of the Liverpool quartet, Cirque du Soleil or just great productions, The Beatles: LOVE remains one of the most spectacular and satisfying shows in town. Don’t miss it.

The Beatles LOVE performs Tuesday through Saturday at 7 pm and 9:30 pm. Tickets and information on behind-the-scenes tours and VIP  experiences are available through this link. Our friend at VegasFool.com has tickets starting at $75 (plus taxes/fees) by clicking here.

Editor’s Note: This article previously appeared on another site. It has since been updated.

Photos: Sam Novak

Serenity Helicopters: the Ultimate Grand Canyon Experience


VIP service brings another dimension to Las Vegas dinner-and-a-show dates…

Sometimes the fates are determined to bring certain individuals into your life….not once, but many times. Such was the case two short months ago when I met a charismatic couple on a flight from Portland, Oregon to Las Vegas.

During my conversation with them, I stated that for a variety of reasons I’d never join them as residents of Sin City. Fast-forward to a few short weeks later. Now I’m buying a Vegas home…and ran into them again at the AFAN Black and White Party. It was clear that yet another encounter was ahead…one that would culminate in a return trip to the skies.

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The couple is pilot/company instructor Jim Gisclair and his wife Trina Larmony, Operations Manager at Serenity Helicopters. Just the mention of choppers pricks up my ears, as riding in a helicopter has been one of my longtime desires. I told Jim and Trina about my website and how I’d absolutely love to do an article on their service. After all, it would make a great companion piece to my one on Sin City Skydiving, which you can read here.

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Jim and Trina are amazing people who are worthy of their own profile article. I could tell you about Jim’s experiences as an former UH-60 Blackhawk Pilot for the United States Army. I could go on endlessly about Trina’s tireless charitable work on behalf of children with special needs.

Perhaps they’ll end up in a future edition of SEXY POWER DUOS. Trina and Jim certainly are a stunning pair. But let’s focus on Serenity Helicopters for now…and what sets them apart from similar companies in the Valley.

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Much like in Hawaii, the Vegas area is perfect scenery to view from the sky. Spectacular sunsets, brilliantly-colored lights on the Strip and close proximity to the Grand Canyon make helicopter tours a must-do for thousands of visitors.

There are many helicopter tour agencies operating in and around Las Vegas. They offer various levels of service to fit most budgets. Naturally, you get what you pay for….and sometimes that includes the safety record that comes with cost-conscious services.

Serenity Helicopters is the ultimate in Grand Canyon tours. First and foremost, they carry a one hundred percent perfect safety record. This company has been operating for more than 25 years, first as Air Maui before expanding to Sin City. Their small exclusive fleet is meticulously maintained.

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At each day’s end, an entirely new crew takes charge of the aircraft. Our FAA-certified and factory-trained mechanics inspect and maintain our helicopters to ensure that every component and system meets the highest standards of safety and quality. Our standards are simple: “If it’s not perfect, it doesn’t fly.”

Jim explained to me that Serenity knows the ins and outs of each of their aircraft very well. He flies his route with confidence, much like you do when driving your own personal vehicle. And each of their pilots are the absolute best in their field, bar none.

Most of Serenity’s captains, like Jim, come from a military background…so you could say that they’re “battle tested and time tested”. They’re also skilled tour guides, giving you a bunch of intriguing insights during your journey…along with witty stories and plenty of laughs.

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The aircraft interiors are relatively spacious, comfortable and super-clean. Windscreens provide panoramic 180-degree views of the scenery. Your flight will be smooth as glass with a minimum of noise and vibration. You’re provided with noise-reduction headsets to keep you in touch with your guide as you enjoy atmospheric music personally chosen by your pilot to enhance the visuals.

Serenity Helicopters offers a number of daytime and sunset tours, with or without meals. You can even request a personalized flight plan for custom charters. My pal Danny and I were lucky enough to be welcomed aboard for their best offering – the Sunset Grand Canyon Tour and Dinner. This VIP experience is a two-hour trip over Lake Mead and Hoover Dam, continuing into the Grand Canyon for a gourmet evening meal.

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For our excursion, we were picked up at a Strip hotel by one of Serenity’s luxurious vans. It was plush and spacious, offering leather seats, a high-end sound/video system, bottled drinks and internet tablets at every seat. The 20-minute drive to Serenity’s base of operations concluded with a brief video safety presentation before were escorted inside.

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Serenity Helicopters

Serenity Helicopters

Our parties checked in with the gracious staff, then we relaxed in the lounge-like office before receiving final safety instructions. Soon we were heading through the hangar and onto the tarmac to board our flight. (A final visit to the restroom is highly suggested as there are no facilities from this point until your return.)

Liftoff was a breeze and in no time our group was sailing over Hoover Dam and Lake Mead. The visuals were absolutely stunning and had me feeling like Christopher Reeve flying over the same spot in 1978’s SUPERMAN THE MOVIE.

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Serenity Helicopters

After passing Memorial Bridge and the lake we crossed into Arizona, over an extinct volcano and deep into the desert. It wasn’t long before our flight brought us right to the edge of the Grand Canyon…then into the heart of one of the world’s greatest wonders.

Gorgeous vistas, sun-drenched rocks, stunning colors and amazing unspoiled nature. What passed around and under us was almost too much to drink in. I found myself with tears in my eyes and my heart pounding. Yet in retrospect, the simultaneous peacefulness (dare I say “serenity”?) of the experience was remarkable.

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As the journey into the canyon continued, we flew past the Grand Canyon Skywalk and over the Colorado River before arriving at Serenity’s own private landing area. There we took in a flawless panoramic view of the valley. While we explored the terrain, pilots from both aircraft set up their tables for a piping hot gourmet meal…complete with china, table cloths and champagne.

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Serenity Helicopters

Serenity Helicopters

As our pilot topped off our glasses of bubbly, he described to me how Serenity devised a way to transport their dinners to such a far-off locale while keeping them hot, flavorful and satisfying. I won’t give away trade secrets, but layers of custom-shaped pizza stones inside the insulated totes might have been mentioned.

 

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Soon the sun was dipping towards the horizon, so our pilots gathered passengers for the return trip. I was able to catch this cool video (above) of our tour-mates lifting off. Then our own chopper headed for the horizon. The most awe-inspiring moments lie ahead. Words can’t describe them, so I won’t even bother to try.

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Serenity Helicopters

Serenity Helicopters

If you only watch a single clip, make it the one below. Be sure to click “HD” and expand it to full screen:

After a smooth and glorious landing, Jim and Trina allowed us to stay behind a little while as our copter was brought into the hangar for meticulous safety checks and maintenance. Then it was back to the van for our return trip to the Strip.

 

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Much like my skydiving adventure, the Grand Canyon helicopter tour was one of those unforgettable moments that you have to do at least once. And if you’re ready to do something this monumental, why not go with the best in the industry?

Serenity Helicopters not only sets the standard for aerial tours, but they surpass it each and every time.

Serenity Helicopters

Serenity Helicopters operates daily. The company is a TripAdvisor Hall of Fame recipient, having been awarded their Certificate of Excellence for eight consecutive years.

Check the Serenity Helicopters website for flight options, pricing and more. Insider tip: single fliers can get special pricing on unsold seats when available. Call for information on this offer at 702.589.7700. 

Photos and video: Sammasseur, Danny Angel, Jim Gisclair, Trina Larmony, Serenity Helicopters

 

 

 

 

 

 

 

Going “Down South” on the Vegas Strip


My latest article spotlights the far southern end of the Las Vegas Strip…

Continuing with my series of freelance articles published via BestOfVegas.com, here’s an exploration into the far reaches of Las Vegas Boulevard….once you venture past the “Welcome to Fabulous Las Vegas” landmark sign.

It’s a trip worth taking.

www.bestofvegas.com/articles/down-south-vegas-strip/

Manilow: The World’s Greatest Showman


Barry returns to Westgate’s International Theater in a must-see event…

Thanks to Hugh Jackman’s recent hit film The Greatest Showman, a new generation regards P.T. Barnum as the greatest showman. But look a little closer at history and you’ll find a career marked in controversy and ethical concerns.

No such worries with the revered Barry Manilow. This legendary performer is universally respected, admired and loved….with good reason. No living singer/songwriter has done for entertainment what the Brooklyn native has been able to accomplish. And the fact that he’s still bringing crowds to their feet at 75 years of age is beyond remarkable.

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It goes without saying that after more than four decades, Manilow has begun to show signs of aging (ya think?). The voice is a little less velvety than you may remember. And after some serious health issues, his gait can be a bit wobbly at times.

But make no mistake – the man still owns the stage and can belt them out with aplomb. As Manilow said himself last night: “What is your 75-year-old grandfather doing tonight? I’m STILL a sex god!”. Yes, sir, you are.

As for the production, Manilow: The Hits Come Home is a landmark achievement in Vegas entertainment. Returning to the stage that he ruled for so many years (under the “Hilton” banner), Manilow’s entrance is preceded by a video intro that builds an unbearable amount of suspense. When the screen arises and the icon steps into the spotlight, it’s a true “pinch me” moment.

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The set list begins with 1975’s “It’s A Miracle”, which seems fitting considering the circumstances. The significance of this early hit was not lost on a packed house of diehard and casual fans. “Daybreak” and “Looks Like We Made It” round out the opening medley, setting the tone for 105 minutes of pure hits and touching moments.

There are very few performers of his era that can maintain the energy level that Barry does during a show. Eschewing the usual time-borrowing distractions…like solos from back-up artists and endless video packages (I’m looking at you, Cher), Barry is onstage from curtain-up through final bows.

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It’s clear that the singer’s primary reason for being onstage is because he enjoys doing it so very, very much. He wants you to have a great time, sing along and reminisce with him about an era that looks so great in the rear view mirror.

“I just love these songs”, he says. “Whatever happened to melodies? Today’s music is great….there’s lots of rhythm…but where did the melodies go?”. Then he answers that question by diving right back into his huge bag of goodies, which includes “This One’s For You”, “Even Now” and “I Made It Through The Rain”.

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Between songs, Manilow recounts his childhood…and the endless support he got from his family. This was especially true of his grandfather, who took little Barry into the city to record his voice at a coin-operated sound booth. Amazingly, the audio of that scratchy vinyl disc still exists. He shares it with the audience, along with photos of them together on their adventure.

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Speaking of adventure, Barry briefly turns on the campy charm with a 3D-enhanced flyover of New York City (everyone gets a pair of 3D glasses, glow stick and collectible tumbler), set to the lyrics of “This Is My Town”. That self-penned single is from his newest album. Released in 2017, “Songs of New York” is the 31st studio release, which rose to number 12 on U.S. charts.

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Another heartwarming moment brought tears to this writer’s eyes. It’s when Manilow is seen in a clip of his 1975 performance of “Mandy” on THE MIDNIGHT SPECIAL. After a few phrases, Barry himself appears, already seated at a piano. The two Manilows share a duet, separated by 43 years and a lifetime of experience. Try not to get choked up.

The television has always kind to Barry, especially in the formative years of his career. He began as a songwriter, creating jingles for the likes of State Farm, Band-Aid and McDonald’s. He shares a few of those ear worms, much like he did in a legendary 1978 HBO concert.

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That program, “Manilow: Live at the Greek Theater”, was HBO‘s first-ever music special…and a breakthrough for modern programming. It was also the first cable program to ever beat the big three networks in the ratings, cementing HBO‘s place in American homes (bet you GAME OF THRONES fans didn’t know that you have Barry to thank!).

I remember going to a friend’s house to watch this concert (we couldn’t afford cable back then) and being utterly mesmerized. And that’s how I felt at the Westgate Hotel Casino as this master of entertainment brought all those memories back to vivid life.

The nearly two-hour show flies by at a rapid pace, culminating in the glorious “I Write The Songs”, a masterpiece that united the many generations in attendance. This clip will show you just how moving a song can be. And of course, there’s an encore of “Copacabana (At The Copa)” to send you dancing in the streets.

If there’s one show you absolutely must see while in Vegas, it’s Manilow: The Hits Come Home. 2019 dates were just announced today, so you still have some time to witness the legend. But don’t put it off…even the World’s Greatest Showman will have to hang up his flashy jackets someday.

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Manilow: The Hits Come Home performs Thursday-Saturday at Westgate’s International Theater. Tickets start at $22 (plus taxes/fees) and can be ordered here.  Our friend at VegasFool.com is offering discounts via this link

Photos: Sammasseur

 

 

 

 

 

 

Jeffrey DeBarathy, The Ultimate “Go-To” Entertainer


“…this innovative young man is putting a very unique stamp on Las Vegas”.

EDITOR’S NOTE: This article previously appeared on another site in April of 2016. Jeffrey has gone on to work with many other artists and shows, including costume design for INFERNO at Paris Hotel Casino. He continues to be a featured performer at V Theater’s ZOMBIE BURLESQUE.

It’s pretty common for a performer or celebrity to be described as “chameleon-like”. Some entertainers can step into a wide variety of roles and fully command them. But a real show-biz chameleon can do just about anything, whether it be singing, dancing, acting, acrobatics…or choreography and costume design?

Yes, it’s possible. Say hello to Vegas multi-hyphenate Jeffrey DeBarathy.

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If you’ve attended any Vegas shows in the past several years, chances are that you’ve experienced the talents of Jeffrey DeBarathy. This 35-year-old Montana native has had involvement in the widest variety of productions that this writer has ever seen. It’s not unusual to encounter Jeffrey himself at least once on each of my trips to Sin City. The guy is EVERYWHERE.

Jeffrey began training in the arts when he was only three years old. He studied jazz, tap, and gymnastics in his hometown of Butte until the age of 19 when he was offered a chance to join Celebrity Cruise Lines as part of the Molyneux-Musick Entertainment Company. Those three years literally opened up a whole world of opportunities which saw DeBarathy performing in China, the Caribbean, Tahiti, Europe, Hawaii, and Alaska.

From there, Jeffrey made the decision to try his luck in Las Vegas. He was only 22 at the time but dove headfirst into action by joining the cast of the notorious STORM at Mandalay Bay and Charo‘s Spanish variety show BRAVO. His unconventional good looks and wild mane no doubt made an impression on casting directors, but it was Jeffrey’s talents that brought him to the front.

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               Jeffrey (upper right) with the cast of “Alice – A Steampunk Concert Fantasy.”

It wasn’t long before Jeffrey was taking charge behind the scenes, too, as dance captain for FASHIONISTAS. That erotically-charged fantasy played at KRAVE nightclub for four years. Numerous other shows followed, most notably Rio‘s final incarnation of SHOW IN THE SKY, the iconic attraction which closed permanently in 2013.

It was during a period of modeling in special events and print ads that Jeffrey discovered a flair for costume and fashion design. His talent for blending unusual and outrageous fantasy elements into his designs has made DeBarathy the go-to designer for many shows in the city. Jeffrey eventually launched his own specialty line of costumes, clothing and accessories called Jd Fashion Design.

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                             Jeffrey’s daring designs adorn The Men Of Steele

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Jeffrey (foreground) makes adjustments to a costume during rehearsals for 53X at Chateau Nightclub

In just the past month, Jeffrey has added three new productions to his resume, as costume designer for The Men Of Steele male revue and 53X (the sexy new show at Paris) and as a performer/designer for ALICE: A Steampunk Concert Fantasy at The Linq. That wild musical interpretation of Alice In Wonderland has been drawing crowds…and critical raves…during its monthly performances at Brooklyn Bowl.

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                                    As Zombie Burlesque’s “Johnny Wifemauller.”

Jeffrey is also the dance captain and a regular performer at V Theater‘s ZOMBIE BURLESQUE, the risque comedy-horror musical that we mentioned awhile back (in a profile of costar Aaron Lucey). AND, he’s the personal stylist/dance captain/dancer for songstress Kristine W., who’s launching another tour this summer.

Check out this music video they shot together at the Las Vegas Life Cube:

As Jeffrey’s talents allow him to reach and expand, it’s easy to imagine seeing his visionary work in major motion pictures, Broadway productions, and shows throughout the world. But for the time being, this innovative young man is putting a very unique stamp on Las Vegas.

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Jeffrey with Zombie Burlesque host Enoch Augustus Scott and castmate April Leopardi…

Photos: Jeffrey DeBarathy/Shannon M. Hardin-Oteyza via Facebook, Sammasseur, Zombie Burlesque, Alice – A Steampunk Concert Fantasy

By George, We Have Another Star!


Actor/dancer/model George Blick is ready for his moment….

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                                                      George Blick

Where you’ve seen him – Sex Tips For Straight Women, Aussie Heat

EDITOR’S NOTE: Due to technical issues, spacing may appear compressed in certain sections of this article. Please be patient as we try to resolve the problem.

George Blick may be new to the Vegas entertainment scene, but he’s been wowing audiences across the globe since he was a young teen. The native of Wales was only a boy when he went to watch his grandmother’s line-dancing classes. Fascinated by what he’d experienced, George was encouraged by instructor Stephanie Harris to give it a try. A short time later, George was starting in a class with about thirty other children.

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It’s easy to see that the Blick family carries natural talent in its genes. Entering line dance competitions at the age of ten, George was Junior World Champion by thirteen. Numerous accolades followed including six World Masters, three British Masters and five European line-dance championships.

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You don’t get that far in your field without some appreciation. For George the reward came in the form of a full scholarship to Laine Theater Arts College, located in the town of Epsom (Surrey, England). This respected institute prepares aspiring performers for success in the worlds of dancing, singing and acting…ensuring that their newest student would progress even further.

By the age of twenty-one, Blick had branched out into Latin American, ballroom and disco dance genres. Still, he’s glad that line-dancing gave him his start. He feels it’s the perfect representation of coordination, posture and style.

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Of course, being a handsome and charming young man with an electric smile and sandy hair helped him segue into modeling gigs and talent shows. There were photo shoots for calendars, clothing campaigns and print ads. He was even a finalist for the 2011 title of Mister Wales, an annual charity fundraiser.

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Looking good is a requirement for George’s featured roles. They require a hot body, style, lots of swagger and confidence galore. But not a lot of clothing. That doesn’t mean that George is a stranger to dressing up for the right part:

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I have done many modeling gigs, including catwalks at wedding events. I’ve also modeled for Dyfed Menswear, which is Wales’ biggest wedding suit “hire” (rental) company.

Like his recently-profiled friends Alejandro and Sarah Domingo, George eventually found himself in Hollywood Florida, rehearsing for shows on the Royal Caribbean cruise lines.

I first came to the United States with my family when I was around 10 years old. We went to Disneyland and Universal Studios on a holiday. The next time was working at Royal Caribbean for seven years as one of their dancers.

It was at that time that love swept George off his feet…by someone he was regularly lifting into the air. Her name was Emily Yates, a lovely singer/dancer from Apple Valley, California. The two just celebrated their second wedding anniversary in September.

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I met my wife Emily while in rehearsals with Royal Caribbean. Initially we were seeing different people. One year later we were put together on the Navigator of the Seas, which is where we fell in love.
We’ve worked together on Royal Caribbean, Princess Cruise Lines, Holland America and different gigs here and there in Las Vegas. If we can I always try to be in the same show as Emily. Her voice blows me away
Audiences are apt to get blown away by the sheer volume of work that George is currently putting out on Vegas stages. He’s appearing as “Stefan” in SEX TIPS FOR STRAIGHT WOMEN FROM A GAY MAN, alternating with previously-profiled Chris Hodgson.
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       Pals Chris Hodgson (left) and Blick shares stage duties for the same character…
After each performance, George then dashes from the Anthony Cools Showroom at Paris Las Vegas to adjacent Planet Hollywood. There he brings his dance skills to the V Theater as one of the newest members of Aussie Heat.
In today’s social-media climate, building your brand is almost as vital as your skills. Blick’s decided to share his sense of fashion via Blick’s Boutique, an online shopping experience that offers top quality wallets, hand bags, back packs and other accessories at affordable price points.
He also shares his expertise in the area of fitness by helping others as a personal trainer. With all of these activities going on, it’s doubtful that George ever sleeps.
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George and Emily recently purchased a house in Sin City and they’re working hard to turn it into their dream home. They also have in their sights to team up professionally in a Sin City production. So far, they’ve only worked together here on temporary gigs.
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As for production work, Emily is currently performing in Vegas! The Show, Fantasy and Tony and Tina’s Wedding, all located within a few blocks of George’s shows. So even when they’re performing separately, they’re never far apart.
Emily and I have worked together on Royal Caribbean Princess Cruise line, Holland America line and different gigs here and there in Las Vegas. I’ve always tried to be in the same shows as Emily. Her voice blows me away.
This ambitious young couple personifies the dream that newlyweds strive for. Their whirlwind lifestyle rarely slow down, but they always have for their two little ones…of the four-footed variety. And Emily’s extended family has made quite an impression.
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We have two dogs – they are both chiweenies, a breed that combines chihuahua and dachsund. Their names are “Cwtch” (a Welsh word for “cuddle) who’s the male and “Jovi who is female. Even though they are small, they have massive personalities!
I’m an only child and my wife has a large family. When she gets into arguments with her brother or sister it’s quite funny, as I often have a different opinion of things than she does.
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          Yours truly visits George (top left) and the guys of Aussie Heat…
Sitting down with George after a performance of Aussie Heat, I asked him a few questions about life in Vegas….and some of his goals going forward.

In my free time I like to relax, go to the gym and create different  projects. I like to always add strings to my bow of talent, So, if one of them was not to work anymore I’d have a back up plan.

One of my favorite restaurants here is The Martini on South Fort Apache Road. It’s a small place with amazing food and drink. And they have an incredible happy hour. Emily and I tend to go there quite often. I also love Steak and Shake! It’s cheap and cheerful but you leave there feeling “full as an egg”.

I’m not big into the clubbing scene…I prefer bars. One of my favorite bars is Stoney’s Rockin’ Country in Town Square. Since I love to line dance, I can have a really good time there. And of course, get an ice cold beer!

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Even though there are thousands of recreational activities in and around Las Vegas, George still enjoys traveling the globe. All those years on cruises ships afforded him plenty of exposure to other cultures, so he has his favorite destinations to return to.
I really like Thailand…everything out there is bigger and a bit crazier. But if I was to vacation just for relaxation purposes I would definitely have to go with Mexico. The water is beautiful, it’s fun, the food is incredible…and who doesn’t love a margarita?
With all the work that George and Emily pack into a week, some cocktails on the beach would be a well-deserved reward. But of course, the call of the stage is in their blood, so Vegas audiences won’t have to go for long without a dose of the Blicks.
As for handsome Welshman, there are a few milestones left to accomplish:
I would love to work with Brad Pitt. He would be such a cool little inspirational guy to be around.
I’d also love to work with Michael Bolton. His voice is phenomenal and one of a kind. But I don’t really see that happening as I’m not a singer. But (laughing)…maybe I could be a background dancer someday in one of his videos!
Photos: George Blick via Facebook. Cover photo by Mark Osman